scholarly journals The Liturgical Communion of the Yaḥad with the Angels

2021 ◽  
pp. 1-24
Author(s):  
Michael R. Jost

Abstract Since the discoveries of the first Dead Sea Scrolls, the motif of a communion with the angels has been repeatedly emphasized and discussed as a characteristic of the self-understanding of the community behind these writings. Of particular interest in this discussion are the Songs of the Sabbath Sacrifice (4Q400–407; 11Q17; and Mas1k ShirShabb). However, the origin of the so-called Angelic Liturgy is still an unresolved question in scholarship. In this article we will try to figure out the relationship of the Songs of the Sabbath Sacrifice to the sectarian literature by analyzing the communion with the angels described therein. I will demonstrate that this composition has the most explicit connections to the liturgical communion with the angels that is uniquely found in undisputed sectarian texts. The Angelic Liturgy is then not so much the source, but much more an example of the liturgical development inside the yaḥad.

2020 ◽  
pp. 1-12
Author(s):  
Daniel Machiela

Abstract The contents of 4Q542 and 4Q547 have been treated in previous scholarship as representing two, independent Jewish literary compositions dating to the Hellenistic period, the Testament of Qahat and the Visions of Amram. However, paleographic, scribal, and other manuscript features strongly suggest that 4Q542 and 4Q547 are, in fact, parts of one and the same scroll. Consequently, in this article I reconsider the relationship of the contents of 4Q542/547. It may be that two independent works were copied on the same scroll, as we find elsewhere among the Qumran manuscripts (e.g., 4Q203–204). Another possibility is that what scholars have considered to be an independent composition in the Testament of Qahat is actually a sub-section of the Visions of Amram. The latter option gains strong support from a contextual assessment of other Aramaic writings found among the Dead Sea Scrolls, especially the Isaac section of the Aramaic Levi Document.


2013 ◽  
Vol 40 (2) ◽  
pp. 115-143 ◽  
Author(s):  
David N. Herda ◽  
Stephen A. Reed ◽  
William F. Bowlin

This study explores the Dead Sea Scrolls to demonstrate how Essene socio-religious values shaped their accounting and economic practices during the late Second Temple period (ca. first century BCE to 70 CE). Our primary focus is on the accounting and commercial responsibilities of a leader within their community – the Examiner. We contend that certain sectarian accounting practices may be understood as ritual/religious ceremony and address the performative roles of the Essenes' accounting and business procedures in light of their purity laws and eschatological beliefs. Far from being antithetical to religious beliefs, we find that accounting actually enabled the better practice and monitoring of religious behavior. We add to the literature on the interaction of religion with the structures and practices of accounting and regulation within a society.


Author(s):  
Joshua S. Walden

The book’s epilogue explores the place of musical portraiture in the context of posthumous depictions of the deceased, and in relation to the so-called posthuman condition, which describes contemporary changes in the relationship of the individual with such aspects of life as technology and the body. It first examines Alfred Hitchcock’s Vertigo to view how Bernard Herrmann’s score relates to issues of portraiture and the depiction of the identity of the deceased. It then considers the work of cyborg composer-artist Neil Harbisson, who has aimed, through the use of new capabilities of hybridity between the body and technology, to convey something akin to visual likeness in his series of Sound Portraits. The epilogue shows how an examination of contemporary views of posthumous and posthuman identities helps to illuminate the ways music represents the self throughout the genre of musical portraiture.


2021 ◽  
Vol 19 (1) ◽  
pp. 15-26
Author(s):  
Cecilia Wassén

Abstract In this article, I engage with Joel Marcus’s recent book on John the Baptist, focusing on the relationship between John and the Dead Sea Scrolls. While I appreciate many parts of his detailed study, I question the claim that John was a former member of the Essenes. Although there are intriguing similarities, the question is how far reaching conclusions we may draw concerning such a relationship. I problematize some aspects of the comparison between the sources. Like many scholars, Marcus refers in particular to 1QS and the site of Khirbet Qumran for reconstructing the Essenes and hence John’s background. In response, I highlight the uncertainty about the Sitz im leben of 1QS in relation to Khirbet Qumran and ask why this particular manuscript should be privileged over others. Not least when it comes to purity halakhah there are many other documents than 1QS from Qumran that are highly relevant to the issue. Finally, I critically evaluate Marcus’s view that John the Baptist had a favorable attitude towards Gentiles, which according Marcus differed from the views of the Essenes.


Author(s):  
Lawrence H. Schiffman

This study examines a number of specific examples of halakhic (Jewish legal) matters discussed in the New Testament that are also dealt with in the Dead Sea Scrolls. This paper compares and contrasts the rulings of these two traditions, as well as the Pharisaic views, showing that the Jewish legal views of the Gospels are for the most part lenient views to the left of those of the Pharisees, whereas those of the Dead Sea Scrolls represent a stricter view, to the right of the Pharisaic views. Ultimately, in the halakhic debate of the first century ce, the self-understanding of the earliest Christians was very different from that of the sect of the Dead Sea Scrolls.


Author(s):  
Georg Northoff ◽  
Karl Erik Sandsten ◽  
Julie Nordgaard ◽  
Troels Wesenberg Kjaer ◽  
Josef Parnas

Abstract Schizophrenia (SCZ) can be characterized as a basic self-disorder that is featured by abnormal temporal integration on phenomenological (experience) and psychological (information processing) levels. Temporal integration on the neuronal level can be measured by the brain’s intrinsic neural timescale using the autocorrelation window (ACW) and power-law exponent (PLE). Our goal was to relate intrinsic neural timescales (ACW, PLE), as a proxy of temporal integration on the neuronal level, to temporal integration related to self-disorder on psychological (Enfacement illusion task in electroencephalography) and phenomenological (Examination of Anomalous Self-Experience [EASE]) levels. SCZ participants exhibited prolonged ACW and higher PLE during the self-referential task (Enfacement illusion), but not during the non-self-referential task (auditory oddball). The degree of ACW/PLE change during task relative to rest was significantly reduced in self-referential task in SCZ. A moderation model showed that low and high ACW/PLE exerted differential impact on the relationship of self-disorder (EASE) and negative symptoms (PANSS). In sum, we demonstrate abnormal prolongation in intrinsic neural timescale during self-reference in SCZ including its relation to basic self-disorder and negative symptoms. Our results point to abnormal relation of self and temporal integration at the core of SCZ constituting a “common currency” of neuronal, psychological, and phenomenological levels.


PMLA ◽  
1985 ◽  
Vol 100 (1) ◽  
pp. 68-80 ◽  
Author(s):  
Caryl Emerson

Mikhail Bakhtin's work on Dostoevsky is well known. Less familiar, perhaps, is Bakhtin's attitude toward the other great Russian nineteenth-century novelist, Leo Tolstoy. This essay explores that “Tolstoy connection,” both as a means for interrogating Bakhtin's analytic categories and as a focus for evaluating the larger tradition of “Tolstoy versus Dostoevsky.” Bakhtin is not a particularly good reader of Tolstoy. But he does make provocative use of the familiar binary model to pursue his most insistent concerns: monologism versus dialogism, the relationship of authors to their characters, the role of death in literature and life, and the concept of the self. Bakhtin's comments on these two novelists serve as a good starting point for assessing the strengths and weaknesses of the Bakhtinian model in general and suggest ways one might recast the dialogue between Tolstoy and Dostoevsky on somewhat different, more productive ground.


2003 ◽  
Vol 8 (1) ◽  
pp. 71-84 ◽  
Author(s):  
Anne Sivuoja-Gunaratnam

This article explores the relationship of desire and distance in Kaija Saariaho's Lonh (1996) for soprano and electronics. The subject matter of Lonh is desire and romantic pleasures, anchored to feminine subjectivity, represented on stage by a soprano singer. Electronics provide the environmental sounds and amplify the singer's voice. Through Lonh looms a medieval song in the Occitan language, ‘Lanquan li jorn son lonc en mai’ by Jaufré Rudel, a famous troubadour in twelfth-century Provence. Saariaho reverses the narrative convention of love stories by presenting the most intimate encounter at the very beginning. In their succeeding encounters, the lovers move further away from each other. Similarly, in the course of Lonh the distance to Jaufré's song also increases. Luce Irigaray's concepts of love are used for an analysis of the relationship of the loving pair. By the end of Lonh the borderlines of speaking, singing, electronics, language and music collapse in Barthesian jouissance (bliss). The electronic technology in Lonh enables the re-investiture of cultural values, and the construction of flexible identities, crossing boundaries between the self and the other.


2016 ◽  
Vol 26 (14) ◽  
pp. 2009-2023 ◽  
Author(s):  
Olivia Knapton

Obsessive-compulsive disorder (OCD) is a mental health problem characterized by persistent obsessions and compulsions. This article provides insights into experiences of OCD through a qualitative, thematic analysis performed on a set of interviews with people with OCD. Four themes were found as central in the participants’ descriptions of OCD episodes: (a) space, (b) the body, (c) objects, and (d) interactions. The findings also show that episodes of OCD can be grouped into three broad categories: (a) activity episodes, which revolve around everyday tasks; (b) state episodes, which are concerned with the self and identity; and (c) object episodes, which are concerned with the effects of objects on the self. The relationship of this three-way classification of OCD episodes to existing cognitive models of OCD is discussed. The study also demonstrates the value of categorizing episodes, rather than people, into subtypes of OCD so that intra-participant variation can be highlighted.


Sign in / Sign up

Export Citation Format

Share Document