Andrej Mazurkevich, Maria Polkovnikova and Ekaterina Dolbunova, eds. Археология озерных поселений IV–II тыс. до н. э.: Хронология культур и природно-климатические ритмы. Материалы международной конференции, посвященной полувековому исследованию свайных поселений на Северо-Западе России. Санкт-Петербург, 13–15 ноября 2014 г./Archaeology of Lake Settlements IV–II mill BC: Chronology of Cultures, Environment and Paleoclimatic Rhythms. Materials of [an] International Conference Dedicated [to] the Semi-Centennial Anniversary of the Researches of Lake Dwellings in North-Western Russia, Saint-Petersburg, 13–15 November 2014 (Saint Petersburg: The State Hermitage Museum, Russian Academy of Science, Institute for the History of Material Culture, Herzen State University, UMR 8215 CNRS. Trajectoires, 2014, 327pp., 79 b/w figs., 22 tables, pbk, ISBN 978-5-93572-569-3)

2016 ◽  
Vol 19 (2) ◽  
pp. 376-378
Author(s):  
Elena Pranckėnaitė
Keyword(s):  
Material Culture ◽  
The State ◽  
State University ◽  
Saint Petersburg ◽  
International Conference ◽  
Science Institute ◽  
History Of ◽  
Centennial Anniversary ◽  
North Western

scholarly journals Vladimir Nabokov and Transatlantic Contexts in Saint-Petersburg University

2021 ◽  
pp. 450-455
Author(s):  
Andrey A. Astvatsaturov ◽  
Larisa E. Muravieva
Keyword(s):  
Latin American ◽  
Cultural Context ◽  
Vladimir Nabokov ◽  
Transatlantic Relations ◽  
State University ◽  
Global Context ◽  
Saint Petersburg ◽  
International Conference ◽  
European Culture ◽  
History Of

The review traces papers of the International conference V. Nabokov and Transatlantic Relations in American and European culture hosted at Saint Petersburg State University on May14–16, 2021. Scholars in various fields of humanities traced the routes of intercontinental cultural contacts of the XX-th century to construct a global context to understand Vladimir Nabokov as a paradigmatic transatlantic figure. The main direction which was discussed in papers of D. Ioffe, T. Venediktova, G. Kruzhkov, O. Panova, A. Astvatsaturov, O. Antsyferova, I. Golovacheva, A. Shvets, O. Sokolova, traditionally turned out to be American and British. The Russian cultural context viewed through the transatlantic prism was outlined by E. Penskaya, V. Feshchenko, A. Rodionova, A. Masalov, Y. Probstein, C. Bernstein and by Marjorie Perloff. The issues of transatlantic transfer in Romanesque literatures were presented in the papers of L. Muravieva, A. Petrova, V. Popova and I. Khohlova. The speakers discussed Franco-American autofiction, the images of Americans in the works of G. Apollinaire and the history of Soviet-Latin American and Portuguese-American poetic contacts, German and Scandinavian contexts viewed the in light of transatlantic problems. Discussion of Vladimir Nabokov works summed up a kind of outcome of the conference that brought together linguists (A. Kretov, Zh. Gracheva), historians of literature and culture (D. Tokarev, A. Bolshev, N. Shcherbak, A. Stepanova, N.A. Karpov ), scholars of poetics and narratology (F. Dvinyatin, V. Schmid, E. Kazartsev, D.Yu. Dovzhenko, N.I. Emelyanova).

Introduction

2018 ◽  
Author(s):  
Elena Lombardi
Keyword(s):  
Material Culture ◽  
The State ◽  
Women Readers ◽  
History Of Reading ◽  
Documentary Evidence ◽  
Cultural Events ◽  
Visual Models ◽  
Woman Reader ◽  
History Of ◽  
Female Literacy

This chapter explores a more concrete and historicized figure of the woman reader. It explores the forces that make her appear and disappear, and surveys the state of knowledge on medieval female literacy, and the documentary evidence on women readers. It investigates typically female modes of reading (such as the educational, the devotional, and the courtly) and the visual models that were available to vernacular authors to forge their imagined textual interlocutor. It shows how the protagonist of this book is the product of two cultural events within the history of reading and the material culture of the book: the raise of literacy among the laity and women in the years under consideration, and a changed scenario insofar as theories and practices of reading are concerned.

THE PROJECT OF STAGING "KHOVANSHCHINA" BY M. P. MUSSORGSKY IN B.V. ASAFYEV’S ORCHESTRATION

2020 ◽  
Vol 1 (2) ◽  
pp. 95-102
Author(s):  
V. A. Aleksandrova ◽  
Keyword(s):  
The State ◽  
National Museum ◽  
State Archive ◽  
Central State ◽  
Saint Petersburg ◽  
Russian State ◽  
Archival Documents ◽  
History Of ◽  
Orchestral Score ◽  
First Time

The article is devoted to the history of an unrealized performance of M. P. Mussorgsky’s opera "Khovanshchina" orchestrated by B. V. Asafyev. On the basis of archival documents, stored in the Russian State Archive of Literature and Arts, the Russian National Museum of Music, Central State Archive of Literature and Art of Saint Petersburg, the Bolshoi Theatre Museum, most of which are introduced into scientific circulation for the first time, studied the circumstances under which the opera was planned to be staged in the State Academic Theatre of Opera and Ballet (nowadays — the Mariinsky Theatre). Fragments from the reports of the Artistic Council of Opera at the State Academic Theatre of Opera and Ballet meetings, the correspondence between B. V. Asafyev and P. A. Lamm, the manuscript "P. A. Lamm. A Biography" by O. P. Lamm and other unpublished archival documents are cited. The author comes to the conclusion that most attempts to perform "Khovanshchina" were hindered by the difficult socio-political circumstances of the 1930s, while the existing assumptions about the creative failure of the Asafyev’s orchestration don’t find clear affirmation, neither in historical documents, nor in the existing manuscript of the orchestral score.

scholarly journals BIOGRAPHY OF SURGEON B. I. FUKS IN THE CONTEXT OF THE SOVIET ERA HISTORY

2018 ◽  
pp. 36-45 ◽  
Author(s):  
E. S. Genina ◽  
B. B. Fuks
Keyword(s):  
Russian Federation ◽  
The State ◽  
Advanced Training ◽  
State University ◽  
Medical Sciences ◽  
State Institute ◽  
Tomsk Region ◽  
History Of ◽  
The Russian Federation ◽  
State Archives

The authors of this article aimed at reconstructing the biography of B. I. Fuks in the context of the history of the Soviet era and its most important events. Boris Ilyich (Ber Eljich) Fuks (1897–1973) was a Doctor of Medical Sciences, Professor, a surgeon, the founder of Novokuznetsk Surgical School. His scientific and pedagogical activity was primarily connected with the Tomsk State University and the State Institute for Advanced Training of Doctors, consistently located in Tomsk, Novosibirsk, Stalinsk (Novokuznetsk). The research is based on the documents found in the State Archives of the Russian Federation, the State Archives of Tomsk Region, the State Archives of Kemerovo Region, the State Archives of Kemerovo Region in Novokuznetsk, and the Archives of Novokuznetsk State Institute for Advanced Training of Doctors, and some publications in the central and local periodicals. The documents from the personal archive and memoirs of B. B. Fuks, the son of B. I. Fuks (Boston, USA), made up a separate important set of sources.

Tradition, Innovations and Historical Events in the Early 20th Century Chinese Calendars from the Russian Collections

2021 ◽  
pp. 204
Author(s):  
Ekaterina A. Zavidovskaya
Keyword(s):  
20Th Century ◽  
Academic Library ◽  
Modern Technology ◽  
The State ◽  
State University ◽  
Political Events ◽  
The Family ◽  
State Museum ◽  
History Of ◽  
Technology Of Production

The paper discusses two types of Chinese calendars – a traditional agricultural calendar “nongli” which existed in China since the 9th century and a Westernized “yuefenpai” calendar that emerged in Shanghai in the late 19th century and flourished until the 30-40s of the 20th century. Apart from the lunar and solar calendars and a table of 24 seasons woodblock “nongli” calendar featured a Stove God Zao-wang alone or with a spouse surrounded by a suite, fortune bringing deities and auspicious symbols, Stove God was believed to ascend to heaven and report good and bad deeds of the family members to the Jade Emperor. New standards of “peoples`” art in PRC borrowed the aesthetics of the traditional woodblock popular prints by proclaiming “new nianhua” as a new tool of propaganda and criticizing “yuefenpai”.“Yuefenpai” differed from “nongli” by modern technology of production and acting as an advertisement, yet early pieces of Shanghai calendars either feature auspicious characters and motifs or introduce current political events, such as accession of the Pu Yi emperor on the throne in 1908 (reigned in 1908–1912). These calendars were seen to be a cheap and easily available media suitable for informing population about news and innovations. The paper attempts to revisit previously established interpretations of some “yuefenpai” calendars. The research is based unpublished pieces from the collections of the State Hermitage, the Museum of Anthropology and Ethnography, academic library of the St.-Petersburg State University, the State Museum of the History of Religion mostly acquired by V.M. Alekseev (1881–1951) during his stays to China.

Slovak studies in Russia: The current state

Human Affairs ◽  
2013 ◽  
Vol 23 (2) ◽  
Author(s):  
Marina Valentsova
Keyword(s):  
Early 20Th Century ◽  
State University ◽  
Saint Petersburg ◽  
Current State ◽  
History Of ◽  
Literature History ◽  
Moscow State University ◽  
Slovak Language ◽  
Language Literature ◽  
Slavic Studies

AbstractThe article introduces readers to the current state of Slovak studies in Russia. The fate of Slavic studies in Russia is complicated and it has had its ups (late 19th and early 20th century) and downs (1920s and 1930s), but until now there has been a multidisciplinary tradition of studying all Slavic peoples, their languages, literature, history and culture. The article focuses on the study of Slovak language, literature, history and culture at Moscow State University, the Institute for Slavic Studies in Moscow, and Saint-Petersburg State University. It deals with the main researchers and their work and publications. The article is based on general research into the history of Slavic studies carried out by leading Russian scientists.

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