scholarly journals Oliver Meredith Boone Bulman, 20 May 1902 - 18 February 1974

1975 ◽  
Vol 21 ◽  
pp. 175-195 ◽  
Keyword(s):  
Royal Academy ◽  
The Times ◽  
Victoria And Albert Museum ◽  
Artistic Skill ◽  
At Home

Oliver Meredith Boone Bulman, who died on 18 February 1974 at his home in Cambridge, was born on 20 May 1902 at Wandsworth, the second of three children of Henry Herbert Bulman, R.B.A. (1871-1928), and his wife, Beatrice Elizabeth Boone (1870-1950). The Bulmans were a Cumberland family and the Boones had come from Staffordshire to Kent. Henry Bulman was born at Carlisle and took his art training in Antwerp and London. Against a trend of the times, he developed a strongly naturalistic style in working, particularly in watercolour but also in oils, tempera, crayon or pencil. He specially enjoyed painting people in their home surroundings. Portraits by him were exhibited at the Royal Academy and landscape paintings, flower studies and other of his works are to be seen at the Victoria and Albert Museum or in various galleries at home or overseas. There was also artistic skill in Oliver’s mother’s family for her father, W. A. Boone, A.R.C.A., was an art master at King’s School, Canterbury; but of the three Bulman children, it was Oliver who inherited the outstanding graphic ability that he was to use so effectively in making the hundreds of drawings and diagrams that illustrate his papers, books and lectures; some people even collected his ‘doodles’ after committee meetings.

scholarly journals RESPON GEREJA ATAS PANDEMIK CORONA VIRUS DESEASE 2019 DAN IBADAH DI RUMAH

2020 ◽  
Vol 6 (2) ◽  
pp. 86-111
Author(s):  
Roedy Silitonga
Keyword(s):  
Live Streaming ◽  
Word Of God ◽  
House Church ◽  
Triune God ◽  
The Government ◽  
The Times ◽  
And Control ◽  
The Church ◽  
Digital Equipment ◽  
At Home

The church is present on earth as an extension of the presence of the kingdom of God among humanity. The church is always present to respond to the conditions and situations of the times in a variety of challenges and temptations. But the church always sided with God's sovereignty and will govern and control everything, including the pandemics experienced by humans on this earth. The Church, currently dealing directly with the Covid-19 pandemic, which has worldwide, and its spread is so massive, and its impact is so wide in various sectors of life. The church was sent to bring the peace of Christ in truth and love. That is why the church responds to the appeal of the Government and health protocols from WHO by carrying out church services at home. Worship at home is not an attempt to establish a house church as a new institution. Worship at home is a form of faith that is responsible for the lives of fellow humans, and at the same time as an expression of love for others. Home worship is a service that is held based on the worship and liturgy of a church institution, where the congregation is part of its members. Principles and mechanisms of worship at home are regulated in such a way that using all available and available digital equipment and technology. The important and most important thing in conducting worship at home is that the congregation continues to truly worship the Triune God, sing praises to God, pray, and the peak and center is to listen to the word of God through preaching live (live streaming) or in recorded form or in printed form.

Masterpieces of Oriental Art. 17: Representations of the Bodhisattva Going to School, in Gandhāra Reliefs

1951 ◽  
Vol 83 (3-4) ◽  
pp. 131-133
Author(s):  
H. Hargreaves
Keyword(s):  
Royal Academy ◽  
Victoria And Albert Museum ◽  
Major General ◽  
Indian Art

In the Exhibition of Indian Art held in London at the Royal Academy of Arts in 1947–48, was a Gandhāra sculpture No. 106, lent by Major-General H. L. Haughton, C.B., C.I.E., C.B.E. It is now in the possession of the Victoria and Albert Museum, London. Its official Museum number is I.S. 51–1948. It measures 35 cm. in length and 32 cm. in height (PI. IV, fig. 1).

Chaplin, Charlie (1889–1977)

2018 ◽  
Author(s):  
Ria Banerjee
Keyword(s):  
Gold Rush ◽  
Sound Film ◽  
The Us ◽  
First Sound ◽  
The World ◽  
Post War ◽  
The Times ◽  
At Home

Charles Spenser Chaplin was born in London on April 16, 1889, and died on Christmas Day, 1977, at home in Corsier-sur-Vevey, Switzerland. He had been famous across the world since his Tramp persona first hit screens in 1914 and besides earning numerous film awards he was knighted in 1975. Chaplin took to the stage in 1898 and came to the US in 1910 on tour with a British vaudeville troupe. In December 1913 he joined the Keystone Pictures studio in Hollywood with whom he made hits like The Kid (1921) and The Gold Rush (1925). Nonetheless, Chaplin embodied the essence of modernism. The Little Review, where James Joyce’s Ulysses (1922) was first serialized, published an admiring article calling him "the Mob-God," a figure who embodied the gestalt of the times (1916). When WWI broke out Chaplin did not enlist, which momentarily dipped his appeal; he returned to popularity in the post-war period with hits like The Kid (1921) and The Gold Rush (1925). Chaplin grew restless with the Tramp persona and wanted to leave it behind (Casseres, NYTimes, 12/12/1920), but it was not until The Great Dictator (1940) that he abandoned it. This was also his first sound film.

Sternberg and Dietrich

2019 ◽  
Author(s):  
James Phillips
Keyword(s):  
Golden Age ◽  
Thought Experiments ◽  
The World ◽  
The Status ◽  
German American ◽  
The Times ◽  
The Relationship ◽  
Josef Von Sternberg ◽  
At Home ◽  
Ethics And Politics

James Phillips’s Sternberg and Dietrich: The Phenomenology of Spectacle reappraises the cinematic collaboration between the Austrian-American filmmaker Josef von Sternberg (1894–1969) and the German-American actor Marlene Dietrich (1901–1992). Considered by his contemporaries to be one of the most significant directors of Golden-Age Hollywood, Sternberg made seven films with Dietrich that helped establish her as a style icon and star and entrenched his own reputation for extravagance and aesthetic spectacle. These films enriched the technical repertoire of the industry, challenged the sexual mores of the times, and notoriously tried the patience of management at Paramount Studios. Sternberg and Dietrich: The Phenomenology of Spectacle demonstrates how under Sternberg’s direction Paramount’s sound stages became laboratories for novel thought experiments. Analyzing in depth the last four films on which Sternberg and Dietrich worked together, Phillips reconstructs the “cinematic philosophy” that Sternberg claimed for himself in his autobiography and for whose fullest expression Dietrich was indispensable. This book makes a case for the originality and perceptiveness with which these films treat such issues as the nature of trust, the status of appearance, the standing of women, the ethics and politics of the image, and the relationship between cinema and the world. Sternberg and Dietrich: The Phenomenology of Spectacle reveals that more is at stake in these films than the showcasing of a new star and the confectionery of glamor: Dietrich emerges here as a woman at ease in the world without being at home in it, as both an image of autonomy and the autonomy of the image.

Messianism in Linear and Cyclical Contexts

Exchange ◽  
2009 ◽  
Vol 38 (2) ◽  
pp. 117-133
Author(s):  
Jan Jongeneel
Keyword(s):  
Special Reference ◽  
Present Article ◽  
New Testament ◽  
Old Testament ◽  
Hebrew Bible ◽  
Modern Times ◽  
The New Testament ◽  
The Times ◽  
Linear Setting ◽  
At Home

AbstractThe Messiah figure originates from the Hebrew Bible/Old Testament. In a linear setting it interprets his person and work politically, spiritually, and apocalyptically. The New Testament applies this Hebrew concept spiritually and apocalyptically to Jesus of Nazareth: he is unrepeatably and irreversibly the Messiah/Christ of both Jews and gentiles. In the Qu'ran Jesus is known as al-Masih, but there this term merely functions as a name. However, the Islam points to the coming of the Mahdi figure at the end of the times, comparable with the Second Coming in Christianity. Therefore, the Messiah/Christ/Mahdi figure, as a unique figure, is at home in Judaism, Christianity, and Islam. These monotheistic religions place him, each in their own way, in a linear frame. In modern times cultural anthropologists and other scholars in the humanities have extended the use of the terms 'Messiah' and 'Messianism' to figures and phenomena in cyclical contexts. They do not hesitate to speak about 'the Hindu Messiah' and 'Buddhist Messianism'. The present article explores the nature of both the cyclical and linear views of time and history, investigates the birth and growth of Messianism in these specific settings, with special reference to modern developments, and compares the linear concepts of the Messiah and Messianism with the cyclical ones. At the end the article questions whether the cyclical and linear views of the Messiah and Messianism can be harmonized by the use of the spiral as bridge.

Development of Automotive Marketing Innovation Model

2014 ◽  
Vol 644-650 ◽  
pp. 5769-5772
Author(s):  
Tao Ping Yan
Keyword(s):  
Rapid Development ◽  
Development Trend ◽  
Marketing Innovation ◽  
Marketing Model ◽  
Marketing Models ◽  
Innovation Model ◽  
Traditional Marketing ◽  
The Times ◽  
Sales Model ◽  
At Home

The further planning and improvement of the car marketing model make ours get rapid development. Our car marketing model presents a pluralistic development trend, reflecting the spirits of the times. However, there are some problems existing and the traditional marketing model needs changing as soon as possible. In this paper, the existing marketing models at home and abroad are analyzed respectively, its advantages and weaknesses are specified briefly, and then an innovative basic idea of car marketing model is put forward. This paper is to build up a sales model centering on customers and put forward a new marketing model.

The Basque Seroras and Lay Female Religious Life in the Early Modern World

2020 ◽  
pp. 18-34
Author(s):  
Amanda L. Scott
Keyword(s):  
Early Modern ◽  
Social Economic ◽  
Religious Life ◽  
Religious Movements ◽  
Modern World ◽  
Late Medieval ◽  
Freedom Of Movement ◽  
The Times ◽  
At Home

This chapter discusses the lay female religious life in the early modern world. Simultaneously ignored, sanctified, suspected of heresy, lauded, and targeted for reform, devout laywomen presented both obstacles and inspiration in the milieu of early modern European religious life. The seroría provided Basque women with a sanctioned and respectable channel, while allowing them freedom of movement and a degree of economic autonomy that was unmatched by other forms of lay religiosity elsewhere in Europe during the late medieval and early modern periods. Yet while the seroría was unique to the Basque lands, it reflected common female impulses to seek spiritual fulfillment at home and in the familiar spheres of their parish communities. These impulses swelled and then tapered off periodically from antiquity through the medieval and early modern periods, yet they were a consistent part of lived Christian experience that mirrored and responded to wider social, economic, and religious movements of the times. The seroras can be understood only within the context of lay and quasi-religious female devotion—in its many permutations—and placing them within this context also helps broaden the definition and parameters of medieval and early modern female religious life.

The Failure of British Espionage against Germany, 1907–1914

1983 ◽  
Vol 26 (4) ◽  
pp. 867-889 ◽  
Author(s):  
Nicholas P. Hiley
Keyword(s):  
Great Britain ◽  
Prime Minister ◽  
Great Speed ◽  
The Times ◽  
The Military ◽  
At Home

In June 1907 Arthur Balfour, the Conservative leader of the opposition, was visited at home by a group of civilian strategists. They were led by Charles Á Court Repington, the military correspondent of The Times, and had come to enlist his support for an official inquiry into the threat of a German attack on Great Britain. Balfour was presented with a lengthy memorandum of ‘Notes on Invasion…’ which explained their case, and described how the situation had changed since the committee of imperial defence had reported to him as prime minister on the French threat in 1903. This document explained that in the new circumstances invasion was not only possible, but could be rendered certain if Germany carried out her preparations in total secrecy and at great speed. Under the heading ‘Chances of a Surprise’, the paper noted that circumstances favoured Germany, because the assembly of an invading force could be explained ‘as part of the normal yearly training, manoeuvres, &c.’, and even the concentration of a strong fleet near Heligoland was no longer considered unusual.

scholarly journals PERANCANGAN MEDIA PEMBELAJARAN PADA UNIVERSITAS ISLAM KUANTAN SINGINGI

2020 ◽  
Vol 3 (1) ◽  
pp. 60-68
Author(s):  
Jasri Oc ◽  
Harianja Harianja
Keyword(s):  
Information And Communication Technology ◽  
Communication Technology ◽  
Learning Process ◽  
Teaching And Learning ◽  
Instructional Media ◽  
Learning Methods ◽  
Information And Communication ◽  
Low Costs ◽  
The Times ◽  
At Home

With the advancement of information and communication technology, especially in learning that is not an expert causing technological lags, so the lecturers think the teaching and learning process is more difficult, the huge cost of instructing lecturers to use teaching and learning methods is not in accordance with the times so students are bored with the lecture process. By modeling instructional media, it will be easier for lecturers of the Kuantan Singingi Islamic University to carry out the teaching and learning process, using learning media more easily, using low costs and students will not feel bored. The results of this research can be a facility for lecturers to deliver material and students become active in learning independently both at home and in campus.

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