The Question of Food and Philosophy in Levinas

Author(s):  
Benjamin Aldes Wurgaft

This essay explores the role played by food and hunger in the philosophy of Emmanuel Levinas. By examining instances in which Levinas mentions food, eating, or hunger, over the course of his career, this essay argues that Levinas was not a “philosopher of food” but, instead, someone for whom food and the body had specific meanings within the tradition of philosophical phenomenology. By engaging with the work of historian of science Steven Shapin, this essay argues Levinas’s work offers an ideal corpus for a reexamination of philosophy’s traditional denigration of the body and its appetites. Furthermore, eating and hunger took on important dual roles in Levinas’s thought, being related both to the creation and maintenance of the self, and to our openness toward the alterity of other persons.

2021 ◽  
Author(s):  
Maria Asuncion L. Magsino

As a counterargument to the Cartesian split that has impacted both speculative and practical fields of knowledge and culture, we propose Peirce’s doctrine of synechism to show the continuity in the semiotic activity that moves from the body as an Interpretant to the emergence of another Interpretant called the “self.” Biosemiotics, a nascent field of interdisciplinary research that tackles inquiries about signs, communication, and information involving living organisms is used as the framework in the discussion. The main question of whether a non-material “self” can emerge from a material body is tackled in many stages. First, the biosemiotic continuum is established in the natural biological processes that takes place in the body. These processes can be taken as an autonomous semiotic system generating the “language” of the body or the Primary Modeling System (PMS). Second, synechism is also observed in the relationship between the mind and the body and this is evident in any physician’s clinical practice. The patient creates a Secondary Modeling System (SMS) of how she perceives what the body communicates to her regarding its state or condition. Finally, the question about whether the emergence of “self” is synechistic as well is tackled. There is one organ from which emerges an Interpretant that is capable of generating a dialog between a Subject, that is the “self,” with its Object, and that is the brain. It is the primordial seat of specifically human activities like thought and language. The recent theory on quantum consciousness supports the doctrine synechism between the body as Interpretant to the “self” as Interpretant. This synechism is crucial for the creation of Secondary Models of “reality” that will, in turn, determine the creation of Tertiary Models more familiarly called culture.


2015 ◽  
Vol 1 (1-2) ◽  
pp. 133-151 ◽  
Author(s):  
Amiena Peck ◽  
Christopher Stroud

The paper argues for extending linguistic landscape studies to also encompass the body as a corporeal landscape, or ‘moving discursive locality’. We articulate this point within a narrative of a developing field of landscape studies that is increasingly attentive to the mobility and materiality of spatialized semiotics as performative, that is, as partially determining of how we come to understand ourselves ‘in place’. Taking Cape Town’s tattooing culture as an illustration, we unpack the idea of ‘the human subject as an entrepreneur of the self, as author of his or her being in the world’ (Comaroff & Comaroff, 2012: 23), by using a phenomenological methodology to explore the materiality of the body as a mobile and dynamic space of inscribed spatialized identities and historical power relations. Specifically, we focus on: how tattooed bodies sculpt future selves and imagined spaces, the imprint they leave behind in the lives of five participants in the study and ultimately the creation of bodies that matter in time and place. The paper will conclude with a discussion of what studies of corporeal landscapes may contribute to a broader field of linguistic landscape studies.


Author(s):  
Claire Katz

Emmanuel Levinas (b. 1906–d. 1995) was a French-Jewish thinker known primarily as the philosopher of the ‘other.’ He studied with Husserl and Heidegger in the 1920s. He introduced phenomenology to France through his translation of Husserl’s Cartesian Meditations into French, and he developed a lifelong friendship with Maurice Blanchot. Prior to the rise of Hitler and Nazi Germany, Levinas’s philosophical work focused on Husserlian phenomenology. His thought took a dramatic turn in the mid-1930s when he focused on the philosophical threat of Nazism. He spent 1940–1945 in a German POW camp. Returning to Paris after the war, he immediately went back to work for the Alliance Israélite Universelle (AIU), where he became director of the École Normale Israélite Orientale (Enio), the Jewish day school. He resumed working on his question from the 1930s—the philosophical problem of identity and transcendence—with an added urgency in the wake of World War II. From 1946 until his death in 1995, Levinas’s ethical project searched for a way to address this philosophical problem of escape, developing a view of the self as an ethical subject that allows one to transcend the self without leaving the body behind. From the 1940s to the early 1960s, he developed the first version of his ethical project. In the late 1960s and early 1970s, he responded to criticisms of that early work. Central to Levinas’s description of the ethical relationship are references to literary works including Dostoyevsky and Shakespeare. Although Levinas was an observant Jew, the biblical narratives, in addition to being part of a sacred text, also serve as rich sources of examples for the philosophical descriptions of the ethical relationship he develops. Levinas is not obviously identified with literary theory—not in the way that Derrida is, for example. He did become popular within literary theory circles in the 1990s and might be taught more frequently in comparative literature departments than in philosophy departments, especially in the United States. His friendship with both Blanchot and Derrida had a significant impact not only on their thinking but also those who whose work was influenced by them. References to terms like the other/Other, the trace, hospitality, ethics, and alterity found throughout Blanchot and Derrida, and now more commonly in literary theory, can be traced back to Levinas’s ethical project.


2018 ◽  
Vol 8 (1) ◽  
pp. 49-66
Author(s):  
Monika Szuba

The essay discusses selected poems from Thomas Hardy's vast body of poetry, focusing on representations of the self and the world. Employing Maurice Merleau-Ponty's concepts such as the body-subject, wild being, flesh, and reversibility, the essay offers an analysis of Hardy's poems in the light of phenomenological philosophy. It argues that far from demonstrating ‘cosmic indifference’, Hardy's poetry offers a sympathetic vision of interrelations governing the universe. The attunement with voices of the Earth foregrounded in the poems enables the self's entanglement in the flesh of the world, a chiasmatic intertwining of beings inserted between the leaves of the world. The relation of the self with the world is established through the act of perception, mainly visual and aural, when the body becomes intertwined with the world, thus resulting in a powerful welding. Such moments of vision are brief and elusive, which enhances a sense of transitoriness, and, yet, they are also timeless as the self becomes immersed in the experience. As time is a recurrent theme in Hardy's poetry, this essay discusses it in the context of dwelling, the provisionality of which is demonstrated in the prevalent sense of temporality, marked by seasons and birdsong, which underline the rhythms of the world.


2020 ◽  
Vol 2 (1) ◽  
pp. 52
Author(s):  
Sholeha Rosalia ◽  
Yosi Wulandari

Alif means the first, saying the Supreme Life and is Sturdy and has the element of fire and Alif is formed from Ulfah (closeness) ta'lif (formation). With this letter Allah mementa'lif (unite) His creation with the foundation of monotheism and ma'rifah belief in appreciation of faith and monotheism. Therefore, Alif opens certain meanings and definitions of shapes and colors that are in other letters. Then be Alif as "Kiswah" (clothes) for different messages. That is a will. "IQRO" is a revelation that was first passed down to the Prophet Muhammad. Saw. Read it, which starts with the letter Alif and ends with the letter Alif. The creation of a poem is influenced by the environment and the self-reflection of a poet where according to the poet's origin, in comparing in particular Alif's poetry from the two poets. The object of this research is the poetry of Zikir by D. Zawawi Imron and Sajak Alif by Ahmadun Yosi Herfanda. This study uses a comparative method and sociology of literature. Through a comparative study of literature between the poetry of Zikir D. Zawawi Imron and Sajak Alif Ahmadun Yosi Herfanda, it is hoped that the public can know the meaning of Alif according to the poet's view. With this research, the Indonesian people can accept different views on the meaning of Alif in accordance with their respective understanding without having to look for what is right and wrong. The purpose in Alif is like a life, in the form of letters like a body, a tree that is cut to the root, from the heart is split to the seeds, then from the seeds are split so that nothing is the essence of life. So, it is clear that Alif is the most important and Supreme letter. Talking about the meaning of Alif as the first letter revealed on earth. After the letter Alif was revealed, 28 other Hijaiyah letters were born. The letter Alif is made the beginning of His book and the opening letter. Other letters are from Alif and appear on him.


2019 ◽  
Vol 24 (2) ◽  
pp. 343-367
Author(s):  
Roberto Paura

Transhumanism is one of the main “ideologies of the future” that has emerged in recent decades. Its program for the enhancement of the human species during this century pursues the ultimate goal of immortality, through the creation of human brain emulations. Therefore, transhumanism offers its fol- lowers an explicit eschatology, a vision of the ultimate future of our civilization that in some cases coincides with the ultimate future of the universe, as in Frank Tipler’s Omega Point theory. The essay aims to analyze the points of comparison and opposition between transhumanist and Christian eschatologies, in particular considering the “incarnationist” view of Parousia. After an introduction concern- ing the problems posed by new scientific and cosmological theories to traditional Christian eschatology, causing the debate between “incarnationists” and “escha- tologists,” the article analyzes the transhumanist idea of mind-uploading through the possibility of making emulations of the human brain and perfect simulations of the reality we live in. In the last section the problems raised by these theories are analyzed from the point of Christian theology, in particular the proposal of a transhuman species through the emulation of the body and mind of human beings. The possibility of a transhumanist eschatology in line with the incarnationist view of Parousia is refused.


Author(s):  
Joshua S. Walden

The book’s epilogue explores the place of musical portraiture in the context of posthumous depictions of the deceased, and in relation to the so-called posthuman condition, which describes contemporary changes in the relationship of the individual with such aspects of life as technology and the body. It first examines Alfred Hitchcock’s Vertigo to view how Bernard Herrmann’s score relates to issues of portraiture and the depiction of the identity of the deceased. It then considers the work of cyborg composer-artist Neil Harbisson, who has aimed, through the use of new capabilities of hybridity between the body and technology, to convey something akin to visual likeness in his series of Sound Portraits. The epilogue shows how an examination of contemporary views of posthumous and posthuman identities helps to illuminate the ways music represents the self throughout the genre of musical portraiture.


Author(s):  
Andrew Kahn ◽  
Mark Lipovetsky ◽  
Irina Reyfman ◽  
Stephanie Sandler

The chapter examines the emergence of literature from coteries and domestic routine. It describes how male poetic circles, held together by friendship and common intellectual interests, produced the interconnected institutions of literature necessary to literature. While early in the century, women writers mostly worked privately, they eventually moved into more public venues such as the salon. An interest in subjectivity, the self, and friendship networks, which were also reading communities, fostered the creation of a performative and reflective self that gave rise to literary heroes to satisfy the new interests and demands of writers and readers.


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