Archaistic Perfection: the Production of the Woodblock-Printed Edition of The Communist Manifesto in 1970s China

2019 ◽  
Vol 9 (2) ◽  
pp. 151-189
Author(s):  
Lara Yuyu Yang

Abstract Woodblock book printing was for many centuries the dominant printing technology in East Asia but it was replaced by mechanised presses during the early 20th century. Surprisingly, in 1973, at the request of the Shanghai municipal government, the Cloudy Studio, a local publishing house, published a fine woodblock edition of The Communist Manifesto in classical Chinese style. Apart from the historical decline of xylography, this was also politically remarkable given that the CCP publicly derided elite xylographic book publishing. In this paper, by investigating the production process of The Manifesto, I will argue that archaism in elite literati book culture continued in woodblock book publishing during the Mao era of 1949-1976. I will analyse how the publishers sought archaistic perfection through design concepts, literati printing materials, ceremonialised production processes and a master-pupil system in the Communist publishing industry through the woodblock printing practice.

2017 ◽  
Vol 7 (1) ◽  
pp. 1-23
Author(s):  
Trisha De Niyogi ◽  
Sushil S. Chaurasia

Subject area Marketing strategy. Study level/applicability The course is well suited for MBA and Executive MBA class on Strategic Management, Marketing Strategy, Brand Management, Entrepreneurship, Innovation and Change in emerging economies. The case can also be taught to senior undergraduate students to explore the issues mentioned in the case as an integrative case for courses like Strategic Management and Marketing Strategy. Case overview Niyogi Books had positioned itself as an independent publishing house with a focus on the niche area of trade books. Due to the internet, digitalization and globalization the dynamics of the book publishing industry had changed considerably, and the company needed to think and reflect on its current position and future strategy. Niyogi Books had added new products and new markets along with other innovations to succeed in the business of publishing. But the way ahead for Niyogi Books was to innovate in light of fast-paced technological advancement. The company needed to balance the digitization of content as well as retailing with its existing print strategy. A related issue is the need to plan an innovative and cost-effective communication strategy to boost sales. Expected learning outcomes The learning outcomes are as follows: analyze the business environment of the publishing industry, realize the need for a branding strategy for small business and apply communication strategies single/multi-channel setting, understand the need of an organization to purposefully adapt an organization’s (self-) resource base (management capability to effectively coordinate and redeploy internal and external competences) and analyze the role of a growth strategy and how it can be used to devise a product/marketing strategy. Supplementary materials Teaching notes are available for educators only. Please contact your library to gain login details or email [email protected] to request teaching notes. Subject code CSS 11: Strategy.


LOGOS ◽  
2021 ◽  
Vol 31 (4) ◽  
pp. 7-38
Author(s):  
Kirsty Hartsiotis

Abstract Process engraver and printer Emery Walker was a pivotal figure in the English, American, and continental European Private Press Movement from the 1880s until his death in 1933. This article looks at his theories for the typography, design, and production of books, and how those theories were developed by key designers and close associates of Walker such as William Morris, T. J. Cobden Sanderson, and Bruce Rogers and through the practical teaching of figures such as J. H. Mason and Edward Johnston. It examines how the theories were then taken up by the exponents of fine printing from the early 20th century through to the 1930s, focusing on the presses of Bernard Newdigate, Harry Kessler, Harold Curwen, and Francis Meynell. From these presses, and also via Stanley Morison and the Monotype Corporation, Walker’s theories are shown to have spread into mainstream book publishing in the first half of the 20th century. The article considers questions of whether the improvement in the readability of books in the early 20th century has had a continuing impact in book publishing, and makes suggestions how to access the incunabula referenced by the designers discussed, as well as collections of private press books and other early 20th-century fine printing.


Via Latgalica ◽  
2017 ◽  
pp. 8
Author(s):  
Ilga Šuplinska

Considering that at the moment we are working on a broader study about the Latgalian literary trends in modern times (since the 90s of the 20th century), policy determination of the Publishing House of Latgale Culture Centre is an important stage in Latgalian publishing. Originally the Publishing House of Latgale Culture Centre brings together the brightest Latgalian writers, researchers and is the only centre of books published in Latgalian, but at the turn of the century due to various factors the situation changes. In this article correspondence of the Publishing House of Latgale Culture Centre (1990–1997) is used as a source of research from copies of letters which are kept at the research centre of Baltic philology at Rēzekne Academy of Technologies (21 sets of letters with a 191 letters); an interview with the Head of the publishing house Jānis Elksnis and separate articles in periodicals on the activity of the Publishing House of Latgale Culture Centre are sources of this research. The aim of this article is with the help of the mentioned correspondence and available documents to reveal the book publishing policy of the Publishing House of Latgale Culture Centre, its role in Latgalian book publishing, as well as to focus attention on the understanding of the functionality of Latgalian language development in this correspondence and operating policies. Theoretical basis includes ideas of critical discourse analysis represented by Norman Fairclough (1995) and socio-cognitive approach represented by Teun van Dijk (2006), highlighting the role of discursive practices in creating stereotypes and influence of social identity on the creation of specific ideology.Existence of the Publishing House of Latgale Culture Centre all this time, of course, is the merit of the dedication and enthusiasm of the head of the publishing house J. Elksnis. In literary critical terminology, we can say that all the time the Publishing House of Latgale Culture Centre is in a border situation: during the 90s of the 20th century there were a relatively large number of Latgalian writers and scientists, but the publishing, book distribution, marketing skills of the publishing house employees were negligible.This situation was more favourable for Latgalian literature and activity of the Publishing House of Latgale Culture Centre in general during the first decade (1999–2008) of the 21st century: the total number of books published: 241; books published in Latgalian: 81; 5 of them published repeatedly. Throughout the period of existence of this publishing house (according to the available data) 562 books were published, 135 of them in Latgalian or bilingual editions (18 books published repeatedly).Analysis of the correspondence gives a possibility to understand why many problems connected to the Latgalian culture and language are being dealt with so slowly or continue to be unimportant and unknown to wider public.First, assessing the initial stage of activity of the Publishing House of Latgale Culture Centre, it comes obvious that efforts of the non-governmental organizations, dedication and enthusiasm of individual personalities can explain or activate some process, but the solution of the problem or maintenance of a process in long term needs a broader institutional support and focused planning of publishing. On the one hand, the formally defined status of Latgalian “as a historical option of the Latvian language” does not create obstacles for the usage of Latgalian in further and optional education, publishing of books and periodicals and its usage in local municipalities. On the other hand, such status is like a throwback which is remembered about only during pre-election and in discourse on separatism and as a threat to the development of the Latvian literary language and as a tool for entertainment industry to create comical effect or contribute to the development of pop music in another region.Second, the internal disagreement, which emerged in the correspondence between freelancers and volunteers during the 90s, was mainly attributable to the language reform and divided the intellectuals who wrote and read in Latgalian, as a result of which most of elder generation authors protected catholic standards and stood up for the preservation of P. Strods’ writing and V. Locis’ traditions, as well as it was supported by the catholic church in their choice of language to print religious texts, and it was also adopted by the Publishing House of Latgale Culture Centre. Hence the main mission of the Publishing House of Latgale Culture Centre – to cultivate Latgalian language and develop literature – was functioning only in one direction (especially after the adoption of spelling rules in 2008) – maintenance of literary almanac “Olūts” and edition “Tāvu zemes calendars” and creating the background literature, which in fact promoted the so-called third dialect and prevented the young and middle generation from involvement in the development Latgalian cultural environment.


Author(s):  
Sergio Miceli

In Brazil between 1920 and 1945, the potential for professional advancement increased significantly among literate individuals in three main areas: the intellectual and academic field in São Paulo and the emergence of a university-based intelligentsia; the boom in the publishing industry and the rise of professional novelists; and the Vargas regime’s widespread and deliberate co-optation of intellectuals. The interpretation presented in this article links class dynamics to changes within the activities of intellectuals, some of whom are analyzed here in the context of political and institutional tensions produced by the collapse of the oligarchic Old Republic (1889–1930).


Author(s):  
O. Bondarenko

The extent of scientific development of the history of municipal self-government in Dnipro Ukraine of the last quarter of the 18th – early 20th century has been analyzed. An essential condition for the establishment of civil society in Ukraine is effective local self-government. Municipal self-government plays a key role as one of its subjects in today's urban world. It has been determined that the historiography of this problem is represented by a considerable historiographic massif. During the imperial era, many scientific and popular educational works of local, reference and historical, and journalistic nature were accumulated. They presented the problems of the history of municipal self-government with different levels of completeness. It was found out that in the centre of attention of scientists, first of all historians and jurists, were various issues of history of creation, formation and activity of municipal self-government, reasons of changes of legislative acts concerning self-governing institutions, relations of municipal government with state authorities, the main of which were in the sphere of power distribution. It was found that a specific feature of the first chronological stage was the dominance of the formal legal approach and a constricted source base of research. That did not allow authors to go beyond comments and descriptions of legislative acts. A characteristic feature of the research approach of the authors of works on the history of municipal self-government of the second and third stages is, firstly, the predominance of legal and specific-historical approaches to the coverage of the topic. Secondly, there was certain ambiguity and fuzziness of conceptual and categorical apparatus which conditioned insufficient depth of theoretical analysis of the problem. At the same time, scholars of the imperial era laid a solid scientific foundation for the study of this institution by modern authors.


Author(s):  
Ol’ga N. Ilyina ◽  
Natal’ya G. Patrusheva

The article presents information on the International scientific conference XIX Pavlenkov Readings held on 13-15 October, 2015 in the National Library of Russia, traditionally considering the history of book publishing in pre-revolutionary Russia of the 19th - early 20th century. The conference was devoted to I. Frolova - the historian-bibliognost, a quarter of century having led the Sector of bibliology of the National Library of Russia. At the plenary session and three sections (“History of publishing, History of book collections and rare books”, “History of censorship”) there were highlighted various aspects of book culture history of the Russian Empire: issues of publishing, bookselling, history of censorship, libraries, readership, bibliophilism, and book publishing in the province. Conference


Author(s):  
Erast A. Galumov

The paper is devoted to the activities of I. Sytin, the famous Russian publisher of the late 19th — early 20th century and his role in the development of publishing the newspaper “Izvestia”.


Author(s):  
E. A. Makarova

The paper focuses on the literary and publishing situation in Irkutsk in the second half of the 19th – early 20th centuries viewed as the combination of factors that gave grounds for N. K. Piksanov to introduce the concept of “cultural nest” into the academic parlance. The concept conjugates three stable elements: “a certain group of actors, constant activity and disciples.” The Irkutsk literary and art collections are analyzed from an interdisciplinary perspective that allows direct transfer of research methods from one academic field to another. In this case, historical and literary criticism aims at identifying sociocultural “era slices” in historical, cultural, and publishing context, which makes it possible to relate the development paradigm of almanac literature to the dynamics of social development and processes in related areas of book culture. The literary history of Irkutsk, as well as of the entire Siberian region, begins with the publication of N. S. Shchukin’s Siberian Tales, compiled and published by in 1862. In the mid-1870s, the controversy around the local press, closely monitored in the metropolitan media, resulted in the scholarly and literary collection of the “Sibir’” newspaper published in St. Petersburg in 1876. In fact, the first Siberian literary anthology was the collection of poems Siberian Motifs, published by a famous Irkutsk activist and philanthropist I. M. Sibiryakov. The most successful and longlasting publishing project of the last decades of the 19th century was Siberian Collections, published as a scholarly and literary supplements to Yadrintsev’s newspaper “Vostochnoe Obozrenie” in 1885 in St. Petersburg, and later, from 1888 to 1906 in Irkutsk. In the early 20th century, the first purely commercial book publishing enterprise in Irkutsk was “Irisy” Publishing House founded by the Stozhs. The most successful literary projects were the collections Baikal in Poetry and Prose. Part 1 and Siberian Poets and Their Works, edited by a well-known journalist, literary critic, Marxist and publisher N. Chuzhak-Nasimovich. Among other Irkutsk editions of the first decades of the 20th century the most typical were the student collections The First Snowdrop and Northern Dawns, as well as the anthology Irkutsk Evenings, published by a group of poets led by Konstantin Zhuravsky, who also edited the collection. As a result, the proposed interdisciplinary approach made it possible to correlate the development paradigm of almanac literature with the dynamics of social development and the processes occurring in related areas of the book culture in the pre-revolutionary Irkutsk.


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