scholarly journals 21st century digital design tools

Author(s):  
William J. Dally ◽  
Chris Malachowsky ◽  
Stephen W. Keckler
2021 ◽  
Author(s):  
◽  
Shaun Anthony Anderson

<p>Through the late Twentieth Century, leading vehicle manufacturers increasingly eschewed the drive from mass production and instead focused upon lean production, where output has been determined according to demand. Automotive manufacturers no longer stockpile parts, but vehicles are now made to order, and in doing so the automotive industry has attained flexibility within production; a factor that has historically been unattainable with the simplistic rationalities of mass-production. Automotive manufacturers are now guided with digital design tools, and have further addressed the complexities of flexible production and the modular composition of the 21st Century automobile. Through the utilisation of digital design tools, digital collaboration, organisational capabilities and product technologies the 21st century automobile has successfully shown the world that highly complex products can be produced both efficiently and effectively, with versatility and high craft. The building industry has not been so swift to exploit the opportunities offered by digital lean production; often still constructing in the same laborious manner it has done so for hundreds of years. Digital lean production offers strategies for exerting efficient, sustainable design within contemporary architecture. Through the design of a flexible dwelling, this thesis establishes how the principles of digital, lean production can be utilised within Building Information Modeling to address the issues of speed and precision within the design and manufacture of contemporary architecture.</p>


2021 ◽  
Author(s):  
◽  
Shaun Anthony Anderson

<p>Through the late Twentieth Century, leading vehicle manufacturers increasingly eschewed the drive from mass production and instead focused upon lean production, where output has been determined according to demand. Automotive manufacturers no longer stockpile parts, but vehicles are now made to order, and in doing so the automotive industry has attained flexibility within production; a factor that has historically been unattainable with the simplistic rationalities of mass-production. Automotive manufacturers are now guided with digital design tools, and have further addressed the complexities of flexible production and the modular composition of the 21st Century automobile. Through the utilisation of digital design tools, digital collaboration, organisational capabilities and product technologies the 21st century automobile has successfully shown the world that highly complex products can be produced both efficiently and effectively, with versatility and high craft. The building industry has not been so swift to exploit the opportunities offered by digital lean production; often still constructing in the same laborious manner it has done so for hundreds of years. Digital lean production offers strategies for exerting efficient, sustainable design within contemporary architecture. Through the design of a flexible dwelling, this thesis establishes how the principles of digital, lean production can be utilised within Building Information Modeling to address the issues of speed and precision within the design and manufacture of contemporary architecture.</p>


Author(s):  
Bankole E. Oladumiye

African concept of visual design was derived from the concept of creation which has been noted to be the exclusive preserved of the gods. Design and art as it were, are created with intrinsic value such as inventions, innovations technical prowess and deep imagination. To create design in Africa content is unique therefore; design forms which keep on occurring in African arts obviously have significance in the life of those who created them for the purpose of aesthetics and beauty in African digital designs This paper is not mere description or just an historical narration of African digital design and visuals but centers on the deviation of African people from their original system of design and imbibing computer graphic digital application as an alternative to pen and paint box creative designs The paper concluded that the conventional African visual designs should be guided against because African design is center on values and experience which is concern with the essence of African personality and existence of transmission of design legacy from parents to children which leads to physical or merit pattern, which later becomes the object of perception, admiration, and utilization. Computer graphics and visual design reflection in African design is therefore cognitive reaction scientifically which implies conceptualization and, inspiration in 21st century.


2020 ◽  
Vol 310 ◽  
pp. 00046
Author(s):  
Lenka Kabošová ◽  
Eva Kormaníková ◽  
Stanislav Kmeť ◽  
Dušan Katunský

Building skins are persistently exposed to changes in the weather, including the cases of weather extremes, increasing in frequency due to global climate change. As a consequence of the advancements of digital design tools, the integration of the weather conditions into the design process is much smoother. The impact of the ambient conditions on buildings and their structures can be digitally analyzed as early as in the conceptual design stage. These new design tools stimulate original ideas for shape-changing building skins, actively reacting to the dynamic weather conditions. In the paper, a digital design method is introduced, leading towards the design of a building skin, able of the passive shape adaptation when subjected to the wind. The designed building skin consists of a tensegrity structure where the tensioned elements are substituted by a tensile membrane, creating a self-equilibrated building skin element. In the previous research, a small prototype of this wind-adaptive element was created. The computer simulations are employed to predict the adaptive behavior of a bigger, full-scale building skin element. The before-mentioned building envelope becomes an active player in its surrounding environment, passively reacting to the wind in real-time, thanks to the geometric and material properties. Due to the local shape changes caused by the wind force, the wind can be perceived unconventionally through the adaptive building structure.


Author(s):  
Jacquelyn K. Stroble ◽  
Robert B. Stone ◽  
Steve E. Watkins

Engineering education has been evolving over the last few decades to include more engineering design courses in the curriculum or offer a new degree altogether that allows one to design a unique degree suited to his or her own interests and goals. These new engineering curricula produce engineers with strong backgrounds in fundamental engineering and design knowledge, which make them strong candidates for solving complex and multidisciplinary engineering problems. Many universities have embraced the need for multidisciplinary engineers and have developed interdisciplinary engineering design courses for many experience levels. Such courses build a foundation in engineering design through a unique series of lectures, real-world examples and projects, which utilize validated design tools and methodologies. This paper assesses the value of using design tools, web-based and downloadable, in undergraduate interdisciplinary design engineering courses. Six design tools are tested for their ability to increase the student’s knowledge of six design concepts. Also, the tools are evaluated for ease of use and if the different digital formats affect their educational impact. It was found that most students valued all the design tools and that the tools reinforced all but one design concept well. Quotes from the open-ended portion of the survey demonstrate the acceptance of the design tools and a general understanding of the importance of engineering design. The design tools, design concepts course goals, survey questions and survey results are discussed.


2020 ◽  
pp. 1-24
Author(s):  
James I. Novak ◽  
Jennifer Loy

Digital design tools are rapidly changing and blurring the boundaries between design disciplines. By extension, the relationship between humans and products is also changing, to the point where opportunities are emerging for products that can co-evolve with their human users over time. This chapter highlights how these ‘4D products' respond to the vision laid out three decades ago for ubiquitous computing, and have the potential to enhance human experiences by creating more seamless human-centered relationships with technology. These developments are examined in context with broader shifts in sociocultural and environmental concerns, as well as similar developments being researched in Responsive Architecture, 4D printing and systems designed to empower individuals during the design process through interactive, parametric model platforms. Technology is fundamentally changing the way designers create physical products, and new understandings are needed to positively guide these changes.


Author(s):  
Adeline Stals ◽  
Sylvie Jancart ◽  
Catherine Elsen

Digital design tools and notably parametric ones have generated profound modifications of the architectural practice. In line with this evolution, technological and formal changes at the scale of architectural artifacts are underway, leading to a shift especially in regard of how architects deal on an everyday basis with CAD and morphological complexities. Big offices, thanks to their human and financial resources, have faced these difficulties and pushed the limits of their architectural projects. Little is known, however, about how smaller offices, accounting for the largest part of the European market, did adapt to these profound evolutions. Going through the results of a large-scale online survey, this paper analyzes the Belgian case regrouping mostly small and medium offices. The contribution discusses the meaning of parametric design for architects and reflects particularly on how architects do or do not implement these new digital tools in their everyday workflows. The results eventually shed light on the fact that parametric tools have the potential to free the creativity of SME’s and moreover unveil how these tools might overcome some of the current complexities of the daily architectural practice.


2014 ◽  
Vol 2014 (1) ◽  
pp. 14272 ◽  
Author(s):  
Zhewei Zhang ◽  
Aron Lindberg ◽  
Youngjin Yoo
Keyword(s):  

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