Commentary

Author(s):  
Simon Nicholls ◽  
Michael Pushkin ◽  
Vladimir Ashkenazy

Sources of the thinking are given, preceded by an investigation of the relation between philosophy and music, an account of the idiosyncratic way Skryabin studied, an interview between Skryabin and a philosopher of the period and a memoir by a student and patron summarizing the thought. The titles of the sections show the sources and influences: Ernest Renan, Greek philosophy, German idealism, Russian philosophy, and Russian symbolism, Conference at Geneva (this was a philosophical conference of which Skryabin studied some of the material), the influence of theosophy, and Indian culture. These influences were combined by Skryabin, not into a system but into a world view which vitally affected his creative work.(114)

2019 ◽  
Vol 66 ◽  
pp. 221-244
Author(s):  
Alexander S. Tsipko

In the article the author analyzes the main notional lines in the work of A.I. Solzhenitsyn through the prism of Russian philosophy legacy. According to the author the analysis of the nature, motives and lie in the works of the writer are related to the respective works of F.M. Dostoevsky, K.N. Leontiev and other Russian thinkers. «All Communist content is turned into nonsense by the Russian life», and «all its nonsense is severe due to the intolerable truth of the suffering…», – this statement of F.A. Stepun is well pertinent to the creative work of A.I. Solzhenitsyn that shows vivid examples of barbaric cruelty of the authorities towards the people. Still, according to the author of the article, the reasons for such cruelty were reflected even earlier, in the works of Russian philosophers of the 19th century.


2021 ◽  
Vol 12 (1) ◽  
pp. 104-111
Author(s):  
A. V. Laputko ◽  

The article examines the preconditions for the formation of Christian ideas about man. The emphasis is on the fact that the doctrine of a person has never been a separate problem of theology, and, consequently, was formed in parallel and within the basic tenets of Christianity. The author focuses attention on the contradiction in understanding the origin of representations of a person between the traditional branches of Christianity. On the whole, while remaining in common positions, each denomination identifies its own fundamental source of the origin of anthropological ideas, not taking into account the complex and contradictory path of interpenetration of the ideas of ancient Greek philosophy and Christianity. The author shows the path of formation of the main anthropological representations from the Old Testament notions to the New Testament, which receive their final design only in the works of apologists of Christianity brought up by the logic and culture of thinking of ancient philosophy. Thus, the birth of a new world-view anthropological paradigm, which remains one of the most popular and discursive in the modern world, takes place within the framework of a dialogue between ancient Greek philosophical thought and Old Testament ideas.


Author(s):  
Andrzej Walicki

Russian thought is rarely associated with philosophy of law. The intellectuals of pre-revolutionary Russia are known rather for their uncompromising critique of legalism, passing sometimes into a genuine ‘legal nihilism’. Indeed, both right-wing and left-wing Russian thinkers – the Slavophiles and Dostoevskii on the one hand, the populists and anarchists (from Bakunin to Tolstoi) on the other – saw modern rational law as an instrument of egoistic bourgeois individualism, destroying the values of communal collectivism still preserved among the Russian peasantry. This attitude found expression not only in different forms of programmatic anti-capitalism but also in a tendency to discredit civil rights and political liberty as a mere mask for capitalist exploitation. Capitalist development and the juridicization of social bonds it involved were perceived as something peculiar to the West, coming to Russia from without and as such not worthy of acceptance. Law and legal rights were criticized in Russia from many quarters and for various reasons: in defence of an idealized autocracy or in defence of true freedom, on behalf of the Russian soul or on behalf of universal progress towards socialism, in the name of Christ or in the name of Marx. In this manner right-wing and left-wing Russian intellectuals supported one another in creating a peculiar tradition of the censure of law. However, it would be wrong to draw from these facts a conclusion of an inherent hostility between the ‘Russian mind’ and the ‘spirit of law’. The ‘juridical world-view’ of the Enlightenment was well represented in imperial Russia. The modernizing Russian autocrats – Peter the Great and Catherine the Great – believed firmly in the power of rational legislation and won admiration from among leading European thinkers (Leibniz, Voltaire, Diderot) fir setting a good example for Western monarchs. The first radical critic of Russian autocracy, Aleksandr Radishchev (1749–1802), was in turn a theorist of natural law, a firm believer in inalienable human rights, and an enthusiastic worshipper of the American constitution. Under the reign of Alexander I (1801–25), who himself thought seriously about the introduction of constitutional rule in Russia, admiration for law was very strong among Russia’s intellectual elite. Radischchev’s disciples, Ivan Pnin and Vasilii Popugaev, inspired also by the Scottish Enlightenment, advocated the idea of a ‘civil society’ with a developed system of private law and legally safeguarded human rights. Nikita Murav’ev and Pavel Pestel, ideological leaders of the two trends within the Decembrist movement (named so after the abortive uprising of December l825), expressed their ideas in the form of detailed constitutional projects. A common feature of these projects, otherwise very different, was a pronounced juridical rationalism, sharply contrasting with all variants of a sceptical attitude towards law.


Tekstualia ◽  
2019 ◽  
Vol 1 (56) ◽  
pp. 127-154
Author(s):  
Przemysław Koniuszy

The article analyzes Tomasz Różycki’s poetic volume Letters in the light of selected philosophical contexts in order to demonstrate the correspondence between Różycki’s poetic imagination and Heraclitus’ philosophy and the possibility of equating the letters with a logos, a fundamental concept in the Ionian philosophy of nature. Accordingly, the letter helps to connect the poetic world and the absolute sense, from which everything else results. Secondly, the potential relations between the chaos often appearing in Różycki’s poems and the apeiron of Anaximander have been pointed out. Yet another correspondence concerns the thread of unity and the struggle of opposites, the notions crucial in Greek philosophy and in the work of the Polish poet, who wrote the poem The Eternal War of Opposites. Różycki explores the relation between man who tries to understand the world around him and the reality which undergoes a permanent process of change. Love can be seen as a force that alleviates confl icts arising from rather abstract philosophical problems in the Letters. The article additionally addresses the question of the symbolism of numbers and letters in Różycki’s poetry. The connection between his poetry and the artistic creativity and world view of Stéphane Mallarmé constitutes a special context in this respect. In Różycki’s Letters, the philosophical thought often provides a key to the poet’s most important concerns: the human condition in (post)modernity, the actual shape of objects, and the forces behind the image of the moment experienced in space-time.


2021 ◽  
Vol 2 (3) ◽  
pp. 0
Author(s):  
Valeria Belyaeva

The article is devoted to the work of A. Bely in the development of Russian culture in the late 19th - early 20th centuries. Attention is paid to the motives of the creative path of the philosopher-poet, who created the basis of Russian symbolism. By analyzing the cultural and historical manifestations of the second half of the 19th century and the first half of the 20th century, reflection in the works of art and science workers, an assessment of the severity of symbolism for the development of Russian philosophy and the field of art in general. In the process of the formation of symbolism in Bely's work, neo-Kantian motives are clearly revealed in the formulation of the problem of the difference between subjective perception and the essence of the object of perception in itself, that is, distinguishing between the symbol and the signified. By comparing Bely's views with the concept of sophiology and anthroposophy, distinct Kantian positions of the philosopher-poet stand out. These include the schematism of space and time, an attempt to apply the categories of natural science to the field of philosophy of art, as well as the demarcation of the immanent and the transcendent. Despite the fact that the ideas of the philosopher-poet in their form have similar positions with the anthroposophy of R. Steiner and with the ideas of V. Solovyov, however, the key content is the neo-Kantian methodology of "critical deepening" of thought and its rationalization. The actualization of Bely's creativity and the issue of his neo-Kantian motives is carried out by attracting research from related branches of knowledge on the principles of interdisciplinary consideration and implementation of an integrated approach.


2005 ◽  
Vol 22 (2) ◽  
pp. 1-27
Author(s):  
Mehmet Mahfuz Söylemez

Located in the region of Alam (modern Khuzistan), Jundishapur was founded by the Sassanid emperor Shahpur I in 260. This city was home to the Jundishapur school (madrasah), one of the most important science centers in history, that harmonized within itself classical Greek philosophy, Indian culture, and the Persian scientific heritage. This fact becomes clear when one looks at its rich curriculum, which ranges from medical science and pharmacology to philosophy. This complex consisted of several sections, such as a medical school (bimaristan), a pharmacology laboratory, a translation bureau, a library, and an observatory. It also had a deep influence on Islamic culture and civilization through its professors, who, in the early years of `Abbasid rule, began to settle in the capital city of Baghdad and eventually established a similar school modeled on their school in Jundishapur. From that point on, these professors made a significant contribution to Muslim medical science and philosophy.


Author(s):  
Simon Nicholls

Skryabin’s life spanned the tumultuous political events and artistic developments of the end of the nineteenth century and the early years of the twentieth but was cut short before the end of the First World War. In an era when the Russian musical scene was relatively conservative, he aligned himself with the poets, philosophers, and dramatists of the Silver Age. Possessed by an apocalyptic vision, aspects of which he shared with other Russian thinkers and artists of the period, Skryabin transformed his Romantic musical style into a far-reaching, radical instrument for the expression of his ideas. The core of the book is a full translation of the 1919 Moscow publication of Skryabin’s writings with the original introduction by Skryabin’s close friend Boris de Schloezer, brother of the composer’s life partner, Tat′yana. Schloezer’s introduction gives a vivid impression of the final years of Skryabin’s life. This text is supplemented by relevant letters and other writings. The commentary has been researched from original materials, drawing on accounts by the composer’s friends and associates. The roots of Skryabin’s thought in ancient Greek and German idealist philosophy, the writings of Nietzsche, Indian culture, Russian philosophy, and the Theosophical writings of H. P. Blavatsky are analysed, and accounts of the Poem of Ecstasy and Prometheus, the Poem of Fire show their relation to Skryabin’s world of ideas. A biographical section relates the development of the thought to the incidents of the composer’s life.


Author(s):  
Yulia D. Burmistrova

The article deals with the I.S. Turgenevs last cycle Poems in prose which title has been changed several times throughout his work on it. The cycle put together the main aspects of writers previous creative works which led to the continuous search for the most suitable title to fully express authors intentions: from the original Posthuma which is focused on the life after death experience to the last Poems in prose which additionally underlines the uniqueness of the form used for Turgenevs last creative work. The study reveals the main theories on the cycles titles and the reasons behind their changes as well as suggests the own vision of the evolution of concepts after death and senile which are seemed to be bound in writers world view. The sequential analysis of the existing cycles titles undertaken in the current research finds the logic of Turgenevs title transformations where the fear of death is gradually replaced by the thoughts of future new life which will be continued beyond the Earth life. The significance of the research lies in the absence of the unified approach to the naming and understanding of the Turgenevs last cycle while the title of the book was considered to change the works perception even by Turgenevs contemporaries. The scientific novelty of the work is added by using the authors French edition of Poems in prose which up until now hasnt been studied properly. It allows to expand the material of the research and look thoroughly into Turgenevs strategy of naming his final cycle which was preserved for the foreign publication as well.


Author(s):  
Alexander A. Korolkov ◽  

The Russian exiled philosophers Alexander Kozhevnikov (Alexandre Kozhève) and Nikolay Lossky, who had to leave Russia in the 1920s, gave paradoxical interpretations of Hegel’s work: Kozhève treated Hegel as an atheist whereas Lossky interpreted him as an intuitivist. Both philosophers have influenced the development of Western European philosophy and contemporary understanding of Hegel’s texts. The history of Russian philosophy would be poorer if we forget that Kozhevnikov acquired recognition as a French philosopher Kozhève only at a mature age. A strong influence on Kozhève’s treatment of Christianity was exerted by Vladimir Soloviev’s philosophy, to which he devoted his first dissertation under the guidance of Karl Jaspers. His attention to the Christian understanding of love as an endless power over the finite manifestations of spirit, which was expounded upon/revealed in his course of lectures on Hegel, enjoyed great popularity in France and influenced the formation of eminent philosophers. Hegel’s atheism in Kozhève’s interpretation is not a denial of religion, since religion and philosophy have common interests applied to eternal themes; they differ only in methods of the cognition of the Absolute. The logic of the anthropological interpretation of Hegel led Kozhève to the rationalization of religion by elevating philosophy over it. Hegel’s atheistic anthropology turned his study into a summary of religious evolution, with theology eventually ousted by anthropology. Nikolay Lossky, who had written a book on intuitivism before the revolution, in his creative work abroad extended his notion of intuitivism by calling Hegel an extreme intuitivist. He based this conclusion on Hegel’s upholding of the principle of the identity of thinking and being, that is following the logic of an object in cognition. The possibility to eliminate the contradiction between knowledge and being, about which Hegel wrote, is interpreted by Lossky as intuitivism and even empiricism.


2005 ◽  
Vol 22 (2) ◽  
pp. 1-27 ◽  
Author(s):  
Mehmet Mahfuz Söylemez

Located in the region of Alam (modern Khuzistan), Jundishapur was founded by the Sassanid emperor Shahpur I in 260. This city was home to the Jundishapur school (madrasah), one of the most important science centers in history, that harmonized within itself classical Greek philosophy, Indian culture, and the Persian scientific heritage. This fact becomes clear when one looks at its rich curriculum, which ranges from medical science and pharmacology to philosophy. This complex consisted of several sections, such as a medical school (bimaristan), a pharmacology laboratory, a translation bureau, a library, and an observatory. It also had a deep influence on Islamic culture and civilization through its professors, who, in the early years of `Abbasid rule, began to settle in the capital city of Baghdad and eventually established a similar school modeled on their school in Jundishapur. From that point on, these professors made a significant contribution to Muslim medical science and philosophy.


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