scholarly journals The traveler as author: examining self-presentation and discourse in the (self) published travel blog

2016 ◽  
Vol 38 (6) ◽  
pp. 934-945 ◽  
Author(s):  
Deepti Ruth Azariah
Author(s):  
Zemfira K. Salamova ◽  

Social media has contributed to the spread of fashion, style or lifestyle blogging around the world. This study focuses on self-presentation strategies of Russian-speaking fashion bloggers. Its objects are Instagram accounts and YouTube channels of two Russian fashion bloggers: Alexander Rogov and Karina Nigay. The study also observes their appearances as guests in various interview shows on YouTube. Alexander Rogov received his initial fame through his television projects. Karina Nigay achieved popularity online on YouTube and Instagram, therefore she is a “pure” example of Internet celebritiy, whose rise to fame took place on the Internet. The article includes the following objectives 1) to study the self-branding of fashion bloggers on various online platforms; 2) to analyze the construction of fashion bloggers’ expert positions and its role in their personal brands. Turning to fashion blogging allows us to consider how its representatives build their personal brands and establish themselves as experts in the field of fashion and style in Russianlanguage social media.


2021 ◽  
Author(s):  
Dominika Kováčová

Abstract Drawing on Goffman’s (1990 [1959]) metaphor of stage, this paper considers Instagram a frontstage environment where users are cautious of being watched and attune their performance to how they want to be perceived via strategic self-presentation. This understanding of online performance is particularly pertinent in the discussions of bloggers who turn to Instagram to promote their work to new audiences. Examining the self-presentation practices of three fashion bloggers, this paper argues that to gain popularity on Instagram, bloggers utilize the features of formality and informality in the construction of an authentic and likable self-image. Since in the photographs the bloggers’ professional life is usually depicted as distant from their audience’s reality, the accompanying textual caption serves as a means of providing balance for the overall image the poster seeks to present. Consequently, the caption abounds with features of informality, which connote linguistic immediacy and imitate an intimate conversation with peers.


2018 ◽  
Vol 120 ◽  
pp. 234-237 ◽  
Author(s):  
Christopher Marcin Kowalski ◽  
Radosław Rogoza ◽  
Philip A. Vernon ◽  
Julie Aitken Schermer

2020 ◽  
Vol 6 (1) ◽  
pp. 9-11
Author(s):  
Gareth Longstaff

Celebrity and pornography are dominant features of late-capitalist consumption, and both serve to influence and bolster the performance, curation and construction of a sexualised and/or sexually explicit persona online. More so, a range of social and networked spaces such as Twitter XXX, Instagram, JustFor.Fans and onlyfans.com have enabled ‘ordinary’ subjects to assimilate and adapt elements of celebrity and pornographic representation in ways that have permitted them to explicitly and publicly present (and profit from) their private sexual persona. Individuals create and sustain their individual profiles through boundless processes of self-branding, self-promoting, self-objectifying, and the self-management of their sexual personas as “an ideal typification of the neoliberal self, emphasising how demotic neoliberalism, with the aid of celebrity role models instructs” not only their own, but also their viewers desires (McGuigan 2014, p. 224). This enigmatic discourse of sexual self-presentation as a form of empowerment, entrepreneurialism, and an aesthetic mode of influence may well function as an apex of neo-liberal and late capitalist ideology. It is here that the meticulous construction of sexual authenticity and tropes we connect to the banal and everyday are refined and embodied to tactically produce amateurish porn content that followers and fans identify with, algorithmically rate, consistently follow, prolifically share, and (of course) economically subscribe.


Good Lives ◽  
2021 ◽  
pp. 3-124
Author(s):  
Samuel Clark

Part I investigates a wide range of autobiographies, alongside work on the history and literary criticism of autobiography, on narrative, and on the philosophies of the self and of the good life. It works from the point of view of the autobiographer, and considers what she does, what she aims at, and how she achieves her effects, to answer three questions: what is an autobiography? How can we learn about ourselves from reading one? About what subjects does autobiography teach? This part of the book develops, first, an account of autobiography as paradigmatically a narrative artefact in a genre defined by its form: particular diachronic compositional self-reflection. Second, an account of narrative as paradigmatically a generic telling of a connected temporal sequence of particular actions taken by, and particular events which happen to, agents. It defends rationalism about autobiography: autobiography is in itself a distinctive and valuable form of ethical reasoning, and not merely involved in reasoning of other, more familiar kinds. It distinguishes two purposes of autobiography, self-investigation and self-presentation. It identifies five kinds of self-knowledge at which autobiographical self-investigation typically aims—explanation, justification, self-enjoyment, selfhood, and good life—and argues that meaning is not a distinct sixth kind. It then focusses on the book’s two main concerns, selfhood and good life: it sets out the wide range of existing accounts, taxonomies, and tasks for each, and gives an initial characterisation of the self-realization account of the self and its good which is defended in Part II.


2017 ◽  
Vol 42 (1) ◽  
pp. 23-46
Author(s):  
Nevfel Boz ◽  
Shu-Sha Angie Guan

Abstract Social networking sites like Facebook are popular and ever-expanding, especially among adolescents in Turkey. The study of 406 adolescents aged 14 to 18 (Mage = 15.61, SD = 1.16) provides novel insights into how adolescents from Turkey within a specific cultural framework, display certain kinds of self-presentation strategies. Using the Revised Self-Presentation Scale (RSPS; Lee et al., 1999) when coding adolescents’ profiles for strategies and information, we found that exemplification is the most utilized strategy followed by the ingratiation strategy. Self-report results differed from coded behavioral strategy use for intimidation and self-promotion, where there were higher levels of intimidation strategy than self-reported; for the self-promotion strategy, self-reported levels were higher than coded behavioral use. Particular strategy usage also predicted the sharing of types of information and the number of network friends.


2020 ◽  
Vol 20 (4) ◽  
pp. 485-504
Author(s):  
Friedericke Kuhn

Holiday travel offers the opportunity for self-definition and enhancement of social prestige. Due to the growing importance of self-expressive values within the ongoing course of individualisation, tourists increasingly make use of their travel experience to self-present in a positive way. Yet, tourism studies have not investigated what tourists actually want to communicate about themselves when representing their travel experience through the display of souvenirs. Using semi-structured qualitative interviews, this study examines touristic self-expression and exposes the self-concepts attached to and communicated through the display of souvenirs as material symbols of travel experience. Results show that tourists often have a clear intention to express positive self-messages when showing their souvenirs to others. Souvenirs are used to represent personal character traits, social affiliation to in-groups and neo-tribes, and to demonstrate individual travel history. This article adds to the discussion of individual ascription of meaning to the tourist experience and souvenirs, and gives an insight to the function of souvenirs for self-expression and social exchange.


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