Jewish Culture in Public Diplomacy, Memory Politics, and the Curious Case of Halle
As East German foreign politics became ever more intertwined with Jewish culture and uniquely tied to East–West relations, Jewish music’s potential as the GDR’s diplomatic agent was being discovered. For these purposes, the Leipziger Synagogalchor transitioned to becoming a respected semi-professional ensemble linked with the Jewish communities. The communities, in turn, faced a dearth, not only of cultural programs, but also of worship music, which had declined. In order to maintain service music, the communities relied largely on lay people; and both Leipzig and Dresden could count on a small female chorus that consisted of non-Jews, which became firmly known as the Dresdner Synagogenchor. The Halle community held high hopes for its own cantor, which turned out to be an unfortunate episode that left the community stranded.