Harmony and Normalization
Harmony and Normalization explores cultural relations between Cuba and the United States during the Presidency of Barack Obama, who restored diplomatic relations with the island. Musical exchanges during this period act as a lens through which to view not only US-Cuban musical relations but also the larger political, economic, and cultural implications of musical dialogue between these two nations. Policy shifts allowed US and Cuban performers to more easily traverse the Florida Straits than in the recent past and encouraged them to act as musical diplomats, and their performances served as a testing ground for political change that anticipated normalized diplomatic relations. While government actors debated these changes, music created connections between individuals on both sides of the Florida Straits. This book describes how musicians were among the first individuals to take advantage of new opportunities for travel, push the boundaries of new regulations, and expose both the possibilities and limitations of licensing musical exchange. Through the analysis of both official and unofficial musical diplomacy efforts, including the Havana Jazz Festival, the National Symphony Orchestra of Cuba’s first US tour, the Minnesota Orchestra’s trip to Havana, and the author’s own experiences in Cuba, this ethnography demonstrates how performances reflect aspirations for stronger transnational ties and the common desire to restore the once thriving US-Cuban musical relationship.