Neuroaesthetics Research in the Construction of Chinese Character Art

Leonardo ◽  
2014 ◽  
Vol 47 (3) ◽  
pp. 294-296 ◽  
Author(s):  
Zhu Yongming
Keyword(s):  
Chinese Character ◽  
Chinese Characters ◽  
Cultural Communication ◽  
Psychological Space ◽  
Artistic Creation ◽  
Biological Basis ◽  
Cognitive Mechanism ◽  
Decisive Influence ◽  
Perception Model ◽  
Visual Construction

The cognitive mechanism of the brain's visual nerves is the inherent biological basis for the artistic creation and aesthetics of Chinese characters, which has a profound and even decisive influence on the visual construction and cultural communication of Chinese character art. It is mainly manifested in the neural perception model of the forms of Chinese characters, the abstraction and integration instinct of biological visuals, the neural cognition of enhanced adaptability and the neural mirror of aesthetic psychological space, which is the source of formulating the rules of Chinese character art, which is a combination of font and meaning.

A comparison of the changes in the patterns of the usage and categorization of the classifier ‘ben 本’ in Korean, Chinese, and Japanese

2021 ◽  
Vol 5 (1) ◽  
pp. 43-51
Author(s):  
Jeong-A Jo
Keyword(s):  
Cultural Differences ◽  
Chinese Character ◽  
Chinese Characters ◽  
Common Features ◽  
The World ◽  
The Common ◽  
Korean Chinese ◽  
The Relationship

This study aims to examine the common features and differences in how the Chinese-character classifier ‘ ben 本’ is used in Chinese, Korean, and Japanese, and will explore the factors that have affected the categorization processes and patterns of the classifier ‘ ben 本.’ Consideration of the differences in the patterns of usage and categorization of the same Chinese classifier in different languages enables us to look into the perception of the world and the socio cultural differences inherent in each language, the differences in the perception of Chinese characters, and the relationship between classifiers.

A comparative study of children’s Chinese character textbooks in Korea and China, with a focus on Yu Hap

2021 ◽  
Vol 5 (2) ◽  
pp. 145-153
Author(s):  
Jeong Yeon Sil ◽  
Jang Eun Young ◽  
Park Heung Soo
Keyword(s):  
Comparative Analysis ◽  
Comparative Study ◽  
Chinese Character ◽  
Significant Proportion ◽  
Written Language ◽  
Chinese Characters ◽  
Children's Books ◽  
High Learning ◽  
Modern Chinese ◽  
Ancient Times

This study examines why and how Chinese characters spread into Korea. It subsequently conducts a comparative analysis of Korean and Chinese children’s textbooks with a focus on Yu Hap from the perspective of the acceptance and acculturation of Chinese characters. It also explores how commonly used the characters in Yu Hap are, and the text’s learning value as one of Korea’s children’s textbooks. Yu Hap is very significant as the first written language textbook published in Korea. A comparative analysis of the characters used in four children’s books published in Korea found that the characters in Yu Hap are very common, and the text has a high learning value. Approximately 50% of the characters in San Bai Qian and Yu Hap are the same, showing that both China and Korea had similar perceptions of the characters in common use. A very significant proportion of characters overlap in Basic Chinese Character for Educational Use, List of Common Words in Modern Chinese, and Yu Hap; this supports the idea that the same characters have continued to be used from ancient times to the present day.

scholarly journals Chinese Character Image Completion Using a Generative Latent Variable Model

2021 ◽  
Vol 11 (2) ◽  
pp. 624
Author(s):  
In-su Jo ◽  
Dong-bin Choi ◽  
Young B. Park
Keyword(s):  
Latent Variable ◽  
Chinese Character ◽  
Image Inpainting ◽  
Latent Variable Model ◽  
Chinese Characters ◽  
Image Completion ◽  
Variable Model ◽  
Variational Autoencoder ◽  
Convolution Model ◽  
Detection Technologies

Chinese characters in ancient books have many corrupted characters, and there are cases in which objects are mixed in the process of extracting the characters into images. To use this incomplete image as accurate data, we use image completion technology, which removes unnecessary objects and restores corrupted images. In this paper, we propose a variational autoencoder with classification (VAE-C) model. This model is characterized by using classification areas and a class activation map (CAM). Through the classification area, the data distribution is disentangled, and then the node to be adjusted is tracked using CAM. Through the latent variable, with which the determined node value is reduced, an image from which unnecessary objects have been removed is created. The VAE-C model can be utilized not only to eliminate unnecessary objects but also to restore corrupted images. By comparing the performance of removing unnecessary objects with mask regions with convolutional neural networks (Mask R-CNN), one of the prevalent object detection technologies, and also comparing the image restoration performance with the partial convolution model (PConv) and the gated convolution model (GConv), which are image inpainting technologies, our model is proven to perform excellently in terms of removing objects and restoring corrupted areas.

A research on an intelligent recognition tool for bronze inscriptions of the Shang and Zhou dynasties

2020 ◽  
Vol 4 (4) ◽  
pp. 271-279
Author(s):  
Rui Guo
Keyword(s):  
Computer Technology ◽  
Character Recognition ◽  
Chinese Character ◽  
Research Process ◽  
Chinese Characters ◽  
Chinese Character Recognition ◽  
The World ◽  
Bronze Inscriptions ◽  
Intelligent Recognition ◽  
Functional Components

The intelligent recognition tool for bronze inscriptions of the Shang and Zhou dynasties—the “Shang Zhou Bronze Inscriptions Intelligent Mirror”—was successfully invented in Shanghai. This mirror, based on the computer technology of artificial intelligence (AI) image recognition and image retrieval, succeeds in automagical recognition of bronze inscriptions, both single letters and full texts. This research leads the trend of the AI recognition of Ancient Chinese characters and accumulates valuable experience for the development of inter-disciplinary research on Chinese character recognition. This essay emphasizes the importance of the bronze inscriptions of the Shang and Zhou dynasty database in the AI recognition of bronze inscriptions, introduces the functional components of this tool, and shares the whole research process in order to offer experience for the related research on AI recognition of other types of Ancient Chinese characters as well as ideographs in the world scope. “Shang Zhou Bronze Inscriptions Intelligent Mirror” as a tool for bronze inscription recognition also has room for improvement and support, and guidance from experts in similar areas is greatly welcomed.

A comparison of the changes in the patterns of the usage and categorization of the classifier ‘ben 本’ in Korean, Chinese, and Japanese

2021 ◽  
pp. 251385022098177
Author(s):  
Jeong-A Jo
Keyword(s):  
Cultural Differences ◽  
Chinese Character ◽  
Chinese Characters ◽  
Common Features ◽  
The World ◽  
The Common ◽  
Korean Chinese ◽  
The Relationship

This study aims to examine the common features and differences in how the Chinese-character classifier ‘ ben 本’ is used in Chinese, Korean, and Japanese, and will explore the factors that have affected the categorization processes and patterns of the classifier ‘ ben 本.’ Consideration of the differences in the patterns of usage and categorization of the same Chinese classifier in different languages enables us to look into the perception of the world and the socio cultural differences inherent in each language, the differences in the perception of Chinese characters, and the relationship between classifiers.

On-Line Chinese Character Recognition Via a Representation of Spatial Relationships Between Strokes

1997 ◽  
Vol 11 (03) ◽  
pp. 329-357 ◽  
Author(s):  
Ju-Wei Chen ◽  
Suh-Yin Lee
Keyword(s):  
Character Recognition ◽  
Chinese Character ◽  
Spatial Relationship ◽  
Spatial Relations ◽  
Chinese Characters ◽  
Spatial Relationships ◽  
Matching Problem ◽  
Structural Rules ◽  
Chinese Character Recognition ◽  
On Line

Chinese characters are constructed by basic strokes based on structural rules. In handwritten characters, the shapes of the strokes may vary to some extent, but the spatial relations and geometric configurations of the strokes are usually maintained. Therefore these spatial relations and configurations could be regarded as invariant features and could be used in the recognition of handwritten Chinese characters. In this paper, we investigate the structural knowledge in Chinese characters and propose the stroke spatial relationship representation (SSRR) to describe Chinese characters. An On-Line Chinese Character Recognition (OLCCR) method using the SSRR is also presented. With SSRR, each character is processed and is represented by an attribute graph. The process of character recognition is thereby transformed into a graph matching problem. After careful analysis, the basic spatial relationship between strokes can be characterized into five classes. A bitwise representation is adopted in the design of the data structure to reduce storage requirements and to speed up character matching. The strategy of hierarchical search in the preclassification improves the recognition speed. Basically, the attribute graph model is a generalized character representation that provides a useful and convenient representation for newly added characters in an OLCCR system with automatic learning capability. The significance of the structural approach of character recognition using spatial relationships is analyzed and is proved by experiments. Realistic testing is provided to show the effectiveness of the proposed method.

The Cortical Organization of Writing Sequence: Evidence From Observing Chinese Characters in Motion

2021 ◽  
Author(s):  
Zhaoqi Zhang ◽  
Qiming Yuan ◽  
Zeping Liu ◽  
Man Zhang ◽  
Junjie Wu ◽  
...  
Keyword(s):  
Structural Equation ◽  
Chinese Character ◽  
Inferior Frontal Gyrus ◽  
Hierarchical Control ◽  
Brain Regions ◽  
Brain Network ◽  
Equation Model ◽  
Chinese Characters ◽  
General Motor ◽  
The Right

Abstract Writing sequences play an important role in handwriting of Chinese characters. However, little is known regarding the integral brain patterns and network mechanisms of processing Chinese character writing sequences. The present study decoded brain patterns during observing Chinese characters in motion by using multi-voxel pattern analysis (MVPA), meta-analytic decoding analysis, and extended unified structural equation model (euSEM). We found that perception of Chinese character writing sequence recruited brain regions not only for general motor schema processing, i.e., the right inferior frontal gyrus, shifting and inhibition functions, i.e., the right postcentral gyrus and bilateral pre-SMA/dACC, but also for sensorimotor functions specific for writing sequences. More importantly, these brain regions formed a cooperatively top-down brain network where information was transmitted from brain regions for general motor schema processing to those specific for writing sequences. These findings not only shed light on the neural mechanisms of Chinese character writing sequences, but also extend the hierarchical control model on motor schema processing.

scholarly journals Learning to Write Stylized Chinese Characters by Reading a Handful of Examples

2018 ◽  
Author(s):  
Danyang Sun ◽  
Tongzheng Ren ◽  
Chongxuan Li ◽  
Hang Su ◽  
Jun Zhu
Keyword(s):  
Chinese Character ◽  
Optimization Method ◽  
Chinese Characters ◽  
Training Set ◽  
Generalization Ability ◽  
Complex Shapes ◽  
Character Feature

Automatically writing stylized characters is an attractive yet challenging task, especially for Chinese characters with complex shapes and structures. Most current methods are restricted to generate stylized characters already present in the training set, but required to retrain the model when generating characters of new styles. In this paper, we develop a novel framework of Style-Aware Variational Auto-Encoder (SA-VAE), which disentangles the content-relevant and style-relevant components of a Chinese character feature with a novel intercross pair-wise optimization method. In this case, our method can generate Chinese characters flexibly by reading a few examples. Experiments demonstrate that our method has a powerful one-shot/few-shot generalization ability by inferring the style representation, which is the first attempt to learn to write new-style Chinese characters by observing only one or a few examples. 

scholarly journals Double-Sided Occluded Chinese Character Recognition Accuracy and Response Time for Design and Nondesign Educational Background

SAGE Open ◽  
2018 ◽  
Vol 8 (4) ◽  
pp. 215824401881006
Author(s):  
Ching-Chih Liao
Keyword(s):  
Response Time ◽  
Character Recognition ◽  
Visual Recognition ◽  
Chinese Character ◽  
Recognition Accuracy ◽  
Educational Status ◽  
Educational Background ◽  
Chinese Characters ◽  
Chinese Character Recognition ◽  
Educational Groups

This article investigates the influence of the position of occlusion, structural composition, and design educational status on Chinese character recognition accuracy and response time. Tsao and Liao conducted an experiment using 18 of the 4,000 most commonly used Chinese characters and suggested that the primary and secondary recognition features of a “single-sided” occluded Chinese character are the key radical (or initial strokes) and the key component (i.e., combination of strokes), respectively. The study concluded that right-side occluded characters require a shorter response time and yield more accurate recognition and that educational background does not significantly affect recognition accuracy and response time. The present study considered the same 18 Chinese characters and extended the work of Tsao and Liao by exploring accuracy rate and response time in design and nondesign educational groups for the recognition of “double-sided” occluded Chinese characters. The experimental results indicated that right-side occlusion (including both bottom-right and top-right occlusion) requires a shorter response time and yields more accurate recognition than left-side occlusion. These results agree with those of Tsao and Liao, who found that the key radical of a Chinese character is its key visual recognition feature. Even double-sided occlusion of Chinese characters does not affect the recognition outcome if the position of occlusion does not blur the key radical. Moreover, the participants majoring in design recognized the occluded Chinese characters more slowly than those with no educational background in design.

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