Hiding Between Basho and Chōra

2019 ◽  
Vol 49 (3) ◽  
pp. 335-361
Author(s):  
Brian Schroeder
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida ◽  
Cross Cultural ◽  
The Other ◽  
Comparative Approach ◽  
The One ◽  
Nishida Kitaro

Abstract This essay considers the relation between two fundamentally different notions of place—the Greek concept of χώρα and the Japanese concept of basho 場所—in an effort to address the question of a possible “other beginning” to philosophy by rethinking the relation between nature and the elemental. Taking up a cross-cultural comparative approach, ancient through contemporary Eastern and Western sources are considered. Central to this endeavor is reflection on the concept of the between through an engagement between, on the one hand, Plato, Martin Heidegger, Jacques Derrida, Edward Casey, and John Sallis, and on the other, Eihei Dōgen, Nishida Kitarō, and Watsuji Tetsurō.

Scatter 2

2021 ◽  
Author(s):  
Geoffrey Bennington
Keyword(s):  
Jacques Derrida ◽  
The Other ◽  
Carl Schmitt ◽  
Early Church ◽  
The Political ◽  
Church Fathers ◽  
Jean Bodin ◽  
Marsilius Of Padua ◽  
The One ◽  
Nuremberg Trials

Scatter 2 identifies politics as an object of perennial difficulty for philosophy—as recalcitrant to philosophical mastery as is philosophy’s traditional adversary, poetry. That difficulty makes it an attractive area of attention for any deconstructive approach to the tradition from which we inevitably inherit our language and our concepts. Scatter 2 pursues that deconstruction, often starting, and sometimes departing, from the work of Jacques Derrida, by attending to the concepts of sovereignty on the one hand, and democracy on the other. Part I follows the fate of a line from Book II of Homer’s Iliad, where Odysseus asserts that “the rule of many is no good thing, let there be one ruler, one king,” as it is quoted and misquoted, and progressively Christianized, by authors including Aristotle, Philo Judaeus, Suetonius, the early Church Fathers, Aquinas, Dante, Ockham, Marsilius of Padua, Jean Bodin, Etienne de la Boétie, up to Carl Schmitt and Erik Peterson, and even one of the defendants at the Nuremberg Trials, before being discussed by Derrida himself. Part II begins again, as it were, with Plato and Aristotle, and tracks the concept of democracy as it regularly impacts and tends to undermine that sovereignist tradition, and, more especially in detailed readings of Hobbes and Rousseau, develops a notion of “proto-democracy” as a possible name for the scatter that underlies and drives the political as such, and that will always prevent politics from achieving its aim of bringing itself to an end.

scholarly journals MEMBANGUN SEMANGAT KERASULAN REMAJA KATOLIK DALAM KONTEKS MASYARAKAT PLURALIS DI INDONESIA

2017 ◽  
Vol 17 (9) ◽  
pp. 3-14
Author(s):  
Agustinus Supriyadi
Keyword(s):  
Logical Consequence ◽  
Cross Cultural ◽  
The Other ◽  
Real Form ◽  
Pluralistic Society ◽  
The Real ◽  
Self Discovery ◽  
The One ◽  
The Church

Catholic teens Indonesia is part of the Church in Indonesia and the Indonesian people. Indonesia consists of thousands of islands that stretched from Sabang to Merauke. This fact opens the possibility of a fairly wide occurrence of the encounter between cultures and simultaneous cross-cultural. This diversity is certainly a logical consequence to an enrichment of civilizations and diversity (plurality), although also contains elements of the loss. Plurality of Indonesian society on the one hand can make the Catholic teens swept away in the swift currents of the community to lose our identity or conflict. However Plurality can also awaken in the Catholic teen award nature between one race to the other races, between ethnic or tribal one with the other tribes, between groups with one another. In a pluralistic society such as this, the Catholic teens called to the apostolate. Through the act of self-discovery, live in love and have a sense of tolerance of differences is the real form of the apostolate.

scholarly journals The Stranger as Friend: The Poetics of Friendship in Homer, Dante, and Boccaccio

2013 ◽  
Author(s):  
Franco Masciandaro
Keyword(s):  
Jacques Derrida ◽  
Emmanuel Levinas ◽  
Natural Extension ◽  
Divine Comedy ◽  
The Other ◽  
Maurice Blanchot ◽  
Philosophical Method ◽  
The Divine Comedy ◽  
The One ◽  
The Stranger

The principal aim of this study is to participate in the current renewed discourse on the meaning of friendship, initiated in 1994 by the French philosopher Jacques Derrida with his Politics of Friendship, by combining the philosophical method of inquiry with the hermeneutical approach to poetic representations of friendship in the Iliad, the Divine Comedy, and the Decameron. It examines friendship not only as the unique love between two persons based on familiarity and proximity, but as the love for the one who is far away, the stranger, for this is a natural extension of the implicit love of the distant other, of the other-as-stranger – what Emmanuel Levinas has called "the infinity of the Other" – which is concealed in our friend, and which, in the words of Maurice Blanchot, puts us "authentically in relation" with him or her.

Temporality and Existence

2017 ◽  
Author(s):  
Françoise Dastur ◽  
Robert Vallier
Keyword(s):  
Martin Heidegger ◽  
Edmund Husserl ◽  
Transcendental Phenomenology ◽  
The Other ◽  
Problem Of Time ◽  
Other Hand ◽  
New Beginning ◽  
Phenomenology Of Perception ◽  
The World ◽  
The One

This chapter brings Edmund Husserl and Martin Heidegger, whose different phenomenological styles are normally opposed, into dialogue with Maurice Merleau-Ponty's claim that temporality is not a contingent attribute of existence. According to Merleau-Ponty, consciousness and the world, the inside and the outside, sense and non-sense, are interdependent beings. For Merleau-Ponty, the problem of time is the problem of the subject's relation to time. The chapter examines how Merleau-Ponty's position in Phenomenology of Perception becomes the intermediary position between, on the one hand, the completion of the tradition and the fulfillment of modernity represented by Husserl's transcendental phenomenology and, on the other hand, the “new beginning for thought” that Heidegger wants to promote, insofar as he attempts to assume or take on metaphysics.

The Philosophy of African Logic

2017 ◽  
pp. 96-121
Author(s):  
Jonathan O. Chimakonam
Keyword(s):  
Formal System ◽  
Cultural Influence ◽  
Formal Logic ◽  
Cross Cultural ◽  
The Other ◽  
Prototype System ◽  
African Philosophy ◽  
System 2 ◽  
The One ◽  
Universal Applicability

The chapter aims to do two things: 1) a rigorous presentation of philosophy of African logic and 2) to do this from the perspective of Ezumezu (an African) logic. The chapter will proceed by defining the three aspects of Ezumezu logic namely: 1) as a formal system, 2) as methodology, and 3) as a philosophy of African logic. My inquiry in this work primarily is with the philosophy of African logic but it will also cut across formal logic and methodology in addition. In the first section, I will attempt to show how the cultural influence behind the formulation of the principles of African logic justifies such a system as relative on the one hand, and how the cross-cultural applications justify it as universal on the other. I believe that this is where African philosophical assessment of African logic ought to begin because most critics of the idea of African logic agitate that an African system of logic, if it is ever possible, must necessarily lack the tincture of universal applicability. Afterwards, I will narrow my inquiry down to the African philosophy appraisal of African logic with an example of Ezumezu system. This focus is especially critical because it purveys a demonstration of a prototype system of an African logic. In the section on some principles of Ezumezu logic, I will attempt to accomplish the set goal of this chapter by presenting and discussing some principles of Ezumezu logic which I had formulated in earlier works in addition to formulating a few additional ones. The interesting thing to note here is that these principles are/will all (be) articulated from the African background ontology. I will conclude by throwing further light on the merits, nature and promises of an African logic tradition.

scholarly journals From Displacements of Form to Auratic Trace: Notes on Didi-Huberman’s Thinking on Images

2020 ◽  
Vol 14 (26) ◽  
pp. 248-272
Author(s):  
Alice Mara Serra
Keyword(s):  
Jacques Derrida ◽  
Walter Benjamin ◽  
The Other ◽  
Dialectical Image ◽  
Other Hand ◽  
Nous Voyons ◽  
The One ◽  
The Way

This text underlines the way in which, for Georges Didi-Huberman, topics including matter, symptom and memory become primordial to the thinking of images. But as Didi-Huberman proceeds, the course that leads him to highlight such topics first addresses other topics that, inphilosophy and iconography, sought to deny such readings, namely: image as form and its correlative meanings, that is, image as symbol and image as visibility. Didi-Huberman, however, argues that the notion of form may no longer be merely opposed to that of matter, nor be considered as solely idealistic. If, on the one hand, Didi-Huberman presents the insufficiency of the deconstruction of the notion of form presented by Jacques Derrida, on the other hand, the displacements of the notion of form proposed specially in Ce que nous voyons ce qui nous regardepoint to an approximation to deconstruction, mostly to the themes of trace, index and “the belows” (les dessous) of images. In addition, passages of this and other works of Didi-Huberman may insinuate a connection between the notions of trace and aura, which refer to convergences concerning the deconstruction of the visible and the dialectical image. This text seeks to reconstruct such directions from writings of Didi-Huberman and, in this way, restores other writings that border on them: specially from Jacques Derrida and Walter Benjamin.

scholarly journals KUPU-KUPU DI ATAS BUNGA – ANGIN MENARI MELALUI PADANG: MENYIMAK FILSAFAT SENI MARTIN HEIDEGGER

2019 ◽  
Vol 10 (1) ◽  
pp. 45-82
Author(s):  
Yasintus T. Runesi
Keyword(s):  
Martin Heidegger ◽  
Common Sense ◽  
Small Dimension ◽  
The Other ◽  
Human Being ◽  
Work Of Art ◽  
Art And Politics ◽  
Contemporary Politics ◽  
The One ◽  
A Site

In his path of thinking, particularly from the 1930s onwards, Martin Heidegger firmly believed that Sein reveals itself, when human being, whom he termed as Dasein, awakened from his blindness of common sense and struggle for grasps his own authenticity. In this paper I examine Heidegger’s destruction of the work of art as a site of strife between art and politics in his text, Der Ursprung des Kunstwerkes. Heidegger’s position is complex: on the one hand, he acknowledges that Sein is a phenomenon beyond our horizon of understanding, Sein is all about not something particular; on the other hand, he insists that Sein’s presence through art inscribed in a certain particular identity, especially German volks. In response, I argue that the identification of Sein with a particular identity such as German volks, offers the truth that the politics itself is forged and instituted in and as work of art. Some conclusions will be drawn concerning the importance of the small dimension of Heidegger’s thought on art in contemporary politics.

Insistering Derrida: Cixous, Deconstruction, and the Work of Archive

2017 ◽  
Vol 1 (2) ◽  
Author(s):  
Verne Harris
Keyword(s):  
Jacques Derrida ◽  
The Other ◽  
Helene Cixous ◽  
National Library ◽  
To Come ◽  
The One

Geneses, Genealogies, Genres, and Genius: The Secrets of the Archive is the lecture Jacques Derrida gave in 2003 at an event to honor Hélène Cixous and mark the donation of her archive to the National Library of France. The lecture was a moving tribute to Cixous (her corpus, her genius, her archive), but it was also Derrida's reading of Cixous' "secrets of the archive". This essay explores "the secrets" - those of Cixous, those of Derrida - along two primary lines of enquiry. On the one hand, the question of archival stakes - what stakes are at play in archive? On the other, the question of the work of archive. For both Cixous and Derrida the work of archive is an endless opening to what is being "othered" and a tireless importuning of a justice-to-come. The work of archive is justice. But what does that work look like? Is there a deconstructive praxis in archive shaped by the call to, and of, justice? What stranger emerges from an insistering of the familiar Derridean formulations?

scholarly journals Jacques Derrida: The Double Liminality of a Philosophical Marrano

Religions ◽  
2019 ◽  
Vol 10 (2) ◽  
pp. 68 ◽  
Author(s):  
Emilie Kutash
Keyword(s):  
Jacques Derrida ◽  
The Other ◽  
French Language ◽  
Philosophical Tradition ◽  
Western Philosophy ◽  
Helene Cixous ◽  
Liminal Space ◽  
Philosophical Position ◽  
Western Philosophical Tradition ◽  
The One

There is an analogy between two types of liminality: the geographic or cultural ‘outside’ space of the Marrano Jew, alienated from his/her original religion and the one he or she has been forced to adopt, and, a philosophical position that is outside of both Athens and Jerusalem. Derrida finds and re-finds ‘h’ors- texte’, an ‘internal desert’, a ‘secret’ outside place: alien to both the western philosophical tradition and the Hebraic archive. In this liminal space he questions the otherness of the French language to which he was acculturated, and, in a turn to a less discursive modality, autobiography, finds, in the words of Helene Cixous, “the Jew-who-doesn’t know-that-he-is”. Derrida’s galut (exile) is neither Hebrew nor Greek. It is a private place outside of all discourse, which he claims, is inevitably ethnocentric. In inhabiting this outside space, he exercises the prerogative of a Marrano, equipped to critique the French language of his acculturation and the western philosophy of the scholars. French and Hebrew are irreconcilable binaries, western philosophy and his Hebrew legacy is as well. These issues will be discussed in this paper with reference to Monolingualism of the Other and Archive Fever as they augment some of his earlier work, Writing and Difference and Speech and Phenomena.

Grammar of the Uncanny

2010 ◽  
Vol 14 (5) ◽  
pp. 616-624
Author(s):  
Christopher Yates
Keyword(s):  
Martin Heidegger ◽  
Sigmund Freud ◽  
The Self ◽  
The Other ◽  
The Uncanny ◽  
Jules Renard ◽  
The One

AbstractInspired by the contemporary intersection between hermeneutics, phenomenology, and psychoanalysis on the one hand, and poetics on the other, this article is a study in the peculiar manifestation of strangeness that obtains within the self. It is a descriptive and autobiographical account of a disclosure that, though common, is irreducible to traditional categories of mimesis and ontology: the experience of displacement in self-consciousness and embodiment. Drawing upon insights by Sigmund Freud and Martin Heidegger, and in dialogue with the poetics of Jules Renard, the essay seeks to appreciate a certain grammar of ipseity that is formative of subjectivity and constitutive of the poetic vocation. Emphasis is placed on the productive quality of the “between” (Zwischen) as it obtains both geographically and internally, and the concentration potentially resulting from the “between” as one grapples to configure in language the experience of playing “host” to one’s own self.

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