The Enlarged Freedom of Frederick Law Olmsted

2010 ◽  
Vol 83 (3) ◽  
pp. 508-538
Author(s):  
Andrew Menard

Frederick Law Olmsted's city parks represent a view of freedom derived from the offsetting influences of an orderly, systematic, public space. The author traces this view to the works of Francis Bacon, John Locke, Archibald Alison, Horace Bushnell, and the liberalism of nineteenth-century New England Whigs.

1988 ◽  
Vol 57 (4) ◽  
pp. 470-485 ◽  
Author(s):  
Daniel Walker Howe

In 1875 the distinguished Unitarian minister and local historian Henry Wilder Foote preached a eulogy for his late colleague, the Reverend James Walker, philosopher and former president of Harvard University. It was an appropriate occasion to characterize the achievement of the antebellum generation of Harvard Unitarian leaders that Walker represented. “They were much more than mere denominationalists or founders of a sect,” Foote declared. “The whole tone of their teaching was profoundly positive in its moral and religious quality. Trained at our American Cambridge, they were really the legitimate heirs of that noble group of men nurtured at the Cambridge of England–the Latitude Men, as they were called–who blended culture and piety and rational thought in their teaching.” Building upon Foote's perceptive characterization, this article will explore the significance of the seventeenth-century Cambridge Platonists for the Harvard Unitarians of the mid-nineteenth century. In so doing it may illuminate other forms of New England religious thought that also drew upon Platonic or Neoplatonic sources, including Edwardseanism, Hopkinsianism, and the progressive orthodoxy of Horace Bushnell. In particular, I hope to shed light on the relationship between Unitarianism and Transcendentalism.


2020 ◽  
Vol 13 (1) ◽  
pp. 16-23
Author(s):  
Agatha Maisie Tjandra ◽  
Lalitya Talitha Pinasthika ◽  
Rangga Winantyo

In the recent five years, City parks have been developing rapidly in urban cities in Indonesia. Built in 2007, Taman Gajah Tunggal is one of the city parks located in Tangerang. This park is situated at The Center of Tangerang City on the edge of Cisadane River. Like many public spaces in Indonesia, this park has littering issues by visitors’ lack of care. This re- search is offered to develop social marketing by using a digital game for gaining awareness of Taman Gajah Tunggal’s visitors age 17-30 years old about littering issues. This paper focused on developing the prototyping process in iteration design method by using a digital game to suggest possibilities design for future development interactive installation design in public space which can bring a new experience.


1992 ◽  
Vol 19 (2) ◽  
pp. 1-24 ◽  
Author(s):  
Thomas Tyson

Several authors have suggested that a particular managerial component was needed before cost accounting could be fully used for accountability and disciplinary purposes. They argue that the marriage of managerialism and accounting first occurred in the United States at the Springfield Armory after 1840. They generally downplay the quality and usefulness of cost accounting at the New England textile mills before that time and call for a re-examination of original mill records from a disciplinary perspective. This paper reports the results of such a re-examination. It initially describes the social and economic environment of U.S. textile manufacturing in New England in the early nineteenth century. Selected cost memos and reports are described and analyzed to indicate the nature and scope of costing undertaken at the mills in Lowell, Massachusetts, in the late 1820s and early 1830s. The paper discusses how particular cost information was used and speculates why certain more modern procedures were not adopted. Its major finding is that cost management practices fully measured up to the business complexities, economic pressures, and social forces of the day.


2017 ◽  
Vol 8 (1) ◽  
pp. 75-102
Author(s):  
Melike Tokay-Ünal

This article illustrates American Board of Commissioners for Foreign Missions’ support of the “missionary matrimony”, mid-nineteenth-century New England women’s perceptions of the missionary career obtained through matrimony, and their impressions of the Oriental mission fields and non-Christian or non-Protestant women, who were depicted as victims to be saved. A brief introduction to New England women’s involvement in foreign missions will continue with the driving force that led these women to leave the United States for far mission fields in the second part of the paper. This context will be exemplified with the story of a New England missionary wife. The analysis consists of the journal entries and letters of Seraphina Haynes Everett of Ottoman mission field. The writings of this woman from New England give detailed information about the spiritual voyage she was taking in the mid-nineteenth century Ottoman lands. In her letters to the United States, Everett described two Ottoman cities, Izmir (Smyrna) and Istanbul (Constantinople), and wrote about her impressions of Islam and Christianity as practiced in the Ottoman empire. Everett’s opinions of the Ottoman empire, which encouraged more American women to devote themselves to the education and to the evangelization of Armenian women of the Ottoman empire in the middle of the nineteenth century, conclude the paper.


2010 ◽  
Vol 83 (4) ◽  
pp. 577-606
Author(s):  
Zachary Mcleod Hutchins

Francis Bacon's influence on seventeenth-century New England has long passed unnoticed, but his plan for the restoration of prelapsarian intellectual perfections guided John Winthrop's initial colonization efforts, shaped New England's educational policies, and had an impact on civic and religious leaders from John Cotton to Jonathan Edwards.


2002 ◽  
Vol 57 (1) ◽  
pp. 64-99 ◽  
Author(s):  
Stephen Knadler

This essay examines Rebecca Harding Davis's resistance to the Civil War discourse in the Atlantic Monthly in order to complicate the relation between nineteenth-century racism and sentimental fiction. While much revisionary work has been done on nineteenth-century women'sfiction and how it reinforced racial ideologies, the misleading question often asked is whether white women did or did not participate in the public arena of race. Yet this initial framing of the question denies the alternative possibility: that white women might have engaged in their own gendered forms of racial activity, or in a "female racism" (to use Vron Ware's term), that did not correspond to or act in complicity with a racism that is by default seen as public and masculine. By imagining her heroine as a "woman from the border" inWaiting for the Verdict (1868), Davis works to oppose and overturn a particular regional and gender-based inscription of whiteness that was being disseminated amid the war crises as an emergent New England-based national identity. In contrast, Davis creates a particular feminine and liminal version of white racial power, or a "miscegenated whiteness." But this fantasy of an imagined national community based on the "white mulatto" finally undoes itself in the novel's moments of narrative crises about a free and open female sexuality, and Davis'snovel seeks to restore the white female body to its "purity."


PEDIATRICS ◽  
1972 ◽  
Vol 50 (1) ◽  
pp. 158-159
Author(s):  
Thomas E. Cone

In the early years of the nineteenth century William Perry's The Only Sure Guide to the English Tongue, published by Isaiah Thomas, Jr., was the most widely used speller and reader in New England schools (Fig. 1). The two things in Perry's book that were said to have most impressed those who learned to spell and read from it were the frontispiece (Fig. 2) and the collection of fables. The frontispiece shows a tree of learning growing in a schoolyard, and groups of boys playing in its shadow. A ladder reaches into the branches and several boys with open books in their hands are climbing up the ladder into branches of the tree. The illustrated fables found toward the end of Perry's book were studied and memorized by almost all New England school children a century and a half ago. Perry's choice of fables, one of which will be published each month, will offer an excellent view of the kind of moral instruction our children were once taught.1


Curatopia ◽  
2019 ◽  
pp. 176-190
Author(s):  
Ivan Gaskell

This chapter examines the place of Oceanic clubs in New England collections. During the nineteenth century, they occupied an equivocal position in the New England mental repertory as indices of savage sophistication, and as souvenirs of colonial childhood or travel. Focusing on a Tongan ‘akau tau in the collection of the Chatham Historical Society on Cape Cod, Massachusetts, this chapter traces what can be known of its history as a highly regarded prestige gift item among New Englanders from the middle of the nineteenth century until its entry into the museum. As a thing that an early owner could alienate legitimately, its presence in Chatham is not unethical, yet it nonetheless imposes stewardship responsibilities—consultation with the originating community—that such a small institution is poorly placed to meet. This requires understanding and patience rather than disapprobation.


Author(s):  
Maria A. Windell

It is nearly impossible to talk about US sentimentalism without talking about Harriet Beecher Stowe’s influential 1852 best-selling novel, Uncle Tom’s Cabin. The Introduction thus discusses US reactions to an 1887 Mexican theatrical performance of Uncle Tom’s Cabin to illustrate how Transamerican Sentimentalism dislocates familiar scholarly narratives about US literary sentimentalism as a New England or abolitionist mode. The Introduction links transamerican and sentimental scholarship through questions of incommensurability before elaborating on how US sentimentalism connects to a broader Americas tradition. It then delineates the parameters of a transamerican sentimentalism by articulating the implications of reorienting such an important national and transatlantic mode. Finally, the Introduction offers an overview of how persistent recurrences of transamerican sentimentalism enabled African American, Native American, and Latinx writers to navigate the violent, multivalent realm of the nineteenth-century Americas.


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