Netflix and Chill: Teaching Sexual Scripts in a Sociology Classroom

2021 ◽  
pp. 0092055X2110336
Author(s):  
Hubert Izienicki

Whereas most sociologists consider sexuality a social construct, the general public tends to view it in more essentialist terms. This tendency is commonly manifested in the idea of sexual drives as internal overpowering biological forces guiding human sexual behavior. To counter this narrative, sociologists William Simon and John H. Gagnon introduced a concept of sexual scripts to demonstrate the social underpinnings of sexuality and the narratives surrounding it. Drawing on their insights, I used the popular phenomenon of “Netflix and Chill” to teach students about the socially constructed nature of human sexuality. During class time, I ask students to put together a sexual script—step-by-step instructions—on how to successfully complete Netflix and Chill. This activity teaches students about the learned aspects of our sexual behavior and is effective both for in-person and online learning environments.

2015 ◽  
Vol 4 (08) ◽  
pp. 215-225
Author(s):  
Lorena Biason J. ◽  
Marcela Ramírez M.

Desde la idea de un psiquismo social y en el entendimiento que el individuo es una construcción social, se interroga el psiquismo de la mujer, quien en su devenir y en su complejo proceso de adquisición de la identidad, encuentra como fuente de sentido desde lo social, la ley patriarcal imperante que la ubica en un lugar de menor valor en la sociedad.Los padres, principalmente a través de la identificación proyectiva, juegan un rol determinante en la recreación de estas significaciones imaginarias sociales y el psicoanálisis, con un constructo teórico que no puede conceptualizar sino desde lo social, podría banalizar un sistema de violencia, mediante un sistema racional y socialmente construido. Based on the idea of a social psychism and understanding the individual as a social construct is that we look at the female psychism. The occurrence and development of the women’s psyche, as well as her complex process of identity formation finds a source of meaning, from the social perspective, in the prevailing patriarchal law which positions her in a place of less value in society.Parents, mainly through projective identification, play a decisive role in the recreation of these social imaginary meanings. Psychoanalysis, with a theoretical construct unable to conceptualize but from the social aspect, might trivialize a system of violence by means of a rational and socially constructed system.


2020 ◽  
Vol 1 (2) ◽  
pp. 64-83
Author(s):  
Victor Trofimov

Abstract In this article, I explore negotiations of sexualities among Romanian and Bulgarian migrant male sex workers in Berlin. After explaining the concept of sexual script, I argue that inasmuch as those sex workers work on the gay male scene but spend the rest of their daily lives within the broader Romanian and Bulgarian communities, they need to negotiate between the gay male and the heteropatriarchal sexual scripts, which are prevalent in these social spaces, respectively. I examine six strategies by means of which the sex workers surf the binarisms of the scripts and in so doing reveal the ambivalence and sociospatial situatedness of human sexuality.


Hypatia ◽  
1992 ◽  
Vol 7 (3) ◽  
pp. 39-76 ◽  
Author(s):  
Maxine Sheets-Johnstone

An examination of animate form reveals corporeal archetypes that underlie both human sexual behavior and the reigning Western biological paradigm of human sexuality that reworks the archetypes to enforce female oppression. Viewed within the framework of present-day social constructionist theory and Western biology, 1 show how both social constructionist feminists who disavow biology and biologists who reduce human biology to anatomy forget evolution and thereby forego understandings essential to the political liberation of women.


2020 ◽  
Vol 3 (1) ◽  
pp. 11-16
Author(s):  
Christopher O Akpan ◽  
Samuel Akpan Bassey

Some social scientists and philosophers tend to think that 'child abuse' is a socially constructed and culturally relativistic term than an objective phenomenon. This stems from the divergent cultural views of what characterize abuses. This work argues that child abuse necessarily should not be considered as a social construct. Using the textual analytic and critical methods of philosophizing, the work explores a few relevant but intriguing facts of child abuse and more importantly the challenges connected with socially constructed and culturally relativistic conceptions of this phenomenon. The paper submits that; if humans could appeal to 'nature eye-view' they could perceive the natural bonding relationship which culminates in the congenial protection of the young by parents; hence, would agree that any aberration of such relationship would constitute abuse. This work would engage readers to understand child abuse as a prevalent cross-cultural reality, and to that extent, instigate them to condemn it wherever it occurs.


1977 ◽  
Vol 22 (2) ◽  
pp. 135-135
Author(s):  
JOSEPH LOPICCOLO

2015 ◽  
Vol 8 (2) ◽  
pp. 169-184
Author(s):  
Željka Flegar

This article discusses the implied ‘vulgarity’ and playfulness of children's literature within the broader concept of the carnivalesque as defined by Mikhail Bakhtin in Rabelais and His World (1965) and further contextualised by John Stephens in Language and Ideology in Children's Fiction (1992). Carnivalesque adaptations of fairy tales are examined by situating them within Cristina Bacchilega's contemporary construct of the ‘fairy-tale web’, focusing on the arenas of parody and intertextuality for the purpose of detecting crucial changes in children's culture in relation to the social construct and ideology of adulthood from the Golden Age of children's literature onward. The analysis is primarily concerned with Roald Dahl's Revolting Rhymes (1982) and J. K. Rowling's The Tales of Beedle the Bard (2007/2008) as representative examples of the historically conditioned empowerment of the child consumer. Marked by ambivalent laughter, mockery and the degradation of ‘high culture’, the interrogative, subversive and ‘time out’ nature of the carnivalesque adaptations of fairy tales reveals the striking allure of contemporary children's culture, which not only accommodates children's needs and preferences, but also is evidently desirable to everybody.


Author(s):  
Ali Hussein Kadhim Alesammi

Since 2010 Middle East have many events or what they call "Arab spring events" which it result of overthrow governments and the rise of new political groups, all of this elements was resulting of many international and regional activities and making new regional and international axles, as well as the intersections of the different regional interests, therefore this research will try to study the stability and instability in the region as an independent variable not according to the neorealism or neoliberalism theories, but according to the constructivism theory which it base their assumptions on:  "In the international relations the non-physical structures of international interactions are determined by the identities of the players, which in turn determine the interests that determine the behavior of international players." So the research questions are: 1-What is the identity policy and haw affect in international relations? 2-How the social construct affect in international relations? 3-How the elite's identities for the main actors in the Middle East affect in the regional axles?  


2019 ◽  
Vol 15 (2) ◽  
Author(s):  
Khatija Bibi Khan ◽  
Owen Seda

Feminist critics have identified the social constructedness of masculinity and have explored how male characters often find themselves caught up in a ceaseless quest to propagate and live up to an acceptable image of manliness. These critics have also explored how the effort to live up to the dictates of this social construct has often come at great cost to male protagonists. In this paper, we argue that August Wilson’s Ma Rainey’s Black Bottom and Joe Turner’s Come and Gone present the reader with a coterie of male characters who face the dual crisis of living up to a performed masculinity and the pitfalls that come with it, and what Mazrui has referred to as the phenomenon of “transclass man.” Mazrui uses the term transclass man to refer to characters whose socio-economic and socio-cultural experience displays a fluid degree of transitionality. We argue that the phenomenon of transclass man works together with the challenges of performed masculinity to create characters who, in an effort to adjust to and fit in with a new and patriarchal urban social milieu in America’s newly industrialised north, end up destroying themselves or failing to realise other possibilities that may be available to them. Using these two plays as illustrative examples, we further argue that staged masculinity and the crisis of transclass man in August Wilson’s plays create male protagonists who break ranks with the social values of a collectively shared destiny to pursue an individualistic personal trajectory, which only exacerbates their loss of social identity and a true sense of who they are.


Author(s):  
Marilyn Fernandez

Does the burgeoning Indian Information Technology (IT) sector represent a deviation from the historical arc of caste inequality or has it become yet another site of discrimination? Those who claim that the sector is caste-free believe that IT is an equal opportunity employer, and that the small Dalit footprint is due to the want of merit. But they fail to consider how caste inequality sneaks in by being layered on socially constructed ‘pure merit’, which favours upper castes and other privileged segments, but handicaps Dalits and other disadvantaged groups. In this book, Fernandez describes how the practice of pure and holistic merit are deeply embedded in the social, cultural, and economic privileges of the dominant castes and classes, and how caste filtering has led to the reproduction of caste hierarchies and consequently the small Dalit footprint in Indian IT.


2021 ◽  
pp. 193672442098296
Author(s):  
Bernardeau-Moreau Denis

Our article addresses disability as a social construct. More precisely, our intention is to see to what degree practices and exchange and interaction situations operate on social representations of physical disability in professional environments. Our aim is to provide some elements for reflection with regard to the imagined issues of physical disability in the workplace by focusing, in particular, on the social representations that they trigger among employees and managers who work with disabled colleagues on a day-to-day basis.


Sign in / Sign up

Export Citation Format

Share Document