Choreography of a Massacre

2016 ◽  
Vol 43 (6) ◽  
pp. 41-53
Author(s):  
Renzo Aroni Sulca
Keyword(s):  
Communist Party ◽  
Armed Conflict ◽  
Musical Performance ◽  
Shining Path ◽  
Andean Region ◽  
Sendero Luminoso ◽  
The City ◽  
The Town

On August 14, 1985, during the armed conflict between the Communist Party of Peru, known as Shining Path, and the Peruvian state, an army patrol entered the town of Accomarca, in the Andean region of Ayacucho, and assassinated 69 peasants, presumed sympathizers of the insurgents. The majority of the survivors were displaced to the city of Lima, where they created an organization of victims and joined the Asociación de Hijos del Distrito Accomarca. Since 2011, the survivors and relatives of the victims have been remembering the massacre and transmitting their memories to their children through a Carnival performance of music and dance. Carnival is a constructive space for the production of other forms of memory and for the pursuit of justice and reparations through participatory choreography and musical performance. El 14 de agosto de 1985—-durante el conflicto armado entre el Partido Comunista de Perú, conocido como Sendero Luminoso, y el Estado peruano—una patrulla del ejército entró en el pueblo de Accomarca, en la región andina de Ayacucho, y asesinó a 69 campesinos, presuntos simpatizantes de los insurgentes. La mayoría de los sobrevivientes fueron desplazados a la ciudad de Lima, en donde crearon una organización de víctimas y se unieron a la Asociación de Hijos del Distrito Accomarca. Desde 2011, los sobrevivientes y los familiares de las víctimas han estado recordando la masacre y transmitiendo sus memorias a sus hijos a través de un espectáculo carnavalesco de música y baile. El carnaval es un espacio constructivo para la producción de otras formas de la memoria y para la búsqueda de la justicia y la reparación por medio de una coreografía participativa y una representación musical.

Maoism in the Andes: The Communist Party of Peru-Shining Path and the Refusal of History

1995 ◽  
Vol 27 (2) ◽  
pp. 399-421 ◽  
Author(s):  
Orin Starn
Keyword(s):  
Communist Party ◽  
Latin American ◽  
American History ◽  
Western Philosophy ◽  
Shining Path ◽  
Latin American History ◽  
Sendero Luminoso ◽  
The Andes

AbstractThis article examines the history and ideology of the Communist Party of Peru-Shining Path (Sendero Luminoso). The rebels claim to embody a distinctively Peruvian Marxism. However, a close examination of the party betrays a conspicuous indifference to Peruvian culture and traditions. The distinctiveness of this largest and most diverse of the Andean nations disappears in the orthodoxy of a universal Marxism, in this respect placing the Shining Path within the long legacy of the imperial inscription of Latin American history into the preconceived categories and linear narratives of Western philosophy and science.

Narratives about Political Violence and Reconciliation in Peru

2019 ◽  
Vol 46 (5) ◽  
pp. 44-58 ◽  
Author(s):  
Jerónimo Ríos
Keyword(s):  
Political Violence ◽  
Armed Conflict ◽  
Armed Forces ◽  
Shining Path ◽  
Social Fabric ◽  
Sendero Luminoso ◽  
Internal Armed Conflict ◽  
Depth Interviews

The narratives of members of the armed forces, former members of the Shining Path, and victims of Peru’s armed conflict between 1980 and 2000 include very different views of the responsibility for the violence, the notion of terrorism, the concepts of truth, justice, reparation, and nonrepetition, and the meaning of reconciliation itself. Analysis of in-depth interviews reveals a society that, decades after the violence, in 2018, the Year of National Dialogue and Reconciliation, is still fractured and far from any type of recovery of its social fabric and symbolic resolution of its internal armed conflict.Las narrativas de miembros de las Fuerzas Militares, exmiembros de Sendero Luminoso y diferentes víctima del conflicto armado interno acontecido en Perú entre 1980 y 2000 incluyen perspectivas muy diferentes sobre la responsabilidad de la violencia, la noción de terrorismo, los aspectos relativos a verdad, justicia, reparación y no repetición, o el significado mismo de la reconciliación. El análisis de entrevistas en profundidad muestra una sociedad que décadas después de la violencia, en el año 2018, denominado como “Año del Diálogo y la Reconciliación Nacional”, se mantiene fracturada y alejada de cualquier atisbo de recomposición de su tejido social y superación simbólica de su conflicto armado interno.

Sendero Luminoso and the Peasantry of Andahuaylas

1986 ◽  
Vol 28 (4) ◽  
pp. 165-196 ◽  
Author(s):  
Ronald H. Berg
Keyword(s):  
Communist Party ◽  
Shining Path ◽  
Sendero Luminoso ◽  
Limited Success ◽  
The Military

Since 1980 the maoist party known as Sendero Luminoso, the “Shining Path,” has been waging a guerrilla campaign against the civilian government of Peru. To the surprise of most observers, this group not only has survived but has expanded its scope of operations, kept the military on the defensive, and attracted a small but significant national following.This limited success is puzzling because of the movement's small size, its lack of arms and its extreme radicalism, in a country with a diverse and substantial Left. Sendero Luminoso, calling itself the Communist Party of Peru, holds to an orthodox Maoist philosophy.

Toxic Memories?

2016 ◽  
Vol 43 (6) ◽  
pp. 27-40 ◽  
Author(s):  
María Eugenia Ulfe ◽  
Vera Lucía Ríos
Keyword(s):  
Public Space ◽  
Communist Party ◽  
Armed Groups ◽  
Shining Path ◽  
Revolutionary Movement ◽  
The Public ◽  
Sendero Luminoso ◽  
The Status ◽  
A Site ◽  
Los Grupos

Memory museums exist as markers in the public domain; meanings and practices are created around them and assigned uses and silences. The Museum of the National Directorate against Terrorism in Peru displays artworks and archives seized from members of the Shining Path Communist Party of Peru and the Tupac Amaru Revolutionary Movement and can be visited only with a special permit. The memories it contains are considered “toxic” and are exhibited in a private instead of a public space. This space cannot be understood as a “museum of conscience” or a “site of memory.” Victims are not dignified there, and no symbolic reparations are made. It houses memories in the form of artwork, books, and memorabilia of those who because of their participation in the armed groups during the conflict have been denied the status of victims as defined in the country’s reparations program. Los museos de la memoria funcionan como marcadores simbólicos en el ámbito público; se construyen significados y prácticas alrededor de ellos y se les asignan usos y silencios. El Museo del Directorio Nacional en Contra del Terrorismo en el Perú muestra el trabajo artístico y los archivos incautados a los miembros del Partido Comunista del Perú-Sendero Luminoso y del Movimiento Revolucionario Tupac Amaru. El museo sólo puede visitarse con un permiso especial. Los objetos que se exhiben son considerados “tóxicos” y se exhiben en un espacio privado en vez de un espacio público. Este espacio no se puede entender como un “museo de la conciencia” o un “lugar de la memoria.” Aquí las víctimas no son dignificadas, y tampoco reciben reparaciones simbólicas. El museo alberga memorias o recuerdos (libros, dibujos, recuerdos personales) de aquéllos a quienes se les ha negado la condición de víctimas, tal como está definida en el programa de reparaciones del país, debido a su participación en los grupos armados durante el conflicto.

Evaluation of Road Utilisation as Space For Holding Social Ceremonies in Indigenous Residential Area of Ogbomoso, Nigeria

2018 ◽  
Vol 1 (March 2018) ◽  
Author(s):  
S.A Okanlawon ◽  
O.O Odunjo ◽  
S.A Olaniyan
Keyword(s):  
Transport Infrastructure ◽  
Noisy Environment ◽  
Policy Makers ◽  
The Core ◽  
Local Roads ◽  
Strict Enforcement ◽  
The Mean ◽  
The One ◽  
The City ◽  
The Town

This study examined Residents’ evaluation of turning transport infrastructure (road) to spaces for holding social ceremonies in the indigenous residential zone of Ogbomoso, Oyo State, Nigeria. Upon stratifying the city into the three identifiable zones, the core, otherwise known as the indigenous residential zone was isolated for study. Of the twenty (20) political wards in the two local government areas of the town, fifteen (15) wards that were located in the indigenous zone constituted the study area. Respondents were selected along one out of every three (33.3%) of the Trunk — C (local) roads being the one mostly used for the purpose in the study area. The respondents were the residents, commercial motorists, commercial motorcyclists, and celebrants. Six hundred and forty-two (642) copies of questionnaire were administered and harvested on the spot. The Mean Analysis generated from the respondents’ rating of twelve perceived hazards listed in the questionnaire were then used to determine respondents’ most highly rated perceived consequences of the practice. These were noisy environment, Blockage of drainage by waste, and Endangering the life of the sick on the way to hospital; the most highly rated reasons why the practice came into being; and level of acceptability of the practice which was found to be very unacceptable in the study area. Policy makers should therefore focus their attention on strict enforcement of the law prohibiting the practice in order to ensure more cordial relationship among the citizenry, seeing citizens’ unacceptability of the practice in the study area.

Conclusion

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Public Health ◽  
Public Space ◽  
Social Conflict ◽  
Musical Performance ◽  
The Public ◽  
Political Interests ◽  
Musical Practices ◽  
The Media ◽  
The City

As is described in this conclusion, more than the media and culture, Madrid’s public space constituted the primary arena where reactions and attitudes toward social conflict and inequalities were negotiated. Social conflict in the public space found expression through musical performance, as well as through the rise of noise that came with the expansion and modernization of the city. Through their impact on public health and morality, noise and unwelcomed musical practices contributed to the refinement of Madrid’s city code and the modernization of society. The interference of vested political interests, however, made the refining of legislation in these areas particularly difficult. Analysis of three musical practices, namely, flamenco, organilleros, and workhouse bands, has shown how difficult it was to adopt consistent policies and approaches to tackling the forms of social conflict that were associated with musical performance.

The Church, the City, and Modernity

2017 ◽  
Vol 72 (1) ◽  
pp. 101-111
Author(s):  
Florian Mazel
Keyword(s):  
Political Philosophy ◽  
Political History ◽  
The State ◽  
Protestant Reformation ◽  
Binary Opposition ◽  
Institutional Church ◽  
The City ◽  
The Town ◽  
The Church ◽  
Political Figure

Dominique Iogna-Prat’s latest book, Cité de Dieu, cité des hommes. L’Église et l’architecture de la société, 1200–1500, follows on both intellectually and chronologically from La Maison Dieu. Une histoire monumentale de l’Église au Moyen Âge (v. 800–v. 1200). It presents an essay on the emergence of the town as a symbolic and political figure of society (the “city of man”) between 1200 and 1700, and on the effects of this development on the Church, which had held this function before 1200. This feeds into an ambitious reflection on the origins of modernity, seeking to move beyond the impasse of political philosophy—too quick to ignore the medieval centuries and the Scholastic moment—and to relativize the effacement of the institutional Church from the Renaissance on. In so doing, it rejects the binary opposition between the Church and the state, proposes a new periodization of the “transition to modernity,” and underlines the importance of spatial issues (mainly in terms of representation). This last element inscribes the book in the current of French historiography that for more than a decade has sought to reintroduce the question of space at the heart of social and political history. Iogna-Prat’s stimulating demonstration nevertheless raises some questions, notably relating to the effects of the Protestant Reformation, the increasing power of states, and the process of “secularization.” Above all, it raises the issue of how a logic of the polarization of space was articulated with one of territorialization in the practices of government and the structuring of society—two logics that were promoted by the ecclesial institution even before states themselves.

A Greek Carnival

1919 ◽  
Vol 39 ◽  
pp. 110-115
Author(s):  
D. S. Robertson
Keyword(s):  
Good Night ◽  
The World ◽  
The City ◽  
The Town

In the discussion of Greek dramatic origins, a curious passage of Apuleius has never, so far as I know, been mentioned.In the second book of the Metamorphoses the hero Lucius describes a feast given at Hypata in Thessaly by his rich relative Byrrhena. After the feast Byrrhena informs him that an annual festival, coeval with the city, will be celebrated next day—a joyous ceremony, unique in the world, in honour of the god Laughter. She wishes that he could invent some humorous freak for the occasion. Lucius promises to do his best. Being very drunk, he then bids Byrrhena good-night, and departs with his slave for the house of Milo, his miserly old host. A gust blows out their torch, and they get home with difficulty, arm in arm. There they find three large and lusty persone violently battering the door. Lucius has been warned by his mistress, Milo's slave Fotis, against certain young Mohawks of the town—‘uesana factio nobilissimorum iuuenum’—who think nothing of murdering rich strangers. He at once draws his sword, and one by one stabs all three. Fotis, roused by the noise, lets him in and he quickly falls asleep.

The City-Logic of Resistance: Subverting Urbicide in the Middle East City

2017 ◽  
Vol 12 (3) ◽  
pp. 10-24 ◽  
Author(s):  
Bruce Stanley
Keyword(s):  
Middle East ◽  
Armed Conflict ◽  
Right To The City ◽  
Urban Theory ◽  
Civil Resistance ◽  
Extreme Variant ◽  
Urban Terrain ◽  
Critical Urban Theory ◽  
The Right ◽  
The City

Most armed conflict today takes place within urban terrain or within an urbanised context. An extreme variant of such armed conflict is violence perpetrated by external state and non-state forces within the city, known as urbicide. Urbicidal violence deliberately strives to kill, discipline or deny the city to its inhabitants by targeting and then reordering the sociomaterial urban assemblage. Civil resistance within urbicidal violence seeks to subvert the emerging alternative sovereign order sought by such forces. It does so by using the inherent logic of the city in order to maintain/restore the community's social cohesion, mitigate the violence, affirm humanity, and claim the right to the city. This paper investigates the city-logic of civil resistance through examples drawn from the recent urbicidal experiences of Middle East cities such as Gaza, Aleppo, Mosul, and Sana'a. Theoretical insights from the conflict resolution literature, critical urban theory, and assemblage thinking inform the argument.

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