The Early Dynastic Period
The Early Dynastic Period is seen as a formative phase influencing the character and shape of Egyptian culture for millennia to come. The sacro-political concept of ‘unification of the two lands’ had the effect of mythologizing transition from a system of city states with an already widely homogeneous material culture into a kind of territorial state under one divine king (Narmer) at the end of the fourth millennium bc. This set the stage for the developments in iconography, archaeology of media and sociology of knowledge that are discussed in this chapter. A formalization of iconographic tradition building on ‘iconems’ (specifically shaped pictorial motives) was connected to the sphere of rulership from the earliest periods. Additionally, the developing need for an invention of new iconographic conventions to construct and visualize a unified Egyptian identity (as well as the concept of the divine dual king) culminated in the creation of monumental art and ceremonial objects as ‘semiophors’ (‘carriers of meaning’). Like iconography, the new medium of pictorial-phonetic writing served power and articulated governmental knowledge of the elite. As a state-wide standardized system of notation and expression, phonetic writing also provided an indispensable prerequisite to organize and administer a unified territory of this size.