The Early Modern Period

Author(s):  
Bruce R. Smith

A viola da gamba made by John Rose in London c.1600 offers a focal point for setting in place five distinct frames for thinking about music in the early modern period: (1) ontology, (2) metaphysics, (3) physics, (4) rhetoric, and (5) ethics. Aristotle’s Categories provided early modern thinkers with a model for regarding Rose’s viol ontologically, as a physical object that could be used in certain ways for certain purposes. The metaphysics of a viol consisted in its being a stringed instrument capable of sounding out the ratios of cosmic harmony. Scientific attention turned to the physics of a viol and the vibrations it produced. Rhetoric as codified in the writings of Cicero and Quintilian was the usual model for investigating the emotional effects of music. Ethical considerations of music made social and moral distinctions among kinds of instruments, the people who played them, and social circumstances of performance and reception.

Impact ◽  
2021 ◽  
Vol 2021 (7) ◽  
pp. 26-29
Author(s):  
Fumiko Sugimoto

Professor Fumiko Sugimoto has been analysing the history of the 18th century and first half of the 19th century with a focus not only on the temporal axis but also on the relationships between specific spaces and the people who live and act as subjective agents in these spaces. During the past few years, she has been endeavouring to decipher the history in the period of transition from the early modern period to the modern period by introducing the perspective of oceans, with a focus on Japan. Through the study of history in terms of spatial theory that also takes oceans into consideration, she is proposing to present a new concept about the territorial formation of modern states. [Main subjects] Law and Governance in Early Modern Japan Judgement in Early Modern Society The Evolution of Control over Territory under the Tokugawa State A Human Being in the Nineteenth Century: WATANABE Kazan, a Conflicting Consciousness of Status as an Artist and as a Samurai Early Modern Maps in the Social-standing-based Order of Tokugawa Japan The World of Information in Bakumatsu Japan: Timely News and Bird's Eye Views Early Modern Political History in Terms of Spatial Theory The Emergence of Newly Defined Oceans and the Transformation of Political Culture.


Humanities ◽  
2020 ◽  
Vol 9 (3) ◽  
pp. 91
Author(s):  
Stefan Eklöf Amirell

This article traces the long historical background of the nineteenth-century European notion of the Malay as a human “race” with an inherent addiction to piracy. For most of the early modern period, European observers of the Malay Archipelago associated the Malays with the people and diaspora of the Sultanate of Melaka, who were seen as commercially and culturally accomplished. This image changed in the course of the eighteenth century. First, the European understanding of the Malay was expanded to encompass most of the indigenous population of maritime Southeast Asia. Second, more negative assessments gained influence after the mid-eighteenth century, and the Malays were increasingly associated with piracy, treachery, and rapaciousness. In part, the change was due to the rise in maritime raiding on the part of certain indigenous seafaring peoples of Southeast Asia combined with increasing European commercial interests in Southeast Asia, but it was also part of a generally more negative view in Europe of non-settled and non-agricultural populations. This development preceded the notion of the Malays as one of humanity’s principle races, which emerged toward the end of the eighteenth century. The idea that Malays were natural pirates also paved the way for several brutal colonial anti-piracy campaigns in the Malay Archipelago during the nineteenth century.


Daphnis ◽  
2013 ◽  
Vol 42 (2) ◽  
pp. 427-466
Author(s):  
Stefan Anders

This paper presents a joint project of the Institute for Early Modern Cultural History and the Research Library in Gotha, which is digitizing and making accessible about 8000 printed documents from the 16th to the 18th century. These documents were created on the occasion of such personal events as birth, marriage or death. During this process, numerous names of the people mentioned in these occasional documents are being identified and consolidated in a consistent format. The short biographies generated contain essential personal data, originating mostly from these documents but supplemented by information taken from reference books and other biographical resources. The huge potential of these occasional documents for the biographical reconstruction of persons of the early modern period is then demonstrated by a case study, which demonstrates the reliability of the collected data.


2019 ◽  
Vol 85 ◽  
pp. 307-330
Author(s):  
Katherine M. Erdman ◽  
Bruno Chaume

The Source of the Douix in Châtillon-sur-Seine, France, has been visited by local inhabitants for over 2000 years and served as a watery focal point for the ritual deposition of various types of offerings. While water deposits are by no means uncommon across Europe, the continued use of a single space over multiple millennia is. An examination of the preserved offerings at the Douix indicate there are three phases of depositional activity: late Hallstatt to early La Tène periods, late La Tène to Gallo-Roman periods, and the early modern period. Despite being separated by hundreds of years there are similarities across depositional phases including the importance of modified metallic objects, personal ornamentation, and possible connections to women. Could the persistence of these ritual practices be the result of behavioural and ideological continuities? If not, how can we interpret this complex record of intermittent deposition? We examine the deposits from each phase in their wider social and ritual contexts, including the Douix’s connection to the Hallstatt princely centre of Mont Lassois, Gallo-Roman ritual traditions, and the historic folklore surrounding springs. We then explore the inter-depositional phases and discuss the conditions that could lead to the persistence of ideas despite the dearth of material evidence and summarise what these patterns mean for the history of ritual activity at the Source of the Douix.


Author(s):  
Vasily G. Shchukin ◽  

The article describes the phenomenon of the so-called “democratic estate”, which took on the function of a cultural nest. Democracy, in accordance with Russian tradition, dating back to the discourse of the intelligentsia of the XIX century, is identified with the plebeian, motley origin of the inhabitants of the estate. This problem is considered on the basis of the art culture of Krakow at the end of the XIX and beginning of the XX centuries. In the era of modernism, in the wake of the neo-romantic enthusiasm for the problems of the national spirit and the “organic” life of the common people, in western Galicia, which is one of the provinces of Austria-Hungary, such forms of homestead life appeared that could be called exceptional, unique against the background of other manifestations of the democratization of the estate. Cracow artists and then poets and playwrights, discovering the beauty of the village of Małe Bronowice, located near Cracow, and captivated by folk costumes and the beauty of village girls, married them one by one and moved to village huts, but at the same time transformed the latter into real cultural nests. One of these weddings — the poet Lucian Rydel and the daughter of the village headman Jadwiga Mikołajczyk — inspired the outstanding artist and playwright Stanislav Wyspiańsky to create the most famous national drama of the modernist era — the play “The Wedding” (1901). This work, among other things, depicts the tragedy of mutual misunderstanding of the people and the intelligentsia, which impedes the national revival and, ultimately, the restoration of the country’s independence. The author of the article seeks to prove that the “democratic estate” served not only the necessary simplification of the educated stratum of society, but also the introduction of a high, essentially metropolitan culture into the life and consciousness of the lower strata.


2021 ◽  
pp. 1-14
Author(s):  
Michael C. Hawley

Cicero is one of the most influential political philosophers in history. This chapter illustrates how little scholars have explored Cicero’s role in shaping intellectual developments after the Renaissance. It argues that the height of Cicero’s posthumous influence may be the early modern period, in which liberalism first emerges as a coherent doctrine. It sets up the central theoretical problem: how can one reconcile a commitment to universal moral laws with the belief that the people are the ultimate authority in their political community, and what is the place of liberty in a society grounded in those two commitments? It suggests that Cicero’s ideas played a central role in shaping the development of a tradition focused on these questions. Finally, this chapter outlines the rest of the book.


2018 ◽  
Vol 24 (1-3) ◽  
pp. 286-334
Author(s):  
Felipe Pereda

Abstract In the early modern period, the dogma of the Immaculate Conception was intensely defended by Spain, its cult even turned into a symbol of the Catholic Monarchy. However, in its earliest stage, the Spanish campaign in support of the Immaculate was immersed in controversy: some of the people promoting it were accused of not having a “pure” Old Christian ancestry. This article reads the origins of the Immaculate debate against the background of social ideas of purity and contamination.


2017 ◽  
Vol 69 (1) ◽  
pp. 39-56
Author(s):  
MARTIN ELBEL

Using the example of the Bohemian Franciscan Province, and its Olomouc convent in particular, this paper analyses mendicancy after the Reformation. In the early modern period mendicancy remained an important practice in the Franciscan Order. Apart from its economic function, begging was also an important means of interaction between the friars and the people. It was a complicated exchange of goods and services, which helped the friars to secure their position in society and export elements of their spirituality outside the walls of their convents.


2017 ◽  
Vol 13 ◽  
pp. 79-98
Author(s):  
Riikka Tuori

The ten principles of Karaite faith were originally compiled by medieval Byzantine Karaite scholars to sum up the basics of the Karaite Jewish creed. Early modern Karaites wrote poetic interpretations on the principles. This article provides an analysis and an English translation of a seventeenth-century Hebrew poem by the Lithuanian Karaite, Yehuda ben Aharon. In this didactic poem, Yehuda ben Aharon discusses the essence of divinity and the status of the People of Israel, the heavenly origin of the Torah, and future redemption. The popularity of Karaite commentaries and poems on the principles during the early modern period shows that dogma―and how to understand it correctly―had become central for the theological considerations of Karaite scholars. The source for this attentiveness is traced to the Byzantine Karaite literature written on the principles and to the treatment of the Maimonidean principles in late medieval rabbinic literature.


Author(s):  
Tony Claydon

This book explores the idea that people in Western Europe changed the way they thought about time over the early modern period; and it does so by examining their reactions to the 1688–9 revolution in England. It examines how those who lived through the extraordinary collapse of James II’s regime perceived this event as it unfolded and how they set it within their understanding of history. It questions whether a new understanding of chronology—one which allowed fundamental and human-directed change—had been widely adopted by this point in the past; and whether this might have allowed witnesses of the revolution to see it as the start of a new era or as an opportunity to shape a novel, ‘modern’, future for England. It argues that, with important exceptions, the people of the era rejected dynamic views of time to retain a ‘static’ chronology that failed to fully conceptualize evolution in history. Bewildered by the rapid events of the revolution itself, people forced these into familiar scripts. Interpreting 1688–9 later, they saw it as a reiteration of timeless principles of politics, or as a stage in an eternal and predetermined struggle for true religion. Only slowly did they see come to see it as part of an evolving and modernizing process—and then mainly in response to opponents of the revolution, who had theorized change in order to oppose it. The book thus argues for a far more complex and ambiguous model of changes in chronological conception than many accounts have suggested and questions whether 1688–9 could be the leap toward modernity that recent interpretations have argued.


Sign in / Sign up

Export Citation Format

Share Document