Introduction

2017 ◽  
Author(s):  
Ben Masters
Keyword(s):  
Literary Criticism ◽  
Literary Culture ◽  
Angela Carter ◽  
Anthony Burgess ◽  
Martin Amis ◽  
Literary Ethics ◽  
The World ◽  
Way Of Knowing ◽  
Post War

The introduction shows how a general suspicion of stylistic flamboyance in post-war England led writers like Anthony Burgess, Angela Carter, and Martin Amis to feel at odds with English literary culture. Reconsidering these writers as sophisticated stylists and ethicists—the ‘stylists of excess’—the introduction outlines the major arguments of the ethical turn in literary criticism, describing some of the general antagonisms between the humanist revival and the new ethics, before suggesting a literary ethics that borrows from both without over-relying on notions of character and interiority (contra the ‘humanist revival’), and that returns the author to centre-stage (contra the ‘new ethics’). It proposes an expansive approach to style in order to appreciate the stylists of excess: for example, style as perception; style as a way of knowing and being in the world; and style as the expression of an ethical sensibility that can affect the reader.

Novel Style

2017 ◽  
Author(s):  
Ben Masters
Keyword(s):  
Close Reading ◽  
Angela Carter ◽  
Ethical Criticism ◽  
Aesthetic Evaluation ◽  
Anthony Burgess ◽  
Martin Amis ◽  
Multiple Levels ◽  
Points Of View ◽  
Zadie Smith ◽  
Post War

Re-examining elaborate English stylists from the post-war period to the present day (including Anthony Burgess, Angela Carter, Martin Amis, Zadie Smith, Nicola Barker, and David Mitchell) through a fresh style of ethical criticism that does not over-rely on notions of character and interiority (the terrain of the ‘humanist revival’), and that returns the author to centre-stage (contra the approach of the ‘new ethics’, with its indebtedness to poststructuralism), Novel Style defends the stylistic excesses of writers who were conscious of both writing out of excessive times and of the need for new kinds of artistic response to contemporary ethical pressures. Through its methodology, Novel Style calls for a return to close reading and aesthetic evaluation and recovers its subjects from theoretical quagmires by repositioning them as stylists and ethicists, arguing that the two positions are inextricable. For example, it considers how forms of stylistic excess—ranging from puns and wordplay to long sentences, proliferating imagery, repetitions, idiosyncratic rhythms, multiple levels of narration, and variable points of view—might enact ethically-charged dynamics like curiosity, particularity, complexity, and empathy. As well as being an impassioned defence of literary excess, flamboyance, and close reading, Novel Style asks fundamental questions about how novels think, see, and feel, and how they might change us.

‘Unsettled and Unsettling’ Women Migrant Voices After the War

2020 ◽  
pp. 53-70
Author(s):  
Maroula Joannou
Keyword(s):  
Women Writers ◽  
Human Rights ◽  
Literary Culture ◽  
English Literature ◽  
Freedom Of Speech ◽  
Doris Lessing ◽  
Kamala Markandaya ◽  
The World ◽  
English Speaking ◽  
Post War

Mary Joannou examines the place of London as a haven for English-speaking exiles and émigrés and questions the extent to which it is possible to separate English literature from the literature of the rest of the world as post-war globalization destabilized, de-territorialized and de-colonized Englishness. For the five migrant women writers addressed here - Phyllis Shand Allfrey, Rumer Godden, Attia Hosain, Doris Lessing, and Kamala Markandaya – the attractions of migration to London, albeit bomb-damaged and shortage riven after the war, far outweighed the drabness of the environment of the metropolis. The new migrants, all politically on the left and strong upholders of freedom of speech and universal human rights, made a significant contribution to the enrichment and expansion of Britain’s literary culture in the 1940s and 1950s which was well-served by thriving post-war publishing and media industries.

Late Modernism and the Avant-Garde British Novel

2020 ◽  
Author(s):  
Julia Jordan
Keyword(s):  
Literary Culture ◽  
The Novel ◽  
Late Modernism ◽  
Experimental Fiction ◽  
Realist Novel ◽  
British Novel ◽  
Avant Garde ◽  
The World ◽  
Post War ◽  
Experimental Novel

In the decades following the immediately post-war period in Britain, a loose grouping of avant-garde writers that included Alan Burns, Christine Brooke-Rose, B. S. Johnson, and Ann Quin worked against the dominance, as they saw it, of the realist novel of the literary mainstream. Late Modernism and the Avant-Garde British Novel: Oblique Strategies reassesses the experimentalism versus realism debates of the period, and finds a body of work engaged with, rather than merely antagonistic towards, the literary culture it sought to renovate. Charting these engagements, it shows how they have significance not just for our understanding of these decades but also for the broader movement of the novel through the century. Oblique Strategies takes some of the things we tend to say about experimental fiction—how it is unreadable, non-linear, elliptical, errant, plotless—and reimagines these descriptors as historically inscribed tendencies that express the period’s investment in the idea of the accidental. These novels are interested in the fleeting and the fugitive, in discontinuity and shock. The experimental novel cultivates an interest in methods of representation that are oblique; it attempts to conjure the world at an angle, or in the rear-view mirror; by ellipsis or evasion. These concepts—error, indeterminacy, uncertainty, accident—all bear a relation to that which evades or resists interpretation and meaning. Reading experimental literature in this light, Oblique Strategies finds it eloquent about the forms of not-knowing and uncertainty that mark late modernism more broadly.

scholarly journals How Jewish Refugee Critics Changed British Literary Criticism, 1970–2020

Humanities ◽  
2020 ◽  
Vol 9 (3) ◽  
pp. 80
Author(s):  
David Herman
Keyword(s):  
Literary Criticism ◽  
20Th Century ◽  
Literary Culture ◽  
Paul Celan ◽  
Late 20Th Century ◽  
The Holocaust ◽  
Jewish Refugee ◽  
Huge Impact ◽  
English Speaking ◽  
Post War

During the mid- and late 20th century, a small group of Jewish refugee critics changed the way British culture thought about what kind of literature mattered and why. These outsiders went on to have an enormous impact on late 20th-century British literary culture. What was this impact? Why in the last third of the 20th century? Why did British literary culture become so much more receptive to critics like George Steiner, Gabriel Josipovici, Martin Esslin and SS Prawer and to a new canon of continental Jewish writers? The obstacles to Jewish refugee critics were formidable. Yet their work on writers like Kafka, Brecht and Paul Celan, and thinkers like Heidegger and Lukacs had a huge impact. They also broke the post-war silence about the Holocaust and moved the Jewish Bibl from the margins of English-speaking culture.

Squatting: The Fight for Decent Shelter, 1970s–1980s

2018 ◽  
Vol 11 (1) ◽  
pp. 27-50
Author(s):  
John Marsland
Keyword(s):  
Welfare State ◽  
Public Services ◽  
Second World War ◽  
World War ◽  
Housing Policies ◽  
The West ◽  
The World ◽  
Housing Needs ◽  
Post War ◽  
Second World

During the twenty years after the Second World War, housing began to be seen as a basic right among many in the west, and the British welfare state included many policies and provisions to provide decent shelter for its citizens. This article focuses on the period circa 1968–85, because this was a time in England when the lack of affordable, secure-tenured housing reached a crisis level at the same time that central and local governmental housing policies received wider scrutiny for their ineffectiveness. My argument is that despite post-war laws and rhetoric, many Britons lived through a housing disaster and for many the most rational way they could solve their housing needs was to exploit loopholes in the law (as well as to break them out right). While the main focus of the article is on young British squatters, there is scope for transnational comparison. Squatters in other parts of the world looked to their example to address the housing needs in their own countries, especially as privatization of public services spread globally in the 1980s and 1990s. Dutch, Spanish, German and American squatters were involved in a symbiotic exchange of ideas and sometimes people with the British squatters and each other, and practices and rhetoric from one place were quickly adopted or rejected based on the success or failure in each place.

The 1945 World Order – Process with «Open» Continuation

2020 ◽  
Vol 13 (4) ◽  
pp. 52-79
Author(s):  
V. T. Yungblud
Keyword(s):  
Cold War ◽  
International Relations ◽  
World Order ◽  
International Order ◽  
International Terrorism ◽  
Bipolar Structure ◽  
Political Processes ◽  
The World ◽  
Post War ◽  
The Cold War

The Yalta-Potsdam system of international relations, established by culmination of World War II, was created to maintain the security and cooperation of states in the post-war world. Leaders of the Big Three, who ensured the Victory over the fascist-militarist bloc in 1945, made decisive contribution to its creation. This system cemented the world order during the Cold War years until the collapse of the USSR in 1991 and the destruction of the bipolar structure of the organization of international relations. Post-Cold War changes stimulated the search for new structures of the international order. Article purpose is to characterize circumstances of foundations formation of postwar world and to show how the historical decisions made by the leaders of the anti-Hitler coalition powers in 1945 are projected onto modern political processes. Study focuses on interrelated questions: what was the post-war world order and how integral it was? How did the political decisions of 1945 affect the origins of the Cold War? Does the American-centrist international order, that prevailed at the end of the 20th century, genetically linked to the Atlantic Charter and the goals of the anti- Hitler coalition in the war, have a future?Many elements of the Yalta-Potsdam system of international relations in the 1990s survived and proved their viability. The end of the Cold War and globalization created conditions for widespread democracy in the world. The liberal system of international relations, which expanded in the late XX - early XXI century, is currently experiencing a crisis. It will be necessary to strengthen existing international institutions that ensure stability and security, primarily to create barriers to the spread of national egoism, radicalism and international terrorism, for have a chance to continue the liberal principles based world order (not necessarily within a unipolar system). Prerequisite for promoting idea of a liberal system of international relations is the adjustment of liberalism as such, refusal to unilaterally impose its principles on peoples with a different set of values. This will also require that all main participants in modern in-ternational life be able to develop a unilateral agenda for common problems and interstate relations, interact in a dialogue mode, delving into the arguments of opponents and taking into account their vital interests.

Religiusitas Tokoh-Tokoh Dalam Novel Bumi Cinta Karya Habiburrahman El-Shirazy

AKADEMIKA ◽  
2014 ◽  
Vol 8 (2) ◽  
pp. 205-221
Author(s):  
Minahul Mubin
Keyword(s):  
Young People ◽  
Literary Criticism ◽  
Human Freedom ◽  
Religious Values ◽  
Human Beings ◽  
Relationship With God ◽  
Belief In God ◽  
The World ◽  
Religious Aspects ◽  
Religious Elements

A novel titled BumiCinta written by Habiburrahman El-Shirazy takes place in the Russian setting, in which Russia is a country that adopts freedom. Russia with various religions embraced by its people has called for the importance of human freedom. Free sex in Russia is commonplace among its young people. Russia is a country that is free with no rules, no wonder if there have been many not embracing certain religion. In fact, according to data Russia is a country accessing the largest porn sites in the world. Habiburrahman in his Bumi Cinta reveals some religious aspects. He incorporates the concept of religion with social conflicts in Russia. Therefore, the writer reveals two fundamental issues, namely: 1. What is the characters' religiosity in the Habiburrahman El-Shirazy'sBumiCinta? 2. What is the characters' religiosity in the BumiCinta in their relationship with God, fellow human beings, and nature ?. To achieve the objectives, the writer uses the religious literary criticism based on the Qur'an and Hadith. It emphasizes religious values in literature. The writer also uses the arguments of scholars and schools of thought to strengthen this paper. This theory is then used to seek the elements of religiousity in the Habiburrahman El-Shirazy'sBumiCinta. In this novel, the writer explains there are strong religious elements and religious effects of its characters, especially the belief in God, faith and piety

MYTH IN SAM SHEPARD’S “THE GOD OF HELL” AND ITS POLITICAL IMPLICATION

2019 ◽  
pp. 32-38
Keyword(s):  
Literary Criticism ◽  
American Culture ◽  
The Political ◽  
Creative Work ◽  
Political Implication ◽  
Major Work ◽  
Sam Shepard ◽  
Long Period ◽  
Political Myth ◽  
The World

The article introduces the creative work of the famous American playwright Sam Shepard, whose works are almost unknown to our Uzbek reader. His plays are well known throughout the world; they influenced the formation of the worldview of readers of different nations and show the peculiarities of American culture. Despite the worldwide fame of Sam Shepard’s works, they are not studied well by literary critics. In America and Europe his works have been studied in details for a long period, and even several monographs in English have been written. However, neither in the Russian speaking, nor in the domestic literary criticism there is yet no major work on Shepard's works. The article also deals with the artistic features of the political myth of the “American dream” in one of the most scandalous plays, “The God of Hell,” dedicated to the protest against the war in Iraq. Thus, this study, which touches upon some issues of Shepard's creative work in connection with his innovative artistic originality, to a certain extent, seeks to fill this gap.

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