Contemporary History of Medicine and Health

Author(s):  
Virginia Berridge

This article argues that the contemporary history of health and medicine presents some particular challenges, however, for the nature of historians' involvement in the object of their study and for their relationships with other disciplines and with the field of policy. It gives an overview of histories that encompass the nineteenth and twentieth century. Those that focus exclusively on the post-war years mostly deal with welfare, and the other one focuses on health. Oral history has continued to be a key resource for contemporary history. The methodology of elite oral history in contemporary health history is also analysed. It has implications for relationships between the researcher and those being researched. This article also discusses the role of ethical review for the contemporary history of health.

2018 ◽  
Vol 15 (1) ◽  
pp. 46-65 ◽  
Author(s):  
Richard Wallace ◽  
Rebecca Harrison ◽  
Charlotte Brunsdon

Cinema projection is usually understood to be a male-dominated occupation, with the projection box characterised as a gendered space separate from the more typically feminine front-of-house roles. Although this is a fairly accurate representation, it risks eliminating all traces of women's labour in the projection box. Previous work by David R. Williams (1997) and Rebecca Harrison (2016) has addressed the role of women projectionists during wartime, and this article begins to excavate a hidden history of women projectionists in a peacetime context. The article uses oral testimony from two women – Florence Barton and Joan Pearson – who worked as projectionists in the mid-twentieth century. Their accounts are presented in the article as two portraits, which aim to convey a sense of the women's everyday lives in the projection box, as well as think about implications that their stories have for our understanding of women's roles in projection more broadly. Of particular significance to both Barton and Pearson are the relationships that they had with their male colleagues, the possibilities afforded for career progression (and the different paths taken by the women) and the nature of projection work. The women's repeated assertions that they were expected to do the same jobs as their male counterparts form a key aspect of the interviews, which suggest there is scope for further investigation of women's labour specifically in projection boxes and in cinemas more generally.


Author(s):  
Maysoon Mansour Obeidat

The purpose of the study is to analyze the political situation in Syria during the ALahed AL Fusaily by addressing of Al- Asma newspaper (1919-1920), in addition to Prince Faisal's role internally and externally during the Peace Conference in 1920, And the unity of the States of the Levant, to be the basis for the launch of a wider Arab unity, and the statement of conspiracy allies on the Arabs, especially France and its attempts to occupy Syria, and then efforts by the Syrian Arab state to prevent this, and also briefly discussed Prince Faisal talks and meetings and correspondence with the British government from Hand and To the governments and political and popular bodies in Syria, Lebanon and Palestine on the other hand, which revolves around ways to achieve the unity of the countries of the Levant, and then review the role of the Syrian press in the history of modern Arabs in general and Syrian history in particular, where appeared in the early twentieth century newspapers in Arabic, In the Arab nationalist thought, as a result of which was persecuted by the Ottoman Empire, and then the French mandate.  


2020 ◽  
pp. 154-162
Author(s):  
Jack Meng-Tat Chia

The preceding chapters have explored the histories of Chinese Buddhist migration, settlement, integration, and networks in the twentieth century. As noted in the introduction, there are two main themes to this study. The first concerns the attempt to write a connected history of Buddhist communities in China and Southeast Asia. The other explores the role of Chinese diasporic monks in the making of Buddhist modernism in the Malay Archipelagic states of Indonesia, Malaysia, and Singapore. This concluding chapter weaves together the threads of each theme and offers some directions for future research.


Author(s):  
Emily Klancher Merchant

The introduction situates Building the Population Bomb’s historical narrative in the context of current debates over whether the world’s population is growing too quickly or not quickly enough, and over what should be done about it. It lays out two positions—moderate and extreme—and explains that, rather than taking one side or the other, the book tells the story of how these positions emerged in tandem between the 1920s and the 1970s. It contends that population growth has been unfairly blamed for many of the world’s problems, and promises to explain how this happened and who has benefited from it. The introduction describes how Building the Population Bomb contributes to the history of the social sciences, furthers our understanding of the role of the United States in promoting global development in the second half of the twentieth century, and advances the contemporary project of reproductive justice.


2019 ◽  
pp. 82-94
Author(s):  
Dave Maund

This paper studies the migration history of the members of a single family, who moved between north Herefordshire and what is now the west Midlands conurbation. The research reported here makes use of oral history and diary evidence to describe the migration decisions made by members of the family, especially in the early and mid twentieth century. It elucidates the role of 'place' and the attraction to particular places in those decisions and provides a case study that exemplifies many of the migration processes which were characteristic of the population of England and Wales at that time.


2020 ◽  
Vol 2020 (10-3) ◽  
pp. 70-81
Author(s):  
David Ramiro Troitino ◽  
Tanel Kerikmae ◽  
Olga Shumilo

This article highlights the role of Charles de Gaulle in the history of united post-war Europe, his approaches to the internal and foreign French policies, also vetoing the membership of the United Kingdom in the European Community. The authors describe the emergence of De Gaulle as a politician, his uneasy relationship with Roosevelt and Churchill during World War II, also the roots of developing a “nationalistic” approach to regional policy after the end of the war. The article also considers the emergence of the Common Agricultural Policy (hereinafter - CAP), one of Charles de Gaulle’s biggest achievements in foreign policy, and the reasons for the Fouchet Plan defeat.


Author(s):  
Timur Gimadeev

The article deals with the history of celebrating the Liberation Day in Czechoslovakia organised by the state. Various aspects of the history of the holiday have been considered with the extensive use of audiovisual documents (materials from Czechoslovak newsreels and TV archives), which allowed for a detailed analysis of the propaganda representation of the holiday. As a result, it has been possible to identify the main stages of the historical evolution of the celebrations of Liberation Day, to discover the close interdependence between these stages and the country’s political development. The establishment of the holiday itself — its concept and the military parade as the main ritual — took place in the first post-war years, simultaneously with the consolidation of the Communist regime in Czechoslovakia. Later, until the end of the 1960s, the celebrations gradually evolved along the political regime, acquiring new ritual forms (ceremonial meetings, and “guards of memory”). In 1968, at the same time as there was an attempt to rethink the entire socialist regime and the historical experience connected with it, an attempt was made to reconstruct Liberation Day. However, political “normalisation” led to the normalisation of the celebration itself, which played an important role in legitimising the Soviet presence in the country. At this stage, the role of ceremonial meetings and “guards of memory” increased, while inventions released in time for 9 May appeared and “May TV” was specially produced. The fall of the Communist regime in 1989 led to the fall of the concept of Liberation Day on 9 May, resulting in changes of the title, date and paradigm of the holiday, which became Victory Day and has been since celebrated on 8 May.


Author(s):  
Piero Ignazi

Chapter 3 investigates the process of party formation in France, Germany, Great Britain, and Italy, and demonstrates the important role of cultural and societal premises for the development of political parties in the nineteenth century. Particular attention is paid in this context to the conditions in which the two mass parties, socialists and Christian democrats, were established. A larger set of Western European countries included in this analysis is thoroughly scrutinized. Despite discontent among traditional liberal-conservative elites, full endorsement of the political party was achieved at the beginning of the twentieth century. Particular attention is paid to the emergence of the interwar totalitarian party, especially under the guise of Italian and German fascism, when ‘the party’ attained its most dominant influence as the sole source and locus of power. The chapter concludes by suggesting hidden and unaccounted heritages of that experience in post-war politics.


Author(s):  
Andrea Harris

The Conclusion briefly examines the current state of the New York City Ballet under the auspices of industrial billionaire David H. Koch at Lincoln Center. In so doing, it to introduces a series of questions, warranting still more exploration, about the rapid and profound evolution of the structure, funding, and role of the arts in America through the course of the twentieth century. It revisits the historiographical problem that drives Making Ballet American: the narrative that George Balanchine was the sole creative genius who finally created an “American” ballet. In contrast to that hagiography, the Conclusion reiterates the book’s major contribution: illuminating the historical construction of our received idea of American neoclassical ballet within a specific set of social, political, and cultural circumstances. The Conclusion stresses that the history of American neoclassicism must be seen as a complex narrative involving several authors and discourses and crossing national and disciplinary borders: a history in which Balanchine was not the driving force, but rather the outcome.


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