Causes and combinations in the long nineteenth century

2019 ◽  
pp. 57-75
Author(s):  
Nicholas Owen

Chapter 4 develops, through a historical illustration, the arguments concerning motivation presented in chapter 3. It makes a distinction between causes—movements made up of adherents motivated (disjointly) by others’ gains—and combinations—movements made up of constituents motivated (conjointly) by their own gains. This distinction is applied to three British historical cases from the long nineteenth century, to explain why—and with what consequences—the place of adherents differed between the metropolitan antislavery movement of the late eighteenth and early nineteenth century, the Chartists of the mid-nineteenth century, and movements of and for the poor (“neighboring” and “charity”) in the Victorian slums in the late nineteenth and early twentieth centuries.

Author(s):  
Andrew Smith

This chapter examines the relationship between late eighteenth- and early nineteenth-century gothic, the sensation fiction of the middle decades of the nineteenth century, fin-de-siècle gothic works and modernism. It argues that in the late nineteenth century a distinctive, but implicit, gothic aesthetic developed which was characterised by a concern with divided selves, fragmented narratives and science. It also shows that this aesthetic was distinguished by optimistic narratives about adaptability and the presence of a mystical or spiritual world.


2020 ◽  
Vol 31 (4) ◽  
pp. 421-439 ◽  
Author(s):  
Diederik F Janssen

A conceptual evolution is traceable from early modern classifications of libido nefanda (execrable lust) to early nineteenth-century allusions to ‘perversion of the sexual instinct’, via pluralizing notions of coitus nefandus/sodomiticus in Martin Schurig’s work, and of sodomia impropria in seventeenth- through late eighteenth-century legal medicine. Johann Valentin Müller’s early breakdown of various unnatural penchants seemingly inspired similar lists in works by Johann Christoph Fahner and Johann Josef Bernt, and ultimately Heinrich Kaan. This allows an ante-dating of the ‘specification of the perverted’ (Foucault) often located in the late nineteenth century, and appreciation of pygmalionism and necrophilia as instances of ‘perverted sexual instinct’. In this light, Kaan’s early psychopathia sexualis was less innovative and more ambivalent than previously thought.


Author(s):  
Katie Barclay

Begging letters provide a rich source for historians of the poor, who have used them to explore their lives, constructions of identity, and regional variation in charitable giving. The rhetoric of benevolence and gratitude that pervades them, however, has often been dismissed as ‘inauthentic’ or as interfering with our access to the words of the poor. This chapter explores how Scottish beggars used the language of gratitude in their letters to patrons, contributing to both a history of letter-writing and masculinity amongst the poor. It highlights the way that an emotional-charitable language placed patron and client in a hierarchical social relationship that brought benefits to both parties. It argues that, rather than being an unmanly act, begging could provide space for poor or subordinate men to articulate their masculine identities within a society where social hierarchies were normal and understood as key to social order.


2007 ◽  
Vol 86 (2) ◽  
pp. 278-313 ◽  
Author(s):  
Philip Constable

This article examines the Scottish missionary contribution to a Scottish sense of empire in India in the nineteenth and early twentieth centuries. Initially, the article reviews general historiographical interpretations which have in recent years been developed to explain the Scottish relationship with British imperial development in India. Subsequently the article analyses in detail the religious contributions of Scottish Presbyterian missionaries of the Church of Scotland and the Free Church Missions to a Scottish sense of empire with a focus on their interaction with Hindu socioreligious thought in nineteenth-century western India. Previous missionary historiography has tended to focus substantially on the emergence of Scottish evangelical missionary activity in India in the early nineteenth century and most notably on Alexander Duff (1806–78). Relatively little has been written on Scottish Presbyterian missions in India in the later nineteenth century, and even less on the significance of their missionary thought to a Scottish sense of Indian empire. Through an analysis of Scottish Presbyterian missionary critiques in both vernacular Marathi and English, this article outlines the orientalist engagement of Scottish Presbyterian missionary thought with late nineteenth-century popular Hinduism. In conclusion this article demonstrates how this intellectual engagement contributed to and helped define a Scottish missionary sense of empire in India.


Author(s):  
Ritchie Robertson

Ritchie Robertson situates Lessing’s text within debates over the proper depiction of extreme suffering in art, focusing on Goethe’s essay on the Laocoon group (1798), as well as other late eighteenth- and early nineteenth-century works on the representation of pain. The issue of suffering in art was of utmost significance to Goethe’s ideology of the classical, Robertson explains; more than that, the themes introduced in Lessing’s essay—above all, its concerns with how suffering can be depicted in words and images—proved pivotal within Goethe’s prescriptions about the relationship between idealism and individuality (or ‘the characteristic’) in art. As part of a larger campaign against what he called ‘naturalism’ in art, Goethe argued that the ancients did not share the false notion that art must imitate nature. For Goethe, responding to Lessing, the power of the Laocoon group lay precisely in its depiction of bodily suffering as something not just beautiful, but also anmutig (‘sensuously pleasing’).


Author(s):  
Raevin Jimenez

The field of pre-1830 South African history has been subject to periodic interrogations into conventional narratives, sources, and methods. The so-called mfecane debates of the 1980s and 1990s marked a radical departure from characterizations of warfare in the interior, generally regarded in earlier decades as stemming solely or mostly from the Zulu king Shaka. Efforts to reframe violence led to more thorough considerations of political elites and statecraft from the late eighteenth to the early nineteenth century but also contributed to new approaches to ethnicity, dependency, and to some extent gender. A new wave of historiographical critique in the 2010s shows the work of revision to be ongoing. The article considers the debates around the wars of the late precolonial period, including unresolved strands of inquiry, and argues for a move away from state-level analysis toward social histories of women and non-elites. Though it focuses on the 1760s through the 1830s, the article also presents examples highlighting the importance of recovering deeper temporal context for the South African interior.


2010 ◽  
Vol 34 (3) ◽  
pp. 301-335 ◽  
Author(s):  
Craig Calhoun

In this article I ask (1) whether the ways in which the early bourgeois public sphere was structured—precisely by exclusion—are instructive for considering its later development, (2) how a consideration of the social foundations of public life calls into question abstract formulations of it as an escape from social determination into a realm of discursive reason, (3) to what extent “counterpublics” may offer useful accommodations to failures of larger public spheres without necessarily becoming completely attractive alternatives, and (4) to what extent considering the organization of the public sphere as a field might prove helpful in analyzing differentiated publics, rather than thinking of them simply as parallel but each based on discrete conditions. These considerations are informed by an account of the way that the public sphere developed as a concrete ideal and an object of struggle in late-eighteenth- and early-nineteenth-century Britain.


2021 ◽  
pp. 1-19
Author(s):  
Cynthia Roman

Abstract Focusing on A smoking club (1793/7) by James Gillray, this essay presents satiric representations of smoking clubs in late eighteenth- and early nineteenth-century British prints, arguing that they reflect and mediate contemporary understandings of tobacco as an intoxicant in British associational life. The breadth of potential cultural connotations – from political and social parody to light-hearted humour – is traced through the content and imagery of selected prints. These prints rely on the familiarity of contemporary audiences with political and social knowledge, as well as a visual iconography iconically realized in William Hogarth's A midnight modern conversation (1732).


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