Digital Resources: Guaman Poma’s Nueva corónica y buen gobierno

Author(s):  
Rolena Adorno

Recorded in UNESCO’s Memory of the World Register in 2007, Felipe Guaman Poma de Ayala’s Nueva corónica y buen gobierno (1615) offers remarkable glimpses into ancient Andean institutions and traditions as well as those of colonialized Andean society in the Spanish viceroyalty of Peru. Housed at the Royal Library of Denmark since the 1660s and first published in photographic facsimile in 1936, the autograph manuscript (written and drawn by its author’s own hand) has been the topic of research in Andean studies for several decades. Prepared by an international team of technicians and scholars, the digital facsimile was placed online on the newly created Guaman Poma Website at the Royal Library in 2001. Thanks to its free global access, research has accelerated, offering new and ongoing challenges in such fields as history, art history, environmental studies, linguistics, literary, and cultural studies in Andeanist, Latin Americanist, and post-colonialist perspectives. The work’s 1,200 pages (of which 400 are full-page drawings) offer Guaman Poma’s novel account of pre-Columbian Andean and modern Spanish conquest history as well as his sometimes humorous but most often harrowing exposé of the activities of all the castes and classes of the colonial society of his day. Guaman Poma’s account reveals how social roles and identities could evolve under colonial rule over the course of a single individual’s lifetime. As a Quechua speaker who learned Spanish, and thus called an “indio ladino” by the colonizers, Guaman Poma’s Quechua-inflected Spanish prose may present reading challenges in both its handwritten form and searchable typeset transcription, but his 400 drawings welcome casual as well as scholarly and student readers into the rooms and onto the roadways of that multi-ethnic—Andean, African, Spanish, and Spanish creole—world.

The Andean chronicler Felipe Guaman Poma de Ayala and his Nueva corónica y buen gobierno stand at the intersection of the study of the Andean world of the past and that of Latin America in the present. Written in the early 17th century, the Nueva corónica y buen gobierno is both colonial and postcolonial: created in the Spanish colonial past of the Peruvian viceroyalty it reflects on the society of its day; read from the postcolonial perspective of the present, its concerns have never been more current. As a long-ago antecedent of the testimonial literature of today, Guaman Poma combines the resonances of Andean oral traditions and European written sources. As a testimony to the lifeways of the Andean past and Guaman Poma’s Spanish colonial present, there are few sources like it. Its 399 full-page drawings speak louder than its 800 pages of Quechua-inflected prose, and its images of Inca-era history and practices are followed by a unique pictorial account of life in the Peruvian viceroyalty that depicts the activities of all the castes and classes of colonial society. The life of Guaman Poma has been a topic of considerable interest. His presence in the archival documentary record as well as his work as an artist for the first version of the Mercedarian friar Martín de Murúa’s history of the Incas are key points of access to his experience. The Nueva corónica y buen gobierno offers new and ongoing challenges to research and teaching in such fields as history, art history, environmental studies, linguistics, and literary and cultural studies in Andeanist, Latin Americanist, and postcolonialist perspectives. Guaman Poma’s account reveals how social roles and identities could evolve under colonial rule over the course of a single individual’s lifetime. As a speaker of indigenous languages who learned Spanish, and thus called an “indio ladino” by the colonizers, Guaman Poma’s Quechua-inflected Spanish prose may present reading challenges but his 399 drawings welcome casual as well as scholarly and student readers into the rooms and onto the roadways of the multiethnic—Andean, African, Spanish, and Spanish creole—society that he inhabited.


2019 ◽  
Author(s):  
Alexander Noyes ◽  
Frank Keil ◽  
Yarrow Dunham

Institutions make new forms of acting possible: Signing executive orders, scoring goals, and officiating weddings are only possible because of the U.S. government, the rules of soccer, and the institution of marriage. Thus, when an individual occupies a particular social role (President, soccer player, and officiator) they acquire new ways of acting on the world. The present studies investigated children’s beliefs about institutional actions, and in particular whether children understand that individuals can only perform institutional actions when their community recognizes them as occupying the appropriate social role. Two studies (Study 1, N = 120 children, 4-11; Study 2, N = 90 children, 4-9) compared institutional actions to standard actions that do not depend on institutional recognition. In both studies, 4- to 5-year-old children believed all actions were possible regardless of whether an individual was recognized as occupying the social role. In contrast, 8- to 9-year-old children robustly distinguished between institutional and standard actions; they understood that institutional actions depend on collective recognition by a community.


Pigs are one of the most iconic but also paradoxical animals ever to have developed a relationship with humans. This relationship has been a long and varied one: from noble wild beast of the forest to mass produced farmyard animal; from a symbol of status and plenty to a widespread religious food taboo; from revered religious totem to a parodied symbol of filth and debauchery. Pigs and Humans brings together some of the key scholars whose research is highlighting the role wild and domestic pigs have played in human societies around the world over the last 10,000 years. The 22 contributors cover a broad and diverse range of temporal, geographical, and topical themes, grounded within the disciplines of archaeology, zoology, anthropology, and biology, as well as art history and history. They explore such areas as evolution and taxonomy, domestication and husbandry, ethnography, and ritual and art, and present some of the latest theories and methodological techniques. The volume as a whole is generously illustrated and will enhance our understanding of many of the issues regarding our complex and ever changing relationship with the pig.


Author(s):  
Sabyasachi Bhattacharya

The archives are generally sites where historians conduct research into our past. Seldom are they objects of research. Sabyasachi Bhattacharya traces the path that led to the creation of a central archive in India, from the setting up of the Imperial Record Department, the precursor of the National Archives of India, and the Indian Historical Records Commission, to the framing of archival policies and the change in those policies over the years. In the last two decades of colonial rule in India, there were anticipations of freedom in many areas of the public sphere. These were felt in the domain of archiving as well, chiefly in the form of reversal of earlier policies. From this perspective, Bhattacharya explores the relation between knowledge and power and discusses how the World Wars and the decline of Britain, among other factors, effected a transition from a Eurocentric and disparaging approach to India towards a more liberal and less ethnocentric one.


2015 ◽  
Author(s):  
Evonne Levy

<P>This study in intellectual history places the art historical concept of the Baroque amidst world events, political thought, and the political views of art historians themselves. Exploring the political biographies and writings on the Baroque (primarily its architecture) of five prominent Germanophone figures, Levy gives a face to art history, showing its concepts arising in the world. From Jacob Burckhardt’s still debated "Jesuit style" to Hans Sedlmayr’s <I>Reichsstil</I>, the Baroque concepts of these German, Swiss and Austrian art historians, all politically conservative, and two of whom joined the Nazi party, were all took shape in reaction to immediate social and political circumstances. </P> <P>A central argument of the book is that basic terms of architectural history drew from a long established language of political thought. This vocabulary, applied in the formalisms of Wölfflin and Gurlitt, has endured as art history’s unacknowledged political substrate for generations. Classic works, like Wölfflin’s <I>Kunstgeschichtliche Grundbegriffe</I> are interpreted anew here, supported by new documents from the papers of each figure.</P>


Author(s):  
Levon Chookaszian

During the last centuries, numerous books and papers were published on Armenian art in different collections of the world. Still there is an ocean of work to do in this field to fill in the gaps of the history of Armenian art. The members of the Chair of Armenian Art History and Theory at Yerevan State University were the first to carry out a systematic work in Romania in 2011-2017 and Iran in 2015-2019 exploring the Armenian miniatures, icons, wall paintings, silverwork, textiles etc. The results of this work were presented as papers during the conferences and published as articles.


Author(s):  
K. Sareef ◽  
K.C. Abdul Majeed

<em>Today information resources in Arabic Language are very much useful to the researchers and community of the world. Resources in Arabic language in Kerala, is scattered in various places like libraries attached to Islamic Institutions, kuthb khanas, madrassas, masjids, personal libraries of scholars, and Arabic Colleges. It includes manuscripts, copper plates and digital resources. It should be bibliographically controlled, digitized and preserved for the benefit of future generation. Most of them are concentrated in Malappuram District where muslims are more populated. ALT and ICT will help us to complete this tedious task. It will open a new window to the wide area of information studies and research. The work will be a great help to research scholars, students at various levels, faculties of Arabic departments, academicians and the community as a whole.</em>


2021 ◽  
Vol 10 (1) ◽  
pp. 94-115
Author(s):  
Gabriel Menotti

In the mid-2010s, a number of renowned museums and galleries across the world held retrospective exhibitions positioning digital arts within western art history. While inscribing some techno-aesthetic forms and behaviours into the contemporary arts institution, these exhibitions nevertheless cemented the exclusion of others. By examining the role and shortcomings of curatorial practices in this process, this article seeks to frame curating as an art of inclusion able to carve institutional and epistemic space for otherness. In doing so, I argue for the relevance of devices for noticing, defined as a range of tactics that enable the apprehension of digital vernaculars – everyday, ‘lower’ expressions of digital media culture – within institutional sites and discourses. Through these tactics, curators may provoke under-represented cultural actors, forms and behaviours into recognition, reverse the violence of institutional occlusion, and fertilize art histories.


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