An historical perspective on ensemble performance
Recordings made in the early part of the twentieth century suggest a great deal of historical diversity in musicians’ attitudes to ensemble performance. The ensemble style of the Czech (formerly Bohemian) String Quartet, traces of which were captured on record in the 1920s, offers an intriguing example of an approach to “togetherness” that is strikingly unlike that of our own time. Drawing on their recording of the Lento movement of Dvorak’s famous String Quartet in F Op.96, this case study investigates aspects of the Czech Quartet’s unusual ensemble playing, and in particular the way they combine expressive asynchrony with coordinated, large-scale shaping strategies. By situating these practices in aesthetic and theoretical context, this chapter shows how the evidence of early recordings might contribute valuable nuance to our understanding of the conventions of (good) ensemble performance.