The Printed Word in the Eighteenth Century. A special issue of Eighteenth-Century Studies, 17. Raymond Birn

1989 ◽  
Vol 83 (1) ◽  
pp. 124-124
2020 ◽  
Vol 50 (1-2) ◽  
pp. 58-66
Author(s):  
Giuliano Pancaldi

Here I survey a sample of the essays and reviews on the sciences of the long eighteenth century published in this journal since it was founded in 1969. The connecting thread is some historiographic reflections on the role that disciplines—in both the sciences we study and the fields we practice—have played in the development of the history of science over the past half century. I argue that, as far as disciplines are concerned, we now find ourselves a bit closer to a situation described in our studies of the long eighteenth century than we were fifty years ago. This should both favor our understanding of that period and, hopefully, make the historical studies that explore it more relevant to present-day developments and science policy. This essay is part of a special issue entitled “Looking Backward, Looking Forward: HSNS at 50,” edited by Erika Lorraine Milam.


Author(s):  
Elizabeth Bouldin

This chapter explores the range of ideas and activities that engaged Quaker women educators during the eighteenth century, a critical period in the development of Friends’ educational efforts. It analyses key writings of Deborah Bell, Rebecca Jones, and Priscilla Wakefield. These women adopted a variety of approaches to instructing youth, ranging from informal mentorship to formal teaching that stressed a ‘guarded’ (Quaker-only) environment. Bell, Jones, and Wakefield shed light on the leading role that Quaker women played in the education and socialization of young Friends. Their writings highlight the importance of the meetinghouse, the schoolhouse, and the printed word as public venues for women who sought to instil Quaker values in future generations.


Pen, print and communication in the eighteenth century is a volume of fourteen essays each of which explores the production, distribution and consumption of both private and public texts during the Enlightenment from a variety of historical, theoretical and critical perspectives.  During the eighteenth century there was a growing interest in recording, listing and documenting the world, whether for personal interest and private consumption, or general record and the greater good. Such documentation was done through both the written and printed word. Each genre had its own material conventions and spawned industries which supported these practices. This volume considers writing and printing in parallel: it highlights the intersections between the two methods of communication; discusses the medium and materiality of the message; considers how writing and printing were deployed in the construction of personal and cultural identities; and explores the different dimensions surrounding the production, distribution and consumption of private and public letters, words and texts during the eighteenth-century. In combination the chapters in this volume consider how the processes of both writing and printing contributed to the creation of cultural identity and taste, assisted in the spread of knowledge and furthered bother personal, political, economic, social and cultural change in Britain and the wider-world. This volume provides and original narrative on the nature of communication and brings a fresh perspective on printing history, print culture and the literate society of the Enlightenment.


2019 ◽  
Vol 52 (2) ◽  
pp. 183-196
Author(s):  
JIM BENNETT ◽  
REBEKAH HIGGITT

AbstractThis essay introduces a special issue of the BJHS on communities of natural knowledge and artificial practice in seventeenth- and eighteenth-century London. In seeking to understand the rise of a learned and technical culture within a growing and changing city, our approach has been inclusive in terms of the activities, people and places we consider worth exploring but shaped by a sense of the importance of collective activity, training, storage of information and identity. London's knowledge culture was formed by the public, pragmatic and commercial spaces of the city rather than by the academy or the court. In this introduction, we outline the types of group and institution within our view and acknowledge the many locations that might be explored further. Above all, we introduce a particular vision of London's potential as a city of knowledge and practice, arising from its commercial and mercantile activity and fostered within its range of corporations, institutions and associations. This was recognized and promoted by contemporary authors, including natural and experimental philosophers, practical mathematicians, artisans and others, who sought to establish a place for and recognition of their individual and collective skills and knowledge within the metropolis.


Slavic Review ◽  
1981 ◽  
Vol 40 (1) ◽  
pp. 98-101
Author(s):  
Stephen K. Batalden

In his recent study of publishing in eighteenth-century Russia, Gary Marker has called attention to the importance of publication and distribution of the printed word as one measure of the reception of Western thought into Eastern Europe. For historians of the Balkans, no less than for Russian specialists, a crucial aid in this type of study has been the publication of systematic retrospective national bibliographies. Nowhere in the Balkans has this concern for retrospective bibliographical control been so closely linked with historical scholarship as in Greece. Even before the monumental publication of Émile L. J. Legrand's multivolume Bibliographic hellénique, modern Greek historical and philological study was closely linked to bibliographical coverage of Greek imprints during the Turcocratia. Since World War II, this concern for retrospective national bibliography has been closely identified with the study of the Neo-Hellenic Enlightenment and Greek literature from the fall of Byzantium to the modern period.


2018 ◽  
Vol 3 (4) ◽  
pp. 399-411
Author(s):  
Thomas S. Mullaney

Abstract This essay serves as the entry point into a broader exploration of critical issues in the history of “non-Latin” type design—that is, type design beyond the Latin alphabet. With special emphasis on certain scripts (Arabic, Chinese, Greek, and Devanagari, among others) and regions (South Asia, East Asia, South Africa, and beyond), this special issue brings together practicing designers and scholars, federating rigorous archival work, practice-based insight, and a deep engagement with the global history of the written, designed, and printed word.


2011 ◽  
Vol 38 (3) ◽  
pp. 315-427 ◽  
Author(s):  
Richard Pipes

AbstractVisual arts in Russia languished through most of her history, partly because the Orthodox Church frowned on pictorial representation, partly because there was virtually no middle class to purchase paintings. In the mid-eighteenth century Russia acquired an Academy of Arts which produced works largely in classical style and content. This changed in the 1870's when, under western influence, a group of Russian artists formed a society of "Itinerants" committed to painting in the realistic mode and to exhibit their works in various cities of the Empire rather than solely in the capital cities of St. Petersburg and Moscow, as had been the custom until then. Their canvasses depicted everyday life in Russia as well as historical scenes; they also painted portraits of contemporaries. This special issue deals with the lives and work of nine leading Itinerant painters. The movement gradually lost popularity toward the beginning of the twentieth century as Impressionism and Abstract art replaced it, but it revived in the Soviet period. Today it is greatly favored by the Russian public which swarms the Tretyakov Gallery in Moscow, the largest collection of Itinerant art.


Semiotica ◽  
2016 ◽  
Vol 2016 (211) ◽  
pp. 45-57
Author(s):  
Mohamed Bernoussi

AbstractMy interest in culinary dates back to approximately fifteen years ago when I collaborated with [Béatrice Fink 1999. The cultural topography of food. Special issue, Eighteenth century life 23(2)] on a special issue of Eighteenth Century Life on food topography. I proposed then a study on the reactions of an English physician to Moroccan food, mainly couscous and tea. I continued working on other studies, and I realized how much a semiotics of food could serve the history of mentalities and private lives. While doing my research, I discovered the works of Jean Louis Flandrin 1986. La distinction par le goût. In Roger Chartier (ed.), Histoire de la vie privée de la Renaissance aux Lumières, vol. 3, 267–309. Paris: Seuil and Flandrin 1992. Chronique de Platine: Pour une gastronomie historique. Paris: Odile Jacob), who had contributed to the same volume directed by Fink and also represented a great inspiration for me. I felt that I was concerned with the study of the relation with the Other, with culture shock or encounter through travelers’ reactions to the food or the culinary, the prepared dish, and the consumed product in ceremonies or in private occasions. While thinking about these points, I asked myself the following questions: in which way does the reaction to food reveal the attitude of the traveler, his prejudices on the culture, the society, the food or the dish in question? In which way would reaction to food reveal his culture? This article explores these and other related issues.


Modern Italy ◽  
2012 ◽  
Vol 17 (2) ◽  
pp. 151-156
Author(s):  
Penelope Morris ◽  
Francesco Ricatti ◽  
Mark Seymour

Characterised as the country of gestural expressiveness and animated verbal exchanges, of Latin lovers and of operatic excess, Italy has long been seen as a domain of emotional intensity. However, this association between Italy and the emotions has tended to remain a matter for popular imagination and stereotypical representations, and it is only recently that the question of emotions has started to become a focus for scholarly investigation. This special issue has its origins in the Association for the Study of Modern Italy's 2009 annual conference, Italy and the Emotions: Perspectives from the Eighteenth Century to the Present, organised by the editors. The conference offered the first opportunity to bring together scholars of Italy working in a wide range of disciplines in order to hear from the pioneers of such research and to exchange ideas on the new insights and new lines of research being opened up by a focus on emotions. There is considerable interest in this emerging field of study in Italy, as the response to the conference demonstrated, but other than the widely known work of scholars such as Alberto Mario Banti, Luisa Passerini and Alessandro Portelli (discussed briefly below), little else has been published so far. With this issue we hope both to showcase some of the work that is being done, and to provide an impetus for further research.


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