Adalberto López. The Revolt of the Comuñeros, 1721–1735: A Study in the Colonial History of Paraguay. Cambridge, Mass.: Schenkman. 1976. Pp. 214. $12.50

1977 ◽  
Keyword(s):  
Colonial History ◽  
History Of

Re-imagining Reproduction: Unsettling Metaphors in the History of Imperial Science and Commercial Surrogacy in India

Somatechnics ◽  
2015 ◽  
Vol 5 (1) ◽  
pp. 88-103 ◽  
Author(s):  
Kalindi Vora
Keyword(s):  
Assisted Reproductive Technologies ◽  
Reproductive Technologies ◽  
The Body ◽  
Body Parts ◽  
Colonial History ◽  
Women's Bodies ◽  
Commercial Surrogacy ◽  
Art Practices ◽  
History Of ◽  
Travel Industry

This paper provides an analysis of how cultural notions of the body and kinship conveyed through Western medical technologies and practices in Assisted Reproductive Technologies (ART) bring together India's colonial history and its economic development through outsourcing, globalisation and instrumentalised notions of the reproductive body in transnational commercial surrogacy. Essential to this industry is the concept of the disembodied uterus that has arisen in scientific and medical practice, which allows for the logic of the ‘gestational carrier’ as a functional role in ART practices, and therefore in transnational medical fertility travel to India. Highlighting the instrumentalisation of the uterus as an alienable component of a body and subject – and therefore of women's bodies in surrogacy – helps elucidate some of the material and political stakes that accompany the growth of the fertility travel industry in India, where histories of privilege and difference converge. I conclude that the metaphors we use to structure our understanding of bodies and body parts impact how we imagine appropriate roles for people and their bodies in ways that are still deeply entangled with imperial histories of science, and these histories shape the contemporary disparities found in access to medical and legal protections among participants in transnational surrogacy arrangements.

How Finance Colonised Aotearoa: A Concise Counter-History

2019 ◽  
Vol 7 ◽  
pp. 41
Author(s):  
Catherine Cumming
Keyword(s):  
Financial Institutions ◽  
The State ◽  
Colonial History ◽  
Financial Instruments ◽  
Financial History ◽  
Early Colonial ◽  
History Of

This paper intervenes in orthodox under-standings of Aotearoa New Zealand’s colonial history to elucidate another history that is not widely recognised. This is a financial history of colonisation which, while implicit in existing accounts, is peripheral and often incidental to the central narrative. Undertaking to reread Aotearoa New Zealand’s early colonial history from 1839 to 1850, this paper seeks to render finance, financial instruments, and financial institutions explicit in their capacity as central agents of colonisation. In doing so, it offers a response to the relative inattention paid to finance as compared with the state in material practices of colonisation. The counter-history that this paper begins to elicit contains important lessons for counter-futures. For, beyond its implications for knowledge, the persistent and violent role of finance in the colonisation of Aotearoa has concrete implications for decolonial and anti-capitalist politics today.  

Specters of Colonialism - Sven Augustijnen's Haunted Cinema

2017 ◽  
Author(s):  
Andrzej Marzec
Keyword(s):  
Jacques Derrida ◽  
Prime Minister ◽  
Colonial History ◽  
Philosophical Perspective ◽  
History Of ◽  
Contemporary Cinema ◽  
Presence And Absence

The author analyzes Sven Agustijnen's Specters from the philosophical perspective. He tries to prove that the cinema of the Belgian director is haunted because it presents the reality as made out of traces, which disturb the traditional division into presence and absence. The author analyzes Augustijnen's film techniques and uses Jacques Derrida hauntology to show, how contemporary cinema tries to face the difficult and unfinished colonial history of Belgium (the genocide in Congo during the reign of the Belgian king Leopold II and the murder of the first prime minister of the independent Congo, Patrice Lumumba).

Multicultural and Transnational Novels

2018 ◽  
Author(s):  
James Meffan
Keyword(s):  
National Identity ◽  
New Zealand ◽  
The Other ◽  
Colonial History ◽  
History Of ◽  
Return Home ◽  
Access Rights ◽  
The One

This chapter discusses the history of multicultural and transnational novels in New Zealand. A novel set in New Zealand will have to deal with questions about cultural access rights on the one hand and cultural coverage on the other. The term ‘transnational novel’ gains its relevance from questions about cultural and national identity, questions that have particularly exercised nations formed from colonial history. The chapter considers novels that demonstrate and respond to perceived deficiencies in wider discourses of cultural and national identity by way of comparison between New Zealand and somewhere else. These include Amelia Batistich's Another Mountain, Another Song (1981), Albert Wendt's Sons for the Return Home (1973) and Black Rainbow (1992), James McNeish's Penelope's Island (1990), Stephanie Johnson's The Heart's Wild Surf (2003), and Lloyd Jones's Mister Pip (2006).

Indigenous Written Sources for the History of Bonny

1989 ◽  
Vol 16 ◽  
pp. 185-196
Author(s):  
Susan M. Hargreaves
Keyword(s):  
Nineteenth Century ◽  
Niger Delta ◽  
Colonial History ◽  
Additional Material ◽  
Court Records ◽  
General Terms ◽  
Early Colonial ◽  
History Of ◽  
Similar Character ◽  
Written Sources

It is well known that indigenous contemporary written documentation exists for the precolonial and early colonial history of some of the coastal societies of South-Eastern Nigeria. The best known example is Old Calabar, for which there exists most notably the diary of Antera Duke, covering the years 1785-88, a document brought from Old Calabar to Britain already during the nineteenth century. More recently John Latham has discovered additional material of a similar character still preserved locally in Old Calabar, principally the Black Davis House Book (containing material dating from the 1830s onwards), the papers of Coco Bassey (including diaries covering the years 1878-89), and the papers of E. O. Offiong (comprising trade ledgers, court records, and letter books relating to the period 1885-1907). In the Niger Delta S. J. S. Cookey, for his biography of King Jaja of Opobo, was able to use contemporary documents in Jaja's own papers, including correspondence from the late 1860s onwards. In the case of the neighboring community of Bonny (from which Jaja seceded to found Opobo after a civil war in 1869), while earlier historians have alluded to the existence of indigenous written documentation, they have done so only in very general terms and without any indication of the quantity or nature of this material.

scholarly journals Bodies that Fester in the Holds of the “Coffin Ships”: Postcolonial Neo-Victorianism, Vulnerability and Resistance in Joseph O’Connor’s Star of the Sea (2003)

2021 ◽  
Vol 63 ◽  
pp. 151-171
Author(s):  
Mª Isabel Romero Ruiz
Keyword(s):  
New York ◽  
The Other ◽  
Colonial History ◽  
Victorian Studies ◽  
Victorian Period ◽  
Irish Identity ◽  
History Of ◽  
New Imperialism ◽  
British Colonial

The presence of Empire in the Victorian period and its aftermath has become a new trope in neo-Victorian studies, introducing a postcolonial approach to the re-writing of the Victorian past. This, combined with the metaphor of the sea as a symbol of British colonial and postcolonial maritime power, makes of Joseph O’Connor’s novel Star of the Sea a story of love, vulnerability and identity. Set in the winter of 1847, it tells the story of the voyage of a group of Irish refugees travelling to New York trying to escape from the Famine. The colonial history of Ireland and its long tradition of English dominance becomes the setting of the characters’ fight for survival. Parallels with today’s refugees can be established after Ireland’s transformation into an immigration country. Following Judith Butler’s and Sarah Bracke’s notions of vulnerability and resistance together with ideas about ‘the other’ in postcolonial neo-Victorianism, this article aims to analyse the role of Empire in the construction of an Irish identity associated with poverty and disease, together with its re-emergence and reconstruction through healing in a contemporary globalised scenario. For this purpose, I resort to Edward Said’s and Michael Hardt and Antonio Negri’s ideas about imperialism and new imperialism along with Elizabeth Ho’s concept of ‘the Neo-Victorian-at-sea’ and some critics’ approaches to postcolonial Gothic. My main contention throughout the text will be that vulnerability in resistance can foster healing.

scholarly journals Phylogeographical and Evolutionary History of Variola major Virus; A Question of Timescales?

2020 ◽  
Author(s):  
Annalisa Bergna ◽  
Carla Della Ventura ◽  
Rossella Marzo ◽  
Massimo Ciccozzi ◽  
Massimo Galli ◽  
...  
Keyword(s):  
Far East ◽  
Central Africa ◽  
Colonial History ◽  
Short Term ◽  
The Far East ◽  
Sampling Locations ◽  
Whole Genomes ◽  
History Of ◽  
The Mean ◽  
Eastern And Southern Africa

In order to reconstruct the origin and pathways of variola virus (VARV) dispersion, we analyzed 47 VARV isolates available in public databases and their SNPs. The mean substitution rate of the whole genomes was 9.41x10-6 (95%HPD:8.5-11.3x10-6) substitutions/site/year. The time of the tree root was estimated to be a mean 68 years (95%HPD:60.5–75.9). The phylogeographical analysis showed that the Far East and India were the most probable locations of the tree root and of the inner nodes, respectively, whereas for the outer nodes it corresponded to the sampling locations. The Bayesian Skyline plot showed that the effective number of infections started to grow exponentially in 1915-1920, peaked in the 1940s, and then decreased to zero. Our results suggests that the VARV major strains circulating between 1940s-1970s probably shared a common ancestor originated in the Far East; subsequently moved to India, which became the center of its dispersion to eastern and southern Africa, and then to central Africa and the Middle East, probably following the movements of people between south-eastern Asia and the other places with a common colonial history. These findings may help to explain the controversial reconstructions of the history of VARV obtained using long- and short- term calibrations.

scholarly journals Breve síntesis histórica y reflexiones acerca de la continuidad étnica, sentido de etnicidad e identidad cultural en la región de Santa Elena, Ecuador

2016 ◽  
Vol 3 (3) ◽  
pp. 99-105
Author(s):  
Erick López Reyes ◽  
Paola Peralta Mendoza
Keyword(s):  
Economic Development ◽  
Archaeological Research ◽  
Colonial History ◽  
Identidad Cultural ◽  
Socio Economic Development ◽  
History Of ◽  
First Arrival ◽  
New Republic ◽  
Santa Elena ◽  
Made In

 Se presenta una breve síntesis de la historia prehispánica y colonial de la región santaelenense, desde la primera llegada de grupos humanos a la zona hasta los primeros días de la República del Ecuador. Dando cuerpo narrativo a una serie de datos dispersos, producto de las investigaciones arqueológicas e histórico documentales, efectuadas en la región desde inicios del siglo pasado hasta la actualidad. En base a ellos se plantea entonces una necesaria y pertinente reflexión respecto a temas como la continuidad étnica, etnicidades, cultura e identidad de los actuales grupos humanos, descendientes de los anteriores, que hoy la habitan, planteando además la importancia que esto posee dentro de los procesos en curso, y aquellos potenciales de acometer, en pro del adelanto y desarrollo socioeconómico local a través del nuevo turismo o turismo de innovación.  Abstract This paper presents a brief summary of the pre-Hispanic and colonial history of the Santa Elena region, from the first arrival of human groups in the area until the early days of the new Republic of Ecuador. By giving narrative body to a series of data dispersed product of archaeological research, and historical documentaries, made in the region since early last century actually. Based on them then arises a necessary and relevant reflection on issues such as ethnic continuity, ethnicities, culture and identity of the current human groups, descendants of the previous, now inhabit, also raising the importance this has in ongoing processes, and those potential to undertake, for the advancement and local socio-economic development through New tourism or innovation tourism.

scholarly journals Colonial Values and Asylum Care in Brazil: Reclaiming the Streets Through Carnival in Rio de Janeiro

2020 ◽  
pp. 155-161
Author(s):  
Julia Evangelista ◽  
William A. Fulford
Keyword(s):  
Local Community ◽  
Well Being ◽  
Colonial History ◽  
Self Confidence ◽  
History Of ◽  
The Impact ◽  
Mental Well Being ◽  
The City

AbstractThis chapter shows how carnival has been used to counter the impact of Brazil’s colonial history on its asylums and perceptions of madness. Colonisation of Brazil by Portugal in the nineteenth century led to a process of Europeanisation that was associated with dismissal of non-European customs and values as “mad” and sequestration of the poor from the streets into asylums. Bringing together the work of the two authors, the chapter describes through a case study how a carnival project, Loucura Suburbana (Suburban Madness), in which patients in both long- and short-term asylum care play leading roles, has enabled them to “reclaim the streets,” and re-establish their right to the city as valid producers of culture on their own terms. In the process, entrenched stigmas associated with having a history of mental illness in a local community are challenged, and sense of identity and self-confidence can be rebuilt, thus contributing to long-term improvements in mental well-being. Further illustrative materials are available including photographs and video clips.

Traveling with Trained Man

Transfers ◽  
2020 ◽  
Vol 10 (2-3) ◽  
pp. 83-102
Author(s):  
Katie Maher
Keyword(s):  
Aboriginal People ◽  
Colonial History ◽  
Black Artists ◽  
Shared Spaces ◽  
History Of

This article considers the railways as a decolonial option for moving toward mobility justice. It views the photographic artwork Trained Man by Ngalkban Australian artist Darren Siwes through a mobilities lens, considering how the artist plays with time and attends to space, making visible what colonial projects of protection and assimilation have attempted to erase. Attending to the truths and imaginaries that reside and move with Trained Man, it draws on the work of Aboriginal and Black artists, scholars, and activists to trace Australia’s past and present colonial history of training Aboriginal people into whiteness. It considers the railways as carrying “two lines of destiny” with potential moving in both colonial and decolonial directions. The article concludes by suggesting that shared spaces such as the railways open possibilities for mobilizing the decolonial project.

Sign in / Sign up

Export Citation Format

Share Document