Capitalism

As a conceptual apparatus for the analysis of complex historical phenomena, “capitalism” has been a powerful tool for historians of the Atlantic World. Capitalism, used as a concept in the sense derived from the work of Karl Marx, generates analyses that integrate the processes of production, consumption, and exchange with the historical development of consciousness and social systems. It is a critique, rather than simply an alternative form, of political economy. How exactly to conduct such critical analysis has been a matter of prolific and sophisticated argument for over a century, and specific definitions of capitalism as an object of historical study vary as functions of that debate. Indeed, debates about the precise formulation and usefulness of capitalism as a concept, and about its geographical and temporal scope as a historical object, have run on similar though by no means parallel lines to debates over the “Atlantic World.” These discourses intersect most vibrantly in the study of Atlantic slavery. From the 19th to the 21st centuries, the relationship of slavery to capitalism has remained a site of intense conceptual struggle. All serious contributions to such debates, and to the study of historical capitalism generally, have relied to some extent on the evidence and analysis of scholars who were not themselves engaged in that study. This bibliography, however, will deal for the most part only with work that deploys the term “capitalism,” signifying a more or less conscious engagement with the tradition and debates that derive from Marx’s work.

2017 ◽  
Vol 8 (1) ◽  
pp. 22-48 ◽  
Author(s):  
Iain Mackinnon

This article employs a new approach to studying internal colonialism in northern Scotland during the 18th and 19th centuries. A common approach to examining internal colonial situations within modern state territories is to compare characteristics of the internal colonial situation with attested attributes of external colonial relations. Although this article does not reject the comparative approach, it seeks to avoid criticisms that this approach can be misleading by demonstrating that promoters and managers of projects involving land use change, territorial dispossession and industrial development in the late modern Gàidhealtachd consistently conceived of their work as projects of colonization. It further argues that the new social, cultural and political structures these projects imposed on the area's indigenous population correspond to those found in other colonial situations, and that racist and racialist attitudes towards Gaels of the time are typical of those in colonial situations during the period. The article concludes that the late modern Gàidhealtachd has been a site of internal colonization where the relationship of domination between colonizer and colonized is complex, longstanding and occurring within the imperial state. In doing so it demonstrates that the history and present of the Gaels of Scotland belongs within the ambit of an emerging indigenous research paradigm.


Author(s):  
Alison James

This book studies the documentary impulse that plays a central role in twentieth-century French literature. Focusing on nonfiction narratives, it analyzes the use of documents—pieces of textual or visual evidence incorporated into the literary work to relay and interrogate reality. It traces the emergence of an enduring concern with factual reference in texts that engage with current events or the historical archive. Writers idealize the document as a fragment of raw reality, but also reveal its constructed and mediated nature and integrate it as a voice within a larger composition. This ambivalent documentary imagination, present in works by Gide, Breton, Aragon, Yourcenar, Duras, and Modiano (among others), shapes the relationship of literature to visual media, testimonial discourses, and self-representation. Far from turning away from realism in the twentieth century, French literature often turns to the document as a site of both modernist experiment and engagement with the world.


Author(s):  
John Elderfield

This chapter presents the text of a lecture on the role of visual medium in art-historical study. It addresses the relationship of art history to the existential acts of painting and looking at painting and describes how the so-called story of modern art has been narrated in the history literature. It also considers how modern histories can accommodate the unfamiliar that is normally part of the story.


Animal Labour ◽  
2019 ◽  
pp. 181-206
Author(s):  
Dinesh Joseph Wadiwel

In Chapter 10 of Capital Vol. 1—‘The Working Day’—Karl Marx reveals at least one central concern within his project: namely the relationship between labour time and free time as a site of antagonism under capitalism. In this chapter I offer a perspective on the politics of animal labour that takes the working day as a main site of problematization and contestation. I argue that while a concept of a ‘working day’ is applicable to some animal labourers, a defining characteristic of most animals labour under capitalism—particularly that of animals in intensive forms of agriculture—is the reality that the working day never stops: all time is labour time for these animals. I further argue that a focus on labour time offers a different and productive base for pro-animal politics, and for alliance building. At least one curious set of resonances here are the strong demands being made by other social movements—such as environmental justice movements—to ‘slow down capitalism’ through reduced work, reduced production, and reduced consumption.


Blood ◽  
1977 ◽  
Vol 49 (6) ◽  
pp. 935-945 ◽  
Author(s):  
S Schiffman ◽  
P Lee ◽  
DI Feinstein ◽  
R Pecci

Abstract Contact activation cofactor (CAC) facilitates the interaction of factors XI and XII. Patients lacking CAC have a coagulation defect and are deficient in high molecular weight kininogen. The coincidence of these two defects suggests that a single protein may be responsible for both physiologic functions. Immunologic and activity studies have been made on isolated CAC to clarify the relationship between CAC and kininogen. CAC forms a single precipitin line with anti-human kininogen, and antikininogen neutralizes CAC activity. CAC and high molecular weight kininogen show a reaction of identity on immunodiffusion against rabbit anti-CAC. Anti-CAC forms two precipitin lines with normal plasma which can be identified as high and low molecular weight kininogen. Monospecific immunoabsorbed anti-CAC forms a single precipitin line with plasma high molecular weight kininogen and neutralizes CAC activity. Cleavage of kinin fragment from CAC by insoluble trypsin or kalikrein does not proportionally reduce procoagulant activity. CAC neutralized by anti-CAC can release kinins on exposure to trypsin or kallikrein. The results support the conclusions that CAC procoagulant activity is a function of high molecular weight kininogen, that antigenic determinants unique to high molecular weight kininogen are shared by the CAC portion of the molecule, and that the clotting reactions may occur at a site removed from the kinin peptide.


2009 ◽  
pp. 67-73
Author(s):  
Serge Latouche

- Fragments of reflexive modernity The conception of development focused more on the quantity than on the quality, more on competition than on cooperation, more on utilitarian exchanges than on reciprocity is showing all its limits. In this context, the concept of the relationship of care highlights what has been slowly and progressively compressed and eliminated, thus creating the condition of instability of our social systems: the essentially and "existentially" relational dimension of human experience and of social life. This dimension, through a logic of comparative counterposition, is used for a critical analysis of the model of the current development.


1978 ◽  
Vol 7 (4) ◽  
Author(s):  
Helmut Willke

AbstractThe goal of this article is not to answer a specific question but to analyse some ways to ask questions in relation to highly complex systems. The point of departure is a controversy between PARSONS and LUHMANN about the relationship between parts and wholes, between action units and systems. In the first part (I and II) the positions are presented to point out the problem: can we analyse complex social systems within the frame of action theory on the basis of action units and the functional preconditions of coordinating contingent interactions; or do the emergent properties of complex systems call for a subordination of action theory under the concept of processual prerequisites of system guidance?The second part (II and III) deals with a possibility to revise LUHMANN’s program of an “analysis of complexity” (a program which also is increasingly important for the analysis of complex physical, chemical or biological systems). The classificatorial constraints of LUHMANN’s program are discussed under the perspective of a more adequate theory of generalized media of system guidance.


Antiquity ◽  
1993 ◽  
Vol 67 (255) ◽  
pp. 339-348 ◽  
Author(s):  
Leo S. Klejn

The relationship between archaeology and history is not just an abstract theoretical question: it is one which determines the practical organization of archaeological activity and the publication of its results. It is a general problem of archaeology in Europe, where the subject has had to differentiate itself from the historical study of a long series of literate cultures; and it is especially acute in the former Soviet bloc, where a Marxist orthodoxy of historical science formerly prevailed. Leo Klejn is Russaian archaeology's most distinguished theoretician. Here he discusses in his own words both the academic sociology of the historical sciences and the role which he sees for archaeology within them.


Author(s):  
Juan Alejandro Saldarriaga

Resumen: El proceso de diseño para el CCVA comienza con dos frases que escribe Le Corbusier durante su primera visita al sitio en 1959. Sólo cinco meses después hace los primeros dibujos. De ahí la relación de este edificio con la sintaxis, si ésta se entiende como la búsqueda del orden y de la relación de los espacios. La sintaxis se observa aquí desde las primeras imágenes literarias hasta el nivel de definición de la forma, en el que se usan maquetas esquemáticas y desarmables, así como recortes de las áreas requeridas por el programa, con los que se experimenta de diversas maneras en un plano del sitio. Además de su interés persistente por diversos tipos de circulación, esta metodología emparenta al edificio con algunos proyectos de Le Corbusier donde también hace uso de los diagramas funcionales, o "diagrammes à bulles", como él los llama. El mismo tipo de diagrama fue usado más tarde por Bill Hillier en un método para analizar la arquitectura que llamó la "sintaxis espacial". Este método, además de analizar el orden y la relación de los espacios, permite entender su permeabilidad con el espacio público. Al ser un edificio atravesado por una ruta pública, y al iniciarse con imágenes literarias, se hace pertinente verlo a través de su sintaxis espacial. Abstract: The design process for the CCVA begins with two phrases that Le Corbusier writes during his first visit to the site in 1959. Only five months later the first drawings appear. Hence the relationship of the building with the syntax, if this is understood as the search for the order and the relationships in space. The syntax is observed here from the first literary images up to the definition of the form, in which schematic architectural models are used, but also cut-out areas required by the program, which are disposed in different ways on a site plan. In addition to his persistent interest in various types of movement, this methodology can also be seen in other projects where Le Corbusier also makes use of functional diagrams, or as he calls them: "diagrammes à bulles ". The same kind of diagram was used later by Bill Hillier in a method for analyzing architecture that he called the "space syntax". This method, in addition to analyzing the order and the relationship of spaces, can help to understand their permeability with respect to public space. As a building crossed by a public path, and as design process that starts with literary images, it becomes relevant to see it through its spatial syntax.  Palabras clave: Le Corbusier; diagrama, sintaxis espacial; espacio público; métodos de creación. Keywords: Le Corbusier; diagram, space syntax; public space; creation methods. DOI: http://dx.doi.org/10.4995/LC2015.2015.888


1975 ◽  
Vol 53 (5) ◽  
pp. 504-513 ◽  
Author(s):  
E. V. Pemberton ◽  
G. G. Shepherd

Observed fluctuations in auroral brightness are reported for the frequency band 0.05 < ƒ < 15 Hz from a site at 60.7° invariant latitude. Four clearly distinct frequency bands were found to exist: at 7 and 2.4 s period, and at 3 and 10 Hz. The spatial distribution of the fluctuations was studied; it is several hundred km in longitudinal extent, narrow in the evening in latitudinal extent but broadening to perhaps 200 km in the early morning, homogeneous and stationary in the sky, equatorward of discrete quiet auroral forms, and strongly responsive to the level of geomagnetic disturbance. The relationship of this fluctuating region to the recently discovered diffuse auroral belt, and the region of hard drizzle precipitation observed by a number of workers is described and discussed. The pulsation mechanism described by Coroniti and Kennel seems very plausible for the 7 and 2.4 s period pulsations.


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