Common Issues in Music Lab Lessons

2021 ◽  
pp. 217-222
Author(s):  
Will Kuhn ◽  
Ethan Hein

This chapter describes several common problems encountered by teachers and students in project-based electronic music classes. The issues addressed include weak student engagement, excessively fast or slow project pacing, and students’ reluctance to participate or share their work with their peers. Also discussed are broader issues teachers face when teaching music technology: how they can overcome creative blocks in their own project design, how they can maintain relevance in the face of rapid cultural change, and how they can adapt their ensemble-based training to leading lab-based technology programs. The chapter outlines strategies for supporting students’ intrinsic motivation and creative confidence through differentiated instruction, and through rewarding effort and risk-taking rather than outcomes. The chapter is as much a psychological resource as it is a technical and pedagogical one, by design. Teaching and practicing creativity are inescapably emotional, and the advice is therefore couched in terms of interpersonal dynamics.

2021 ◽  
pp. e20210043
Author(s):  
Sarah Baillie ◽  
Annelies Decloedt ◽  
Molly Frendo Londgren

Flipped classroom is an educational technique in which content is delivered online for students to study at their own pace in preparation for in-class learning. Benefits include increased flexibility, enhanced student engagement and satisfaction, and more effective use of time spent during face-to-face teaching. However, the development and implementation of flipped classroom teaching are also associated with challenges, including time required to develop learning materials and getting students to engage with the preparatory work. This teaching tip describes a structured approach to designing and implementing the flipped classroom approach for clinical skills to allow a greater focus on practicing the hands-on skills and the provision of feedback during the laboratory session. First, the rationale for flipping the classroom and the expected benefits should be considered. On a practical level, decisions need to be made about what to include in the flipped component, how it will complement the face-to-face class, and how the resources will be created. In the design phase, adopting a structured template and aligning with established pedagogical principles is helpful. A well-designed flipped classroom motivates learners by including different elements such as quality educational media (e.g., videos), the opportunity to self-assess, and well-defined connections to relevant knowledge and skills. Student engagement with the flipped material can be promoted through different strategies such as clear communication to manage student expectations and adapting the delivery of the face-to-face component. Finally, gathering feedback and evaluating the initiative are important to inform future improvements.


2021 ◽  
Vol 11 (9) ◽  
pp. 462
Author(s):  
Salah Alhammadi

This paper explores the student learning experience using technology as an e-learning tool during the COVID-19 pandemic. This article utilized qualitative methods to examine the quality of student learning using deep and surface approaches to understand what influences student engagement with technology. Interviews were conducted with 21 students from various academic majors using deductive content analysis to evaluate their responses. The findings show that technology increased student engagement with class discussion, and students became more informed about lecture material. It is noteworthy that there were some variations in the students’ interpretation of the learning experience with technology, indicating a gap in the quality of learning. Notably, there was an improvement in grades compared to the last online session and the face-to-face learning experience prior to the COVID-19 pandemic, and there were fewer missing quizzes and late assignments. These outcomes may be used to enhance teaching strategies and problem solving within teaching and learning to develop a new mode of delivery. In addition, these findings are important for the future of education in a post-pandemic world.


2021 ◽  
Vol 1 (2) ◽  
pp. 23-29
Author(s):  
Muhammad Makki ◽  
Dyah Indraswati ◽  
Muhammad Erfan ◽  
Aisa Nikmah Rahmatih ◽  
Vivi Rachmatul Hidayati

The Covid-19 pandemic has led to policies that make teachers and students have to adapt the face-to-face learning model to online learning. The teacher of SD N 2 Cakranegara admits that there are limitations to the variety of audio-visual learning media used. The teachers also don't know and have never tried to develop game games with learning content, even though Android-based games are very possible to be developed and accessed portable on smartphones, the majority of which are already owned by teachers and students. The provision of workshops and assistance in making Android-based educational games for SD N 2 Cakranegara teachers aims to improve skills in creating and developing learning media in the form of educational games and maximizing the use of smartphones. The targeted output in this service activity is the existence of educational games that are ready to be used for the online learning process through appsgeyser.com and quickappninja.com.  


Author(s):  
Debra Sprague

Flipping the classroom has gained much attention over the past couple of years. It involves using video and online technologies to provide the lecture portion of a lesson. Students view the online lecture for homework, while class time is spent engaged in applying what is learned from the lecture. By doing this, it is believed students become active learners and take more responsibility for their learning.Although a skeptic of the flipped learning model (after all, a lecture is a lecture no matter what format it takes) the presenter decided to give it a try and flip one of her teacher education courses. The result was more student engagement, better quality of student work, and increase in student evaluations.This presentation will focus on strategies for flipping a course through the creation of a hybrid (combination of online and face-to-face) course. The presenter will share with the audience how she provided meaningful online activities and how she engaged the students during the face-to-face classes. Although the course content derives from the education discipline, the strategies presented can fit any content area.


The proposed system generally results a solution to some of the problems which occurs in colleges and schools by providing a monitoring camera with the help of “Artificial Intelligence (AI)” . The main problem which can be occurred is wastage of time in taking the attendance manually or through any biometric sensors. The next problem which can be solved is to control the usage of electricity in classrooms when students are not in class. When the videos are getting recorded with the help of monitoring cameras, at the same time the head counting and face detection of the students present will also be done. When the strength of the class is zero ,the head counting also results to zero. The electricity can also be saved at the same time when people are not present in the classroom. The face recognition is the easiest process which can be done for marking the attendance, where the attendance is marked automatically. This process also helps to prevent the fake attendance. Face recognition and detection is generally based on line edge mapping to attain the identity of the student and also meets the wants of attendance in the universities and schools. The image of the student is to be captured and checked with the database simultaneously and marks the attendance of the particular student. The video gets recorded all the time and checks whether the student remains in class for the entire period.The attendance marking system with the help of technology is very essential for both the teachers and students.


Author(s):  
Ian Pickup

The level of student engagement is often seen as an indicator of quality in discourses concerning the higher-education student experience.  This opinion piece explores the inherent tensions in promoting and facilitating student engagement within the evolving Teaching Excellence Framework (TEF) landscape.  Many institutions expend energy - and in some cases significant resource - upon the development of student-engagement projects, whether through ‘partnership’, ‘change agent’ or ‘producer’ models.   But what happens when the level of student engagement is high, yet runs in direct opposition to the form of student engagement best suited to blunt measures of ‘quality’ within prevailing policy frameworks?    The TEF, with its reliance on National Student Survey (NSS) data, assumes that engaged students will comply with requirements to complete a survey without critiquing the principles on which the survey and its central link to the TEF-based judgement of teaching quality are founded. The present National Union of Students boycott of the NSS is provided as an example of student engagement that runs counter to the intentions of national policy and to some institutional necessities. In the face of such challenges, institutions could decide to eschew their commitment to student engagement. However, a strengthening of commitment to student engagement is called for, in keeping with constructivist approaches to teaching and learning and in valuing the worth of reflexive deliberations of all those involved – including those who express dissatisfaction. 


Author(s):  
Peter L. Bond

This chapter raises difficult questions regarding the validity and motive for prolonging current forms of economic development and competition in the face of the much heralded global environmental crisis threatened by humankind’s success as a species. In response, a living systems theoretical framework is introduced that provides many elements of a possible new paradigm of economic development one that closes the gap between the social and natural sciences. New forms of explanation for organization and culture are developed from the perspective of complexity science to produce a synthesis of knowledge management and new philosophical, sociological, anthropological, and, distinctively, biological perspectives of technology, which effectively reconciles the practices of technology, knowledge and cultural change management.


2021 ◽  
pp. 1-15
Author(s):  
Shawna Longo

This chapter lays the foundation for an authentic integrated approach to learning. Music technology is a key component in most approaches that integrate STEM with Music. The connecting of multiple content areas through the arts, or music, can be used to increase teacher collaboration. The key areas of arts integration, STEM, STEAM, and how these can effectively and authentically exist together in the classroom to increase student engagement and connections to the content areas and concepts, are defined through a research-based and pragmatic approach. By incorporating the fundamental definitions and understandings posited by this chapter into one’s teaching students will be given opportunities to connect STEM concepts to the artistic processes.


2016 ◽  
Vol 21 (1) ◽  
pp. 61-71
Author(s):  
Eliot Britton

This article applies a genre level approach to the tangled discourse surrounding the points of convergence between avant-garde electronica and electroacoustic music. More specifically the article addresses related experimental practices in these distinct yet related fields of electronic music-making. The democratisation of music technology continues to expand into an increasingly diverse set of musical fields, destabilising established power dynamics. A flexible, structured approach to the analysis of these relationships facilitates the navigation of crumbling boundaries and shifting relationships. Contemporary electronic music’s overlapping networks encompass varying forms of capital, aesthetics, technology, ideology, tools and techniques. These areas offer interesting points of convergence. As the discourse surrounding electronic music expands, so must the vocabulary and conceptual models used to describe and discuss new areas of converging artistic practice. Genre level diagrams selectively collapse, expand and arrange artistic fields, facilitating concrete, coherent arguments and the examination of patterns and relationships. Through the genre level diagram’s establishment of distinct yet flexible boundaries, electronic music’s sprawling discourse can be cordoned off, expanded or contracted to suit structured analyses. In this way, this approach clarifies scope and facilitates simultaneous examination from a variety of perspectives.


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