In general histories of Russian social and philosophical thought we usually find a gap between 1790 (publication of Radishchev's Journey) and 1815 (the establishment of the first secret societies by the future Decembrists). This quarter of a century could boast neither a prominent personality nor a cause cèlèbre of government persecution. True enough, there was Karamzin and his Zapiska o drevnei i novoi Rossii (Memoir on Ancient and Modern Russia); but the tract remained long unknown, and its author is usually dismissed as a lone figure whose impact on the development of the ideologies that were to matter was, at best, peripheral. General histories of literature treat this period primarily in terms of the philological debate between Karamzin and Shishkov and as prologue to Romanticism. Thus, in the one case, the period is described exclusively in terms of Russia's literary history, which is not very satisfactory to the student of social and political ideas; for literature—even as engagé a literature as was Russia's in the nineteenth century—is hardly an adequate source or form of ideology. In the other case, Radishchev must perforce be viewed as an isolated figure, a maverick, without either followers or immediate influence. Furthermore, the obvious implication is that there were no direct links between the Decembrists and eighteenth-century Russian ideas, so that the young rebels of 1825 must have been influenced exclusively by their experiences with the life and thought of Western Europe.On the strength of the testimony of all contemporaries, however, the first decade of the nineteenth century was a period of great intellectual ferment, of exhilarating optimism about Russia's prospects for “modernization” (to use a fashionable term). Compared with the last years of Catherine II and with the reign of Paul, these decades also offered greater freedom, more opportunities for the expression of ideas and hopes. Could indeed the outrage and disillusionment at Alexander's so-called reactionary stance after 1815 be understood if it were not for the fact that his reign had opened on such a strong note of optimism and vitality?
HYBRIDITY IN POPULAR CULTURE: A TRANSNATIONAL ANALYSIS OF AMERICAN ADAPTATIONS OF JAPANESE MOVIES IN 21st CENTURY
