Vibrational Communication in Subterranean Rodents

1998 ◽  
Vol 2 (2) ◽  
pp. 217-231 ◽  
Author(s):  
Gabriel Francescoli ◽  
Carlos A. Altuna
Keyword(s):  
Vocal Communication ◽  
Subterranean Rodents ◽  
Seismic Signals ◽  
Evolutionary Sequence ◽  
Way Of Life ◽  
Vibrational Signals ◽  
Vocal Signals ◽  
Long Range Communication ◽  
Solitary Species ◽  
Fossorial Species

Here we discuss different factors that could influence the development of vocal and/or seismic communicative channels in subterranean rodents. We suggest that: 1) Highly social subterranean rodents that do not leave their burrows use essentially vocal signals in the vibrational channel; 2) Solitary and almost permanently fossorial species use vocal signals in short range and seismic signals in long range communication; 3) Other solitary species that leave the burrow system more frequently and that retain good visual capabilities are constrained to use vocal communication only. Also we suggest that seismic communication probably derives from digging activities and, consequently, developed after the acquisition of the subterranean way of life. The first three statements are based on a previously proposed relationship between visual capabilities, hearing capabilities, time spent outside the burrows, social organization and type of vibrational signals used by the species. The fourth statement is based in the correlation found between digging and transporting tools and thumping tools, that are the same across the literature on pertinent genera. Some thumping techniques unique to subterranean animals lead us to propose an evolutionary sequence leading from digging to thumping.

scholarly journals Heat dissipation in subterranean rodents: the role of body region and social organisation

2021 ◽  
Vol 11 (1) ◽  
Author(s):  
František Vejmělka ◽  
Jan Okrouhlík ◽  
Matěj Lövy ◽  
Gabriel Šaffa ◽  
Eviatar Nevo ◽  
...  
Keyword(s):  
Surface Temperature ◽  
Heat Dissipation ◽  
Ventral Surface ◽  
Body Region ◽  
Subterranean Rodents ◽  
Ambient Temperatures ◽  
Social Species ◽  
Body Regions ◽  
Body Heat ◽  
Solitary Species

AbstractThe relatively warm and very humid environment of burrows presents a challenge for thermoregulation of its mammalian inhabitants. It was found that African mole-rats dissipate body heat mainly through their venter, and social mole-rats dissipate more body heat compared to solitary species at lower temperatures. In addition, the pattern of the ventral surface temperature was suggested to be homogeneous in social mole-rats compared to a heterogeneous pattern in solitary mole-rats. To investigate this for subterranean rodents generally, we measured the surface temperatures of seven species with different degrees of sociality, phylogeny, and climate using infrared thermography. In all species, heat dissipation occurred mainly through the venter and the feet. Whereas the feet dissipated body heat at higher ambient temperatures and conserved it at lower ambient temperatures, the ventral surface temperature was relatively high in all temperatures indicating that heat dissipation to the environment through this body region is regulated mainly by behavioural means. Solitary species dissipated less heat through their dorsum than social species, and a tendency for this pattern was observed for the venter. The pattern of heterogeneity of surface temperature through the venter was not related to sociality of the various species. Our results demonstrate a general pattern of body heat exchange through the three studied body regions in subterranean rodents. Besides, isolated individuals of social species are less able to defend themselves against low ambient temperatures, which may handicap them if staying alone for a longer period, such as during and after dispersal events.

scholarly journals Discrimination of natural acoustic variation in vocal signals

2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Adam R. Fishbein ◽  
Nora H. Prior ◽  
Jane A. Brown ◽  
Gregory F. Ball ◽  
Robert J. Dooling
Keyword(s):  
Zebra Finch ◽  
Acoustic Communication ◽  
Communication Systems ◽  
Vocal Communication ◽  
Relevant Information ◽  
Speech Sounds ◽  
Vocal Signals ◽  
Acoustic Variation ◽  
Zebra Finch Song ◽  
Human Listener

AbstractStudies of acoustic communication often focus on the categories and units of vocalizations, but subtle variation also occurs in how these signals are uttered. In human speech, it is not only phonemes and words that carry information but also the timbre, intonation, and stress of how speech sounds are delivered (often referred to as “paralinguistic content”). In non-human animals, variation across utterances of vocal signals also carries behaviorally relevant information across taxa. However, the discriminability of these cues has been rarely tested in a psychophysical paradigm. Here, we focus on acoustic communication in the zebra finch (Taeniopygia guttata), a songbird species in which the male produces a single stereotyped motif repeatedly in song bouts. These motif renditions, like the song repetitions of many birds, sound very similar to the casual human listener. In this study, we show that zebra finches can easily discriminate between the renditions, even at the level of single song syllables, much as humans can discriminate renditions of speech sounds. These results support the notion that sensitivity to fine acoustic details may be a primary channel of information in zebra finch song, as well as a shared, foundational property of vocal communication systems across species.

scholarly journals Form and function of long-range vocalizations in a Neotropical fossorial rodent: the Anillaco Tuco-Tuco (Ctenomyssp.)

PeerJ ◽  
2016 ◽  
Vol 4 ◽  
pp. e2559 ◽  
Author(s):  
Juan Pablo Amaya ◽  
Juan I. Areta ◽  
Veronica S. Valentinuzzi ◽  
Emmanuel Zufiaurre
Keyword(s):  
Long Range ◽  
Vocal Communication ◽  
Broad Band ◽  
Low Frequency ◽  
Home Ranges ◽  
Subterranean Rodents ◽  
Acoustic Features ◽  
Long Distance ◽  
Form And Function ◽  
Types Of Information

The underground environment poses particular communication challenges for subterranean rodents. Some loud and low-pitched acoustic signals that can travel long distances are appropriate for long-range underground communication and have been suggested to be territorial signals. Long-range vocalizations (LRVs) are important in long-distance communication inCtenomystuco-tucos. We characterized the LRV of the Anillaco Tuco-Tuco (Ctenomyssp.) using recordings from free-living individuals and described the behavioral context in which this vocalization was produced during laboratory staged encounters between individuals of both sexes. Long-range calls of Anillaco tuco-tucos are low-frequency, broad-band, loud, and long sounds composed by the repetition of two syllable types: series (formed by notes and soft-notes) and individual notes. All vocalizations were initiated with series, but not all had individual notes. Males were heavier than females and gave significantly lower-pitched vocalizations, but acoustic features were independent of body mass in males. The pronounced variation among individuals in the arrangement and number of syllables and the existence of three types of series (dyads, triads, and tetrads), created a diverse collection of syntactic patterns in vocalizations that would provide the opportunity to encode multiple types of information. The existence of complex syntactic patterns and the description of soft-notes represent new aspects of the vocal communication ofCtenomys. Long-distance vocalizations by Anillaco Tuco-Tucos appear to be territorial signals used mostly in male-male interactions. First, emission of LRVs resulted in de-escalation or space-keeping in male-male and male-female encounters in laboratory experiments. Second, these vocalizations were produced most frequently (in the field and in the lab) by males in our study population. Third, males produced LRVs with greater frequency during male-male encounters compared to male-female encounters. Finally, males appear to have larger home ranges that were more spatially segregated than those of females, suggesting that males may have greater need for long-distance signals that advertise their presence. Due to their apparent rarity, the function and acoustic features of LRV in female tuco-tucos remain inadequately known.

An Analysis of Vocal Communication in Young Brown Noddies (Anous stolidus)

The Auk ◽  
1986 ◽  
Vol 103 (2) ◽  
pp. 351-358 ◽  
Author(s):  
Diane E. Riska
Keyword(s):  
Vocal Communication ◽  
Broad Band ◽  
The Third ◽  
Vocal Signals

Abstract Nestlings and young fledglings of the Brown Noddy (Anous stolidus) produce three structurally different vocal signals. The postures of the chicks and the contexts in which these signals are produced differ for each call. Nestlings produce all three calls within one day after hatching. One is given during pipping, when the chick is moving on or near the nest, or when it is isolated from the nest. The second is given by begging chicks. The third is given when an intruder approaches. The repertoire is composed of frequency-modulated tonal elements and broad-band bursts of sound. Although changes occur in the temporal and frequency patterns of the calls during the nestling and fledgling stages, there is little resemblance to the adult repertoire during these periods.

scholarly journals Distinct timescales for the neuronal encoding of vocal signals in a high-order auditory area

2021 ◽  
Author(s):  
Aurore Cazala ◽  
Catherine Del Negro ◽  
Nicolas Giret
Keyword(s):  
Auditory Processing ◽  
Vocal Communication ◽  
High Order ◽  
Functional Roles ◽  
Global Context ◽  
Vocal Signals ◽  
Natural Sound ◽  
Auditory Area ◽  
Natural Variations ◽  
Neuronal Encoding

The ability of the auditory system to selectively recognize natural sound categories with a tolerance to variations within categories is thought to be crucial for vocal communication. Subtle variations, however, may have functional roles. To date, how the coding of the balance between tolerance and sensitivity to variations in acoustic signals is performed at the neuronal level requires further studies. We investigated whether neurons of a high-order auditory area in a songbird species, the zebra finch, are sensitive to natural variations in vocal signals by recording responses to repeated exposure to similar and variant sound sequences. We took advantage of the intensive repetition of the male songs which subtly vary from rendition to rendition. In both anesthetized and awake birds, responses based on firing rate during sequence presentation did not show any clear sensitivity to these variations, unlike the temporal reliability of responses based on a 10 milliseconds resolution that depended on whether variant or similar sequences were broadcasted and the context of presentation. Results therefore suggest that auditory processing operates on distinct timescales, a short one to detect variations in individual's vocal signals, longer ones that allow tolerance in vocal signal structure and the encoding of the global context.

An Analysis of Vocal Communication in the Adult Brown Noddy (Anous stolidus)

The Auk ◽  
1986 ◽  
Vol 103 (2) ◽  
pp. 359-369 ◽  
Author(s):  
Diane E. Riska
Keyword(s):  
Vocal Communication ◽  
Wide Band ◽  
Basic Unit ◽  
Frequency Range ◽  
Mean Frequency ◽  
Dry Tortugas ◽  
Msec Duration ◽  
Vocal Signals ◽  
The Mean ◽  
Nesting Season

Abstract I analyzed vocal signals of marked adult Brown Noddies (Anous stolidus) throughout their nesting season in the Dry Tortugas, Florida from 1979 to 1982. The basic unit of the adult repertoire is a wide-band click, less than 4 msec duration, ranging in frequency from 200 to 3,300 Hz. I identified nine temporal arrangements of these clicks, which form the notes of the calls. These calls differ little in frequency range, but they differ in the mean frequency of the most intense sound energy band, in note duration, in the number of clicks per note, and in internote interval. These calls are used in different contexts, which sometimes overlap. Frequency, note duration, and internote interval do not differ between sexes. Mean frequency and note length varied among individuals for some calls. No tonal elements characteristic of calls of Brown Noddy nestlings remain in the adult repertoire.

scholarly journals Distinct timescales for the neuronal encoding of vocal signals in a high-order auditory area

2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Aurore Cazala ◽  
Catherine Del Negro ◽  
Nicolas Giret
Keyword(s):  
Auditory Processing ◽  
Vocal Communication ◽  
High Order ◽  
Functional Roles ◽  
Global Context ◽  
Vocal Signals ◽  
Natural Sound ◽  
Auditory Area ◽  
Natural Variations ◽  
Neuronal Encoding

AbstractThe ability of the auditory system to selectively recognize natural sound categories while maintaining a certain degree of tolerance towards variations within these categories, which may have functional roles, is thought to be crucial for vocal communication. To date, it is still largely unknown how the balance between tolerance and sensitivity to variations in acoustic signals is coded at a neuronal level. Here, we investigate whether neurons in a high-order auditory area in zebra finches, a songbird species, are sensitive to natural variations in vocal signals by recording their responses to repeated exposures to identical and variant sound sequences. We used the songs of male birds which tend to be highly repetitive with only subtle variations between renditions. When playing these songs to both anesthetized and awake birds, we found that variations between songs did not affect the neuron firing rate but the temporal reliability of responses. This suggests that auditory processing operates on a range of distinct timescales, namely a short one to detect variations in vocal signals, and longer ones that allow the birds to tolerate variations in vocal signal structure and to encode the global context.

scholarly journals Frontal cortex activity underlying the production of diverse vocal signals during social communication in marmoset monkeys

2021 ◽  
Author(s):  
Lingyun Zhao ◽  
Xiaoqin Wang
Keyword(s):  
Frontal Cortex ◽  
Single Neuron ◽  
Vocal Communication ◽  
Theta Band ◽  
Vocal Production ◽  
Signal Features ◽  
Vocal Signals ◽  
Different Types ◽  
Temporal Structures ◽  
Marmoset Monkeys

Vocal communication is essential for social behaviors in humans and many non-human primates. While the frontal cortex has been shown to play a crucial role in human speech production, its role in vocal production in non-human primates has long been questioned. Recent studies have shown activation in single neurons in the monkey frontal cortex during vocal production in relatively isolated environment. However, little is known about how the frontal cortex is engaged in vocal production in ethologically relevant social context, where different types of vocal signals are produced for various communication purposes. Here we studied single neuron activities and local field potentials (LFP) and in the frontal cortex of marmoset monkeys while the animal engaged in vocal exchanges with other conspecifics in a social environment. Marmosets most frequently produced four types of vocalizations with distinct acoustic structures, three of which were typically not produced in isolation. We found that both single neuron activities and LFP were modulated by the production of each of the four call types. Moreover, the neural modulations in the frontal cortex showed distinct patterns for different call types, suggesting a representation of vocal signal features. In addition, we found that theta-band LFP oscillations were phase-locked to the phrases of twitter calls, which indicates the coordination of temporal structures of vocalizations. Our results suggested important functions of the marmoset frontal cortex in supporting the production of diverse vocalizations in vocal communication.

Birdsong: From behaviour to brain

Biologia ◽  
2010 ◽  
Vol 65 (3) ◽  
Author(s):  
Eva Bosíková ◽  
Ľubor Košťál ◽  
Ľubica Kubíková
Keyword(s):  
Gene Expression ◽  
Vocal Communication ◽  
Molecular Mapping ◽  
Song Learning ◽  
Wide Spread ◽  
Animal Kingdom ◽  
Motor Pathway ◽  
Brain Circuits ◽  
Vocal Signals ◽  
Anterior Forebrain

AbstractAlthough vocal communication is wide-spread in animal kingdom, the use of learned (in contrast to innate) vocalization is very rare. We can find it only in few animal taxa: human, bats, whales and dolphins, elephants, parrots, hummingbirds, and songbirds. There are several parallels between human and songbird perception and production of vocal signals. Hence, many studies take interest in songbird singing for investigating the neural bases of learning and memory. Brain circuits controlling song learning and maintenance consist of two pathways — a vocal motor pathway responsible for production of learned vocalizations and anterior forebrain pathway responsible for learning and modifying the vocalizations. This review provides an overview of the song organization, its behavioural traits, and neural regulations. The recently expanding area of molecular mapping of the behaviour-driven gene expression in brain represents one of the modern approaches to the study the function of vocal and auditory areas for song learning and maintenance in birds.

scholarly journals Voice modulatory cues to structure across languages and species

2021 ◽  
Vol 376 (1840) ◽  
Author(s):  
Theresa Matzinger ◽  
W. Tecumseh Fitch
Keyword(s):  
Social Impact ◽  
Vocal Communication ◽  
Structural Characteristics ◽  
Key Factors ◽  
Vocal Production ◽  
Cognitive Constraints ◽  
Vocal Signals ◽  
Efficient Communication ◽  
Shared Ancestry ◽  
Voice Modulation

Voice modulatory cues such as variations in fundamental frequency, duration and pauses are key factors for structuring vocal signals in human speech and vocal communication in other tetrapods. Voice modulation physiology is highly similar in humans and other tetrapods due to shared ancestry and shared functional pressures for efficient communication. This has led to similarly structured vocalizations across humans and other tetrapods. Nonetheless, in their details, structural characteristics may vary across species and languages. Because data concerning voice modulation in non-human tetrapod vocal production and especially perception are relatively scarce compared to human vocal production and perception, this review focuses on voice modulatory cues used for speech segmentation across human languages, highlighting comparative data where available. Cues that are used similarly across many languages may help indicate which cues may result from physiological or basic cognitive constraints, and which cues may be employed more flexibly and are shaped by cultural evolution. This suggests promising candidates for future investigation of cues to structure in non-human tetrapod vocalizations. This article is part of the theme issue ‘Voice modulation: from origin and mechanism to social impact (Part I)’.

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