Aristotle’s Rhetoric in the Schoolroom

2018 ◽  
pp. 127-175
Author(s):  
Timothy Raylor
Keyword(s):  
Seventeenth Century ◽  
Moral Value ◽  
The Third ◽  
Prime Source

This chapter considers the conception of rhetoric implied by Hobbes’s use of Aristotle for teaching his pupil, the third Earl of Devonshire, in the early 1630s. Given the dominance of a Roman and, more specifically, Ciceronian understanding of rhetoric at the time, this was an unusual decision. But a neo-Aristotelian understanding of the art had begun to take shape by the early seventeenth century: an understanding visible in Hobbes’s prime source, Theodore Goulston’s bilingual edition of Aristotle’s Rhetoric, De Rhetorica seu arte dicendi (1619). Hobbes is shown to have been working with an understanding of rhetoric as a means of understanding what will serve to persuade a given audience on a given occasion: an understanding centred on the enthymeme and largely free from Ciceronian humanist notions of the moral value, civic necessity, and philosophic utility of the art.

La troisième dimension — De la fonction éthique et esthétique du décor dans le théâtre de machines français du XVIIe siècle

2020 ◽  
Vol 71 (1) ◽  
pp. 130-168
Author(s):  
Kirsten Dickhaut
Keyword(s):  
Seventeenth Century ◽  
Character Traits ◽  
Optical Illusion ◽  
Stage Design ◽  
The Third ◽  
Adequate Representation ◽  
Third Dimension ◽  
Xviie Siecle ◽  
The Aesthetic

AbstractThe machine theatre in France achieves its peak in the second half of the seventeenth century. It is the construction of machines that permits the adequate representation of the third dimension on stage. This optical illusion is created by flying characters, as heroes, gods, or demons moving horizontally and vertically. The enumeration indicates that only characters possessing either ethically exemplary character traits or incorporating sin are allowed to fly. Therefore, the third dimension indicates bienséance – or its opposite. According to this, the following thesis is deduced: The machine theatre illustrates via aesthetic concerns characterising its third dimension an ethic foundation. Ethic and aesthetics determine each other in the context of both, decorum and in theatre practice. In order to prove this thesis three steps are taken. First of all, the machine theatre’s relationship to imitation and creation is explored. Second, the stage design, representing the aesthetic benefits of the machines in service of the third dimension, are explained. Finally, the concrete example of Pierre Corneille’s Andromède is analysed by pointing out the role of Pegasus and Perseus.

The practice and theory of property in seventeenth-century Bengal

2017 ◽  
Vol 54 (2) ◽  
pp. 147-182 ◽  
Author(s):  
Samuel Wright
Keyword(s):  
Seventeenth Century ◽  
Final Section ◽  
Detailed Examination ◽  
The Third ◽  
Economic Practices ◽  
Shared Language ◽  
History Of ◽  
Analytical Category ◽  
Theoretical Issues

This study reconstructs the connected history of socio-economic and intellectual practices related to property in seventeenth-century Bengal. From the perspective of socio-economic practices, this study is concerned with the legal transfer of immovable property between individuals. From the perspective of intellectual practice, this study is concerned with how property was understood as an analytical category that stood in a particular relation to an individual. Their connected history is examined by analysing socio-economic practices exemplified in a number of documents detailing the sale and donation of land and then situating these practices within the scholarly analysis of property undertaken by authors within the discipline of nyāya—the Sanskrit discipline dealing primarily with ontology and epistemology. In the first section of the essay, I undertake a detailed examination of available land documents in order to highlight particular conceptions of property. In the second section of the essay, I draw out theoretical issues examined in nyāya texts that relate directly to the concepts expressed in the land documents. In the third and final section of the essay, I discuss the shared language and shared concepts between the documents and nyāya texts. This last section also addresses how the nyāya analysis of property facilitates a better understanding of claims in the documents and what nyāya authors may have been doing in writing about property.

From Seeker to Finder: A Study in Seventeenth-Century English Spiritualism Before The Quakers

1948 ◽  
Vol 17 (4) ◽  
pp. 299-315 ◽  
Author(s):  
George Arthur Johnson
Keyword(s):  
Seventeenth Century ◽  
Civil Wars ◽  
Small Groups ◽  
Holy Spirit ◽  
British History ◽  
The Third ◽  
The Holy Spirit ◽  
Third Person ◽  
The Third Person ◽  
The Trinity

The period of the Civil Wars and Commonwealth in England was one of the most momentous epochs in British history. For small groups of people the decade of the 1640's inaugurated a New Age—an age in which the Holy Spirit reigned triumphant. Such believers reached the zenith of Puritan “spiritualism,” or that movement which placed the greatest emphasis upon the Third Person of the Trinity.

scholarly journals Stratigraphy of the wall paintings in the main church of the Praskvica Monastery

Zograf ◽  
2014 ◽  
pp. 153-163
Author(s):  
Dragan Vojvodic
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Wall Painting ◽  
The Other ◽  
Stylistic Analysis ◽  
Wall Paintings ◽  
The West ◽  
The Third ◽  
Technical Features ◽  
The Church

In the katholikon of the monastery of Praskvica there are remains of two layers of post-Byzantine wall-painting: the earlier, from the third quarter of the sixteenth century, and later, from the first half of the seventeenth century, which is the conclusion based on stylistic analysis and technical features. The portions of frescoes belonging to one or the other layer can be clearly distinguished from one another and the content of the surviving representations read more thoroughly than before. It seems that the remains of wall-painting on what originally was the west facade of the church also belong to the earlier layer. It is possible that the church was not frescoed in the lifetime of its ktetor, Balsa III Balsic.

Science and English Prose Style in the Third Quarter of the Seventeenth Century

PMLA ◽  
1930 ◽  
Vol 45 (4) ◽  
pp. 977-1009 ◽  
Author(s):  
Richard F. Jones
Keyword(s):  
Seventeenth Century ◽  
Important Influence ◽  
Complex Phenomenon ◽  
Human Personality ◽  
Literary Style ◽  
Unpleasant Sensation ◽  
The Third ◽  
English Prose ◽  
Prose Style

Literary style, like human personality, is a compound exceedingly difficult of analysis, for when its more obvious constituents are made clear, there still remains an illusive element, consciousness of which leaves the analyst with the unpleasant sensation of not having reached the bottom of the matter. As the most complex phenomenon in literature, style is the resultant of all the forces, known and unknown, underlying literary development, and the method and extent of the contribution made by each of these forces are a matter of probable inference rather than of positive demonstration. For that reason, any attempt, however ambitious, to account for the style of a literary epoch must be content with pointing out those more obvious influences that are combined and reflected in speech and writing, and with ignoring other factors which may escape detection. Under the protection of this confession I shall attempt to make manifest what seems to me the most important influence instrumental in changing the luxuriant prose of the Commonwealth into that of a diametrically opposite nature in the Restoration.

The Study of Arabic Historians in Seventeenth Century England: The Background and the Work of Edward Pococke

1957 ◽  
Vol 19 (3) ◽  
pp. 444-455 ◽  
Author(s):  
P.M. Holt
Keyword(s):  
Seventeenth Century ◽  
Western Europe ◽  
Principal Result ◽  
Historical Writing ◽  
Islamic Studies ◽  
The Third

Arab historical writing was not a specialized study in the seventeenth century. Organized work in Arabic and Islamic studies was still a recent development in western Europe generally. The first modern English Arabist, William Bedwell (1562–1632), was during most of his life an isolated figure: the principal result of his studies was an Arabic lexicon which was never printed, although he bequeathed the MS to Cambridge with a fount of Arabic type for that purpose. In the third decade of the century, however, some younger scholars began to interest themselves in Arabic.

Mathematical Mysteries in Byzantium

2013 ◽  
Author(s):  
Judith Herrin
Keyword(s):  
Seventeenth Century ◽  
Third Century ◽  
Greek Text ◽  
Nontrivial Solutions ◽  
Fermat's Last Theorem ◽  
The Third ◽  
Fermat’S Last Theorem ◽  
Mathematical Problems ◽  
The One

This chapter examines how the mathematical mysteries of Diophantus were preserved, embellished, developed, and enjoyed in Byzantium by many generations of amateur mathematicians like Pierre de Fermat, who formulated what became known as Fermat's last theorem. Fermat was a seventeenth-century scholar and an amateur mathematician who developed several original concepts in addition to the famous “last theorem.” One of his sources was the Arithmetika, a collection of number problems written by Diophantus, a mathematician who appears to have flurished in Alexandria in the third century AD. It was through the Greek text translated into Latin that Fermat became familiar with Diophantus's mathematical problems, and in particular the one at book II, 8, which encouraged the formulation of his own last theorem. Fermat's last theorem claims that “the equation xn + yn = zn has no nontrivial solutions when n is greater than 2”.

The High Point (II): Jewish Society (1650–1713)

1997 ◽  
pp. 119-150
Author(s):  
Jonathan Israel
Keyword(s):  
Seventeenth Century ◽  
Central Europe ◽  
Jewish Population ◽  
The Political ◽  
High Point ◽  
The Third ◽  
Jewish Society ◽  
Czech Lands

This chapter addresses how the climax of the European debate over Jewish readmission came during the third quarter of the seventeenth century. For a quarter of a century, conferences, commissions, and petitions published and unpublished over whether or not to tolerate Jews, and if so on what terms, abounded from Poland to Portugal and from Hungary to Ireland. Why did the political and intellectual process of readmission culminate at this particular time? Several factors converged to intensify previous trends but what was the most crucial was the widespread backlash in Germany, following the evacuation of the Swedish, French, and other foreign garrisons at the end of the Thirty Years War. The substantial gains made by the Jews of central Europe during the conflict, of Austria and the Czech lands as well as Germany, had aroused intense opposition and controversy, so that the coming of peace was almost bound to be accompanied by a formidable reaction. The chapter then considers the Jewish population and Jewish economy during this period.

Three Manila-Fujian Diplomatic Encounters: Different Aims and Different Embassies in the Seventeenth Century

2019 ◽  
Vol 23 (5) ◽  
pp. 442-457
Author(s):  
Anna Busquets
Keyword(s):  
Seventeenth Century ◽  
South China ◽  
The Philippines ◽  
China Seas ◽  
Trade Relations ◽  
The Third ◽  
Cultural Effects ◽  
The Social ◽  
The City

Abstract During the second half of the seventeenth century, there were at least three embassies between the Spaniards of Manila and the Fujian based Zheng regime. The first embassy took place in 1656 ordered by the Spanish governor in Manila. The ambassadors were two captains of the city, and its aim was to re-establish trade relations, which had been severed many months before. In response, Zheng Chenggong sent his cousin to the Philippine islands to settle several business arrangements regarding Fujianese trade. In 1662, Zheng Chenggong took the initiative of sending the Dominican Victorio Riccio, who worked as missionary in the Catholic mission at Xiamen, as emissary to the Governor of the Philippines, don Sabiniano Manrique de Lara. The third embassy took place in 1663. Thereupon, Zheng Jing, Zheng Chenggong’s successor, sent Riccio to Manila for signing a peace pact and for re-establishing trade. The three embassies were related to the Zheng’s purpose of gaining economic and political supremacy over the Philippines and the South China Seas. In all three cases, the actors, the diplomatic correspondence, the material aspects and the results differed profoundly. The article analyzes the role of individuals as intermediaries and translators while considering the social and cultural effects that these embassies had on the Sino-Spanish relations in Manila.

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