Recognition

Samuel Barber ◽  
2020 ◽  
pp. 182-212
Author(s):  
Barbara B. Heyman
Keyword(s):  
String Quartet ◽  
Symphony Orchestra ◽  
Albert Einstein ◽  
The United States ◽  
September 11 ◽  
Choral Works ◽  
American Composers ◽  
Close Relationship ◽  
Funeral Music ◽  
Franklin Roosevelt

This chapter describes Barber’s close relationship with Italian conductor Arturo Toscanini. Barber would frequently visit the conductor in his home, most days ending with music. This friendship resulted in Toscanini requesting that Barber write a work for the newly formed NBC Symphony Orchestra. This was a rare privilege, as Toscanini in the past had ignored American composers. His broadcasts were received with much enthusiasm from audiences. Toscanini further advanced Barber’s career by bringing his music to Latin America, with Barber being the first American composer whose work reached those shores. For Toscanini, Barber composed Essay for Orchestra and arranged the second movement of his earlier string quartet as the Adagio for Strings, which brought him international fame and became, as it were, the national funeral music of the United States, associated with the deaths of such famous names as Albert Einstein, Franklin Roosevelt, and Grace Kelly and with the tragedy of September 11, 2001. The chapter also covers Barber’s unaccompanied choral works.

Terrified

2014 ◽  
Author(s):  
Christopher A. Bail
Keyword(s):  
Public Discourse ◽  
The United States ◽  
September 11 ◽  
Theoretical Argument ◽  
Muslim Americans ◽  
Media Messages ◽  
American Media ◽  
The Face ◽  
September 11 Attacks ◽  
The Public Sphere

In July 2010, Terry Jones, the pastor of a small fundamentalist church in Florida, announced plans to burn two hundred Qur'ans on the anniversary of the September 11 attacks. Though he ended up canceling the stunt in the face of widespread public backlash, his threat sparked violent protests across the Muslim world that left at least twenty people dead. This book demonstrates how the beliefs of fanatics like Jones are inspired by a rapidly expanding network of anti-Muslim organizations that exert profound influence on American understanding of Islam. The book traces how the anti-Muslim narrative of the political fringe has captivated large segments of the American media, government, and general public, validating the views of extremists who argue that the United States is at war with Islam and marginalizing mainstream Muslim-Americans who are uniquely positioned to discredit such claims. Drawing on cultural sociology, social network theory, and social psychology, the book shows how anti-Muslim organizations gained visibility in the public sphere, commandeered a sense of legitimacy, and redefined the contours of contemporary debate, shifting it ever outward toward the fringe. The book illustrates the author's pioneering theoretical argument through a big-data analysis of more than one hundred organizations struggling to shape public discourse about Islam, tracing their impact on hundreds of thousands of newspaper articles, television transcripts, legislative debates, and social media messages produced since the September 11 attacks. The book also features in-depth interviews with the leaders of these organizations, providing a rare look at how anti-Muslim organizations entered the American mainstream.

Vasyl Bezkorovayny’s vocal works in Ukrainian music of the first half of the XX century

2019 ◽  
pp. 500-515
Author(s):  
Nataliia Kosaniak
Keyword(s):  
Choral Music ◽  
Instrumental Music ◽  
Symphony Orchestra ◽  
Vocal Music ◽  
The United States ◽  
Musical Life ◽  
Western European ◽  
Vocal Works ◽  
Post War ◽  
Talented Artist

Vasyl Bezkorovayny (1880–1966) was a talented artist, an active figure in the musical life of Galicia and a representative of post-war Ukrainian emigrants in the United States of America. He wrote more than 350 works of various genres. Among them are compositions for symphony orchestra; vocal works — for chorus, ensembles or solo singing; chamber and instrumental music — for piano, violin, zither, cello; music for dramatic performances. The article deals with the archival and musicological analysis of expressive and stylistic features of V. Bezkorovayny’s vocal works, based on the materials of Stefanyk Lviv National Library of Ukraine. Attention is paid to the place of the composer’s vocal masterpieces in the context of Ukrainian vocal music of the first half of the XX century. The most important achievements of the composer related to the genres of choral and chamber vocal music. In style, the composer’s works combine the influences of M. Lysenko, composers of the «Peremyshl school» and Western European romantic and post-romantic models. The original secular choral music of V. Bezkorovayny covers genres of songs, plays, and large-form choirs. In his solo songs the influences of romantic western European music and Ukrainian folk songs affected the formation and approval of the composer’s style. Keywords: vocal music, chorus, solos, melodic-intonation means, harmony, rhythm.

scholarly journals Molecular Analysis of a Plum pox virus W Isolate in Plum Germplasm Hand Carried into the USA from the Ukraine Shows a Close Relationship to a Latvian Isolate

Plant Disease ◽  
2013 ◽  
Vol 97 (1) ◽  
pp. 44-52 ◽  
Author(s):  
Vessela Mavrodieva ◽  
Delano James ◽  
Karen Williams ◽  
Sarika Negi ◽  
Aniko Varga ◽  
...  
Keyword(s):  
United States ◽  
Genetic Diversity ◽  
The United States ◽  
Common Source ◽  
Plum Pox Virus ◽  
High Genetic Diversity ◽  
Close Relationship ◽  
The Usa ◽  
Sequence Identities ◽  
Germplasm Accessions

Four of 19 Prunus germplasm accessions hand carried from the Ukraine into the United States without authorization were found to be infected with Plum pox virus (PPV). Of the three isolates characterized, isolates UKR 44189 and UKR 44191 were confirmed to be isolates of PPV strain W, and UKR 44188 was confirmed to be an isolate of PPV strain D. UKR 44189 and UKR 44191 are very closely related to the PPV strain W isolate LV-145bt (HQ670748) from Latvia. Nucleotide and amino acid sequence identities between these three isolates were greater than 99%. This indicates that the isolates are very closely related and likely originated from a common source. The high genetic diversity among PPV-W strain isolates allowed the identification of potential recombination events between PPV isolates. It appears also that GF 305 peach and Prunus tomentosa are not hosts for the PPV isolate UKR 44189.

scholarly journals Population of American Cities: 1950-2009

2011 ◽  
Vol 16 (16) ◽  
pp. 153-172 ◽  
Author(s):  
Witold Wilczyński ◽  
Piotr Wilczyński
Keyword(s):  
Structural Changes ◽  
Social Problems ◽  
Population Change ◽  
The United States ◽  
Ethnic Composition ◽  
Continuous Growth ◽  
Historical Outline ◽  
Close Relationship ◽  
Contrasting View ◽  
American Cities

Population of American Cities: 1950-2009Contrary to the industrial epoch, cities have been interpreted in the last fifty years as the places facing the greatest economic and social problems. A contrasting view has emerged only recently that takes cities as sites of economic dynamism and social vitality. The paper offers evidence on population change for 118 greatest cities of the United States of America to assess how their fortunes have changed from the 1950s to 2009. Considerable diversity of experience was revealed and seven categories of cities have been distinguished as far as their population change patterns are concerned. These categories range from the continuous growth from 1950 until today to continuous decline. The most dynamic cities are located in the Sun Belt and they are relatively small and new.On the opposite, the biggest and old industrial centres of the Rust Belt have been losing inhabitants. In general, the pattern of population change shows close relationship with the economic situation and in particular, is connected with the structural changes in society and economy, namely the structural shifts toward more services-oriented economy, and smaller households.Essentially the paper offers the historical outline of the population changes in the biggest American urban centres. It should be seen as an introduction necessary for the more advanced studies concerning the issues of employment, incomes, ethnic composition, and various social problems which could explain the changing fortunes of particular cities.

Loathsome Deutschtum?

2021 ◽  
pp. 239-264
Author(s):  
Julie Hubbert
Keyword(s):  
World War Ii ◽  
World War I ◽  
Automobile Industry ◽  
Symphony Orchestra ◽  
The United States ◽  
American Democracy ◽  
World War ◽  
National Socialist ◽  
Integral Role ◽  
The Will

Much has been said about the Nazi appropriation of Wagner’s music in the 1930s and 1940s. As early as 1933, Hitler transformed the Bayreuth Festival into a celebration of National Socialist ideology and propagated miniature Wagner festivals to celebrate his own birthday. Wagner’s music also resounded throughout the culture and media at large. What has been less understood and examined, however, is how this same music was also used in nonnarrative films, newsreels, government documentaries, and industrial and advertising films of the period. Here the appropriation of Wagner is more complex and problematic. Master Hands (1936), the critically acclaimed, feature-length industrial film sponsored by the American car company Chevrolet, is an excellent example. As several film scholars have observed, the film is an artistic advertisement for the American automobile industry that borrows heavily from Riefenstahl’s Triumph of the Will. But the film’s score, a compilation full of Wagner excerpts, arranged by composer Samuel Benavie and performed by the Detroit Symphony Orchestra, about which almost nothing has been said, is equally propagandistic. By examining the music for this industrial advertisement for Chevrolet, this chapter not only re-examines the reception of Wagner in the United States between the World War I and World War II but also examines the integral role his music played in the creation of American films of persuasion. It explores the use U.S. industrial filmmakers made of Wagner’s music as an audible signifier not for German fascism but to advertise for American democracy, industry, and capitalism.

Music for Cello and Piano

10.31022/a008 ◽  
1982 ◽  
Author(s):  
Arthur Foote
Keyword(s):  
United States ◽  
Musical Training ◽  
The United States ◽  
American Composers ◽  
International Reputation ◽  
Arthur Foote ◽  
First Time ◽  
To Receive

Arthur Foote (1853–1937) was one of the first American composers to receive his entire musical training in the United States and to go on to establish an international reputation. These seven works for cello and piano include a major romantic sonata and six smaller pieces. All are newly edited from the manuscript sources and original editions, and three are published here for the first time.

Harmony and Normalization

2020 ◽  
Author(s):  
Timothy P. Storhoff
Keyword(s):  
Symphony Orchestra ◽  
The United States ◽  
Diplomatic Relations ◽  
Cultural Relations ◽  
Transnational Ties ◽  
Cultural Implications ◽  
Florida Straits ◽  
Musical Exchange ◽  
Political Economic ◽  
Policy Shifts

Harmony and Normalization explores cultural relations between Cuba and the United States during the Presidency of Barack Obama, who restored diplomatic relations with the island. Musical exchanges during this period act as a lens through which to view not only US-Cuban musical relations but also the larger political, economic, and cultural implications of musical dialogue between these two nations. Policy shifts allowed US and Cuban performers to more easily traverse the Florida Straits than in the recent past and encouraged them to act as musical diplomats, and their performances served as a testing ground for political change that anticipated normalized diplomatic relations. While government actors debated these changes, music created connections between individuals on both sides of the Florida Straits. This book describes how musicians were among the first individuals to take advantage of new opportunities for travel, push the boundaries of new regulations, and expose both the possibilities and limitations of licensing musical exchange. Through the analysis of both official and unofficial musical diplomacy efforts, including the Havana Jazz Festival, the National Symphony Orchestra of Cuba’s first US tour, the Minnesota Orchestra’s trip to Havana, and the author’s own experiences in Cuba, this ethnography demonstrates how performances reflect aspirations for stronger transnational ties and the common desire to restore the once thriving US-Cuban musical relationship.

scholarly journals PAK-CHINA RELATIONS: AN ANALYSIS

2021 ◽  
Vol 4 (2) ◽  
Author(s):  
Farhana Kosar
Keyword(s):  
United States ◽  
South Asia ◽  
The United States ◽  
September 11 ◽  
Regional Security ◽  
Bilateral Relations

It is necessary to explore Pakistan-China relations in terms of their longterm bilateral contacts, including the history and evolution of their longterm bilateral ties, as well as the factors and environment that led to the consolidation of their strategic dependence. The two nations established diplomatic connections to begin their bilateral relations, which have since developed into close allies. Afterwards, they deepened their engagement with one another and strengthened their strategic reliance, which they nicknamed the "Iron Brothers" partnership. Throughout the course of this study, the foundations of comprehensive cooperation in Pakistan-China relations at various phases of their evolution are examined, as well as the imperatives of interdependence between the two countries. Particular attention is paid to the relevance of China in the increasing dynamics of South Asia, including India's ambitions to gain regional dominance and its connections with other nations, notably the United States, and the significance of China in the rising dynamics of South Asia. According to the conclusion of the talk, the imperatives of regional security, notably the growing Indo-US collaboration, have given rise to new dimensions in Pakistan's relationship with China in the years after September 11, 2001.

scholarly journals 9/11 as False Flag: Why International Law Must Dare to Care

2017 ◽  
Vol 25 (3) ◽  
pp. 371-392 ◽  
Author(s):  
Amy Baker Benjamin
Keyword(s):  
United States ◽  
Twentieth Century ◽  
United Nations ◽  
International Law ◽  
The United States ◽  
September 11 ◽  
African History ◽  
The Us ◽  
The United Nations ◽  
International War

At the heart of contemporary international law lies a paradox: the attacks on the United States of September 11, 2001 have justified 16 years of international war, yet the official international community, embodied principally in the United Nations, has failed to question or even scrutinise the US government's account of those attacks. Despite the emergence of an impressive and serious body of literature that impugns the official account and even suggests that 9/11 may have been a classic (if unprecedentedly monstrous) false-flag attack, international statesmen, following the lead of scholars, have been reluctant to wade into what appears to be a very real controversy. African nations are no strangers to the concept of the false flag tactic, and to its use historically in the pursuit of illegitimate geopolitical aims and interests. This article draws on recent African history in this regard, as well as on deeper twentieth-century European and American history, to lay a foundation for entertaining the possibility of 9/11-as-false-flag. This article then argues that the United Nations should seek to fulfil its core and incontrovertible ‘jury’ function of determining the existence of inter-state aggression in order to exercise a long-overdue oversight of the official 9/11 narrative.

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