Hands-Off Leadership and Multicultural Programs

1992 ◽  
Vol 15 (3) ◽  
pp. 33-37 ◽  
Author(s):  
Craig Sarbeck

A small circle of young women sat in the warm mid-winter sun deep in the Central Kalahari of Botswana. Russian, American and Batswana, they were part of a multicultural program which had assembled a few days earlier. The facilitator was encouraging a discussion of issues of importance to women. The American women, always quick to speak, suggested discussing abortion, a highly charged topic that, to them, clearly symbolized women's issues around the world. However, to the Russians, abortion was not an issue. It was simply an accepted form of birth control. One young woman had already had two. To the Batswana, abortion was not an issue. It was inconceivable that anyone would ever abort a child. So it was left to the Americans to explain why it is a sharply divisive issue in their country, and to try to engender a conversation about something that was at best a curiosity to the other women. The two of us had been sitting for hours, waiting in the car on a dark roadside north of Gaborone, Botswana, watching the constellations wheel slowly over the silent land. We were looking for a bus from Harare, Zimbabwe that was supposed to arrive sometime around 6 p.m. It had been coming three times a week for years, but nobody seemed to know where it was going to stop on any given day, so we had decided to try intercepting it. Not only that, the Russians we were expecting may not have even made it to Harare as far as we knew. Finally, well past midnight, a bus roared by and we took chase. At the first stop, somewhere in Gaborone, we ran to the door of the bus and found five smiling Russians stepping off. “How was it?” I asked Elena Sadovnikova, their irrepressible leader. “Well, we forgot about visas for Botswana and they refused us at the border. But African bureaucracy is no match for a Russian. Once again, bureaucracy struggled against Elena and lost!”

2010 ◽  
Vol 4 (1) ◽  
pp. 3-23
Author(s):  
Hyson Cooper

Using Anthony Trollope’s character Tom Tringle ofAyala’s Angel, I argue that in his portrayal of the hobbledehoy, Trollope is imposing on Victorian boys and young men a code of behavior every bit as restrictive and every bit as unnatural as the “suffer and be still” doctrine imposed on girls and young women. Using critical tools from the fields of Masculinity Studies and studies of literary character, I discuss Trollope’s portrayal of Tom Tringle as emblematic of the restrictions Victorian gender ideology placed on women. What emerges is a new dimension to Victorian gender studies. The admonition addressed to Victorian women of all ages and classes that they should “suffer and be still” in the face of any adversity is well known, and is often accompanied by the assumption that no similar restriction is placed on boys and men. In the world of Anthony Trollope’s novels, however, unlike that of many other Victorian novelists, women seldom need much taming, as obedience is a strong character trait in the majority of his heroines. His young men, on the other hand, tend to be far less morally evolved, and in Trollope’s love plots, if anyone has to undergo profound changes of character before being fit for marriage, it is usually the man. I argue that Trollope’s stern but gentle treatment of the misfit Tom provides further answers to the often debated question of Trollopes relative conservatism.


2002 ◽  
Vol 21 (5) ◽  
pp. 50-50 ◽  
Author(s):  
Sarah Kate Zampino

Thank you very much for your offer to include my picture in Neonatal Network.® Obviously, I do not remember when I was on the cover but I have seen the picture. I am honored to be part of your 20th anniversary celebration. My mom is an NICU nurse and I see your magazines around our house, usually by her bathtub, all the time. I really think you should put my mom and her friends on the cover of Neonatal Network.® I don’t even think about being a premature baby nor do I have any side effects or anything. My mom and the other nurses, therapists, and doctors are the really great people in the world. My mom cannot talk about her work too much but sometimes it is really hard. Like, I can always tell when she takes care of a baby who died or a really sick baby that is not going to make it. Sometimes she even comes home and cries. I can also always tell when she takes care of a mom who is just 14 years old because then she lectures me about birth control for weeks. So, anyway, I think it is the neonatal nurses who need more recognition even though my mom says they (nurses) really like to hear about all their babies especially the ones that are grown up like me.


1994 ◽  
Vol 108 (11) ◽  
pp. 1001-1004 ◽  
Author(s):  
N. Louis ◽  
M. Hanley ◽  
N. McD. Davidson

AbstractKikuchi-Fujimoto disease (KFD) has been widely reported from Japan and sporadically from many parts of the world including Saudi Arabia, since its original description in 1972 but the disease remains poorly known by clinicians. In this paper we report two Saudi patients seen in Tabuk. Saudi Arabia. One was a 36-year-old Saudi man and the other a 16-yearold Saudi girl. Both presented with cervical lymphadenopathy and pyrexia. Histological examination of biospy material from both showed classical features of KFD. Other laboratory findings were unremarkable except for leucopenia. Following excision biopsy both patients recovered without sequelae. KFD is a self-limiting process of uncertain aetiology that predominantly affects young women aged 20–-30 years. We review the pathology, clinical featuers and possible aetiology of this interesting disease, which may well be underdiagnosed. Increased awareness of KFD will minimize the risk of confusing this entity with malignant lymphoma or other serious conditions.


Prospects ◽  
1984 ◽  
Vol 9 ◽  
pp. 187-230
Author(s):  
Judith Fryer
Keyword(s):  

Thomas pynchon's oedipa maas sees in the Varo triptych echoes of her own Rapunzel-like state, her world a tower from which Pierce Inverariety has ineffectually tried to rescue her. Pynchon does not comment on the other two panels of the triptych. In the first, the young women (more slender than frail) file away on bicycles from their conventlike towers – out for exercise or a trip to town; in the last, one of the maidens departs with her knight of deliverance. Nor does Pynchon observe that in the middle panel the young women, embroidering the tapestry of the world in their communal solitude, create the world. In which panel, one might ask, are the young women most free?The work of Remedios Varo is filled with women in towers; spinning, weaving, writing poetry, composing music – creating the world. All of the women are the same woman. She frightens Pynchon. “Such a captive maiden,” he writes, “soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant.”


2019 ◽  
Vol 7 (5) ◽  
pp. 823-826
Author(s):  
Lourdes Antoinette Shalini ◽  
Alamelu C

Purpose of the study: This work explores feminism as a conceptual framework for viewing society and its impact on women by analyzing the changes in women’s life and attitude through the film Pink. Methodology: The study is descriptive research and is analyzed through the content and follows interpretive methods for critical analysis. Main Findings: An amazing, valiant movie that spotlights on real young women who live genuine lives and manage thorny routine issues, which every young woman faces all over the world and relates with. Applications of this study: The present work is interpreted in the light of feminist theory and criticism which has paved path for many solutions all over the world through not only writings but also by various means, in which films play a vital role where the struggles have been brought out in the screen so that women could relate themselves with the characters portrayed in the films which are not only imaginative; but the real face of many unknown women in the society. Novelty/Originality of this study: The present work differs and deals with the co-existence that this society should abide by, be it a man or women both have equal roles in the society and through the lead actor this bold issue has been dealt in the film Pink.


Daedalus ◽  
2020 ◽  
Vol 149 (1) ◽  
pp. 236-250
Author(s):  
Nannerl O. Keohane

Many more women provide visible leadership today than ever before. Opening up higher education for women and winning the battle for suffrage brought new opportunities, along with widespread availability of labor-saving devices and the discovery and legalization of reliable, safe methods of birth control. Despite these developments, women ambitious for leadership still face formidable obstacles: primary if not sole responsibility for childcare and homemaking; the lack of family-friendly policies in most workplaces; gender stereotypes perpetuated in popular culture; and in some parts of the world, laws and practices that deny women education or opportunities outside the home. Some observers believe that only a few women want to hold significant, demanding leadership posts; but there is ample evidence on the other side of this debate, some of it documented in this volume. Historic tensions between feminism and power remain to be resolved by creative theorizing and shrewd, strategic activism. We cannot know whether women are “naturally” interested in top leadership posts until they can attain such positions without making personal and family sacrifices radically disproportionate to those faced by men.


Crisis ◽  
2011 ◽  
Vol 32 (5) ◽  
pp. 246-253 ◽  
Author(s):  
Gretchen E. Ely ◽  
William R. Nugent ◽  
Julie Cerel ◽  
Mholi Vimbba

Background: The relationship between suicidal thinking and adolescent dating violence has not been previously explored in a sample of adolescent abortion patients. Aims: This paper highlights a study where the relationship between dating violence and severity of suicidal thinking was examined in a sample of 120 young women ages 14–21 seeking to terminate an unintended pregnancy. Methods: The Multidimensional Adolescent Assessment Scale and the Conflict in Adolescent Relationships Scale was used to gather information about psychosocial problems and dating violence so that the relationship between the two problems could be examined, while controlling for the other psychosocial problems. Results: The results suggest that dating violence was related to severity of suicidal thinking, and that the magnitude of this relationship was moderated by the severity of problems with aggression. Conclusions: Specifically, as the severity of participant’s general problems with aggression increased, the magnitude of the relationship between dating violence and severity of suicidal thinking increased. Limitations of the study and implications for practice are discussed.


TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.


Author(s):  
Iia Fedorova

The main objective of this study is the substantiation of experiment as one of the key features of the world music in Ukraine. Based on the creative works of the brightest world music representatives in Ukraine, «Dakha Brakha» band, the experiment is regarded as a kind of creative setting. Methodology and scientific approaches. The methodology was based on the music practice theory by T. Cherednychenko. The author distinguishes four binary oppositions, which can describe the musical practice. According to one of these oppositions («observance of the canon or violation of the canon»), the musical practices, to which the Ukrainian musicology usually classifies the world music («folk music» and «minstrel music»), are compared with the creative work of «Dakha Brakha» band. Study findings. A lack of the setting to experiment in the musical practices of the «folk music» and «minstrel music» separates the world music musical practice from them. Therefore, the world music is a separate type of musical practice in which the experiment is crucial. The study analyzed several scientific articles of Ukrainian musicologists on the world music; examined the history of the Ukrainian «Dakha Brakha» band; presented a list of the folk songs used in the fifth album «The Road» by «Dakha Brakha» band; and showed the degree of the source transformation by musicians based on the example of the «Monk» song. The study findings can be used to form a comprehensive understanding of the world music musical practice. The further studies may be related to clarification of the other parameters of the world music musical practice, and to determination of the experiment role in creative works of the other world music representatives, both Ukrainian and foreign. The practical study value is the ability to use its key provisions in the course of modern music in higher artistic schools of Ukraine. Originality / value. So far, the Ukrainian musicology did not consider the experiment role as the key one in the world music.


CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 98-113
Author(s):  
Shaobo Xie

The paper celebrates the publication of Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents as a significant event in the age of neoliberalism. It argues that, in spite of the different premises and the resulting interpretative procedures respectively championed by the two co-authors, both of them anchor their readings of literary texts in a concept of literature that is diametrically opposed to neoliberal rationality, and both impassionedly safeguard human values and experiences that resist the technologisation and marketisation of the humanities and aesthetic education. While Ghosh's readings of literature offer lightning flashes of thought from the outside of the Western tradition, signalling a new culture of reading as well as a new manner of appreciation of the other, Miller dedicatedly speaks and thinks against the hegemony of neoliberal reason, opening our eyes to the kind of change our teaching or reading of literature can trigger in the world, and the role aesthetic education should and can play at a time when the humanities are considered ‘a lost cause’.


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