scholarly journals Iranian Diaspora, Reality Television and Connecting to Homeland

2018 ◽  
Vol 6 (2) ◽  
pp. 179-187
Author(s):  
Elham Atashi
Keyword(s):  
New Media ◽  
Public Sphere ◽  
Reality Television ◽  
Social Issues ◽  
Reality Tv ◽  
Audience Engagement ◽  
The Public ◽  
Reality Show ◽  
The Public Sphere ◽  
Iranian Diaspora

<p><em>Befarmaeed Sham</em>, an Iranian diasporic media production adapted from the original UK reality show “Come Dine with me” features Iranian diaspora of diverse backgrounds as contestants in a cooking reality show. The success of the show has been unprecedented among audiences back home in Iran, reaching millions of households. Using discourse analysis this article examines the potential of reality TV in widening the scope of public sphere and in providing a space for participation and representation. The key practices to illustrate this are ways diaspora position themselves as subjects through discursive practices to express agency in generating, participating and sharing opinions. Casual talk and the entertaining attribute of reality TV focused on the everyday life of ordinary people, constructs a space to normalize audience engagement with what is otherwise, restrictive taboo topics embedded in themes around belonging, homeland, gender, and identity. The article concludes that the broad system of discourse used by diaspora as participants in the reality show constructs a space for representation. It can be considered as a contribution to enhancing the public sphere to not only communicate and connect with their homeland but to express opinions on broader social issues as a practice of civic engagement. This unique adaptation of reality TV is an important aspect of globalization and in using new media to mobilize diaspora in connecting to homeland.</p>

scholarly journals AUTORITA’ AND AUTOREVOLEZZA: EXPLAINING CONTESTATIONS BETWEEN POLITICAL AND RELIGIOUS LEADERS IN THE AGE OF THE NEW MEDIA

2011 ◽  
Vol 5 (1) ◽  
pp. 17-38
Author(s):  
Walter C. Ihejirika
Keyword(s):  
New Media ◽  
Public Sphere ◽  
The State ◽  
Political Connection ◽  
Religious Leaders ◽  
Political Leaders ◽  
African Countries ◽  
Material Wealth ◽  
The Public ◽  
The Public Sphere

In many African countries, since the nineties, there is a subtle contest going on between religious and political leaders. At the heart of this contest is what Rosalind Hackett described as the redefinition of the categories of power and status, which cease to be primarily tied to material wealth or political connection, but rather to spiritual authority and revelation. This is a struggle for the hegemonic control of the society in the Gramscian sense of the term. While political leaders may use the coercive arms of the state – military might as well as their control of the financial resources of the state to impose their authority, religious leaders on the other hand assume the posture of moral icons, personalities endowed with superior knowledge based on divine revelation. As these contestations are played out in the public sphere, the way the leaders are able to portray themselves to their public will determine their followership. This explains the importance of mediation in the process of politico-religious contestations. In the eyes of the public, political leaders have the physical or raw power - the Italian concept of autorita; while the religious leaders have the moral power - autorevolezza. This paper uses these concepts as metaphors to present a general explanation of how the contestation between religious and political leaders plays out in the public sphere of the new media

scholarly journals Rethinking science communication in a changing landscape

2021 ◽  
Vol 20 (03) ◽  
pp. E
Author(s):  
Frank Kupper ◽  
Carolina Moreno-Castro ◽  
Alessandra Fornetti
Keyword(s):  
New Media ◽  
Public Sphere ◽  
Science Communication ◽  
Special Issue ◽  
The Public ◽  
The Public Sphere ◽  
Selection Of

Science communication continues to grow, develop and change, as a practice and field of research. The boundaries between science and the rest of society are blurring. Digitalization transforms the public sphere. This JCOM special issue aims to rethink science communication in light of the changing science communication landscape. How to characterize the emerging science communication ecosystem in relation to the introduction of new media and actors involved? What new practices are emerging? How is the quality of science communication maintained or improved? We present a selection of papers that provide different perspectives on these questions and challenges.

Issues of Digital Disempowerment and New Media Networking (NMN) in Relation to E-Government

2011 ◽  
pp. 92-115 ◽  
Author(s):  
Kenneth L. Hacker ◽  
Eric L. Morgan
Keyword(s):  
New Media ◽  
Political Participation ◽  
Public Sphere ◽  
Political Dialogue ◽  
The Public ◽  
Media Technologies ◽  
Digital Democracy ◽  
Emerging Media ◽  
The Public Sphere ◽  
The Relationship

Emerging media technologies are increasingly reconfiguring the public sphere by creating new spaces for political dialogue. E-democracy (digital democracy) and e-government can be usefully served by these emerging technologies; however, their existence does not automatically equate to increased political participation. There is still a need to develop specific and theoretically-oriented approaches to a newly reconfigured public sphere. Employing a structurational perspective, this essay addresses the relationship between political participation, emerging media, new media networking, and e-democracy. While new media networking increases the potential for political participation, depending on various factors such as access, usage and skills, the potential exists for increasing disempowerment as well. The chapter concludes with recommendations for the use of new media networking in ways that enhance e-democracy.

scholarly journals Starving at the Laid Table? Journalism, Digitalization and Corporate Capitalism

2018 ◽  
Vol 8 (3) ◽  
Author(s):  
Christiane Schnell
Keyword(s):  
New Media ◽  
Public Sphere ◽  
The Other ◽  
The Public ◽  
Professional Authority ◽  
The Everyday ◽  
The World ◽  
Market Driven ◽  
The Public Sphere ◽  
Severe Shortage

Professional journalism fulfills an important role in modern democracies, while always standing with one leg in the public sphere and the other in the private media economy. Within the era of digitalization, the limits of a market-driven professionalism become apparent. Since information appears to be easily accessible due to new media, journalism lost its role as a gatekeeper for “what the world needs to know”. But dropping an anachronistic idea of professional authority—as reform projects within the journalistic profession demanded for decades—does not necessarily lead to a more open and participatory public sphere. On the contrary, the chance for reliable news seems to shrink in the everyday flood of information. Facing a severe shortage of professionalism against the background of an oversupply in the field of journalism might indicate a general paradox of contemporary societies.  

Hall of Mirrors: Media, Democratization, and the Public Sphere in Maranhão, Brazil

2018 ◽  
Vol 45 (3) ◽  
pp. 208-223 ◽  
Author(s):  
Julián Durazo Herrmann
Keyword(s):  
New Media ◽  
Public Sphere ◽  
Regime Change ◽  
Freedom Of Expression ◽  
Sources Of Information ◽  
The Public ◽  
Critical Elements ◽  
Strong Interference ◽  
The Media ◽  
The Public Sphere

Freedom of expression and access to diverse sources of information are seen as critical elements of democracy, although their concretization on the ground is subject to strong interference. Recent regime change in Maranhão, one of Brazil’s poorest states, has led to the emergence of new media and some expansion of the public sphere. The traditional oligarchy continues to dominate the media, however, and the opposition media replicate its exclusion of nonelite actors. The Maranhão experience confirms that normative approaches to the media either as automatic contributors to democracy or as instruments of elite manipulation have little value for understanding media dynamics. Liberdade de expressão, bem como o acesso a diversas fontes de informação, são considerados elementos críticos da democracia, ainda que a concretização desses fatores esteja sujeita a forte interferência. A recente troca de regime no Maranhão, um dos estados mais pobres do Brasil, tem levado ao surgimento de uma nova mídia e a uma certa expansão da esfera pública. Contudo, a oligarquia continua dominando a mídia tradicional e a mídia alternativa imita a prática de exclusão de atores não pertencentes à elite. A experiência do Maranhão confirma que tratamentos normativos que veem a mídia como contribuinte automática do processo democrático, ou como instrumento de manipulação da elite, teem pouco valor para se entender a dinâmica da mídia.

scholarly journals Social contexts of music culture in the epoch of “current modernity”: from aleatoric to reflecting Shostakovich

2020 ◽  
Vol 20 (3-4) ◽  
pp. 23-28
Author(s):  
Marina A. Petinova
Keyword(s):  
New Media ◽  
Public Sphere ◽  
Social Communication ◽  
Social Ontology ◽  
Social World ◽  
Social Contexts ◽  
Digital Environment ◽  
The Public ◽  
The Social ◽  
The Public Sphere

The dynamic processes taking place in society encompass all the meridians of activity-based forms of culture, including art. The social optics of everyday life shows that today the conditions for the existence of institutions can suddenly change, leading to a change in the way a person exists, transforming his place and habitual forms of activity, leading to an unexpected change in perception, destroying established expectations and goals. Time in such a new social ontology loses its processuality and connectedness, turning into isolated moments, impulses. Creativity processes either freeze, giving way to states of obscurity, prostration, or go into the development of a new media reality, into the public sphere of the digital environment and social communication. The above-described properties of the modern social world have allowed Sigmund Bauman to metaphorically describe it as fluid modernity. But if the borders are fluid and pass everywhere (M. Bakhtin), then the global question arises of the place and position of culture and, in particular, art. Time in such a new social ontology loses its processuality and connectedness, turning into isolated moments, impulses. Creativity processes either freeze, giving way to states of obscurity, prostration, or go into the development of a new media reality, into the public sphere of the digital environment and social communication. The above-described properties of the modern social world have allowed Sigmund Bauman to metaphorically describe it as fluid modernity. But if the borders are fluid and pass everywhere (M. Bakhtin), then the global question arises of the place and position of culture and, in particular, art. In the article, music as a form of culture is considered in relation to the social theory of Z. Bauman. And also mentioned D.D. Shostakovich in the context of the double meaning of his work.

scholarly journals Girls on YouTube: Gender Politics and the Potential for a Public Sphere

2014 ◽  
Vol 10 ◽  
Author(s):  
Natasha Szostak
Keyword(s):  
New Media ◽  
Public Sphere ◽  
The Self ◽  
Men And Women ◽  
Women's Voices ◽  
The Public ◽  
The World ◽  
Gender Divide ◽  
The Public Sphere ◽  
Insight Into

YouTube is a massively popular video streaming website. It has become so ingrained in daily consciousness that it is almost difficult to conceive of a time in which it did not exist. YouTube’s slogan is “Broadcast Yourself.” It connotes a sense of freedom to be whoever you want to be and communicate this conceptualization of the self with the world. Vlogs, or video blogs, share the same function as a traditional diary except there is no assumption of privacy since the videos are uploaded publicly. Both men and women participate in the production of these videos. However, the experience of male and female YouTubers is quite different. The following paper will explore whether YouTube operates as a public sphere in light of the gender divide that appears to have formed on the site. The four objectives of the paper are as follows: to define the concept of the public sphere, to determine the factors that have contributed to a gender divide on YouTube by analyzing the gendered use of the medium, to examine the reception of the controversial “Girls on YouTube” video by female vloggers, and to evaluate whether YouTube operates as a public sphere in light of the findings of the preceding sections. Ultimately, this paper will give greater insight into whether new media offers the possibility for women's voices to be heard or if it is simply a remediation of older patriarchal technology.

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