Preaching Christology in the Roman Near East

2018 ◽  
Author(s):  
Philip Michael Forness
Keyword(s):  
Late Antiquity ◽  
Near East ◽  
Late Antique ◽  
Biblical Exegesis ◽  
Christian Community ◽  
Christian Doctrine ◽  
South Arabia ◽  
Wide Range ◽  
Christian Discourse

Preaching formed one of the primary, regular avenues of communication between ecclesiastical elites and a wide range of society. Clergy used homilies to spread knowledge of complex theological debates prevalent in late antique Christian discourse. Some sermons offer glimpses into the locations in which communities gathered to hear orators preach. Although homilies survive in greater number than most other types of literature, most do not specify the setting of their initial delivery, dating, and authorship. This book addresses how we can contextualize sermons devoid of such information. The first chapter develops a methodology for approaching homilies that draws on a broader understanding of audience as both the physical audience and the readership of sermons. The remainder of the monograph offers a case study on the Syriac preacher Jacob of Serugh (c.451–521), whose metrical homilies form one of the largest sermon collections in any language from late antiquity. His letters connect him to a previously little-known Christological debate over the language of the miracles and sufferings of Christ through his correspondence with a monastery, a Roman military officer, and a Christian community in South Arabia. He uses this language in homilies on the Council of Chalcedon, on Christian doctrine, and on biblical exegesis. An analysis of these sermons demonstrates that he communicated miaphysite Christology to both elite reading communities as well as ordinary audiences. This monograph thus demonstrates a new methodology for working with late antique sermons and discloses the range of society that received complex theological teachings through preaching.

Reuse of Roman Artefacts in Late Antiquity and the Early Medieval West

2020 ◽  
pp. 425-446
Author(s):  
Ellen Swift
Keyword(s):  
Late Antiquity ◽  
Social Groups ◽  
Ferrous Metal ◽  
Fifth Century ◽  
Late Antique ◽  
Early Medieval ◽  
Silver Plate ◽  
Metal Artefacts ◽  
Wide Range

In Late Antiquity, reuse and recycling has mainly been considered in relation to spolia and to precious metal artefacts such as silver plate and coins. Yet there is much evidence for reuse behaviour across a wide range of artefact types in more everyday materials. Some of this is connected to ordinary habits of reuse and recycling found throughout the Roman and late antique periods, although it is in part also a response to prevailing economic and social conditions. Since these may vary from one place to another or across different social groups, interpretations must take account of the particular contexts within which objects were used. This chapter addresses reuse behaviour from the late antique and early medieval periods in the West, with a case study drawn from the author’s detailed studies of particular non-ferrous metal objects from Britain, including objects newly produced in the fifth century.

Liturgical Poetry in the Late Antique Near East

2010 ◽  
Vol 1 (3) ◽  
pp. 336-361 ◽  
Author(s):  
Ophir Münz-Manor
Keyword(s):  
Comparative Study ◽  
Late Antiquity ◽  
Near East ◽  
The Other ◽  
Late Antique ◽  
Biblical Poetry ◽  
Contemporary View ◽  
Cultural Dialogue ◽  
The One

The article presents a contemporary view of the study of piyyut, demonstrating that Jewish poetry of late antiquity (in Hebrew and Aramaic) was closely related to Christian liturgical poetry (both Syriac and Greek) and Samaritan liturgy. These relations were expressed primarily by common poetic and prosodic characteristics, derived on the one hand from ancient Semitic poetry (mainly biblical poetry), and on the other from innovations of the period. The significant connections of content between the different genres of poetry reveal the importance of comparative study. Thus the poetry composed in late antiquity provides additional evidence for the lively cultural dialogue that took place at that time.

Time in Eusebius’s Ecclesiastical History

2021 ◽  
Vol 5 (4) ◽  
pp. 580-617
Author(s):  
David J. DeVore
Keyword(s):  
Intellectual History ◽  
Late Antiquity ◽  
Historical Narrative ◽  
Late Antique ◽  
New Era ◽  
Ecclesiastical History ◽  
Time Periods ◽  
Sharp Breaks

Eusebius’s Ecclesiastical History, a seminal late-antique historical narrative, features three periodizations of the church’s past. First, a soteriological periodization divides God’s relationship with humanity at Christ’s Incarnation, an event that Eusebius marks in Book 1 with detailed commentary on the gospels rather than narrative. Second, an ecclesiastical periodization divides pristine, heroic apostolic times from post-apostolic times. The divide between apostolic times and the post-apostolic periods is illustrated through a comparison of History 2.13–17, about Simon Magus, Peter, and Mark, and 6.12, on Serapion of Antioch. And third, an epistemological periodization distinguished earlier times from Eusebius’s lifetime, the latter marked by frequent references to “our time.” Eusebius changed numerous narrative features with his changes of period, including alternating between commentary, diachronic, and synchronic format for different time periods; changing protagonists’ fallibility, individuality, composition of texts, and citation of scripture; and providing notices of episcopal successions and quotation of sources. Moreover, Eusebius’s History changed periods not with the sharp breaks of many modern histories but with gradual transitions. He also underscored key continuities, including God’s intervention in human events and alternation between persecuting and protecting rulers—a continuity within which, contrary to scholarly assumptions, the History never inaugurates a new era with the emergence of Constantine. The case study of Eusebius’s periodization suggests an important limitation of the analytic usefulness of periodizations such as “Late Antiquity” for organizing intellectual history.

scholarly journals Addressing Conflict in the Fifth Century: Rome and the Wider Church

Scrinium ◽  
2018 ◽  
Vol 14 (1) ◽  
pp. 92-114
Author(s):  
Bronwen Neil
Keyword(s):  
Late Antiquity ◽  
Social Conflict ◽  
Social Resources ◽  
Conflict Theory ◽  
Fifth Century ◽  
Late Antique ◽  
Social Conflict Theory

Abstract In seeking to trace the escalation, avoidance or resolution of conflicts, contemporary social conflict theorists look for incompatible goals, differentials in power, access to social resources, the exercise of control, the expression of dissent, and the strategies employed in responding to disagreements. It is argued here that these concepts are just as applicable to the analysis of historical doctrinal conflicts in Late Antiquity as they are to understanding modern conflicts. In the following, I apply social conflict theory to three conflicts involving the late antique papacy to see what new insights it can proffer. The first is Zosimus's involvement in the dispute over the hierarchy of Gallic bishops at the beginning of the fifth century. The second and longest case-study is Leo I's intervention in the Chalcedonian conflict over the natures of Christ. The final brief study is the disputed election of Symmachus at the end of the fifth century.

scholarly journals A Christian Emperor between Pagan Gods

2021 ◽  
pp. 1-44
Author(s):  
Ketty Iannantuono
Keyword(s):  
Roman Empire ◽  
Late Antiquity ◽  
Late Antique ◽  
Political Dissent ◽  
The Media ◽  
New Form ◽  
New Perspective ◽  
Ancient Monuments ◽  
High Degree

Abstract In recent years, images of rage against monuments have filled the media. Unmistakably expressing a high degree of tension in societies, these forms of hostility against heritage have been diversely interpreted, prompting passionate expressions of support as well as fierce criticism. Contesting public memorials, however, is not a new form of socio-political dissent. During Late Antiquity, for example, a new sensibility towards ancient monuments emerged in the vast territories that were once part of the Roman Empire. In this article, the late-antique fate of the so-called ‘temple of Hadrian’ at Ephesus is analysed as a case-study. The aim is to gain a better understanding of the approaches adopted to accommodate traditional monumental landscapes in the changed late-antique socio-political context. This analysis offers a new perspective on ancient and contemporary phenomena of contestations of monuments.

Early Christian Art

Art History ◽  
2014 ◽  
Author(s):  
Katherine Marsengill
Keyword(s):  
Roman Empire ◽  
Art History ◽  
Late Antiquity ◽  
Near East ◽  
Late Antique ◽  
Early Christian ◽  
Byzantine Art ◽  
Christian Art ◽  
Byzantine Period ◽  
Art And Architecture

Early Christian art history encompasses a range of material loosely dated from the first known appearances of Christian art in the late 2nd or early 3rd century and continuing through the 6th, 7th, and sometimes even into the early 8th centuries. Early Christian art history, however, has proven to be an inchoate term, often overlapping with, or including, Early Byzantine art history. In previous divisions of the field, Early Byzantine art tended to be too politically confining when one considers cities such as Ravenna before and after its inclusion in the Eastern Byzantine Empire. On the other hand, Early Christian art implied only the earliest centuries, usually through the 4th or mid-5th centuries, and usually centered on Roman art. Thus, many scholars today favor the term Late Antique in order to integrate the study of art and architecture of the Eastern Roman Empire and Western Roman Empire as well as to understand Christian art in dialogue with Jewish and pagan art. In terms of dating, scholars generally acknowledge the genesis of Christian art and architecture around 200 ce, although some pursue theories that Christians participated in visual culture in the early 2nd century, if they had not yet developed a distinctly Christian visual language. In terms of geography, the eastern and western Mediterranean, Palestine and the Near East, and sometimes even northern Europe and Britain are all included. One result of this large geographical span has been the separation of Early Christian art in Rome, the Eastern Mediterranean, Egypt, the Near East, and so on. In the last decade or so, however, scholars have generally recognized a more cohesive Mediterranean world and a more fluid transition from Late Antiquity to medieval art and culture. Questions of continuity between these periods have ultimately made dating the end of “Early Christian” or “Late Antique” difficult, if not impossible. Most scholars see the end of Late Antiquity as coinciding with the death of Justinian I or, for the convenience of a rounded date, the year 600. Others argue the end of the period occurred at the beginning of the 7th century with the spread of Islam in the Near East and across North Africa. Byzantinists sometimes recognize the beginning of the iconoclastic controversy in 730 as the end of Late Antiquity. Accordingly, “true” Byzantine-era art begins after iconoclasm in the 9th century, what some refer to as the Middle Byzantine period, which marks the beginning of a distinguishable Byzantine state and extends until the Latin conquest of Constantinople in 1204, then followed by the Late Byzantine period (until 1453). Those who assert the continuity of Late Antique traditions in early Islamic art have recently broached the year 800 as the cut-off point.

Asceticism and syneisaktism in Asterius’ Liber ad Renatum monachum

2013 ◽  
Vol 17 (3) ◽  
Author(s):  
Hajnalka Tamás ◽  
Liesbeth Van der Sypt
Keyword(s):  
Late Antiquity ◽  
Fifth Century ◽  
Final Part ◽  
Late Antique ◽  
Wide Range ◽  
Latin West ◽  
Depth Study

AbstractThis article offers an in-depth study of Asterius’ often neglected Liber ad Renatum monachum in relation to its compositional context and other similar writings from Late Antiquity. It starts with a thorough discussion about the possible date, author, and place of the Liber ad Renatum monachum. One will see that the context of the writing was the (early) fifth century, but also that the treatise cannot be connected to a place more precisely than the Latin West. In the second part of this article, a closer look is given to the ascetic content of the Liber ad Renatum monachum. Although the treatise has many topics worth discussing, the present authors have chosen to direct their attention to the rather unknown late antique ascetic practice of syneisaktism, a practice in which an ascetic man and a virgin lived together unmarried with the (unofficial) promise to remain chaste. For this reason the final part of this article is wholly dedicated to the question of how Asterius used and reworked a centuries-old tradition of arguments against syneisaktism. The analysis extends over a wide range of polemical writings, starting from Asterius’ proven sources (e.g., Jerome’s Epistulae and the anonymous De singularitate clericorum) to sources previously not connected with this work (e.g., John Chrysostom’s Adversus eos qui apud se habent subintroductas virgines and Quod regulares feminae viris cohabitare non debeant, and several works of the Cappadocians).

“O, Foolish Galatians”: Imagining Pauline Community in Late Antiquity

2016 ◽  
Vol 85 (3) ◽  
pp. 435-467 ◽  
Author(s):  
Todd S. Berzon
Keyword(s):  
Late Antiquity ◽  
The Other ◽  
Late Antique ◽  
Christian Community ◽  
Object A ◽  
Precise Meaning ◽  
Ethnic Affiliation ◽  
Conscious Choice ◽  
The One

This essay analyzes how late antique commentators on Paul's epistle to the Galatians used the issue of theological disobedience to elaborate the precise meaning of Christian kinship and community in their own times. Paul's anger and frustration at the Galatians, in particular, provided a convenient rhetorical platform for theorizing the nature of and impediments to Christian community in late antiquity. While most Pauline exegetes of the fourth and fifth centuries read the Galatians’ disobedience as a conscious choice born of ignorance, misunderstanding, and weak-mindedness, Jerome located the source of this indiscipline in the Galatians’ ethnic or national disposition. For him, the Galatians were an ethno-theological object—a template upon which he could propose a correlation between Christian error or heresy, on the one hand, and ethnic disposition, on the other. The differences and factions that Paul described in his letters were reimagined in late antiquity as both exemplars of Christian heresy and as heresies of ethnological origin. Ultimately, however, the process of transforming Paul into a heresiologist served only to emphasize the complexity of interpretive maneuvers deployed to define the terms of Christian community vis-à-vis other types of social, political, and ethnic affiliation.

Iconography and Archaeology

2021 ◽  
pp. 91-113
Author(s):  
Elizabeth Marlowe
Keyword(s):  
Case Studies ◽  
Late Antiquity ◽  
Third Century ◽  
Late Antique ◽  
Physical Strength ◽  
The Third ◽  
Roman Villa ◽  
Literary Sources ◽  
Art Historians

This chapter critically examines how scholars have interpreted Roman portraits of the third century ce. It focuses on two case studies. The first is a famous portrait of Maximinus Thrax from the Albani collection and now in the Capitoline Museum. Read through the lens of late antique literary sources, the portrait has been seen by art historians as portraying Maximinus’ ferocity, physical strength, and low class, barbarian origins. The second case study is a far less well-known pair of portraits excavated at the Roman villa of Lullingstone, south of London, which became the object of a highly unusual domestic cult in late antiquity. These case studies are used to argue that the heavy reliance on iconography and literary sources required to interpret portraits lacking archaeological context is less reliable and less informative than interpretations derived from a combination of iconography and archaeology.

The Contribution of Regional Survey to the Late Antiquity Debate: Greece in its Mediterranean Context

2007 ◽  
Author(s):  
J. BINTLIFF
Keyword(s):  
Roman Empire ◽  
Late Antiquity ◽  
Late Antique ◽  
State Control ◽  
Early Medieval ◽  
Regional Survey ◽  
Central Greece ◽  
Strong State ◽  
The Mediterranean

The fall of the Roman Empire remains a mystery. Archaeological and historical concerns today are less metaphysical and more intellectually challenging at the level of reconstructing the processes at work before, during and long after the official sack of Rome, and are as much focused on the succeeding transition to the medieval world as on the build-up to imperial decay and collapse. This chapter presents a grassroots case-study examination of the transformation of society in town and country in central Greece, founded on a regional survey project that has been running for 25 years. From the arrival of Roman control, through Late Antiquity and into the resurgence of strong state control emanating out of Byzantium in the eighth-nineth centuries AD, this chapter tries to set the patterns, provisional interpretations and questions which have arisen from the sequence in this region into wider debates around the Mediterranean concerning the contribution of regional archaeological surveys to the late antique-early medieval transition.

Sign in / Sign up

Export Citation Format

Share Document