The Norwegian National Library: Poised on the Threshold of the Twenty-First Century

Author(s):  
Jon Bing

The article celebrates the reopening of the National Library of Norway in its refurbished Oslo building in the centenary year of Norway's independence. It describes the evolution of the Library and its separation from Oslo University Library. The deposit function of the Library is centred on its Mo i Rana branch, which now stores material in digital form as well as in traditional formats. The author considers the place of the Library in the wider Norwegian library scene, where the National Library can play a coordinating role. The Norwegian Digital Library, for example, involves other libraries, information providers and system vendors, as well as the National Library. In the digital age, what the National Librarian of Norway describes as the ‘extended notion of texts’ means that society is documented not only by conventional texts, but by sound and images, broadcasts and performances. Preserving these ‘texts’ and making them available to a wide range of users is a challenge of the twenty-first century that the National Library is happy to accept.

2021 ◽  
pp. 1-21
Author(s):  
Heekyoung Cho

This article examines the webtoon (wept'un)—a term coined in Korea to refer to webcomics—which is arguably the most pervasive and powerful form of digital serial production in twenty-first-century Korea. Webtoons have developed by utilizing various potentials that the digital platform offers, such as open solicitation, (partial) free web/mobile distribution, profit from advertisement and page viewing, and transmedia production. As a new cultural medium, the webtoon is thus inseparable from its platform and organically tied to its distinctive platform ecology, which is different from the ecosystems that other (global) mega-platforms create. Engaging with the insights from recent studies of platforms and utilizing empirical media analysis, I argue that Korean webtoon platforms demonstrate the continuing and intensifying dependency of art on platforms—a process that I call “the platformization of culture”—and that this specific type of platformization is reinforced by what I call “the artist incubating system.” The case of webtoon platforms reveals a number of telling aspects of media ecosystems for art production in the digital age—aspects that are spreading and expanding to various fields of art.


Author(s):  
Dionysia Katelouzou ◽  
Peer Zumbansen

This chapter explores corporate governance as a transnational regulatory field. Mirroring the rise in importance of the idea of shareholder wealth maximization as a firm’s definitive performance measure, corporate governance became a hotly contested field of competing visions of firms’ institutional and normative infrastructure in search of creating the most advantageous conditions to attract capital in volatile markets. This shift occurred at the same time that regulatory transformations in Western postindustrial societies since the early 1980s had begun to significantly shift public service provision and state-organized frameworks for old-age security guarantees and access to health services. Today’s corporate governance laboratory is a transnational force field, fought over by a host of different state and nonstate actors and also by private actors such as institutional investors. Meanwhile, following the financial crises in 2001, 2008 and 2020 and the simultaneously growing pressure on corporations from human rights, gender equality, and environmental groups, the corporate governance debate again is shifting. This time, a diversity of issues are being discussed under the corporate governance rubric, indicating a more comprehensive engagement with the firm’s purpose and functions and its societal obligations and responsibilities. Given the crucial role of firms as the residual claimants of a wide-ranging retreat of the state from its role in guaranteeing and providing a wide range of social functions, corporate governance is a mirror for the transformation of public and private power, and it has to address the twenty-first-century challenges, including global value chains and the proliferation of institutional investors, unfolding on a planetary scale.


2020 ◽  
pp. 58-105
Author(s):  
Ben Bradley

Throughout his life Darwin collected and investigated a host of creatures from a wide range of relatively simple species—zoophytes, sea pens, corals, worms, insects, and a diversity of plants. These studies aimed to answer fundamental questions about the characteristics of life, the nature of individuality, reproduction, and the implications of agency. Central amongst these implications were interdependencies between organisms, with their conspecifics, with different species, and with their conditions of life. In this way Darwin built up a picture of the living world as a theatre of agency. The derivation of evolution from this living theatre—which he called ‘the struggle for existence’—gave Darwin’s vision of nature its distinctiveness. While twentieth-century biology sidelined the agency of organisms in favour of the gene, the twenty-first century has returned to Darwin’s view that evolution is led by organisms (or ‘phenotypes’)—with implications for psychology differing considerably from contemporary evolutionary psychologies.


2019 ◽  
pp. 178-195
Author(s):  
Angela McShane

This chapter argues that drinking things are of central importance to our understanding of the long relationship between humans and alcohol. It explores the history of the English man (and woman’s) pint of beer, as an object, a drink, and a measure, from the late-sixteenth to the twenty-first century, to show how the relationships between objects, drinks, and measures have been socially and culturally constructed over time. Drawing upon a wide range of objects, images, and textual sources, and benefiting from the theoretical lenses of material performativity and praxeology, it argues that material insights not only help us to understand the deeper cultural processes at play in the routines and rituals of convivial drinking, but also help us to understand their wider role in social and political change.


2019 ◽  
Vol 8 (1) ◽  
pp. 153-166
Author(s):  
Stewart M. Hoover

Abstract The persistence of religion in the twenty-first century has renewed the importance of scholarships devoted to it. At the same time, the digital age has re-positioned and recentered the affordances of mediated circulations around "the religious." This increasing presence and significance of media and religion suggests that substantive scholarships of religion must necessarily articulate media as well. Religious controversies therefore present a special challenge and a special opportunity to scholarships of media and religion. New ways of doing scholarship, and doing so publicly, present themselves. All scholarships of mediated religion must necessarily be public, so scholarship is articulated into these circulations, and at the same time can build on and benefit from knowledge-building that occurs outside the formal boundaries of the academy. This paper explores emerging theories of digital mediation and proposes a circulation-focused understanding of the role, place, and potentials of scholarships today.


2011 ◽  
Vol 24 (24) ◽  
pp. 6501-6514 ◽  
Author(s):  
Scott B. Power ◽  
Greg Kociuba

Abstract The Walker circulation (WC) is one of the world’s most prominent and important atmospheric systems. The WC weakened during the twentieth century, reaching record low levels in recent decades. This weakening is thought to be partly due to global warming and partly due to internally generated natural variability. There is, however, no consensus in the literature on the relative contribution of external forcing and natural variability to the observed weakening of the WC. This paper examines changes in the strength of the WC using an index called BoxΔP, which is equal to the difference in mean sea level pressure across the equatorial Pacific. Change in both the observations and in World Climate Research Programme (WCRP) Coupled Model Intercomparison Project phase 3 (CMIP3) climate models are examined. The annual average BoxΔP declines in the observations and in 15 out of 23 models during the twentieth century (results that are significant at or above the 95% level), consistent with earlier work. However, the magnitude of the multimodel ensemble mean (MMEM) 1901–99 trend (−0.10 Pa yr−1) is much smaller than the magnitude of the observed trend (−0.52 Pa yr−1). While a wide range of trends is evident in the models with approximately 90% of the model trends in the range (−0.25 to +0.1 Pa yr−1), even this range is too narrow to encompass the magnitude of the observed trend. Twenty-first-century changes in BoxΔP under the Special Report on Emissions Scenarios (SRES) A1B and A2 are also examined. Negative trends (i.e., weaker WCs) are evident in all seasons. However, the MMEM trends for the A1B and A2 scenarios are smaller in magnitude than the magnitude of the observed trend. Given that external forcing linked to greenhouse gases is much larger in the twenty-first-century scenarios than twentieth-century forcing, this, together with the twentieth-century results mentioned above, would seem to suggest that external forcing has not been the primary driver of the observed weakening of the WC. However, 9 of the 23 models are unable to account for the observed change unless the internally generated component of the trend is very large. But indicators of observed variability linked to El Niño–Southern Oscillation (ENSO) and the Interdecadal Pacific Oscillation have modest trends, suggesting that internally variability has been modest. Furthermore, many of the nine “inconsistent” models tend to have poorer simulations of climatic features linked to ENSO. In addition, the externally forced component of the trend tends to be larger in magnitude and more closely matches the observed trend in the models that are better able to reproduce ENSO-related variability. The “best” four models, for example, have a MMEM of −0.2 Pa yr−1 (i.e., approximately 40% of the observed change), suggesting a greater role for external forcing in driving the observed trend. These and other considerations outlined below lead the authors to conclude that (i) both external forcing and internally generated variability contributed to the observed weakening of the WC over the twentieth century and (ii) external forcing accounts for approximately 30%–70% of the observed weakening with internally generated climate variability making up the rest.


X ◽  
2020 ◽  
Author(s):  
Stefano Cecamore

The castle of Morrea. Evolution and destiny of fortified structures in Central ItalyThe shape that today characterizes the fortified building of the castle of Morrea is only the last of the various stratifications that have modified the original layout thorughout the centuries. The current aspect of the building is most likely linked to the interventions promoted by the Piccolomini family between the twentieth and twenty-first century. The building represents the evolution from castrum to aristocratic residence that involves the various fortified structures placed along the Apennine ridge between the eastern and western front of Central Italy. In this area the various degrees of transformations of the castles, which are periodically updated for reasons due to oxidation and representative natures, are clearly readable. The artifacts analyseable represent a wide range of samples of fortifications of the most ancient form of specialized buildings which were often largely left in the state of ruins, including that of buildings yet still functional, however, far from their consistency and original purpose. The overall panorama of this architectural heritage outlines a complex scenario consisting of problems related to the conservation and maintenance where restoration projects need to find and be in the proper position of restoration and respect of the bond between the building environment, the landscape and the identities of the territory.


Author(s):  
Jeasik Cho ◽  
Allen Trent

This chapter addresses a wide range of theories and practices related to the evaluation of qualitative research (EQR). First, six categories of EQR are presented: (1) a positivist category, (2) Lincoln and Guba’s alternative category, (3) a “subtle-realist” category developed by Hammersley and Atkinson, and Seale, (4) a general EQR category, (5) a category of post-criteriology, and (6) a post-validity category. Second, evaluation strategies for EQR are offered by providing a variety of actual examples. Third, the chapter discusses a path forward for EQR that includes both internal and external elements. The chapter concludes with a holistic view of EQR needed to collectively construct/confront inner and outer challenges to qualitative paradigms in the twenty-first century. Twenty-first-century criteria supported include thought-provoking ideas, innovative methodology, performative writing, and global ethics and justice mindedness.


2021 ◽  
pp. 507-524
Author(s):  
Ted Gioia

At the dawn of the twenty-first century, many pundits announced the “death of jazz,” yet recent years have shown the exact opposite trend. Jazz has returned to popular culture, whether one looks to rising stars such as Kamasi Washington and Shabaka Hutchings, or to popular artists (Lady Gaga, Kendrick Lamar) who draw heavily on jazz influences. At the same time, jazz started showing up in hit movies such as La La Land, Green Book, and Whiplash, where it was mythologized as a touchstone of musical excellence and artistry. All these trends served to reinvigorate a jazz tradition that many had written off as moribund, creating a powerful convergence of historic styles and new commercial styles. This chapter also explores the jazz vocal scene of recent decades, and its contribution to this broadening of the genre’s appeal. Other artists discussed include Robert Glasper, Esperanza Spalding, and Bobby McFerrin. The chapter concludes with an assessment of jazz’s relationship with the emerging technologies of the digital age.


Sign in / Sign up

Export Citation Format

Share Document