Past and Present

2018 ◽  
Author(s):  
Catherine E. Clark
Keyword(s):  
World War Ii ◽  
Real Life ◽  
World War ◽  
German Occupation ◽  
The Past ◽  
French Resistance

The German Occupation of Paris in 1940 affected meanings and understandings of the act of photography itself, bringing about a new mode of understanding photographs: repicturing. First taught in a series of photohistories produced during the Occupation, this mode deployed the contemporary snapshot as a mental gateway to remembered, often, nonphotographic, pictures of the past. When Parisians took to the streets during the city’s Liberation in 1944, such pictures appeared in real life in the form of the barricades that symbolized revolution. After the Liberation, the Musée Carnavalet collected and exhibited photos of these recent events. They also circulated in books and pamphlets as both the most objective and most emotionally resonant evidence of the past and helped mythologize the Liberation and the French Resistance during World War II.

Blasting Out of the Past

2017 ◽  
Author(s):  
Ramsay Burt
Keyword(s):  
United States ◽  
World War Ii ◽  
The United States ◽  
Philosophy Of History ◽  
Contemporary Dance ◽  
World War ◽  
German Occupation ◽  
The Past ◽  
The Everyday ◽  
Communist Countries

This chapter analyzes three reenactments by the Slovenian director Janez Janša, two reconstructions of experimental performances made under communism in Ljubljana during the late 1960s and early 1970s by poets and performers associated with the Pupilija group, and one which subversively reappropriates canonical contemporary dance works from the United States, Germany, and Japan. The two earlier works, it argues, interrogate the utopian ideals espoused by the communist partisans who freed Yugoslavia from German occupation during World War II. It develops a framework for this analysis by drawing on Walter Benjamin’s discussion of the philosophy of history and on Michel de Certeau’s work on memory and the everyday. It places the three reconstructions in their social, historical, and political context and evaluates their meanings in relation to misperceptions about art in post-communist countries.

The Words that Predict the Outbreak of Wars

2003 ◽  
Vol 21 (1) ◽  
pp. 5-20 ◽  
Author(s):  
Robert Hogenraad
Keyword(s):  
World War Ii ◽  
Real Life ◽  
Cuban Missile Crisis ◽  
War And Peace ◽  
World War ◽  
Need For Affiliation ◽  
The Past ◽  
Need For Power ◽  
History Of ◽  
War And Conflict

McClelland has shown how passionate reformist zeal for social justice is often the link between an “imperial motivation pattern” (i.e., high need for power and low need for affiliation) and subsequent wars. If we could predict the outbreak of past conflicts from observing the gap between affiliation and power in stories and documents of the past, we could also analyze documents of the present and point at the gap as a signal of alert of future conflicts. With the help of the new computer-readable MOTIVE DICTIONARY, I content analyzed literary stories and real-life documents concerned with war and conflict. The dictionary rests on three axes, which are: the need for achievement, the need for affiliation, and the need for power. Examples of such narratives and documents are William Golding's Lord of the Flies, Thucydides' History of the Peloponnesian War, Tolstoy's War and Peace, a 373-page document produced in Washington in 1944 under the title of Events Leading Up to World War II. Chronological History Of Certain Major International Events Leading Up To and During World War II with the Ostensible Reasons Advanced For Their Occurrence. 1931-1944, and Robert F. Kennedy's Thirteen Days: A Memoir of the Cuban Missile Crisis. With close to impeccable precision, the gap between affiliation and power widens as the conflicts develop, with power higher than affiliation, and narrows if and when serenity resumes.

scholarly journals Miejsce pamięci versus symulacja przeszłości - druga wojna światowa na wystawach historycznych

2011 ◽  
Vol 55 (4) ◽  
pp. 149-170
Author(s):  
Zuzanna Bogumił
Keyword(s):  
World War Ii ◽  
Social History ◽  
Social Memory ◽  
World War ◽  
New Approach ◽  
German Occupation ◽  
The Past ◽  
The Social ◽  
Public Debates ◽  
The Way

The Author examines the presentation of the German occupation at the Warsaw Rising Museum and in Oskar Schindler’s Enamel Factory in Krakow. Initially, she studies the space of these exhibitions and demonstrates that the Warsaw Rising Museum has some characteristics of reflective space, while the exhibition at the Schindler’s Factory is primarily a projective one. Then, she points out that both museums treat artefacts as illustrations of their stories, as a consequence of which they are simulations of the past rather than material testimonies of what had happened. Finally, the Author argues that the Warsaw Rising Museum primarily tells the story of glory of the Polish nation, while the Schindler Factory focuses on the social history. In conclusion the Author points out that none of the exhibitions breaks the existing taboos or offers a new approach to the past. Both museum stories perfectly reflect the shape of the Polish social memory of World War II. Differences in the way they present the past are a result of rooting each of the stories in different public debates that were conducted in Poland after 1989.

Cosmetic Allergen in the Past and Present

2017 ◽  
Vol 2 (3) ◽  
Keyword(s):  
World War Ii ◽  
20Th Century ◽  
Normal Skin ◽  
World War ◽  
Patch Tests ◽  
The Past ◽  
Skin Conditions ◽  
Cosmetic Dermatitis ◽  
Facial Dermatitis ◽  
International Research Project

For almost 20 years after the end of World War II, many Japanese women were challenged by a dark secondary hyper pigmentation on their faces. The causation of this condition was unknown and incurable at the time. However this symptom became curable after a number of new cosmetic allergens were discovered through patch tests and as an aftermath, various cosmetics and soaps that eliminated all these allergens were put into production to be used exclusively for these patients. An international research project conducted by seven countries was set out to find out the new allergens and discover non-allergic cosmetic materials. Due to these efforts, two disastrous cosmetic primary sensitizers were banned and this helped to decrease allergic cosmetic dermatitis. Towards the end of the 20th century, the rate of positives among cosmetic sensitizers decreased to levels of 5% - 8% and have since maintained its rates into the 21th century. Currently, metal ions such as the likes of nickel have been identified as being the most common allergens found in cosmetics and cosmetic instruments. They often produce rosacea-like facial dermatitis and therefore allergen controlled soaps and cosmetics have been proved to be useful in recovering normal skin conditions.

The Film World’s Cooperative Store: Institutions and Films of the 1930s and 1940s

2018 ◽  
Author(s):  
C. Claire Thomson
Keyword(s):  
World War Ii ◽  
Meat Products ◽  
Public Information ◽  
Early History ◽  
World War ◽  
International Context ◽  
German Occupation ◽  
History Of ◽  
The Uk ◽  
The Impact

This chapter traces the early history of state-sponsored informational filmmaking in Denmark, emphasising its organisation as a ‘cooperative’ of organisations and government agencies. After an account of the establishment and early development of the agency Dansk Kulturfilm in the 1930s, the chapter considers two of its earliest productions, both process films documenting the manufacture of bricks and meat products. The broader context of documentary in Denmark is fleshed out with an account of the production and reception of Poul Henningsen’s seminal film Danmark (1935), and the international context is accounted for with an overview of the development of state-supported filmmaking in the UK, Italy and Germany. Developments in the funding and output of Dansk Kulturfilm up to World War II are outlined, followed by an account of the impact of the German Occupation of Denmark on domestic informational film. The establishment of the Danish Government Film Committee or Ministeriernes Filmudvalg kick-started aprofessionalisation of state-sponsored filmmaking, and two wartime public information films are briefly analysed as examples of its early output. The chapter concludes with an account of the relations between the Danish Resistance and an emerging generation of documentarists.

The Suffering of the Perpetrators: The Ethics of Traumatic German Historicity in Karen Bass's Young Adult World War II Novels

2014 ◽  
Vol 7 (1) ◽  
pp. 64-77
Author(s):  
Doris Wolf
Keyword(s):  
World War Ii ◽  
Young Adult ◽  
Public Sphere ◽  
Childhood Studies ◽  
Historical Narratives ◽  
World War ◽  
The Public ◽  
The Past ◽  
Adult World ◽  
The Public Sphere

This paper examines two young adult novels, Run Like Jäger (2008) and Summer of Fire (2009), by Canadian writer Karen Bass, which centre on the experiences of so-called ordinary German teenagers in World War II. Although guilt and perpetration are themes addressed in these books, their focus is primarily on the ways in which Germans suffered at the hands of the Allied forces. These books thus participate in the increasingly widespread but still controversial subject of the suffering of the perpetrators. Bringing work in childhood studies to bear on contemporary representations of German wartime suffering in the public sphere, I explore how Bass's novels, through the liminal figure of the adolescent, participate in a culture of self-victimisation that downplays guilt rather than more ethically contextualises suffering within guilt. These historical narratives are framed by contemporary narratives which centre on troubled teen protagonists who need the stories of the past for their own individualisation in the present. In their evacuation of crucial historical contexts, both Run Like Jäger and Summer of Fire support optimistic and gendered narratives of individualism that ultimately refuse complicated understandings of adolescent agency in the past or present.

An ‘Age of Commerce’ in Southeast Asian History

1990 ◽  
Vol 24 (1) ◽  
pp. 1-30 ◽  
Author(s):  
Anthony Reid
Keyword(s):  
World War Ii ◽  
Southeast Asia ◽  
Economic History ◽  
External Factors ◽  
The Other ◽  
Economic Factors ◽  
World War ◽  
The Past ◽  
Increased Sensitivity ◽  
Asian History

Since the end of World War II the study of Southeast Asia has changed unrecognizably. The often bitter end of colonialism caused a sharp break with older scholarly traditions, and their tendency to see Southeast Asia as a receptacle for external influences—first Indian, Persian, Islamic or Chinese, later European. The greatest gain over the past forty years has probably been a much increased sensitivity to the cultural distinctiveness of Southeast Asia both as a whole and in its parts. If there has been a loss, on the other hand, it has been the failure of economic history to advance beyond the work of the generation of Furnivall, van Leur, Schrieke and Boeke. Perhaps because economic factors were difficult to disentangle from external factors they were seen by very few Southeast Asianists as the major challenge.

scholarly journals Preface: The Historical Geography of the Hungarian Nation

1996 ◽  
Vol 24 (3) ◽  
pp. 371-376
Author(s):  
Andrew Ludanyi
Keyword(s):  
World War Ii ◽  
World War I ◽  
Status Quo ◽  
World War ◽  
East Central Europe ◽  
East Central ◽  
East European ◽  
The Past ◽  
French And English ◽  
The Subject

The fate of Hungarian minorities in East Central Europe has been one of the most neglected subjects in the Western scholarly world. For the past fifty years the subject—at least prior to the late 1980s—was taboo in the successor states (except Yugoslavia), while in Hungary itself relatively few scholars dared to publish anything about this issue till the early 1980s. In the West, it was just not faddish, since most East European and Russian Area studies centers at American, French and English universities tended to think of the territorial status quo as “politically correct.” The Hungarian minorities, on the other hand, were a frustrating reminder that indeed the Entente after World War I, and the Allies after World War II, made major mistakes and significantly contributed to the pain and anguish of the peoples living in this region of the “shatter zone.”

Leaning on Legionnaires: Why Modern States Recruit Foreign Soldiers

2021 ◽  
Vol 46 (1) ◽  
pp. 147-195
Author(s):  
Elizabeth M.F. Grasmeder
Keyword(s):  
World War Ii ◽  
Supply And Demand ◽  
Military Power ◽  
Test Case ◽  
World War ◽  
Political Factors ◽  
The Past ◽  
Original Dataset ◽  
Rapid Changes ◽  
Multimethod Approach

Abstract Why do modern states recruit legionnaires—foreigners who are neither citizens nor subjects of the country whose military they serve? Rather than exclusively enlist citizens for soldiers, for the past two centuries states have mobilized legionnaires to help wage offensives, project power abroad, and suppress dissent. A supply-and-demand argument explains why states recruit these troops, framing the choice to mobilize legionnaires as a function of political factors that constrain the government's leeway to recruit domestically and its perceptions about the territorial threats it faces externally. A multimethod approach evaluates these claims, first by examining an original dataset of legionnaire recruitment from 1815 to 2020, then by employing congruence tests across World War II participants, and finally by conducting a detailed review of a hard test case for the argument—Nazi Germany. The prevalence of states’ recruitment of legionnaires calls for a reevaluation of existing narratives about the development of modern militaries and provides new insights into how states balance among the competing imperatives of identity, norms, and security. Legionnaire recruitment also underscores the need to recalibrate existing methods of calculating net assessments and preparing for strategic surprise. Far from being bound to a state's citizenry or borders, the theory and evidence show how governments use legionnaires to buttress their military power and to engineer rapid changes in the quality and quantity of the soldiers that they field.

Ascesa e declino dell'editoria psicoanalitica americana

2009 ◽  
pp. 9-46
Author(s):  
Paul E. Stepansky
Keyword(s):  
World War Ii ◽  
Book Publishing ◽  
The United States ◽  
Erik Erikson ◽  
World War ◽  
Erich Fromm ◽  
Quarter Century ◽  
The Past ◽  
Karen Horney ◽  
Internal Fragmentation

- The rise and fall of psychoanalytic book publishing in America is one sign of the progressive marginalization of psychoanalysis within American mental health care. The "glory era" of psychoanalytic book publishing, roughly the quarter century following the end of World War II, is described. This was the era when psychoanalyst-authors such as Karl Menninger, Erich Fromm, Erik Erikson, and Karen Horney published books of great commercial success. Cumulative sales data of noteworthy psychoanalytic books published in the United States over the past 70 years are reported, and document the continuous decline in sales since the 1970s. In accounting for the recent acceleration of this decline, Stepansky focuses on the internal fragmentation of a once cohesive profession into rival schools with sectarian features, each committed to a self-limited reading agenda. Stepansky discusses these issues from his vantage point as Managing Director of The Analytic Press from 1984-2006. [KEY WORDS: American psychoanalysis, publishing, books, fractionation, marginalization]

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