The problem of the paedophile: guidelines for recruiting staff for positions in child and youth care

1996 ◽  
Vol 21 (2) ◽  
pp. 35-37 ◽  
Author(s):  
Meredith Kiraly

In recent years there has been widespread concern across the English-speaking world about repeated incidents in which paedophiles have obtained positions of responsibility in relation to the care of vulnerable children, such as those living in residential care. In the United Kingdom, a series of well-publicised incidents over several years culminated in the Beck case. Frank Beck was a paedophile who was appointed to the position of head of a children's home. Following the discovery of his abusive activities with children in one workplace, he successfully moved to a similar position of responsibility. In response to this series of scandals an inquiry was set up in to the Selection, Development and Management of Staff in Children's Homes (the Warner Inquiry). This inquiry produced a substantial report on ways in which selection and management practices should be improved. There have, however, been continuing concerns that international paedophile rings continue to pose a significant risk to children and young people in the care system across the world.

Author(s):  
Chris Holmes

In the particular and peculiar case of the Booker Prize, regarded as the most prestigious literary award in the United Kingdom (as measured by economic value to the author and publisher, and total audience for the awards announcement), the cultural and economic valences of literary prizes collide with the imperial history of Britain, and its after-empire relationships to its former colonies. From its beginnings, the Booker prize has never been simply a British prize for writers in the United Kingdom. The Booker’s reach into the Commonwealth of Nations, a loose cultural and economic alliance of the United Kingdom and former British colonies, challenges the very constitution of the category of post-imperial British literature. With a history of winners from India, South Africa, New Zealand, and Nigeria, among many other former British colonies, the Booker presents itself as a value arbitrating mechanism for a majority of the English-speaking world. Indeed, the Booker has maintained a reputation for bringing writers from postcolonial nations to the attention of a British audience increasingly hungry for a global, cosmopolitan literature, especially one easily available via the lingua franca of English. Whether and how the prize winners avoid the twin colonial pitfalls of ownership by and debt to an English patron is the subject of a great deal of criticism on the Booker, and to understand the prize as a gatekeeper and tastemaker for the loose, baggy canon of British or even global Anglophone literature, there must be a reckoning with the history of the prize, its multiplication into several prizes under one umbrella category, and the form and substance of the novels that have taken the prize since 1969.


2018 ◽  
Vol 100-B (6) ◽  
pp. 687-692 ◽  
Author(s):  
D. J. McCormack ◽  
A. Gulati ◽  
J. Mangwani

Our aim in this paper was to investigate the guidelines and laws governing informed consent in the English-speaking world. We noted a recent divergence from medical paternalism within the United Kingdom, highlighted by the Montgomery v Lanarkshire Health Board ruling of 2015. We investigated the situation in the United Kingdom, Australia, New Zealand, Canada, and the United States of America. We read the national guidance regarding obtaining consent for surgical intervention for each country. We used the references from this guidance to identify the laws that helped inform the guidance, and reviewed the court documents for each case. There has been a trend towards a more patient-focused approach in consent in each country. Surgeons should be aware of the guidance and legal cases so that they can inform patients fully, and prevent legal problems if outdated practices are followed. Cite this article: Bone Joint J 2018;100-B:687–92.


2013 ◽  
Vol 21 (2) ◽  
pp. 278-304 ◽  
Author(s):  
Bernadette J. Saunders

Ending the physical punishment of children remains an enormous challenge. In societies which tolerate even limited physical punishment as discipline or control, it is a response to children that adults may unthinkingly adopt simply because they can. This paper primarily focuses on the language, traditions and law prevailing in English-speaking, common law countries – Australia, Canada, and the United Kingdom – that have ratified the CRC but have not yet fully outlawed physical punishment. New Zealand, the first English-speaking country to ban physical punishment, and the United States which has neither ratified the CRC nor fully outlawed physical punishment, are also discussed. Separately, language, traditional attitudes and practices, and laws impacting children’s lives are considered, with a view to envisioning a status quo where adults and children are accorded equal respect as human beings and any degree of physical violence towards children is regarded as an aberration.


Author(s):  
Nick Zepke ◽  
Linda Leach

Tertiary student retention, progression and achievement have become major policy issues in New Zealand, and the English-speaking world generally. Both the human and financial costs of non-completion have led to policy settings dedicated to improving student outcomes. After briefly sketching policy developments in the United Kingdom, Australia and the United States, the article examines the New Zealand government’s emerging policy framework for improving student outcomes. It suggests that concern for student learning and success is justified, but questions some of the underlying assumptions behind the policies. These, the article argues, focus on system-wide accountability using crude statistical indicators that can lead to sanctions. The paper uses retention research from overseas and New Zealand to test both assumption and criticism. The article suggests that evidence does not support a generic and punitive approach to improve student outcomes. It suggests a reframing of both accountability and research evidence to produce an alternative approach to student outcomes policy.


Lingua Cosmica: Science Fiction from around the World consists of eleven scholarly essays on contemporary authors (born 1950 or later) of science fiction who publish in languages other than English, or who publish from the English-speaking “periphery”: i.e., outside the United States, the United Kingdom, and Anglophone Canada. Each essay examines one author, making a case for their importance internationally and contextualizing their work within the science-fictional traditions of their own culture and those of the genre globally (themes, tropes, tendencies, subgenres, etc.). Each also offers an in-depth analysis of a major work or works. The book thus identifies major contemporary authors of science fiction outside the “center” of the English-speaking world and presents them to students and scholars in the Anglophone world. The scholars respond to questions such as: Who are these authors, and why are they important? What innovative thematic material or formal elements do they offer? What unique elements from their culture do they bring to the genre? How do they dialogue with the history of the genre, and how do they fit into the contemporary SF scene? The authors studied are Angélica Gorodischer from Argentina, Yves Meynard and Jean-Louis Trudel writing collaboratively as Laurent McAllister (Francophone Canada), Liu Cixin (China), Daína Chaviano (Cuba), Johanna Sinisalo (Finland), Jean-Claude Dunyach (France), Andreas Eschbach (Germany), Sakyo Komatsu (Japan), Olatunde Osunsanmi (Nigerian American), Jacek Dukaj (Poland), and Arkady Strugatsky and Boris Strugatsky (Russia/USSR).


Author(s):  
Kaarina Aitamurto ◽  
Scott Simpson

In the twentieth century, all across Europe, new religious communities appeared which drew inspiration from historical Paganisms. The Wiccan tradition, first presented in the United Kingdom in the second half of the twentieth century by Gerald Gardner, has been one of the most influential and far-reaching. Well-known currents in the English-speaking world also include Druidry and Germanic Heathenism, as well as many others. Their entrance onto the religious scene has been met with various responses from the media and scholarship. This chapter addresses selected themes in the development of academic “Pagan Studies.” These include the definitional difficulties in describing a diverse field, the special methodological concerns and approaches which have arisen, and the increasing internationalization of study.


Author(s):  
Kathleen Gallagher ◽  
Rachel Rhoades ◽  
Sherry Bie ◽  
Nancy Cardwell

The field of drama education and applied theater is best understood through a consideration of the major developments and aspirations that have shaped its trajectory over three historical periods: the latter years of the 19th century up until 1960, between 1960 and 1990, and the years encompassing the turn of the 21st century, 1990–2015, which was a decidedly more globalized epoch. The drama education/applied theater scholarship of the English-speaking world, including the United Kingdom, Europe, Australia and New Zealand, and North America, offers a fascinating distillation of the relationship between making drama and learning, including the history of alternative forms of education. Scholarship from Asia drawing on traditional forms of theater-making, as well as imported and adapted structures of Western drama education movements, speak to hybrid and ever-expanding practices across the globe. Although young as a discipline within the academy, drama education/applied theater has all but made up for its relative immaturity by spanning a wide domain of multidisciplinary thinking, embracing an eclectic theoretical field that covers an enormous breadth of social issues and a vast range of learning theories, while straddling a compelling spectrum of political positions. The development of the field is infused with pioneering ideas that broke with entrenched historical traditions and habitual ways of learning, harkening toward new ways of thinking, being, relating, and creating. Taking the world as its source material and humanity as its target audience, the history of the progressive discipline of drama education/applied theater tells the story of an ambitious, flawed, idealized, politicized, divisive, and deeply humanistic scholarly and practice-driven field.


1988 ◽  
Vol 21 (4) ◽  
pp. 396-420 ◽  
Author(s):  
Eric A. Johnson

What has happened to quantitative history? Is it dead? Any working historian alive today in the English-speaking world surely knows that it has come under heavy attack at least since Lawrence Stone, one of its former proponents, began sounding its death knell in a provocative and widely cited essay written at the turn of this decade by declaring scientific history a “myth” and calling for a “revival of narrative.” Georg Iggers, perhaps the leading historiographer of European and especially German history, wrote recently that “the past few years have seen a profound disillusionment with the quantitative approaches which were at the core of would-be scientific history…. The heady optimism of Marxists, Annalists, and American cliometricians that history would become a rigorous science has been shattered. What has taken its place in recent historical writing is a return from analysis to narrative, with a central focus, as Stone says, on ‘man not circumstances. Indeed many pioneering American cliometricians have turned conciliatory like Robert Fogel, irritable and combative like Charles Tilly, or downright depressed like J. Morgan Kousser.


Author(s):  
Teresa Fiore

By highlighting Italy’s long history of emigration to all continents in the world, as well as its lesser known colonial experiences, Fiore’s book poses Italy as a unique laboratory to rethink national belonging at large in our era of massive demographic mobility. Through an interdisciplinary cultural approach, the book finds traces of globalization in a past that may hold interesting lessons about inclusiveness for the present. Fiore’s imaginative remapping of Italy’s national formation and development foregrounds the perspectives of the “outsiders,” that is, departing and arriving migrants along diasporic and (post-) colonial routes. In adopting a lens that introduces space theories by de Certeau, Lefebvre, and Soja to the trans-national dimension of the Italian nation, Fiore analyzes films, novels, songs, plays, and nursery rhymes by migrant and non-migrant authors and artists. They range from established names such as Calvino, Rodari, Mazzucco, Ghermandi, and Lakhous to lesser known artists in the English-speaking world such as Cavanna, Pariani, and Mignonette. Set in such diverse places as Argentina, Egypt, the U.S., Italy, and France, and created by authors originally from Algeria, Tunisia, Eritrea, Ethiopia, and Romania among other places, these works are strongly focused on the spaces where migrants travel, reside, and work. Seas and oceans, multi-ethnic neighborhoods and buildings, as well as construction sites and domestic environments, are spaces full of preoccupation about the presence of migrants as well as spaces always pre-occupied by previous stories of migration that set up commonalities rather than divisions along cultural lines.


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