The Movement for Japanese American Redress

2019 ◽  
Author(s):  
Megan Asaka
Keyword(s):  
World War Ii ◽  
Civil Liberties ◽  
Japanese Americans ◽  
Japanese American ◽  
World War ◽  
1960S And 1970S ◽  
The Government ◽  
The 1960S ◽  
The Cold War ◽  
Redress Movement

The Japanese American Redress Movement refers to the various efforts of Japanese Americans from the 1940s to the 1980s to obtain restitution for their removal and confinement during World War II. This included judicial and legislative campaigns at local, state, and federal levels for recognition of government wrongdoing and compensation for losses, both material and immaterial. The push for redress originated in the late 1940s as the Cold War opened up opportunities for Japanese Americans to demand concessions from the government. During the 1960s and 1970s, Japanese Americans began to connect the struggle for redress with anti-racist and anti-imperialist movements of the time. Despite their growing political divisions, Japanese Americans came together to launch several successful campaigns that laid the groundwork for redress. During the early 1980s, the government increased its involvement in redress by forming a congressional commission to conduct an official review of the World War II incarceration. The commission’s recommendations of monetary payments and an official apology paved the way for the passage of the Civil Liberties Act of 1988 and other redress actions. Beyond its legislative and judicial victories, the redress movement also created a space for collective healing and generated new forms of activism that continue into the present.

Nature Behind Barbed Wire

2018 ◽  
Author(s):  
Connie Y. Chiang
Keyword(s):  
World War Ii ◽  
Civil Liberties ◽  
Natural World ◽  
Japanese Americans ◽  
Japanese American ◽  
World War ◽  
Us History ◽  
War Relocation Authority ◽  
The Social ◽  
Japanese Ancestry

The mass imprisonment of over 110,000 people of Japanese ancestry during World War II was one of the most egregious violations of civil liberties in US history. Removed from their homes on the temperate Pacific Coast, Japanese Americans spent the war years in ten desolate camps in the nation’s interior. Although scholars and commentators acknowledge the harsh environmental conditions of these camps, they have turned their attention to the social, political, or legal dimensions of this story. Nature Behind Barbed Wire shifts the focus to the natural world and explores how it shaped the experiences of Japanese Americans and federal officials who worked for the War Relocation Authority (WRA), the civilian agency that administered the camps. The complexities of the natural world both enhanced and constrained the WRA’s power and provided Japanese Americans with opportunities to redefine the terms and conditions of their confinement. Even as the environment compounded their feelings of despair and outrage, they also learned that their willingness (or lack thereof) to transform and adapt to the natural world could help them endure and even contest their incarceration. Ultimately, this book demonstrates that the Japanese American incarceration was fundamentally an environmental story. Japanese Americans and WRA officials negotiated the terms of confinement with each other and with a dynamic natural world.

scholarly journals Government vs opposition voting in the Finnish parliament Eduskunta since World War II

2013 ◽  
Vol 2 (1) ◽  
pp. 41 ◽  
Author(s):  
Antti Pajala
Keyword(s):  
World War Ii ◽  
Political Party ◽  
Random Order ◽  
The Political ◽  
World War ◽  
Parliamentary System ◽  
1960S And 1970S ◽  
The Government ◽  
The 1960S ◽  
Insight Into

In a parliamentary system it is by definition justified to assume the government parties voting almost always in a unitary manner in plenary votes. In a multiparty system it is, however, hard to predict how the opposition groups vote. Few studies analysing government-opposition voting in the Finnish parliament Eduskunta were published during the 1960s and 1970s. This study provides similar analyses regarding the parliamentary years of 1991-2012. Combined the studies provide an insight into the government-opposition relations since World War II. The results show that before the 1990s the government-opposition division in plenary votes appeared rather clear and the political party groups’ positions followed the traditional left-right dimension. Since the 1990s, the government-opposition division has become greater. The governing coalition acts almost as a bloc while the opposition groups are divided into moderate and hard opposition. The opposition groups, however, appear in a more or less random order. Consequently, since the 1990s the left-right dimension has disappeared with respect to plenary voting.

Japanese American Resettlement in Postwar America: The Los Angeles Experience

2016 ◽  
Author(s):  
Jean-Paul deGuzman
Keyword(s):  
World War Ii ◽  
Los Angeles ◽  
Market Price ◽  
Japanese Americans ◽  
Japanese American ◽  
World War ◽  
Postwar America ◽  
War Relocation Authority ◽  
Set Up ◽  
The 1960S

Racism and xenophobia, but also resilience and community building, characterize the return of thousands of Japanese Americans, or Nikkei, to the West Coast after World War II. Although the specific histories of different regions shaped the resettlement experiences for Japanese Americans, Los Angeles provides an instructive case study. For generations, the City of Angels has been home to one of the nation’s largest and most diverse Nikkei communities and the ways in which Japanese Americans rebuilt their lives and institutions resonate with the resettlement experience elsewhere. Before World War II, greater Los Angeles was home to a vibrant Japanese American population. First generation immigrants, or Issei, and their American-born children, the Nisei, forged dynamic social, economic, cultural, and spiritual institutions out of various racial exclusions. World War II uprooted the community as Japanese Americans left behind their farms, businesses, and homes. In the best instances, they were able to entrust their property to neighbors or other sympathetic individuals. More often, the uncertainty of their future led Japanese Americans to sell off their property, far below the market price. Upon the war’s end, thousands of Japanese Americans returned to Los Angeles, often to financial ruin. Upon their arrival in the Los Angeles area, Japanese Americans continued to face deep-seated prejudice, all the more accentuated by an overall dearth of housing. Without a place to live, they sought refuge in communal hostels set up in pre-war institutions that survived the war such as a variety of Christian and Buddhist churches. Meanwhile, others found housing in temporary trailer camps set up by the War Relocation Authority (WRA), and later administered by the Federal Public Housing Authority (FPHA), in areas such as Burbank, Sun Valley, Hawthorne, Santa Monica, and Long Beach. Although some local religious groups and others welcomed the returnees, white homeowners, who viewed the settlement of Japanese Americans as a threat to their property values, often mobilized to protest the construction of these camps. The last of these camps closed in 1956, demonstrating the hardship some Japanese Americans still faced in integrating back into society. Even when the returnees were able to leave the camps, they still faced racially restrictive housing covenants and, when those practices were ruled unconstitutional, exclusionary lending. Although new suburban enclaves of Japanese Americans eventually developed in areas such as Gardena, West Los Angeles, and Pacoima by the 1960s, the pathway to those destinations was far from easy. Ultimately, the resettlement of Japanese Americans in Los Angeles after their mass incarceration during World War II took place within the intertwined contexts of lingering anti-Japanese racism, Cold War politics, and the suburbanization of Southern California.

The End of “Historical-Ideological Bedazzlement”

2012 ◽  
Vol 36 (3) ◽  
pp. 421-445 ◽  
Author(s):  
Mate Nikola Tokić
Keyword(s):  
World War Ii ◽  
Cold War ◽  
Political Violence ◽  
Strategic Thinking ◽  
World War ◽  
1960S And 1970S ◽  
State Archives ◽  
The 1960S ◽  
The Cold War ◽  
Separatist Movement

Of the myriad terrorist organizations that emerged in the late 1960s and the 1970s, those supporting the destruction of socialist Yugoslavia and the establishment of an independent Croatia were among the most active. This article explores the geopolitical context behind the radicalization of certain segments of the émigré Croatian population in the three decades following World War II and the processes that led them to adopt terrorism as an acceptable form of political expression. Specifically, it examines how changes in the realities of the Cold War political landscape during the 1960s and 1970s directly shaped the strategies of Croatian separatist groups outside Yugoslavia. These developments led Croatian radicals to cultivate a culture of abandonment, betrayal, and persecution, in which the Croats were portrayed as a nation of victims without allies. This helped precipitate a radicalization of the separatist movement, as many within the Croatian diaspora were increasingly convinced that only “self-initiated action”—that is, political violence and terrorism—could hasten the establishment of an independent Croatian state. Difficulties in dealing with the realities of Cold War international politics also led to the emergence of significant cleavages and conflicts within the émigré separatist movement, which further helped frame the processes of strategic thinking among radical activists. Drawing evidence from state archives and the political writings of radical émigré Croatian separatist organizations, the article traces the trajectory of radical Croatian separatists from staunch supporters of the West to desperate and disillusioned advocates of realpolitik thinking.

Foundations for a New World Order: Uniting Protestant Worship during the World War II Japanese American Incarceration

2018 ◽  
Vol 72 (3) ◽  
pp. 304-316
Author(s):  
Anne M. Blankenship
Keyword(s):  
World War Ii ◽  
New World ◽  
World Order ◽  
Japanese Americans ◽  
Japanese American ◽  
New World Order ◽  
World War ◽  
The World ◽  
Definition Of ◽  
The Church

During the World War II incarceration of Japanese Americans, visions of a peaceful new world order led mainline Protestants to manipulate the worship practices of incarcerated Japanese Americans ( Nikkei) to strengthen unity of the church and nation. Ecumenical leaders saw possibilities within the chaos of incarceration and war to improve themselves, their church, and the world through these experiments based on ideals of Protestant ecumenism and desires for racial equality and integration. This essay explores why agendas that restricted the autonomy of racial minorities were doomed to fail and how Protestants can learn from this experience to expand their definition of unity to include pluralist representations of Christianity and America as imagined by different sects and ethnic groups.

Ballad for Incarcerated Americans: Second Generation Japanese American Musicking in World War II Camps

2017 ◽  
Vol 11 (3) ◽  
pp. 284-312 ◽  
Author(s):  
MARTA ROBERTSON
Keyword(s):  
World War Ii ◽  
Second Generation ◽  
Classical Music ◽  
Cultural Practices ◽  
The United States ◽  
United States Government ◽  
Japanese Americans ◽  
Japanese American ◽  
World War ◽  
American Popular Music

AbstractDuring World War II, the United States government imprisoned approximately 120,000 Japanese Americans, two-thirds of whom were American-born citizens, half of whom were children. Through ethnographic interviews I explore how fragile youthful memories, trauma, and the soundscape of the War Relocation Authority (WRA) Incarceration Camps shaped the artistic trajectories of three such former “enemy alien” youth: two pianists and a koto player. Counterintuitively, Japanese traditional arts flourished in the hostile environment of dislocation through the high number ofnisei(second generation) participants, who later contributed to increasing transculturalism in American music following resettlement out of camp. Synthesizing Japanese and Euro-American classical music, white American popular music, and African American jazz, manyniseiparadoxically asserted their dual cultural commitment to both traditional Japanese and home front patriotic American principles. A performance of Earl Robinson and John Latouche's patriotic cantata,Ballad for Americans(1939), by the high school choir at Manzanar Incarceration Camp demonstrates the hybridity of these Japanese American cultural practices. Marked by Popular Front ideals,Ballad for Americansallowedniseito construct identities through a complicated mixture of ethnic pride, chauvinistic white Americanism allied with Bing Crosby's recordings of theBallad, and affiliation with black racial struggle through Paul Robeson's iconicBalladperformances.

The Paradox of Reparations

2016 ◽  
pp. 159-188
Author(s):  
Greg Robinson
Keyword(s):  
African American ◽  
African Americans ◽  
Japanese Americans ◽  
Japanese American ◽  
Political Leaders ◽  
Early Stages ◽  
The 1960S ◽  
Redress Movement

This chapter offers a more complex and multiracial view of history by revisiting the narrative of the Japanese American redress movement and discovers a paradox at its core: while the campaign by Japanese Americans for reparations for their wartime confinement started at the end of the 1960s as part of a wider antiracist coalition, and received key support in its early stages from African American political leaders, Japanese Americans increasingly distanced themselves from their black allies as the goal of redress grew nearer, even as African Americans became increasingly public in their opposition. The chapter also shows how the victory of the redress movement in 1988 offered a major precedent, and a model, for reparations efforts by blacks.

Containment

2017 ◽  
Author(s):  
Andrew Preston
Keyword(s):  
Foreign Policy ◽  
World War Ii ◽  
Cold War ◽  
Political Conflict ◽  
World War ◽  
Land War ◽  
The Government ◽  
Post War ◽  
The Cold War ◽  
Cold War Consensus

Assessing the application of the liberal consensus idea to postwar foreign policy, this chapter contends that myths about the bipartisan spirit of U.S. foreign policy have too long found ready acceptance from historians. Politics did not stop at the water’s edge, even when bipartisanship was at its supposed zenith during World War II and the early Cold War. While there was unanimity during the post-war era that the growth of international communism was a threat to U.S. interests, this did not mean that foreign policy was free of political conflict, and partisan charges that the government of the day was losing the Cold War were commonplace. Meanwhile, non-elite opinion evinced little support for confrontation with the main Communist powers, reluctance to engage in another land war like Korea, and concern about survival in the nuclear era. The divisiveness wrought by Vietnam was supposed to have brought an end to the “Cold War consensus,” but uncertainty over its meaning was evident well before this.

Dupain, Maxwell Spencer (1911–1992)

2018 ◽  
Author(s):  
Helen Ennis
Keyword(s):  
World War Ii ◽  
Subject Matter ◽  
Technical College ◽  
World War ◽  
Entire Life ◽  
Sharp Focus ◽  
Man Ray ◽  
1960S And 1970S ◽  
The 1960S

Australian photographer Max Dupain distinguished himself as a professional and artistic presence from the 1930s well into the 1970s. His earliest works were in the Pictorialist style, but by the mid-1930s he had become an ardent modernist—using sharp focus, bold and geometric compositions, and contemporary subject matter. Dupain was strongly influenced by vitalist philosophy, the work of Australian artist Norman Lindsay, the photography of Man Ray, Margaret Bourke-White, and Edward Steichen, as well as writer D.H. Lawrence. The son of Ena and George Dupain, Max Dupain lived in Sydney his entire life. He joined the studio of Cecil Bostock in 1930, taking night classes at East Sydney Technical College and the Julian Ashton School of Art. In 1934 he opened his own studio and quickly established his reputation in fashion, advertising, and celebrity portraiture. After World War II he reoriented his practice towards industry and government assignments, favoring a documentary approach. During the 1960s and 1970s, he specialized in architectural photography. Dupain’s photography is distinguished by its physicality and embrace of Australian sunlight and conditions (as seen in Sunbaker, his best-known work). He also regularly wrote on photography, contributing spirited reviews to the Sydney Morning Herald. His work was widely exhibited and published and is held in numerous public collections.

The 1942 Santa Anita Detainment Center Labor Strike and Japanese American Incarceration during World War II

2019 ◽  
Vol 101 (3) ◽  
pp. 285-316
Author(s):  
Stephanie Hinnershitz
Keyword(s):  
World War Ii ◽  
Division Of Labor ◽  
Industrial Production ◽  
Work Conditions ◽  
Worker Safety ◽  
Japanese Americans ◽  
Japanese American ◽  
World War ◽  
Labor Disputes ◽  
Labor Strike

This article studies a brief strike by Nikkei incarcerees at the Santa Anita Assembly Center in 1942. Employed in the industrial production of camouflage nets, the imprisoned Japanese Americans staged a strike over pay, worker safety, and rights. Without previous guidelines, the center’s administrators had to devise a resolution to this halt in the production of war materiel. The Santa Anita netmakers' strike and its resolution provided a foundation for handling labor disputes at the permanent WRA camps later. The author identifies the administration, division of labor, pay, and unsafe work conditions, along with the strike leadership, management’s response, and the outcome of the strike.

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