Mexican Philosophy in the 20th Century

2017 ◽  
Keyword(s):  
National Identity ◽  
20Th Century ◽  
Mexican Revolution ◽  
National Character ◽  
Philosophical Question ◽  
Wide Range ◽  
Mexican Philosophy ◽  
History Of ◽  
The 1950S ◽  
Philosophical Questions

Sánchez and Sanchez have selected, edited, translated, and written an introduction to some of the most influential texts in 20th century Mexican philosophy. Together, these texts reveal and give shape to a unique and robust tradition that will certainly challenge and complicate traditional conceptions of philosophy. The texts collected here are organized chronologically and represent a period of Mexican thought and culture that emerges out of the Mexican Revolution of 1910 and cultimates in la filosofía de lo mexicano (the philosophy of Mexicanness), which reached its peak in the 1950s. Though the selections respond to a variety of philosophical questions and themes and will be of interest to a wide range of readers, they represent a tendency to take seriously the question of Mexican national identity as a philosophical question—an issue that is complicated by Mexico’s indigenous and European ancestries, its history of colonialism, and its growing dependency on foreign money and culture. More than an attempt simply to describe the national character, however, the texts gathered here represent an optimistic period in Mexican philosophy that aimed to affirm Mexican philosophy as a valuable, if not urgent, contribution to universal thought and culture.

S. YAKOVENKO AND HIS SKILLS IN THE CONTEXT OF THE INTERPETATION OF Y. BOUTSKO’S MONO-OPERA "DIARY OF A MADMAN"

2020 ◽  
Vol 1 (2) ◽  
pp. 140-145
Author(s):  
O. A. Podguzova ◽  
Keyword(s):  
Art History ◽  
Xxth Century ◽  
Avant Garde ◽  
Great Demand ◽  
Video Recordings ◽  
Wide Range ◽  
History Of ◽  
The 1950S ◽  
Vocal Art

Sergey Borisovich Yakovenko is the People's Artist of Russia, a famous musician, vocal teacher and Doctor of Art History. He entered a bright page in the history of Russian vocal art of the XXth century. Starting from the 1950s, as a vocalist, he was in great demand for chamber vocal performances, with some of them being composed by modern musicians. Yakovenko was able to operate freely with a whole stock of expressive means, inherent for avant-garde music, allowing him to take part in the most difficult performances of the latest vocal and vocal-instrumental compositions, which manifested his inclination to the theater, to the disclosure of the dramaturgy of works. S. B. Yakovenko’s stage talent declared itself in its fullness during the performance of mono- operas, among them "Diary of a Madman" by Yuriy Butsko (1968), which received a great resonance in the theatrical life of Russia. The general content of this article is the analysis of S. B. Yakovenko’s performing skill, which gave birth to a wide range of character images, generated by the protagonist’s imagination. After the analysis of audio and video recordings of the vocalist’s performances, as well as his numerous scientific works and conversations, the author discovers several important features typical for the performing interpretation by S. B. Yakovenko. These are his vocal-dramaturgical principles and vocal-theatrical direction. In Y. Boutsko’s opera "Diary of a Madman" the unique performance palette of S. B. Yakovenko allows the singer to create eight various, rapidly interchanging images, using exclusively the resources of his voice, while being on an empty stage without props and with little or no gesture or mime.

scholarly journals Some notes on a historical perspective of panic disorder

2006 ◽  
Vol 55 (2) ◽  
pp. 154-160 ◽  
Author(s):  
Antonio Egidio Nardi
Keyword(s):  
Panic Disorder ◽  
20Th Century ◽  
19Th Century ◽  
Greek Mythology ◽  
Laboratory Studies ◽  
Biochemical Tests ◽  
Wide Range ◽  
Therapeutic Development ◽  
History Of ◽  
The 19Th Century

This article aims to describe important points in the history of panic disorder concept, as well as to highlight the importance of its diagnosis for clinical and research developments. Panic disorder has been described in several literary reports and folklore. One of the oldest examples lies in Greek mythology - the god Pan, responsible for the term panic. The first half of the 19th century witnessed the culmination of medical approach. During the second half of the 19th century came the psychological approach of anxiety. The 20th century associated panic disorder to hereditary, organic and psychological factors, dividing anxiety into simple and phobic anxious states. Therapeutic development was also observed in psychopharmacological and psychotherapeutic fields. Official classifications began to include panic disorder as a category since the third edition of the American Classification Manual (1980). Some biological theories dealing with etiology were widely discussed during the last decades of the 20th century. They were based on laboratory studies of physiological, cognitive and biochemical tests, as the false suffocation alarm theory and the fear network. Such theories were important in creating new diagnostic paradigms to modern psychiatry. That suggests the need to consider a wide range of historical variables to understand how particular features for panic disorder diagnosis have been developed and how treatment has emerged.

A Review of Chinese Eastern Railway Study in China

2021 ◽  
pp. 63
Author(s):  
Weiyun Mа
Keyword(s):  
Soviet Union ◽  
20Th Century ◽  
Far East ◽  
The United States ◽  
Russian Language ◽  
Early 20Th Century ◽  
Qing Empire ◽  
Wide Range ◽  
History Of ◽  
The Republic

The article reviews research on Chinese Eastern Railway in China. The research on Chinese Eastern Railway in China began in the early 20th century, has a history of more than 100 years. The existing research results mainly focus on the construction of Chinese Eastern Railway and Tsarist Russia's expansion policy, negotiation between China and Russia (Soviet Union) on the railway issue, the contradictions and struggles of Japan and the United States around the railway problem and so on. These documents cover a wide range of issues which almost involve the political, diplomacy, economy and trade, culture and other fields of international relations in the Far East from the end of the 19th century to the beginning of 20th century, provide a broad vision for the study of Chinese Eastern Railway. But there are problems in the research. Although there are many works on Chinese Eastern Railway, but most discussions are limited to a certain stage, there are few works on the whole history of Chinese Eastern Railway. Not only should we pay attention to the study of the early 20th century in other words the period of the Qing Empire, moreover, we should strengthen the research in the period of the Republic of China and the new China period, this is of great significance to the study of the whole history of Sino — Soviet relations. In addition due to specific historical conditions, part of the Russian data of Chinese Eastern Railway in China was lost, in addition, there is no detailed and authoritative reference book for Russian archives of Chinese Eastern Railway, this situation makes the cited materials in Chinese works appear too old the materials cited in the book seem too old. The authors thank for proofreading and examining the translation A.I. Kobzev, Ph.D. (Philosophy), professor, director of China Department, Institute of Oriental Studies, Russian Academy of Sciences, director of TSC of Humanities and Social Sciences and director of Philosophy Department of MIPT (SRI), director of TSC «Oriental Philosophy» of RSUH, Chief researcher of Russian language, literature and culture research center of Heilongjiang University.

“Fatally Tied Together”: The Intertwined History of Kurds and Armenians in the 20th Century

2019 ◽  
Vol 23 (4) ◽  
pp. 390-406
Author(s):  
David Leupold
Keyword(s):  
National Identity ◽  
20Th Century ◽  
Armenian Genocide ◽  
Binary Coding ◽  
History Of ◽  
Spatio Temporal ◽  
Perpetrators And Victims ◽  
Kurdish Question ◽  
Kurdish Issue ◽  
Geographical Space

More than a century years ago Talât Pasha declared famously that in the Eastern Provinces “The Armenian question does not exist anymore”. Today, far from being resolved, the former binary coding (Armenian/Turkish) is even further complicated by a third element— the ongoing Kurdish question (doza Kurdistanê). While most research and journalistic works frame the Armenian issue and the Kurdish issue as two separate events that merely coincide(d) in the same geographical space, this work explores their interdependence and the historical trajectories of two peoples fatally “tied together” across a spatio-temporal scale. In my paper I identify two opposing lines of continuity through which both peoples are tied together: friendly and fatal ties. With regard to the first (friendly ties), I turn to the SSR Armenia and her role in fostering Kurdish culture and advancing Kurdish nationalism. Hereby, I argue that a marginalized community of Kurmanji-speakers—the Yezidis, previously othered as “devil-worshippers” (şeytanperest)— emerged as the vanguard in forging a novel, secularized Kurdish national identity. With regard to the latter (fatal ties), I link the irrevocable erasure of Ottoman Armenians to the emergence of an imagined “Northern Kurdistan” stretching over large parts of historic Armenia. This, finally, raises the question of Kurdish complicity in the Armenian Genocide—as state-mobilized regiments, tribal members and ordinary residents—in a geography where, as Recep Maraşlı put it, the descendants “are the children of both perpetrators and victims alike”.

The nation and the South in the work of Rosario Romeo: A debate between John Dickie, Lucy Riall and Giuseppe Galasso: The idea of nation in Romeo

Modern Italy ◽  
2002 ◽  
Vol 7 (1) ◽  
pp. 59-84
Author(s):  
John Dickie ◽  
Lucy Riall ◽  
Giuseppe Galasso
Keyword(s):  
National Identity ◽  
Public Sphere ◽  
National Character ◽  
Political Climate ◽  
Italian History ◽  
The Public ◽  
Political Forces ◽  
History Of ◽  
Anglo American ◽  
The Public Sphere

The last seven or eight years have brought a flood of printer's ink dedicated to the issue of national identity in Italy. At the same time, the new political forces that have emerged since Tangentopoli have all, in various ways, contributed to the re-emergence of patriotism in the language of the public sphere. What would Rosario Romeo have said about this new cultural and political climate? How would he have sought to intervene? It seems likely that he would have turned his famously acerbic critical intelligence on many of the volumes published. A signi. cant number of them merely offer versions of the same old pathologizing version of Italian history, or even, ahistorically, of the Italian national character. All the Sicilian historian would have to do would be to dust off his criticisms of those Anglo-American and Marxist historians who portrayed Italy, in his view, as having had the ‘wrong’ history, of having certain aboriginal defects.

scholarly journals Procesy formowania narodów i tożsamości narodowej w Ameryce Łacińskiej

2016 ◽  
pp. 147-159 ◽  
Author(s):  
Anna Kaganiec-Kamieńska
Keyword(s):  
Latin America ◽  
National Identity ◽  
Identity Formation ◽  
Spanish America ◽  
Nation Formation ◽  
Theoretical Perspectives ◽  
History Of ◽  
The 1950S ◽  
National Identity Formation

Nation and national identity formation in Latin America. Selected issues The history of nation formation in Latin America cannot be easily interpreted within the frames of existing theoretical perspectives, such as modernism. The difficulty lies in the fact that the existing theories only partly apply to this region. The aim of this article is to present the processes of nation and national identity formation in Spanish America until the 1950s pointing to its main characteristics and selected factors of the most significant impact. Procesy formowania narodów i tożsamości narodowej w Ameryce ŁacińskiejHistoria powstawania narodów w Ameryce Łacińskiej nie daje się jednoznacznie zinterpretować w ramach istniejących schematów i ujęć teoretycznych (np. modernizmu). Trudność polega na tym, że znajdują one jedynie częściowe zastosowanie w odniesieniu do Ameryki Łacińskiej. Celem artykułu jest przedstawienie procesów tworzenia narodów i tożsamości narodowej w Ameryce hiszpańskiej do połowy XX w. z uwzględnieniem wybranych głównych cech tego procesu i czynników, które miały na niego wpływ.

At the origins of literary onomastics

Neophilology ◽  
2019 ◽  
pp. 54-61
Author(s):  
Svetlana A. Skuridina
Keyword(s):  
20Th Century ◽  
Proper Noun ◽  
Literary Character ◽  
School Research ◽  
History Of ◽  
The 1950S ◽  
Classical Traditions

We present the history of the emergence and development of literary onomastics, the relevance of which is currently not in doubt due to the involvement of its data for the analysis of the artistic world of different authors as linguists and literary critics. The aim of the study is to acquaint readers with those works in which reflections on the function of the proper noun in fiction can be considered as prerequisites for the emergence of onomastics. An important role in the development of science about the proper noun not only scientists, but also critics, writers and journalists, for example, V.G. Belinsky, N.S. Leskov, O.I. Senkovsky. Despite the initial interest of researchers to the etymological meaning of a literary name, in onomastic works middle of 20th century lighting find such problems, as reflected in the anthroponyms of the essential characteristics of the literary character, stylistic conformity onomastic units, social conditionality of name, etc. We point out the primary importance in the problems development of the new branch of linguistics for the 1950s of the works of such scientists as V.N. Mikhailov, R.P. Shaginyan, E.P. Magazanik, D.S. Likhachev. In conclusion we note the modern Voronezh onomastic school research specificity, founded by G.F. Kovalev, the successor of the already classical traditions of Russian onomastics.

Cycles of Cathay

Transfers ◽  
2012 ◽  
Vol 2 (2) ◽  
pp. 95-120 ◽  
Author(s):  
Edward J.M. Rhoads
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
Back Seat ◽  
Wide Range ◽  
Primary Means ◽  
History Of ◽  
Late Nineteenth ◽  
The 1950S ◽  
Personal Transportation ◽  
The City

Introduced into China in the late nineteenth century, the bicycle had to compete with a variety of alternative modes of personal transportation that for a number of years limited its appeal and utility. Thus, during the 1920s and 1930s it took a back seat to the hand-pulled rickshaw and during the 1940s to the pedicab (cycle rickshaw). It was only in the 1950s that the bicycle became the primary means of transportation for most urban Chinese. For the next four decades, as its use spread from the city to the countryside, China was the iconic “bicycle kingdom.“ Since the 1990s, however, the pedal-powered bicycle has been overtaken by the automobile (and motorcycle). Nevertheless, with the recent appearance and growing popularity of the e-bike, the bicycle may yet play an important role in China's transport modal mix. This overview history of the bicycle in China is based on a wide range of textual sources in English and Chinese as well as pictorial images.

Keeping Pace with a Changing China: The China Quarterly at 35

1995 ◽  
Vol 143 ◽  
pp. 669-676 ◽  
Author(s):  
David Shambaugh
Keyword(s):  
20Th Century ◽  
World Wide ◽  
Scholarly Journal ◽  
Modern China ◽  
Wide Range ◽  
History Of ◽  
New Research ◽  
Extensive List

1995 is the 35th year of publication of The China Quarterly. London has been the home of the journal throughout its existence and, as the world's leading scholarly journal on modern China, The China Quarterly has long been a distinguishing feature of British sinology. Since its inception The China Quarterly has been recognized world-wide as the journal of record on 20th-century Chinese affairs, publishing timely, reflective, informed and new research on a wide range of subjects. The journal's Quarterly Chronicle and Documentation (so ably compiled by Robert F. Ash since 1982) is a venerable history of all but the first decade of the People's Republic. The extensive list of books received and books reviewed (195 in 1994) are also histories of the China field in themselves.

A Brief Inquiry into Octavio Paz' Laberinto of Mexicanidad

1971 ◽  
Vol 27 (4) ◽  
pp. 381-388
Author(s):  
Jesús Chavarría
Keyword(s):  
National Identity ◽  
Intellectual History ◽  
20Th Century ◽  
Mexican Revolution ◽  
Octavio Paz ◽  
Artistic Production ◽  
Mexican Art ◽  
Revolutionary Period

One Of The salient characteristics of 20th century Mexican art and intellectual history has been preoccupation with the problem of national identity, or, put in another fashion, with the problem of defining lo mexicano. Most commonly, concern for lo mexicano and mexicanidad has been associated with the Mexican Revolution. The generally accepted assumption is that inasmuch as the Mexican Revolution was a revolution without ideology, it was not until Mexicans began questioning the meaning of their revolution that they asked—what are we? who are we? Yet, the volume and importance of the intellectual and artistic production of the post-revolutionary period notwithstanding, it is certainly true that Mexicans were concerned with the problem of national identity even before 1910.

Sign in / Sign up

Export Citation Format

Share Document