scholarly journals Look at me, I’m on TV: the political dimensions of reality television participation

2021 ◽  
pp. 016344372110369
Author(s):  
Bethany Klein ◽  
Stephen Coleman
Keyword(s):  
Public Sphere ◽  
Reality Television ◽  
Social Issues ◽  
Electoral Systems ◽  
The Political ◽  
Democratic Representation ◽  
Political Dimensions

It has been over 20 years since the reality television genre attracted the attention of fans, critics and scholars. Reality programmes produced high viewing figures, suggesting a strong appetite for the form; critics dismissed the programmes as mindless and the participants as desperate for fame; and scholars assessed the formats, audiences and meanings of reality television, offering a complex, if rarely celebratory, account. While some commentators and scholars made connections between vote-based formats and electoral systems, or between opportunities afforded audiences for the deliberation of social issues and the idealized public sphere, the civic dimension of participation itself has not been explored. In this article, we take a closer look at reality television participants, drawing on press interviews and coverage in order to highlight how participants enact representative performances that might supplement more formal modes of democratic representation.

scholarly journals Beginners On Stage: Arendt, Natality and the Appearance of Children in Contemporary Performance

2016 ◽  
Vol 41 (1) ◽  
pp. 70-84 ◽  
Author(s):  
ADELE SENIOR
Keyword(s):  
Public Sphere ◽  
Political Agency ◽  
The Political ◽  
New Beginning ◽  
Theatre Company ◽  
Political Intervention ◽  
Contemporary Performance ◽  
Political Dimensions

This paper examines the complex questions that arise around the appearance of children in contemporary performance. Drawing on performances by Nottingham-based theatre company Zoo Indigo and by Tim Etchells and the Flemish theatre company Victoria, I consider the extent to which Hannah Arendt's theorization of natality as ‘the new beginning inherent in birth’ that gives rise to the political potential to ‘begin something anew’ can help us to understand the ethico-political dimensions of children's appearance as natal, biological and relational beings in contemporary performance. In particular, I draw on feminist interpretations of Arendt's work to articulate the significance of the embodied aspects and ethical quality of children's relation to adult spectators and performers. I argue that these performances prompt a rethinking of the child's potential to generate political intervention, which moves beyond Arendt's gendered account of political agency in a public sphere from which children are excluded.

scholarly journals Iranian Diaspora, Reality Television and Connecting to Homeland

2018 ◽  
Vol 6 (2) ◽  
pp. 179-187
Author(s):  
Elham Atashi
Keyword(s):  
New Media ◽  
Public Sphere ◽  
Reality Television ◽  
Social Issues ◽  
Reality Tv ◽  
Audience Engagement ◽  
The Public ◽  
Reality Show ◽  
The Public Sphere ◽  
Iranian Diaspora

<p><em>Befarmaeed Sham</em>, an Iranian diasporic media production adapted from the original UK reality show “Come Dine with me” features Iranian diaspora of diverse backgrounds as contestants in a cooking reality show. The success of the show has been unprecedented among audiences back home in Iran, reaching millions of households. Using discourse analysis this article examines the potential of reality TV in widening the scope of public sphere and in providing a space for participation and representation. The key practices to illustrate this are ways diaspora position themselves as subjects through discursive practices to express agency in generating, participating and sharing opinions. Casual talk and the entertaining attribute of reality TV focused on the everyday life of ordinary people, constructs a space to normalize audience engagement with what is otherwise, restrictive taboo topics embedded in themes around belonging, homeland, gender, and identity. The article concludes that the broad system of discourse used by diaspora as participants in the reality show constructs a space for representation. It can be considered as a contribution to enhancing the public sphere to not only communicate and connect with their homeland but to express opinions on broader social issues as a practice of civic engagement. This unique adaptation of reality TV is an important aspect of globalization and in using new media to mobilize diaspora in connecting to homeland.</p>

Facing the Challenge of Democracy

2011 ◽  
Keyword(s):  
Political Participation ◽  
Interest Groups ◽  
Political Knowledge ◽  
The Political ◽  
Political Thinking ◽  
Democratic Representation ◽  
The Public ◽  
Party Polarization

Citizens are political simpletons—that is only a modest exaggeration of a common characterization of voters. Certainly, there is no shortage of evidence of citizens' limited political knowledge, even about matters of the highest importance, along with inconsistencies in their thinking, some glaring by any standard. But this picture of citizens all too often approaches caricature. This book brings together leading political scientists who offer new insights into the political thinking of the public, the causes of party polarization, the motivations for political participation, and the paradoxical relationship between turnout and democratic representation. These studies propel a foundational argument about democracy. Voters can only do as well as the alternatives on offer. These alternatives are constrained by third players, in particular activists, interest groups, and financial contributors. The result: voters often appear to be shortsighted, extreme, and inconsistent because the alternatives they must choose between are shortsighted, extreme, and inconsistent.

Persons Together

2018 ◽  
Author(s):  
Alan L. Mittleman
Keyword(s):  
Human Nature ◽  
Well Being ◽  
Image Of God ◽  
Jewish Tradition ◽  
The Political ◽  
Human Beings ◽  
Human Flourishing ◽  
Political Dimensions ◽  
Market Relations ◽  
The Image Of God

This chapter moves into the political and economic aspects of human nature. Given scarcity and interdependence, what sense has Judaism made of the material well-being necessary for human flourishing? What are Jewish attitudes toward prosperity, market relations, labor, and leisure? What has Judaism had to say about the political dimensions of human nature? If all humans are made in the image of God, what does that original equality imply for political order, authority, and justice? In what kinds of systems can human beings best flourish? It argues that Jewish tradition shows that we act in conformity with our nature when we elevate, improve, and sanctify it. As co-creators of the world with God, we are not just the sport of our biochemistry. We are persons who can select and choose among the traits that comprise our very own natures, cultivating some and weeding out others.

Realignment and Beyond

2018 ◽  
Author(s):  
Russell J. Dalton
Keyword(s):  
Twentieth Century ◽  
Public Opinion ◽  
Social Change ◽  
Driving Force ◽  
Electoral Systems ◽  
The Political ◽  
Democratic Process ◽  
Economic Changes ◽  
Economic Issues ◽  
Societal Changes

Affluent democracies have experienced tremendous socio-economic changes since the mid- twentieth century, which has reshaped public opinion, party programs, and electoral choices. This chapter first summarizes the societal changes that have been a driving force behind the political changes described in this study. One pattern involves the longstanding economic issues of contemporary democracies, and shifting social positions on these issues. In addition, an evolving cultural cleavage and its ties to broader attitudes toward social change have altered citizen policy preferences. In most affluent democracies, the parties’ responses to these changing citizen demands have produced a realignment to represent both economic and cultural positions. The chapter concludes by discussing the implications of the findings for the working of electoral systems and the democratic process more broadly.

The political dimensions of coexistence

2009 ◽  
Vol 9 (1) ◽  
pp. 33-58 ◽  
Author(s):  
Natacha Gagné
Keyword(s):  
The Political ◽  
Political Dimensions

‘Why don’t you let me flow in my space?’

Matatu ◽  
2020 ◽  
Vol 50 (2) ◽  
pp. 444-455
Author(s):  
Hugh Ellis
Keyword(s):  
Public Sphere ◽  
National Culture ◽  
Social Issues ◽  
Women Performers ◽  
Spoken Word ◽  
Gender Based Violence ◽  
Spoken Word Poetry ◽  
Gender Based

Abstract The practice of performance or ‘spoken word’ poetry has gained a significant foothold among the youth in urban Namibia in the last two decades. While this poetry has been put to many socio-political uses, one of the main ones has been a protest against patriarchal elements in Namibian society and culture, and an outcry against Namibia’s high rates of gender-based violence. Patriarchal aspects of Namibia’s national culture are often explicitly linked to violence and to the intersectional nature of oppression. Spoken word poetry has also often given LGBT+ women a space to speak out against their oppression and to normalise their existence. This article shows how women performers have used and modified the conventions of poetry and song to get this challenging—in the Namibian context often radical—message across. The paper argues that poetry in this context has the potential to approximate a localised ‘public sphere’ where inclusive discourse can be held around social issues—bearing mind that people are not excluded from this discourse because of arbitrary reasons such as gender or sexuality.

The Chaste Parricide: Murder, Femininity and the Subversion of Authority in the Reception of the First Performance of Shelley’s The Cenci, 1886

2017 ◽  
Vol 44 (2) ◽  
pp. 192-211
Author(s):  
Lee Michael-Berger
Keyword(s):  
Social Context ◽  
Sixteenth Century ◽  
Public Sphere ◽  
Mass Culture ◽  
The Political ◽  
Political Debate ◽  
The Public ◽  
True Story ◽  
The Public Sphere

The story of The Cenci’s first production is intriguing, since the play, based on the true story of a sixteenth-century Roman family and revolving around the theme of parricide, was published in 1819 but was denied a licence for many years. The Shelley Society finally presented it in 1886, although it was vetoed by the Lord Chamberlain, and to avoid censorship it had to be proclaimed as a private event. This article examines the political and social context of the production, especially the reception of actress’s Alma Murray’s rendition of Beatrice, the parricide, thus probing the ways in which The Cenci question was reframed, and placed in the public sphere, despite censorship. The staging of the play became the site of a political debate and the performance – an act of defiance against institutionalised power, but also an act of defiance against the alleged tyranny of mass culture.

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