The Expansion of Melanesian Pidgin

1991 ◽  
Vol 6 (2) ◽  
pp. 215-229 ◽  
Author(s):  
Roger M. Keesing

A substantial pidgin text recorded in the western Solomons in 1893 is analyzed and placed in historical context. Showing complex syntactic pat-terns, the text is strikingly similar to twentieth century Solomons Pijin. It corresponds closely to an earlier text from the same area and to contem-poraneous texts from New Guinea, lending support to arguments for an early expansion of pidgin and for a monolectal origin for modern Melane-sian Pidgin dialects. The text, including hem i sequences and the "predi-cate marker" i, attests to the early development of an Oceanic pronominal pattern in the Solomons.

2017 ◽  
Vol 41 (4) ◽  
pp. 768-771
Author(s):  
Mark J. Stern

Michael Katz began work on social welfare during the late 1970s with a project entitled “The Casualties of Industrialization.” That project led to a series of essays, Poverty and Policy in American History (Katz 1983), and a few years later to In the Shadow of the Poorhouse (Katz 1986). His reading in twentieth-century literature for Shadow—and the ideological and policy nostrums of the Reagan administration—allowed Katz to pivot to two books that frame contemporary welfare debates in their historical context—The Undeserving Poor in 1989 and The Price of Citizenship in 2001, as well as a set of essays Improving Poor People (Katz 1995) that he published between the two.


Hikma ◽  
2020 ◽  
Vol 19 (2) ◽  
pp. 367-370
Author(s):  
Maria Luisa Rodríguez Muñoz

In line with the sociological shift in translation and literary studies, which is experiencing increasing success nowadays, Professor Mazal Oaknín offers us an essential work to delve into the evolution of women’s writing in Spain in the twentieth century and how it is represented and constructed through the media. Unlike descriptive research focusing on cultural products, this scholar bases her research on the influence that historical context and marketing constraints have exerted on the image through which three emblematic female Spanish writers (Ana María Matute, Rosa Montero and Lucía Etxebarría) have introduced themselves to the world of letters and their readerships.


1998 ◽  
Vol 41 (2) ◽  
pp. 375-400 ◽  
Author(s):  
TRISTAN MARSHALL

Recent moves by New Historicists to evaluate theatrical material from the early modern period have been at the expense of what historians would recognize as acceptable use of historical context. One of the most glaring examples of the dangers of taking a play out of such a proper context has been The Tempest. The play has had a great deal of literary criticism devoted to it, attempting to fit it into comfortable twentieth-century clothing in regard to its commentary on empire, at the expense of what the play's depiction of imperialism meant for the year 1611 when it was written. The purpose of this paper will therefore be to suggest that the play does not actually call into question the Jacobean process of colonization across the Atlantic at all, and suggests that of more importance for its audience would have been the depiction of the hegemony of the island nation of Great Britain as recreated in 1603. Such a historical reconstruction is helped through contrasting Shakespeare's play with the Jonson, Chapman, and Marston collaboration, Eastward Ho, as well as with the anonymous Masque of Flowers and Chapman's Memorable Masque. These works will be used to illustrate just what colonialism might mean for the Jacobean audience when the Virginia project was invoked and suggest that an American tale The Tempest is not.


2020 ◽  
Vol 24 (2) ◽  
pp. 161-180
Author(s):  
Nataša Vampelj Suhadolnik

Abstract This article addresses the practices of collecting Chinese objects that were brought to the territory of present-day Slovenia by sailors, missionaries, travellers, and others who travelled to China in the late nineteenth and early twentieth centuries. At the time, this territory was a part of the Austro-Hungarian Empire; we will, therefore, begin with the brief historical context of the Empire and its contact with China, followed by a discussion on the nature of collecting Chinese objects in Slovenian territories at that time. We will further examine the status of the individuals who travelled to China and the nature and extent of the objects they brought back. The article will also highlight the specific position of the Slovenian territory within the history of Euro-Asian cultural connections, and address the relevant issues—locally and globally—of the relationship between the centres and peripheries with regard to collecting practices.


2020 ◽  
Vol 9 (3) ◽  
pp. 155-170 ◽  
Author(s):  
Elesa Huibregtse

On 25 October 1993, British artist Rachel Whiteread revealed her most ambitious sculptural work to date – House. The solidified space of this Victorian-era, terraced home physically existed for a mere 80 days; yet, during this time it became the subject of an intense media interest and heated public debate which reached the United Kingdom’s Houses of Parliament. While House has been discussed in depth within art historical scholarship for almost 30 years, trends in this academic body of work tend to focus on absence and memory in a highly contested public space, as well as thoughts on loss, death, architecture, the art market, politics and gentrification in London’s East End during the latter part of the twentieth century. What is lacking, however, is an examination of House within the larger context of visual culture and what it may, or may not, mean for contemporary viewers. Analysing the historical context of the work’s location through a Marxist lens, reveals the dehumanization which occurred within the East End’s class constructs throughout the nineteenth century, and its effect on housing policies well into the twentieth century. Reading the sculptural work itself, using the methodologies of semiotics, unveils mythologies regarding what is and is not expendable in our western spaces; particularly, the working class, houses and works of art in post-industrial capitalist societies. The ideologies embedded within these mythologies continue to appear in our mass media images to this day, leaving unanswered questions regarding what is truly valued in our societies. Thus, Whiteread’s unique work is an artistic intervention into an image-saturated environment, asking the viewers and readers of cultural texts to consider at what point in time we will seek to change how we treat that which has been arguably undervalued.


Author(s):  
Victoria Margree ◽  
Daniel Orrells ◽  
Minna Vuohelainen

The introduction to the volume sets Richard Marsh in his historical context and argues that our understanding of late-Victorian and Edwardian professional authorship remains incomplete without a consideration of Marsh’s oeuvre. The introduction discusses Marsh as an exemplary professional writer producing topical popular fiction for an expanding middlebrow market. The seeming ephemerality of his literary production meant that its value was not appreciated by twentieth-century critics who were constructing the English literary canon. Marsh’s writing, however, deserves to be reread, as its negotiation of mainstream and counter-hegemonic discourses challenges our assumptions about fin-de-siècle literary culture. His novels and short stories engaged with and contributed to contemporary debates about aesthetic and economic value and interrogated the politics of gender, sexuality, empire and criminality.


Author(s):  
Enzo Traverso

The introduction analyzes the historical context in which left-wing melancholy arises as a prismatic frame for rethinking the past: “presentism,” a dilated present that absorbs in itself both the past and the future. It corresponds to a neoliberal temporality that replaces twentieth century utopias with a spasmodic acceleration retreated into the boundaries of financial capitalism, deprived of any projection into the future.


Author(s):  
Julia Moses

T. H. Marshall’s claims that the twentieth century was the era of social rights, embodied in education and welfare policy, has found enduring favour with a wide variety of scholars and social commentators. To what extent, however, was his theory of citizenship and social rights a reflection of the specific moment in which he was writing? This chapter places T. H. Marshall’s concept of ‘citizenship’ within its historical context. Through examining his biography, this essay suggests that Marshall’s theory of citizenship was informed by an appreciation for continental, and especially German, conceptions of social policy, the role of the state, and the nature of community. Parsing this aspect of Marshall’s intellectual biography has important implications for our own understanding of British ideas about the purpose, structure, and scope of social policy during the formative middle decades of the twentieth century.


2004 ◽  
Vol 11 (3-4) ◽  
pp. 278-297 ◽  
Author(s):  
Daniel P. Veldsman

AbstractThe more recently proposed epistemological models (cf Gregersen & Van Huyssteen, eds., Rethinking Theology and Science: Six Models for the Current Dialogue) within the context of the science and religion debate, have opened up galaxie,s of meanirzg on the interface of the debates which are inviting for exploralive, theological travelling. But how are we epistemologically to judge not only oui journets but also the rethinking of the implications of these epistemological models for our understanding of religious experience and our experience of transcendence? The interdisciplinary space that has been opened up in an exciting post-foundational manner zuithirz these very debates, leaves us as rational persons, embedded in a very specific social and historical context, with the haunting cognitive pluralist question on how to reach beyond the limits of our own epistemic traditions (Wentzel van Huyssteen). This question is pursued as an effort on the one hand to unmask epistemic arrogance and, on the other hand, not to take refuge in the insular comfort of internally closed language-systems. It is an effort to address relativism and a 'twentieth-century despair of any knozuledye of reality' (Polkinghorne). It is finally an effort to conceptually revisit the implications of tltese models for our understanding of our culturally embedded religious experience.


Religions ◽  
2019 ◽  
Vol 10 (5) ◽  
pp. 304
Author(s):  
Flavio A. Geisshuesler

While the work of the Italian historian of religion, Ernesto de Martino (1908–1965), has frequently been compared to that of Mircea Eliade, Claude Lévi-Strauss, or Clifford Geertz, he has hardly received any attention in anglophone scholarship to date. Taking an all-but-forgotten controversy between de Martino and Eliade at a conference on parapsychology in France in 1956 as its starting point, the article fills part of this lacuna by first reconstructing the philosophical universe underlying the Italian thinker’s program of study. In the process, it introduces the reader to three Weimar scientists, who have never before been inserted within the canon of the study of religion, namely the parapsychologist Albert von Schrenck-Notzing (1862–1929), the anthropologist Leo Frobenius (1873–1938), and the biologist and philosopher Hans Driesch (1867–1941). Contextualizing these thinkers within their historical context, it becomes clear that they were part of a larger scientific crisis that affected the Western world during the first half of the twentieth century. Finally, the article uncovers surprising affinities, particularly the fact that the Romanian thinker had his very own parapsychological phase during his youth.


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