Conclusion

This Conclusion closes the study by summarizing the account of political economy that has been developed, which is intended to replace the standard accounts of ‘classical political economy’. The premise motivating this alternative account is that it is unacceptable to simply assume that classical political economy existed. By studying the major controversies of the period, the forms of argument active in them, and the reception of Smith’s Wealth of Nations in the doctrinal contests between Malthus and Ricardo, it was not possible to support the claim that such a unity existed. Instead, the evidence suggests that political economy was an ill-defined staging ground for contests spilling out of parliamentary debate. This is why the vast majority of texts represent attempts to supervene on policy. These texts—including those by Malthus and Ricardo—were almost always produced using ready-to-hand concepts and instruments. That is, political economy was constructed with great freedom, without intellectual specialization, and in dialogue with the controversies of the day. Moreover, it did not possess its own vocabulary or methods and was even construed as a species of political metaphysics of the same type thought to have caused the French Revolution. In such a context, theoretical speculation concerning commercial life was neither a prestigious nor an accepted form of behaviour, and both Malthus and Ricardo went to elaborate lengths to justify ‘theory’. This circumstance represents a major discontinuity between their time and ours.

Image–Music–Text: Operatic Experiments in the Age of the Audiovisual Essay

Emerging as a new tool and form of criticism and theorizing, the audiovisual essay has stirred many different opinions within the academy, with its many different outcomes. For scholarly purposes, combining it with text, reflection and commentary seems to be the most common and most accepted form of audiovisual essay, easily found all over the internet in well-known video archives such as YouTube and Vimeo. Towards a more poetic end of the spectrum, breaking both the horizontal and vertical dimensions of any work may deepen and reveal new possibilities, often resulting in the creation of new hybrid pieces. This paper aims to demystify these new for­mats and concepts, focusing on its potentiality as a tool for criticism and its creative possibilities regarding music and, more specifically, opera.

Harnessing Dark Energy in Five-dimensional Brans-Dicke Universe

In trying to explain the present accelerated expansion of the universe in the light of a five-dimensional Brans-Dicke theory, it is found that the fifth dimension itself here acts as a source of dark energy. It may be taken as a curvature-induced form of dark energy, in one case of which it behaves similar to that form of dark energy arising out of the cosmological constant which is the most commonly accepted form of dark energy. It is also found that this new type of dark energy is free from big rip singularity and may be taken as a viable form of dark energy which can explain some of physical mysteries of the universe.

Reflective interventionist conversation analysis

A distinction has been drawn between basic (pure) conversation analysis (CA) and applied CA. Applied CA has become especially beneficial for informing areas of practice such as health, social care and education, and is an accepted form of research evidence in the scientific rhetoric. There are different ways of undertaking applied CA, with different foci and goals. In this article, we articulate one way of conducting applied CA, that is especially pertinent for practitioners working in different fields. We conceptualise this as Reflective Interventionist CA (RICA). We argue that this approach to applied CA is important because of its emphasis on the reflective stance that is valuable to an understanding of research data, its commitment to collaboration with practitioners, and its inductive style. In this paper, we outline the core premises and benefits of this approach and offer empirical examples to support our argument. To conclude, we consider the implications for evidence-based practice.

Post-modern changes in marital and family life

Contemporarily, the traditional model of marriage is no longer the only accepted form of family life; there are many alternatives to that type of relationship. In post-modernity we face a rapid change in the perception of informal relationships as well as their dynamic development and increase in number. However, will cohabitation - which in the times of moral relativism, praise of freedom and individuality and democratisation of all aspects of human life becomes increasingly popular – eventually dominate and replace traditional marriage?

Superselective renal artery embolization for treatment of urological hemorrhage after partial nephrectomy in a solitary kidney

Embolization is a well-known and accepted form of treatment for bleeding caused by a multitude of renal procedures. We present a case of a 66-year-old woman who had a history of left nephrectomy for clear cell carcinoma seven years previously and now presented with a 6 cm tumor involving the solitary kidney. She underwent partial laparoscopic nephrectomy with removal of the tumor on the right kidney. In the immediate postoperative period she had important and persistent hematuria associated with tachycardia, hypotension, and lumbar pain. After showing signs of hemodynamic instability, she was taken to the catheter laboratory where selective angiography of the right kidney was performed. Superselective embolization with controlled release of fibrous microcoils was performed. The superselective renal embolization technique performed on an emergency basis to control hemorrhage after a urological procedure is effective and achieves lasting resolution of symptoms.

DIGITAL ART: A REVOLUTIONARY FORM OF ART & VISUAL COMMUNICATION

In this age of technology our life revolves around 2D; 3D images & graphics. Creativity has now crossed all the limits it can’t be restricted to brush and canvas. With the advent of various innovative software’s designing is on the bloom and art become flawless. Digital art is harmony with good knowledge of design software enables us enter into the digital media industry. Today when everything around us become digitalized, the art are taking this step toward the digital world as well. The digital art is a most accepted form of art in the contemporary Indian art. This revolutionary form of art has given a new dimension of art, painting, sculpture and communication. Digital art is created by artist with the help of the computer and sometime modified by computer software. It also creates a subtle difference between design and art. Digital art is the outcome of creativity and computer technology.

Анализ нормируемого определения термина «таблетки» на соответствие логическим правилам

Rationing of terminology in the fi eld of tableting without proper argumentation leads to the use of disordered terms, makes perception unambiguous and requires an inventory of defi nitions of CFC. 1.4.1.0015.15. The article provides an assessment of the standard defi nition of the term «tablets» for compliance with the truth of the content, correctness of the structure and form. As a result, empty and ambiguous signs were revealed, they lead to an understatement of the explanation; the error is too narrow defi nition; comparison of heterogeneous logical concepts of the method of producing tablets; violation of the generally accepted form of generic defi nition. The authors showed the illegality of the regulation of lyophilization as one of the methods for producing tablets. With a certain degree of evidence, it is demonstrated that an ordered defi nition is characterized by the truth of the content, conciseness and uniqueness. According to the authors, the commission on the normalization of terminology in the fi eld of tableting should include highly specialized technologies.

FORMALISM IN ROMAN CONTRACT LAW

The certain mode of production conditions certain legal expressions, determines the character and the forms of expression of the law, and depending on this, certain legal institutes and legal principles arise and change. The principle of formalism in a certain period of development of contractual relations is nothing but an expression of certain socioeconomic and other conditions present in that period. The subject of this paper is the principle of formalism as a feature of Roman contract law, the emergent forms of formalism in Roman law, the causes and functions of formalism in certain stage of development of Roman law. The influence of religion on the law and the low level of development of socioeconomic relations were the main reasons for the recognition of formalism in the first legal systems.The principle of formalism implies that the form of the contract as a means of expressing the consent of the will of the parties is a legally established imperative. The specific way of expressing the will to conclude a contract is an essential element of the contract. Infringement of the form is sanctioned by the nullity of the agreement.Formalism in Roman contract law is present and dominant in the period of the early Roman state and law, the late Roman Republic and pre-classical Roman law. The principle of formalism in these developmental stages of the Roman state and law does not mean that it excludes completely the opposite principle of consensualism which implies that contracts are created by a mere consent of the will of the contracting parties, which can be expressed in words or in writing, or with other behavior from which its existence can certainly be concluded. In Roman law, the consensual form has never succeeded in becoming a generally accepted form and Roman law has never formulated the general principle of consensuality.