Gender on the ropes: An autoethnographic account of boxing in Tasmania, Australia

2015 ◽  
Vol 52 (6) ◽  
pp. 734-750 ◽  
Author(s):  
Meredith Nash

This paper documents how I fought for a place as a boxer in a regional Tasmanian boxing gym over a 30 month period. This work builds on existing ethnographic accounts that argue that, for women, becoming a boxer is more than just a matter of developing a fit body and physical skill – it is a continual project of negotiating gendered identity. Using an analytic autoethnographic methodology and drawing on contemporary theories of masculinity, I share my individual experiences as a boxer and, in turn, reveal the complexities of bodywork and gendered identity within Tasmanian amateur boxing culture. My closing discussion analyses the way in which performances of masculinity were precarious, fragmented and anxious.

2008 ◽  
Vol 36 (1) ◽  
pp. 163-186 ◽  
Author(s):  
Andrea Kaston Tange

Margaret Oliphant's work has of late received renewed attention for her portrayal of heroines who struggle against the confines of proper middle-class femininity – who are at once sympathetic and yet do not fit the model of the submissive Victorian domestic angel – and Miss Marjoribanks (1866) is no exception. Without fully discounting the Victorian notion that there is a proper place women ought to occupy, Miss Marjoribanks raises complex questions about how that place is defined and limited. Recent scholarly attention to the novel highlights Oliphant's sustained engagement with the issue of how far propriety and custom circumscribe a woman's place. Such examinations, however, fail to address the extent to which Oliphant demonstrates the flexibility of cultural notions of a woman's place by focusing the action of Miss Marjoribanks almost entirely on the heroine's creation of a very specific physical place for herself – her drawing-room. Examining Miss Marjoribanks's portrayal of how a Victorian woman might capitalize on the centrality of the drawing-room in shaping cultural notions of feminine identity, this essay argues that once Lucilla Marjoribanks has established the drawing-room as a physical and ideological space that will contain her actions, she uses this space and all it represents to expand the boundaries of her cultural place. By focusing specifically on the work its heroine undertakes within her drawing-room and by asserting that a woman's power lies in the possibility for feminine taste to accomplish action, Oliphant's novel, like her heroine, operates within the “prejudices of society” while simultaneously offering a means to exploit those prejudices. This architecturally-motivated re-reading of Oliphant's novel in turn suggests a re-reading of Oliphant's own career. For I would argue that novels operated for Oliphant the way that drawing-rooms do for Lucilla: they provided a culturally-sanctioned place in which to locate herself, and thereby reaffirm her respectable feminine position, even while she undertook projects that challenged Victorian assumptions about gendered identity.


2017 ◽  
Vol 39 (3) ◽  
pp. 391-407 ◽  
Author(s):  
Antonio García-Gómez

The electronic swapping of sexually provocative images and texts, commonly known as sexting, seems to have become part and parcel of adolescents’ social lives. In spite of both media and policy attention, questions remain about the way(s) young women navigate sexual relationships and construct their gendered identity discursively by endorsing/challenging social and behavioural norms of sexual agency. Guided discussions involving 36 young women were conducted. The main of aim of this study was to gain insight into the characteristics of sexualised adolescent cyberculture by analysing their discourses about sexting, the effects on their lives and its implications. In this article, I argue that the discourse analysis of these young women’s own construction of their sexualised gender identity may throw light on the interrelationships between dominant purportedly sexualised culture and agency.


2021 ◽  
Vol 3 (2) ◽  
pp. 71-78
Author(s):  
Nirjala Adhikari

The aim of this paper is to analyse Manu Brajaki’s story “Annapurna’s Feast” and Maya Thakuri’s “War,” using the resistance theory. It explores the nature of resistance and its significance presented in the stories. The paper argues that both female protagonists of the stories resist injustice happened in their life due to their gendered identity as women, but the way they resist is different: one directly shows the courage and declares to fight against it whereas another silently inherits all the patriarchal value although her silence speaks out loud and gives agency to her voice. To elucidate this statement, Hollander and Rachel L. Einwohner’s concepts on resistance is used. Both stories depict the life of the housewives who are victimized due to existing patriarchal values. The female protagonist of Brajaki seems so resilient whereas Thakuri’s protagonist directly speaks out for the injustice. Both stories present the female protagonists’ silence and courage to speak out as their ways to resist and expose their difficulties to speak out.


Author(s):  
Mujtaba Al-Hilo ◽  
Hayder Gebreen

This paper investigates the socio-historical context in which the Gothic novel appeared. It seeks to shed light on the psychological side of this debut. One of the problems of recent studies in this regard is that they tend to detach the appearance of the Gothic novel from the historical context that gave birth to this genre. This leads to inaccurate findings and conclusions because this genre rose out of necessity. It was a method of fighting back the suppressive social conditions from which females suffered. This study is necessary to reveal the oppressive context females endured, and how that patriarchal ideology was universally and rationally justified and eluded any possible questioning. This suppressive condition was deeply rooted in the unconscious of subjects. Gothic novel was a revolution against that prevailing ideology, socially, religiously, and intellectually. It was considered a form of atheism. In this regard, this paper seeks to question the validity of the appearance of this genre and the way it is justified. It also presents a host of findings that displays the necessity out of which this genre rose, with references to Emily Bronte’s Wuthering Heights and Mathew Lewis’ The Monk.


2018 ◽  
Vol 41 ◽  
Author(s):  
Maria Babińska ◽  
Michal Bilewicz

AbstractThe problem of extended fusion and identification can be approached from a diachronic perspective. Based on our own research, as well as findings from the fields of social, political, and clinical psychology, we argue that the way contemporary emotional events shape local fusion is similar to the way in which historical experiences shape extended fusion. We propose a reciprocal process in which historical events shape contemporary identities, whereas contemporary identities shape interpretations of past traumas.


2020 ◽  
Vol 43 ◽  
Author(s):  
Aba Szollosi ◽  
Ben R. Newell

Abstract The purpose of human cognition depends on the problem people try to solve. Defining the purpose is difficult, because people seem capable of representing problems in an infinite number of ways. The way in which the function of cognition develops needs to be central to our theories.


1976 ◽  
Vol 32 ◽  
pp. 233-254
Author(s):  
H. M. Maitzen

Ap stars are peculiar in many aspects. During this century astronomers have been trying to collect data about these and have found a confusing variety of peculiar behaviour even from star to star that Struve stated in 1942 that at least we know that these phenomena are not supernatural. A real push to start deeper theoretical work on Ap stars was given by an additional observational evidence, namely the discovery of magnetic fields on these stars by Babcock (1947). This originated the concept that magnetic fields are the cause for spectroscopic and photometric peculiarities. Great leaps for the astronomical mankind were the Oblique Rotator model by Stibbs (1950) and Deutsch (1954), which by the way provided mathematical tools for the later handling pulsar geometries, anti the discovery of phase coincidence of the extrema of magnetic field, spectrum and photometric variations (e.g. Jarzebowski, 1960).


Author(s):  
W.M. Stobbs

I do not have access to the abstracts of the first meeting of EMSA but at this, the 50th Anniversary meeting of the Electron Microscopy Society of America, I have an excuse to consider the historical origins of the approaches we take to the use of electron microscopy for the characterisation of materials. I have myself been actively involved in the use of TEM for the characterisation of heterogeneities for little more than half of that period. My own view is that it was between the 3rd International Meeting at London, and the 1956 Stockholm meeting, the first of the European series , that the foundations of the approaches we now take to the characterisation of a material using the TEM were laid down. (This was 10 years before I took dynamical theory to be etched in stone.) It was at the 1956 meeting that Menter showed lattice resolution images of sodium faujasite and Hirsch, Home and Whelan showed images of dislocations in the XlVth session on “metallography and other industrial applications”. I have always incidentally been delighted by the way the latter authors misinterpreted astonishingly clear thickness fringes in a beaten (”) foil of Al as being contrast due to “large strains”, an error which they corrected with admirable rapidity as the theory developed. At the London meeting the research described covered a broad range of approaches, including many that are only now being rediscovered as worth further effort: however such is the power of “the image” to persuade that the above two papers set trends which influence, perhaps too strongly, the approaches we take now. Menter was clear that the way the planes in his image tended to be curved was associated with the imaging conditions rather than with lattice strains, and yet it now seems to be common practice to assume that the dots in an “atomic resolution image” can faithfully represent the variations in atomic spacing at a localised defect. Even when the more reasonable approach is taken of matching the image details with a computed simulation for an assumed model, the non-uniqueness of the interpreted fit seems to be rather rarely appreciated. Hirsch et al., on the other hand, made a point of using their images to get numerical data on characteristics of the specimen they examined, such as its dislocation density, which would not be expected to be influenced by uncertainties in the contrast. Nonetheless the trends were set with microscope manufacturers producing higher and higher resolution microscopes, while the blind faith of the users in the image produced as being a near directly interpretable representation of reality seems to have increased rather than been generally questioned. But if we want to test structural models we need numbers and it is the analogue to digital conversion of the information in the image which is required.


1979 ◽  
Vol 44 (1) ◽  
pp. 3-30 ◽  
Author(s):  
Carol A. Pruning

A rationale for the application of a stage process model for the language-disordered child is presented. The major behaviors of the communicative system (pragmatic-semantic-syntactic-phonological) are summarized and organized in stages from pre-linguistic to the adult level. The article provides clinicians with guidelines, based on complexity, for the content and sequencing of communicative behaviors to be used in planning remedial programs.


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