A Brazilian Perspective on Audiobooks

LOGOS ◽  
2021 ◽  
Vol 32 (2) ◽  
pp. 20-28
Author(s):  
Rafael de Oliveira Barbosa

Abstract This paper presents a Brazilian perspective on audiobooks. It contextualizes the past and current realities of the format in the country, on the basis of surveys coordinated by national associations connected to the book market and of archival research we have undertaken, and shows some examples of recorded literary works and recent initiatives in audiobook production. The ‘acoustic-editorial project’ idea is proposed as a way to highlight and deepen the materiality and production process of audiobooks, and to understand the editorial elements through which the listening experience is created. Authors from book history, bibliography, communication theory, and audiobook studies influenced this investigation and strengthened our construction of audiobooks as a research object.

2020 ◽  
pp. 63-83
Author(s):  
E. N. Tsimbaeva

The article analyzes physical and physiological problems caused by fashionable clothing in the mid-18th to early 20th cc. that shaped people’s appearances and lifestyles in the past. Affecting the skeletal system and the functioning of internal organs and brain in particular and causing various illnesses, these problems went largely unrecognized by contemporaries, including writers, but would inevitably surface in literary works as part and parcel of everyday life. Without understanding their role, one may struggle to comprehend not only plot twists and characters’ motivations but also the mentality of the bygone era as portrayed in fiction. Chronologically, the research covers the period from the mid-18th c. to World War I. The author only focuses on so-called respectable society (a very tentative term that covers members of the aristocracy and other classes with comparable lifestyles), since it was this group which drew the most attention from fiction writers of the period. The scholar chose to concentrate on the kind of daily realia of ‘noble society’ that permeate works by Russian, English, French and, to some extent, German authors, considered most prominent in Europe at the time.


Technology united with research and development has evolved as a grave differentiator of the agriculture sector in India including production, processing, and agriculture packing and marketing of given crops. Near about 50 percent of the Indian workforce was engaged in the agriculture sector but its share in GDP was only 14 percent, much lower in comparison to former. Though, certain agriculture items showed a steady annual increase in terms of kilograms per hectare. Agriculture transformed significantly over the past few decades but when it comes to investment in research and development there is a lot more which needs to be done. The paper analyzes the role of various research and development institutions in boosting the growth of the agriculture sector that helps in attaining sustainable agriculture development and self-sufficiency in the production process since independence. It also focusesed on the various issues faced by these development institutions. The findings unveiled that since independence a lot more was done to boost the research and development in the agriculture sector at both the center and state levels but a proper implementation of these policies along with transparency could bring more desirable outcomes than were gained at present.


2001 ◽  
Vol 30 (4) ◽  
pp. 445-455 ◽  
Author(s):  
Marguerite Arai ◽  
Maryanne Wanca-Thibault ◽  
Pamela Shockley-Zalabak

While a number of articles have looked at the importance of multicultural training in the workplace over the past 30 years, there is little concrete agreement that documents the common fundamental elements of a “successful” diversity initiative. A review of the training literature suggests the importance of human communication theory and practice without including important research, methodologies, and practice from the communication discipline. This article examines formal diversity approaches, provides examples from the literature of several successful diversity initiatives in larger organizations, identifies the limited use of communication-based approaches in diversity training, and discusses the importance of integrating communication theory and practice in future training efforts.


1974 ◽  
Vol 6 (2) ◽  
pp. 161-165 ◽  
Author(s):  
Bruce Beattie ◽  
Stassen Thompson ◽  
Michael Boehlje

The product-product relationship has been a traditional subject of most production economics and farm management courses for the past two decades. Although the traditional examples of product-product optimization have come primarily from the agricultural production sector (e.g., legume-corn rotations and crop-livestock combinations), the concept is useful in analyzing the organization of any multi-product firm-including those firms which produce externalities in the form of environmental degradation.Three concepts or ideas usually are offered as giving rise to a positively sloped or complementary range on the product transformation surface-(l) one production process uses as an input a by-product of another production process, (2) one process uses quantities of a factor that are “surplus” to another, or (3) technical interaction (production function shifts) occurs.


Author(s):  
NUR ZALIKHA MAT RADZI ◽  
NASIRIN ABDILLAH ◽  
DAENG HALIZA DAENG JAMAL

Hatimu Aisyah karya Sasterawan Negara ke-13 iaitu - Zurinah Hassan, yang juga penerima Anugerah Hadiah Penulis Asia Tenggara (SEA Write Award) pada tahun 2004. Rentetan kejayaan beliau, telah menjadi tumpuan para pengkaji untuk meneliti aspek mengenai pengarangan wanita. Hatimu Aisyah merupakan novel pertama dihasilkan oleh Zurinah Hassan yang menekankan mengenai amalan adat resam zaman terdahulu sehingga ditelan arus pemodenan zaman. Novel Hatimu Aisyah mengetengahkan gambaran wanita yang mengutamakan adat dalam konteks perjalanan hidup bermasyarakat. Kajian terhadap karya Zurinah Hassan ini, bersandarkan kepada Model Bahasa Gagasan Elaine Showalter dari perspektif ginokritik untuk melihat watak-watak wanita. Antara Perbincangan dalam kajian ini adalah berfokuskan kepada simbolik bahasa dan bahasa sebagai ekspresi kesedaran wanita. Hasil dapatan keseluruhan kajian menunjukkan bahawa Zurinah Hassan menggunakan bahasa yang bersesuaian dengan gagasan bahasa daripada Elaine Showalter tetapi agak kurang menyerlah. Hal ini disebabkan keterbatasan penggunaan bahasa selaras dengan sosiobudaya masyarakat Melayu. Penemuan kajian ini dalam model bahasa wanita dapat dilihat menerusi simbolik bahasa dan bahasa sebagai ekspresi kesedaran wanita. Hasil manfaat dan kepentingan diperolehi masa hadapan dapat dilihat bahawa golongan wanita menzahirkan protes dan kritikan menerusi corak penulisan karya mereka meskipun masih dalam keadaan terkawal.   Hatimu Aisyah the 13th National literary works, namely-Zurinah Hassan, who is also the recipient of the Southeast Asian Writer award (SEA Write Award) in 2004. His success string has been the focus of researchers to examine the aspects of women's writings. Hatimu Aisyah is the first novel to be produced by Zurinah Hassan that emphasizes on the historical practices of the past, having swallowed the current modernization of the day. The Hatimu Aisyah Novel highlights the portrayal of women who are customcentric in the context of the communities life. Studies on Zurinah Hassan's work are based on the language Model of Elaine Showalter from the perspective of Ginokritik to see the female characters. Among the discussions in this study are focused on symbolic language and language as a expression of women's awareness. The overall findings of the study showed that Zurinah Hassan used a language that fits the language idea of Elaine Showalter but was somewhat less striking. This is due to the limitations of usage in line with the Malay social. The findings of this study in female language models can be seen through the symbolic language and language in the expression of women's awareness. The results of the benefits and interests gained future can be seen that women are in their protest and criticism through their work writing patterns despite being controlled.


IdeBahasa ◽  
2021 ◽  
Vol 3 (1) ◽  
pp. 1-10
Author(s):  
Septiani Nur Alifah

Literary works are never separated from previous works or other texts. “Aku Dipenogoro!” is a literary work in the form of a drama script written by Landung Simatupang which was inspired by the power of divination by Peter Carey. The process of forming a literary work based on the acceptance of the past works can be said to be a reception. Therefore, this study used a reception approach to see how far the acceptance of previous works in Aku Dipenogoro!. The method used in this study is descriptive qualitative. In this case, the researcher compares the texts by looking at the similarities and differences. Furthermore, the findings are described. Based on the results of the analysis conducted by Aku Dipenogoro! as a literary work made several changes from the previous work (Peter Carey's Power of Prediction). These changes are used to give a dramatic effect in the work. Improvisation is used to get certain effects and aesthetics in a work. As a drama script Aku Dipenogoro! refers to dramatic effects in the performing arts (theater).


2017 ◽  
Vol 36 (4) ◽  
pp. 630-647 ◽  
Author(s):  
Martin Danyluk

The growth and transformation of logistics have been attributed to a specific confluence of forces that compelled firms to turn their attention to the circulation of commodities in the second half of the 20th century. This article seeks to develop a more theoretically informed account of the logistics revolution by delineating the industry’s role in promoting the accumulation of capital and the reproduction of capitalism. Drawing on Marxian geographical thought, I contend that the logistical turn of the past five decades has facilitated a multifaceted “spatial fix” to capitalism’s chronic problem of overaccumulation—one that has reconfigured the geographies of circulation as well as production, consumption, and appropriation. This argument has important implications for our understanding of globalization. By enhancing the mobility of both commodity capital and the production process itself, advances in logistics have been an essential, albeit neglected, condition of global economic integration since the 1970s.


2018 ◽  
Vol 50 (3) ◽  
pp. 487-503 ◽  
Author(s):  
Howard M. Wachtel

Fifty years on, the Review of Radical Political Economics ( RRPE) lives on against the odds that such a quixotic 1968 adventure could survive for half a century. As the first managing editor of the RRPE and one of the founders of the Union for Radical Political Economics (URPE), I have compiled a history of the first five years of the journal and the organization. This retrospective is primarily based on archival research, supplemented by my recollections. It concludes with some thoughts on how URPE and the RRPE affected the study and uses of economics in the past half century.


2022 ◽  
Vol 1 (1) ◽  
pp. 7-20
Author(s):  
Katharine G. Trostel

Abstract In both her hybrid-language novel Tela de Sevoya (2012) and in her Ladino poetry collec­tion Ansina (2015), Mexican author Myriam Moscona (1955) embraces Ladino as a post­vernacular language without any illusions of recuperating it for daily speech. Although her grandparents spoke Ladino, she herself is not a native speaker. While she recognizes that Ladino is a dying tongue, Moscona makes explicit the power of literary works to infiltrate and function within the liminal spaces that exist between languages, identities, or layers of history. Moscona’s dynamic and future-oriented creative work-composed in a language whose vernacularity exists only in the past-utilizes the tool of postvernacularity and en­ters into the discourse of feminist mobilization. Her works show how the active use of postvernacularity can open opportunities for her Spanish-speaking audiences to collective­ly engage in Ladino’s afterlife through acts of creative play.


2021 ◽  
Vol 18 (2-3) ◽  
pp. 309-326
Author(s):  
Kanupriya Dhingra

Daryaganj Sunday Book Market, popularly known as Daryaganj Sunday Patri Kitab Bazaar, is a weekly informal market for used, rare, and pirated books that has been operating on the streets of Old Delhi for the past fifty years. In this essay, I focus on one of the circuits that has been flourishing in this market, that of pirated or ‘duplicate’ or D-books. In order to examine the forms in which piracy thrives in the present-day Patri Kitab Bazaar, and the reasons behind it, I compare two types of pirated books found here: a low-price self-help manual in Hindi and a ‘D’ copy of an English novel by popular Indian author Chetan Bhagat. As I examine the essential role that ‘randomness’ plays in the constitution of pirated texts, I suggest that there is organization to this apparent lack of pattern or unpredictability. Such permutation of order and chaos resonates with the location of the bazaar – a site that thrives on the serendipity of the streets.


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