scholarly journals Application of metaphor and sustainable concepts in art gallery buildings in Jakarta

2021 ◽  
Vol 878 (1) ◽  
pp. 012023
Author(s):  
D Siwabessy ◽  
G Widati ◽  
B Erwin ◽  
G P Dianty

Abstract Indonesia is a country that has a diverse culture which is an art that has been formed by human civilization and where art is an emotion or expression of feelings towards the beauty that is seen or felt by the development of art galleries that can be exhibited or even sold by gallery artist from the country of origin. Welcome his work, and with this gallery building, art lovers can enjoy works that show beauty. Location of the buildings is an area that serves as a fine art gallery in central Jakarta, where the region can build fine art galleries. With the application of the metaphorical architecture concept on the sustainable building consideration, it would be an attraction in the modern era.

2002 ◽  
Vol 3 (2/3) ◽  
Author(s):  
Ela Beaumont

The routine use of CCTV surveillance in new art galleries in the UK presents an opportunity for researchers to harness its potential as a powerful observational tool in visitor studies, and recent developments in video technology have created new possibilities for observational research. Recent studies using video observation methods in the UK, France and the US have demonstrated how powerful film data can be, but have also shown the difficulties in operationalising studies that use these techniques. The analysis of video data is in its infancy in the field of art gallery visitor studies, and this paper contributes to the theoretical, ethical and practical debate by discussing a recent observational visitor study using in-house CCTV cameras in the New Art Gallery, Walsall. The study demonstrates significant advances on previous observational visitor studies that have gathered 'covert observational data'. It show how CCTV footage can be used to gather naturally occurring visitor activities in a highly structured way, without disrupting the gallery with extra cameras or microphones and yielding increasingly detailed, useful information. It opens up the prospect of a wider ideological debate about the use of CCTV in art galleries, and contributes to work in progress on a code of ethics for video observation in visitor studies.


2010 ◽  
Vol 35 (4) ◽  
pp. 24-28 ◽  
Author(s):  
David Pulford

The Barber Institute of Fine Arts is acknowledged as one of the finest small art galleries in Europe. It has a richly resourced library which functions both as a curatorial library for the Barber’s curators and as part of the University of Birmingham’s network of site libraries. Students of art history thus benefit from the combined resources of a specialist art gallery library and a major university library. The Barber also houses a visual resources library, music library and coin study room.


2014 ◽  
Vol 39 (3) ◽  
pp. 34-41 ◽  
Author(s):  
Sarah Anne Hughes

Changes in the format, design and content of museum and art gallery exhibition catalogues can be traced to the visibility and popularity of these souvenirs for the block-buster exhibitions of the 1970s. The increased museum revenue from these book sales and the need, perceived by the publishers recruited to museum staff from a trade background, to address the interests of a more diverse audience are identified as the two main instigators of these changes. The resulting exhibition catalogues play down the scholarly apparatus, offer more images particularly to enhance the reader’s contextual understanding and, in some cases, ameliorate the academic register of the writing. The uses made of exhibition books by institutions, their associated sponsors and museum visitors is commented on.


2017 ◽  
Vol 118 (9/10) ◽  
pp. 566-568
Author(s):  
Bruce Massis

Purpose The purpose of this study is to report that the library has recognized the benefit to the community of including art gallery space in the library. Design/methodology/approach This paper is a literature review and commentary on this topic that has been addressed by professionals, researchers and practitioners. Findings Exposure to art in the library can open and expand worlds that might never have been available to some and can provide the populace with greater access directly in their own community. Originality/value The value in exploring this topic is to provide libraries that may not have considered including an art gallery in their libraries to consider the possibility of doing so.


2018 ◽  
Vol 2 (2) ◽  
pp. 115-121
Author(s):  
Samsul Bahri ◽  
Febby Khafilwara

Medan is the third largest city in Indonesia, so it has considerable potential in the field of Art. A lot of potential and human resources that could be developed in the city of Medan. The city characterized by the culture of various Ethnic this hope was able to preserve the culture of each ethnic group. Art galleries and exhibition is expected to become a new tourism venue in the city of Medan and the iconic place of the development of works of art in the city of Medan. With the approach of the structure as elements of aesthetic in architecture


Author(s):  
Bianca Marvella ◽  
Andi Surya Kurnia

Millennials are the generation that lives among advance technology. The use of digital technology is inseparable from the millennial generation. This claim are proven by how technology sink in a lot aspects of life, social aspect as one of them. Today, with digital technology, social media becomes a tool to communicate that can connect people without the limitation of time and place. Millennials, as a generation who use digital technology the most today, open themselves up by showing moments, experiences, and pleasures through art. As a form of expressing oneself, art is no longer limited to a collection of sculptures, or painting, but rather to an aesthetic moments that they can share on social media in the form of photos or videos. In Indonesia, most museums and art galleries only accommodate exhibition spaces that are limited to static object (immovable), even though they are supposedly accommodate dynamic art objects that can be used interactively with visitor galleries. Therefore, a space that can accommodate interactive art objects in the digital age is needed. By using design research methods, carried out on space through observation and exploration, the Interactive Art Gallery not only provides relevant expression space for millennial generations, but also supports direct conversion between communities through art. AbstrakGenerasi milenial merupakan generasi yang tumbuh di tengah perkembangan teknologi yang menjadikan mereka tech savvy (gemar teknologi). Pemakaian teknologi digital sudah sangat lekat dengan generasi milenial. Hal ini dibuktikannya dengan masuknya teknologi dalam aspek-aspek kehidupan, salah satunya adalah aspek sosial. Hari ini, dengan kecanggihan teknologi digital, sosial media menjadi sebuah perangkat interaksi yang dapat mengkoneksikan orang-orang tanpa batasan waktu dan tempat. Milenial, sebagai generasi pengguna teknologi digital terbanyak saat ini, mengekspresikan diri mereka dengan cara menunjukan momen, pengalaman, dan kesukaan, salah satunya lewat seni. Sebagai wujud ekspresi diri, seni tidak lagi terbatas pada koleksi patung, atau lukisan, tetapi lebih kepada momen-momen estetik yang dapat mereka bagikan di sosial media dalam bentuk foto maupun video. Di Indonesia sendiri, kebanyakan museum dan galeri seni hanya mewadahi ruang pamer yang terbatas pada objek-objek seni statis (tidak bergerak) padahal seharusnya mulai berkembang untuk mewadahi objek seni dinamis yang dapat berinteraksi langsung dengan pengunjung galeri. Oleh karena itu, dibutuhkannya sebuah ruang yang dapat mewadahi objek seni interaktif di era digital. Dengan menggunakan metode design research yang melakukan pendekatan terhadap ruang lewat observasi dan eksplorasi perilaku, Galeri Seni Interaktif dirancang dengan tujuan tidak hanya memberikan ruang ekspresi yang relevan untuk generasi milenial, tapi juga mendukung terjadinya interaksi langsung antar masyarakat sekitar melalui seni. 


Museum Worlds ◽  
2021 ◽  
Vol 9 (1) ◽  
pp. 92-109
Author(s):  
Esther Helen McNaughton

How can regional art galleries support the development of cultural understanding in their communities? The 2019 collaborative project Aratoi: Our Journeys to Aotearoa between Nelson, New Zealand’s Suter Art Gallery te Aratoi o Whakatū and eight local schools explored this question. Students’ artworks were hung alongside the gallery’s collection, enriching dialogue within the exhibition through the provision of voices otherwise absent. Building on the gallery’s collection and history, this project demonstrated the evolution of the gallery’s colonial roots into a broader discussion of culture. Participating teachers believed the project allowed public recognition of students’ abilities and ideas; expression of a school community’s special character; cross-curricular learning; cohesive whole school learning; bicultural learning; and pre-service teacher development. It also enabled meaningful exploration of Aotearoa New Zealand’s histories.


2017 ◽  
Vol 1 (1) ◽  
pp. 91-99
Author(s):  
Robby Honoris ◽  
Andalucia .

The purpose of this Art Gallery designing is for giving space for the local artist to place and promote their art products. It’s because Medan city has not decent gallery according to the national standard. The surplus of this art gallery out of showing fine art is giving room experience impression to support fine art showcase. The theme of the building is a metaphor of water ripple to represent Babura river, so the art installation to the building is using water concept that gives unique aspect to building and can be art identity of Medan city. This gallery building is hoped to fulfill gallery estimation which is decent in national and international rank because Medan is the third biggest town in Indonesia where been visited by so many foreign tourists.


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