Nutrition

2018 ◽  
pp. 1-24
Author(s):  
Philip A. Mackowiak

Chapter 1 (“Nutrition”) features works of art depicting patients with nutritional disorders. Examples of both overnutrition and undernutrition are included. The final work considered is one by Johann J. Hasselhorst, titled Dissection of a Young Woman, in which an 18-year-old suicide victim is being dissected by a male surgeon to determine the ideal measurements of the female form. Her ideal from is contrasted earlier in the chapter with that of subjects, such as the Venus of Willendorf (a Paleolithic statuette discovered in the village of Willendorf, Austria in 1908 C.E.), with various forms of morbid obesity, and others, such as the Starving Buddha (a 2nd century B.C.E. bronze statue located in the Lahore Museum), that depict Kwashiorkor, cretinism, scurvy, pellagra, and other ravages of undernutrition.

2018 ◽  
Vol 3 (2) ◽  
pp. 121
Author(s):  
Mochammad Arief Wicaksono

The ideology of state-ibuism has always been interwoven with how the New Order regime until nowadays government constructing the “ideal” role of women in the family and community through the PKK (Pembinaan Kesejahteraan Keluarga) organization. However, in Cangkring Village, Indramayu, the ideology of ibuism works not because of the massive government regulating the role of women through the PKK organization, but it is possible because of the structure of the kampung community itself. Through involved observations and in-depth interviews about a kindergarten in the village, a group of housewives who dedicated themselves to teaching in kindergarten were met without getting paid high. From these socio-cultural phenomenons, this paper will describe descriptively and analytically that housewives in the Cangkring village are willing to become kindergarten teachers because of their moral burden as part of the warga kampung and also from community pressure from people who want their children to be able to read and write.


Author(s):  
Francis L. F Lee ◽  
Joseph M Chan

Chapter 1 introduces the background of the Umbrella Movement, a protest movement that took hold in Hong Kong in 2014, and outlines the theoretical principles underlying the analysis of the role of media and communication in the occupation campaign. It explicates how the Umbrella Movement is similar to but also different from the ideal-typical networked social movement and crowd-enabled connective action. It explains why the Umbrella Movement should be seen as a case in which the logic of connective action intervenes into a planned collective action. It also introduces the notion of conditioned contingencies and the conceptualization of an integrated media system.


2021 ◽  
Author(s):  
◽  
Richard Vaughan Kriby

"Lumen Accipe et Imperti ", says the motto of Wellington College; and, in becoming a teacher, after being a pupil of the College, I fully accepted the injunction to receive the light and impart it. But it took the preparation of this thesis on the apprenticeship system to bring home to me the<br>strength of the human impulse implied in those four<br>Latin words.<br>In the ideal, the impulse is personified in Oliver Goldsmith's description of the village schoolmaster who "...tried each art, reproved each dull delay; Allur'd to brighter worlds, and led the way."<br><div>It is this impulse to seek skills and to hand them on which helps to explain the enigma of a system apparently always on the point of being out-moded, and yet surviving time and change, depression and prosperity, wars and its greatest challenge, the machine age.</div><div>In 1898 - before the Boer War - a Member of the New Zealand Parliament announced that a pair of boots had been made in 25 minutes, passing through 53 different machines and 63 pairs of hands. The tone of the brief, ensuing discussion was one suited to the occasion of an imminent demise, and a Bill for improvement of the apprenticeship system then before the House quietly expired.<br><br></div>


Toxic Shock ◽  
2018 ◽  
pp. 21-47
Author(s):  
Sharra L. Vostral

The grounding assumptions and conceptualizations of bacteria and gendered technology are the focus of chapter 1. The term “biocatalytic technology” provides a way to think through this relationship between bacterium and technology as active co-agents. The tampon, conceptualized as an inert plug to stop up the fluids of a mechanical body, instead served as a catalyst, prompting bacterium that were at best in stasis to begin producing toxins. Individually both the tampon and bacterium were neutral, but due to ecological circumstances they triggered a harmful consequence. Constituent bacteria, menstruating bodies, and a reactive rather than inert technology converged to create the ideal environment for the Staphylococcus aureus bacterium to live and flourish in some women. Opportunistic, the bacterium became the unintended user of the tampon technology.


2016 ◽  
Vol 4 (1) ◽  
pp. 10
Author(s):  
Muhammad Luthfie ◽  
Aida Vitayala S Hubeis ◽  
Amiruddin Saleh ◽  
Basita Ginting

Climate Communication in an organization is very important to foster togetherness and unity. Climate conducive communication between the leaders and members or between superiors and subordinates can achieve harmonization within the organization that will ultimately reap success in the implementation of its programs. The ideal climate organizational communication requires honesty in communication, openness of communication down, and a joint decision. Pace and Faules (2000) states that organizational communication climate is important for linking organizational context with concepts, feelings, and expectations of the organization’s members and to help explain the behavior of members. The study aims to analyze the communication climate organization built community organizations in rural development. The results showed climate communication community organizations research subject is very conducive and riel has been able to encourage active involvement in the development in the village Plompong, through the realization of its programs in the construction of infra structure.


1985 ◽  
Vol 10 (3) ◽  
pp. 32-42 ◽  
Author(s):  
Helene E. Roberts

Aby Warburg used a system of screens, wooden frames covered with fabric, upon which he displayed photographs. He could compare images, manipulate them in different arrangements, and order them in support of a visual argument. The computer and the video screen allow present day art historians to contemplate the creation of a much larger and more sophisticated version of Warburg’s screens in an ideal network of images and data. Images of works of art will be identified by basic information and accompanied with all the relevant information of a full catalogue entry. Correctly formulated this information can be retrieved in various ways to allow for making numerous connections between works of art and revealing a variety of relationships between them. Each work can thus be studied within a visual and historical context or compared with works of art sharing similar characteristics from widely different cultures and periods. The number of works of art existing in the world is very large, and the information which may be recorded about them is immense. Forming the ideal network is a considerable undertaking and one that will take the help and co-operation of the whole art historical community.


Author(s):  
Anca I. Lasc

This book analyzes the early stages of the interior design profession as articulated within the circles involved in the decoration of the private home in the second half of nineteenth-century France. It argues that the increased presence of the modern, domestic interior in the visual culture of the nineteenth century enabled the profession to take shape. Upholsterers, cabinet-makers, architects, stage designers, department stores, taste advisors, collectors, and illustrators, came together to “sell” the idea of the unified interior as an image and a total work of art. The ideal domestic interior took several media as its outlet, including taste manuals, pattern books, illustrated magazines, art and architectural exhibitions, and department store catalogs. The chapters outline the terms of reception within which the work of each professional group involved in the appearance and design of the nineteenth-century French domestic interior emerged and focus on specific works by members of each group. If Chapter 1 concentrates on collectors and taste advisors, outlining the new definitions of the modern interior they developed, Chapter 2 focuses on the response of upholsterers, architects, and cabinet-makers to the same new conceptions of the ideal private interior. Chapter 3 considers the contribution of the world of entertainment to the field of interior design while Chapter 4 moves into the world of commerce to study how department stores popularized the modern interior with the middle classes. Chapter 5 returns to architects to understand how their engagement with popular journals shaped new interior decorating styles.


Author(s):  
Denis Nikolaevich Demenev

The subject of this research is the interaction of the ideal and the material, which ensures unity of the process of creating a fine art painting. The object of this research is the dynamics of this process, which gradually materializes the ideal through poetic transformation of the objective reality. In the course of creating a fine art painting, the author underlines the importance of ontological-phenomenological and socio-gnoseological aspects of human existence, which in many ways determine the technical and technological means of solution of the artistic and creative tasks. Special attention is given to contemplation of the objective world, purposive action of the artistic will, establishment of the artistic image as interrelated stages of objectification of the ideal. The novelty of this article consists in interpretation of the phenomenon of the ideal, reflected in painting via integrated will. The latter is the synthesis of artistic will and subjective will of the painter. The author describes a &ldquo;shuttle principle&rdquo; in objectification of the ideal in the works of art within the framework of the history of development of painting, as well as within a single process: 1) from the aesthetic form to the embodiment of universality of the content; 2) from the universal content to aesthetic embodiment. The following conclusions were made: 1) the objectively ideal in a painting is an aesthetically perceived (visually, mentally, and spiritually) boundary of beauty and beautiful depicted via perfect, absolute unity of the artistic form and content, artistically and graphically, adequate to its concept in its material outcome, in reality. It is of rare occurrence in the works of art, something to be sought for; 2) an artistic form should be correlated in the artwork with universality of its content, which results in the fusion of the ideal and the real, and forms their indifference; 3) the universal meanings, ideologically underlying the content of a fine art painting, deepen and broaden the possibilities of artistic matter for objectification of the ideal in aesthetic form.


Author(s):  
С.Н. Кореневский ◽  
Ш.О. Давудов

В статье представлена публикация новых находок эпохи раннего бронзового века на поселении у станицы Старотитаровской Краснодарского края. Культурный слой поселения плохо выражен и нарушен поселением античного времени. К эпохе раннего бронзового века относится обломок каменного топора, кремневая пластина, несколько сосудов с формовочной массой без минеральных примесей и с минеральными примесями. Судя по ним, поселение датируется концом IV тыс. до н. э. Среди форм керамики присутствуют сосуды с круглым и плоским дном. В яме 58 Б расчищены 4 скелета людей: трех мужчин и юной женщины. Эти находки ставят вопрос об особых формах погребальной обрядности у местного населения и их соотнесения с погребальными традициями майкопской культуры. The paper publishes new Early Bronze Age finds excavated at the settlement near the village of Starotitarovskaya in the Krasnodar region. The cultural attribution of the occupation layer of the settlement is not easily identifiable it was strongly disturbed by a settlement dating to the Classical period. A fragment of a stone shaft hole axe, a retouched flint blade and several vessels made from clay tempered with mineral admixture and clay tempered without mineral inclusions were dated to the Early Bronze Age. Based on these finds, the settlement was attributed to the end of the 4th mill. BC. Pottery finds include several vessels with a round and flat bottom. Four skeletons were discovered in pit 58 B: skeletons of three males and a skeleton of one young woman. These finds raise an issue of special forms of funerary rites practiced by the local population and their correlation with funerary traditions of the Majkop culture.


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