The Julian Romance

2021 ◽  
pp. 115-129
Author(s):  
Jan Willem Drijvers

The Julian Romance is a work of historical fiction in Syriac. It offers a Christian perspective on the reigns of both Julian and Jovian, who in the text are presented as opposites. As regards Julian, the Romance is essentially a hatchet job, while conversely it glorifies Jovian. The Romance divides into three distinct narratives. The first narrative is short in its surviving form, but must originally have been longer because it concludes with the following words: “The celebration of the faith of Constantine and of his three sons who reigned after him is completed.” The second one I have called the Eusebius Narrative and describes at great length the many unsuccessful attempts of Julian to have Rome’s bishop Eusebius renounce his Christian conviction and become a venerator of the old gods. To that end, but also to be acknowledged as ruler of the entire empire by the city of Rome, Julian visits Rome. The third account, which I have entitled the Jovian Narrative, can be characterized as a narrative of war: war between Julian and the Christians, war between Rome and Persia, and in a sense Jovian’s war against Julian in order to protect Christianity and the Church. It is by far the longest of the three parts of the Romance and celebrates Jovian as the ideal Christian emperor. In this chapter the various narratives are introduced and a comprehensive summary is given of the Jovian Narrative.

Archaeologia ◽  
1888 ◽  
Vol 51 (1) ◽  
pp. 189-204 ◽  
Author(s):  
J.E. Acland-Troyte

Nicholas Ferrar, the designer of the works now under consideration, was born in the year 1592, in London, being the third son of Nicholas Ferrar, a merchant adventurer, who traded extensively both to the East and West Indies, and was on terms of great friendship with persons of eminence in the city. His mother was the daughter of Mr. Wodenoth, one of the ancient family of that name, of Savington Hall, in Cheshire. Both Mr. and Mrs. Ferrar were well known for their hospitality and generosity, and for their zealous support of the Church, as well as for the careful and religious ordering of their household.


Pneuma ◽  
1992 ◽  
Vol 14 (1) ◽  
pp. 73-79
Author(s):  
Luis C. Fontalvo

AbstractEDITOR'S NOTE: Luis C. Fontalvo, a Colombian, began to preach in his home-land, but several years ago he moved with his family to Canada, and there he found himself in an altogether different cultural, climatological and economic world, to which he had to adapt. Fontalvo, however, in contrast to most preachers who come from the Third to the First World, did not migrate to Canada in the company of fellow Colombian believers nor with the intention of establishing a Spanish-speaking church, but to preach in French to the people of the province of Quebec and in response to what he interpreted as a specific call. His work crystalized into what is now known as the Eglise des Apôtres de Jesus-Christ, with very different and farther-reaching results than he expected. His work and presence in Canada became an experiment that may, or may not, be repeated in another country or under different circumstances. It leaves open the question as to what will happen if and when the church he founded is totally integrated or if migration to Canada ceases in the future. Fontalvo's experience is simply one instance of the many things that are happening in countries like the United States and Canada, and even on European soil, to which Latin American Pentecostals arrive silently, learn to live many times surreptitiously or anonymously in the country of their choice, and do what is most natural to them: Share the gospel. The results may not be exactly what the preacher expected, they may be as new as a "hybrid" church, as it happened to Montalvo. These hybrid churches may well become the trend of the future in some of the First World cities. Although Montalvo does not say so, the implicit lesson is that the preacher is the key to success and has to begin by becoming a polyglot and not simply the monolingual head of the operation who thinks that one language is enough either for the preacher or for a situation as that described in this article.


2019 ◽  
Vol 4 (3) ◽  
pp. 196-211 ◽  
Author(s):  
Gérald Ledent

Three essential elements of modernism consolidated through war: a centralised welfare state, a serial industrial apparatus and, often, a territorial tabula rasa. Hence, for many modernist architects and urban planners, post-war Europe became the ideal ground to put their ideas to the test. However, there is a genuine discrepancy between the proposals of the first four Congrès Internationaux d’Architecture Moderne (CIAM) and what was massively implemented throughout Europe after 1945. To explore this divergence, Brussels proves to be an interesting case study for two main reasons. First, it hosted the third CIAM in November 1930, where Victor Bourgeois presented his views on housing and cities, in line with the ideals of the time. Second, after the war, Belgium, like many Western countries, experienced a period of euphoria, during which the modernist ideology attained a sudden and broad consensus. In the capital over the following three decades new infrastructure was built, as well as housing developments that derived, at least formally, from the CIAM ideals. This article explores the gap between the ideals and the reality of modernism through a comparison on two scales: the city and housing. Bourgeois’s Grand and Nouveau Bruxelles proposals are compared to the Manhattan Plan and Etrimo’s housing developments. Understanding the gap between the ideals of modernism and its implementation may help identify characteristics of the modernist movement but also, as Lacaton-Vassal pointed out when citing Habermas, complete the “unfinished project” (Habermas, 1984) of modernism.


Author(s):  
G. Fangi ◽  
C. Nardinocchi ◽  
G. Rubeca

<p><strong>Abstract.</strong> Rome is the city where two different cultures have found their greatest architectural achievement, the Latin civilization and the Christian civilization. It is for this reason that in Rome there is the greatest concentration in the world of Roman buildings, monuments and Christian buildings and churches. Rome is the seat of the papacy; say the head of the Christian Church. Every religious order, every Christian nation has created its own headquarters in Rome, the most representative possible, as beautiful, magnificent as possible. The best artists, painters, sculptors, architects, have been called to Rome to create their masterpieces.This study describes the photogrammetric documentation of selected noteworthy churches in Rome. Spherical Photogrammetry is the technique used. The survey is limited to the facades only, being a very significant part of the monument and since no permission is necessary. In certain cases, also the church interior was documented. A total of 170 Churches were surveyed. The statistics that one can derive from such a large number is particularly meaningful. Rome is the ideal place to collect the largest possible number of such cases. This study was motivated by the desire to provide technicians, architects, engineers and students with a technique that is easy to use and accessible and to show the great potential of the used photogrammetric technique. This article is a prelude to a book where all the panoramas obtained will be presented and made available to a larger public. Guidelines and tools to plot the facades will also be made available.</p>


2021 ◽  
Vol 03 (06) ◽  
pp. 21-29
Author(s):  
Temam NASEREDDIN

According to the term Catholic polemicists, historians such as Opitat Milév and Saint Augustin, who called the anti-Romanian movement and the Catholic Church of Carthage loyal to it, called the Donatismus, a Christian religious movement that appeared in Morocco in the third century AD and flourished between the fourth and fifth centuries AD, which was named after one of its great founders (Donatus), a Christian cleric born in Tivest (present-day Algeria), who refused to submit to the will of the emperor, and the resistance of the Catholic bishops of Carthage who They contented themselves with being under the banner of the emperor and the Roman authority, Those conditions in which Donatus saw a severe indignation from the principles of Christ and a shattering of the strength of the faithful believers in Christianity, an outright retreat from true Christianity, a religious apostasy and a betrayal of the victims of oppression (martyrs). Donatism emerged in the form of an independent religious current opposing the Church of Carthage, a reason that was sufficient for the beginning of the conflict between Donatism and its allies from The lower popular classes, together with the Church of Carthage and the Romanian authority, were evident in the many revolutions throughout Morocco, represented by the revolutions of the Circum Cellas, who tasted the woes of the Romanian authority and the Catholic Christians in Morocco, and the revolts of the Fermus brothers and after Gildon (Ghildon), However, the Romanian authority did not remain static, but rather used all its capabilities to quell these revolutions and eliminate this Donatian bee that was able to strike the stability of the Romans and Catholics in Morocco.


2013 ◽  
Vol 56 ◽  
pp. 1-28 ◽  
Author(s):  
Bridget Cherry

A revised and abridged record of the Annual Lecture of the Society of Architectural Historians of Great Britain, given at the Courtauld Institute of Art, London, on 12 November 2012Two exceptional events in London in 2012, the queen’s Diamond Jubilee and the Olympics, provoked questions about the origins and legacy of major public events of the past. This article explores the impact on the fabric of London since the eighteenth century of occasional planned spectacles through discussion of two main types of event, namely the procession along a predetermined route and occasions requiring a large organized space.George, Elector of Hanover, succeeded to the throne as George I on 1 August 1714. The proclamation of a new monarch took place at a series of traditional sites. The Heralds started at the king’s residence, St James’s Palace, and proceeded to Charing Cross, where the statue of Charles I had replaced the medieval Eleanor cross destroyed in the Civil War. The third site, Temple Bar, marked the boundary of the City Liberties. Within the City the proclamation was repeated at St Mary le Bow and at the Royal Exchange — recent post-Fire buildings, but iconic sites — marking the significance of the Church and the power centre of the City merchants.


2016 ◽  
Vol 109 (3) ◽  
pp. 447-466
Author(s):  
Matthew Thiessen

In his expository remarks on 1 Pet 5:13, Clement of Alexandria portrays Mark as the preserver of the apostle Peter's gospel proclamation to those who not only dwell in Rome, but also belong to the Roman elite. In this regard, Clement's testimony coincides with the near unanimous voice of the Church Fathers, who locate the composition of the Gospel of Mark in the city of Rome (e.g., IrenaeusHaer. 3.1.1; EusebiusHist. eccl.2.15.2).


1998 ◽  
Vol 19 (2) ◽  
Author(s):  
P.G.J. Meiring

Missiology for the third millennium Not only missions, but also the study of the Science of Mission, Missiology, continually finds itself under close scrutiny. Reacting to the many questions in this regard, the author reflects on three main themes: 1) What place - if any - should be awarded to Missiology within a Theological curriculum?; 2) What constitutes Missiology's unique nature and content?; 3) Which are the challenges facing missiologists on the eve of the Third Millennium? Referring to the last theme, five specific issues to be published as Part Il of the article in a next edition of this magazine, are tabled: Missiology's theological point of departure, its relationship with the church, its context (in this case, Africa), the quest for a relevant agenda, and the methods it chooses to apply.


Author(s):  
P. Matracchi ◽  
F. Radicioni ◽  
A. Stoppini ◽  
G. Tosi

<p><strong>Abstract.</strong> The area of the monumental complex of the Cathedral and the rectories of S. Lorenzo, located on the “acropolis” of Perugia, has been for more than two thousand years the main religious and civil reference site of all populations since the origin of the city of Perugia. The aim of this research was to survey the monumental complex of the Cathedral of San Lorenzo through the use of various geomatic techniques, with particular attention to the areas of the apse, the transept, the attic, the upper courtyard and the lower one, together with the hypogeal rooms of the Capitular Museum underlying the church, including important and impressive ruins as a portion of an Etruscan terracing wall (2nd century BC).</p><p>The complex is extremely articulated, so it was necessary to correlate external and hypogeal internal spaces; the site is also characterized by the existence of numerous archaeological traces of various origins, resulting from the succession of events developed over the centuries and countless works that have been integrated, juxtaposed and in some cases replaced by previous ones. All this circumstances contribute to make not easy the understanding of the planimetric and altimetric relationships existing between the different parts and the identification of the real context of the architectural elements is equally complex. The need to connect different areas of the monumental complex located at different levels (from hypogeal rooms and vaults to the church, the attic and the external squares and streets) has required a coordinated and integrated use of geomatic techniques such as precision GNSS positioning (outside the building) and the creation of a very articulated three-dimensional geodetic network connecting the external GNSS vertices with the internal reference points and targets placed in the different areas to frame in a unique global datum the subsequent detailed surveys performed with LIDAR and photogrammetric techniques, so that the single scans and local surveys could be assembled to form a unique 3D model. Among the many aspects highlighted, in particular, it was possible to understand the genesis of the cathedral transept, whose size was dictated by an imposing Etruscan wall. Until now the ruins of the ancient cathedral complex were known - referring to three different buildings, the cathedral, the dodecagonal bell tower and the chapel of Sant'Ercolano - incorporated into the side of the basilical body in front of Piazza IV Novembre. From additional ruins attributed to the structure of the ancient cathedral, it was obtained that the level of the floor of the church has been substantially maintained in the current cathedral.</p>


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