Lower Kolyma multilingualism: Historical setting and sociolinguistic trends

2021 ◽  
pp. 136700692110231
Author(s):  
Maria Pupynina ◽  
Natalia Aralova

Aims and objectives/purpose/research questions: The region of Lower Kolyma (LK), Russia, exhibits a unique multilingual situation which involves five languages from five different families: Even (Tungusic), Yakut (Turkic), Chukchi (Chukotko-Kamchatkan), Tundra Yukaghir (Yukaghir), and Russian (Slavic, Indo-European). Our research aims to show the ongoing changes in this setting and to explain the historical background of these trends. Design/methodology/approach: Our approach combines the results of a sociolinguistic survey, published data about the history and ethnography of the region, and observed linguistic effects of language contact. Data and analysis: The sample for our sociolinguistic study includes 196 individuals, born between 1878 and 1996. To assess the patterns of multilingualism we use two parameters: the number of acquired languages and the composition of the linguistic repertoires. To model the linguistic situation in the 20th century, an average life span parameter is used. Findings/conclusions: We demonstrate that in 1940 to 1980 it was most common for LK residents to use all languages of the region. Partly, at least, this was a consequence of the introduction of boarding schools, which became an additional domain for interethnic communication. In recent decades we observe a tendency for a shift to Russian with a concomitant decrease in speakers of the minority languages. Originality: We use an approach of retrospective interviews which allows us to cover a large time period and to provide an overview of changes in the multilingual setting during the 20th century. Thus, even though multilingualism in this area has already been discussed by Vakhtin, the methodological approach is different. Significance/implications: The paper contributes to the field of sociolinguistics, presenting a new case study of multilingualism from an area of Siberia which is understudied in this regard.

2018 ◽  
Vol 28 (7) ◽  
pp. 2361-2365
Author(s):  
Almedina Čengić

The second half of the 20th century in Bosnian literature is marked by the new tendencies of avant-garde writers, who will create their work through a different form of artistic creation, compared to the one that was presented at the beginning of this period. It is important to clarify the specificity of the various procedures that have positively directed dramatic creativity towards the modern lines of European literary circles. Derviš Sušić (1925-1990.), the Bosnian-Herzegovinian tradition and the reality of images, presented in a completely new artistic vision, make oscillation, in the writer's creation, between the determinants of historical facts and the legacy of oral tradition. Derviš Sušić Within the avant-garde tendencies of contemporary writers of the regional region, which appear in the mid-20th century, Sušić dominates in his virtuous creations of dramatic situations and dilemmas, in which his protagonists act. In a specific presentation of crucial culmination points, within the framework of the process of "drama of the flow of consciousness," a modern process in the conduct of drama, this writer analytically approaches the individual's dialectical duplication. Through artistically shaped fragments taken from historical records, this literary virtuoso presents in his texts a culmination point of Bosnian survival, very picturesque dramatic shaped historical characters and crucial events. It is symptomatic that Susić's characters become prototypes of stage characters, without temporal or location restrictions, transmitting a universal message of a unique attitude about the value of human activity and existence, outperform stereotypical models recognizable in the additional drama literature. Through the colorful of seeing and a range of specific dramatic characters, without the diversity of their differentiation in national status or sociopolitical affiliation, this writer creates a special ambient effect in the construction of his poetic fabrics based on historical background. The task of this paper is to prove the causality and conditionality of altruistic (social) and egoistic (individual) agonies in the actions and actions of Sušić's characters, in the examples of dramatic texts "Veliki vezir" (1969) and "Posljednja ljubav Hasana Kaimija "(1973), as well as the influence of emotional indicators on the concrete initiation of the dramatic conflict. It is therefore very interesting to explore and verify the models that will dominantly dominate the regional scene for almost half a century and be accepted as models in the way of writing its contemporaries, among the readers' population, but also at the same time with very successful placement in the theater audience.


2021 ◽  
Vol 74 (1) ◽  
pp. 109-127
Author(s):  
Rossella Maraffino

Abstract In this paper, I will deal with the diffusion pattern of the progressive periphrases (PROGPER) attested in the minority languages that are present in the areas of Swiss Grisons, Trentino-Alto Adige and Friulian Carnia. I will individualize on the one hand the vectors of diffusion between the standard languages and the minority varieties; on the other hand, I will explain the mechanism of adaptation or re-elaboration of the borrowed structure in the replica language. Finally, I will pinpoint which of this structure replication seems to be the result of an internal development witnessed in the Alpine area.


2016 ◽  
Vol 6 (1) ◽  
pp. 155
Author(s):  
Tri Indri Hardini ◽  
Philippe Grangé

When two languages come into contact, they exert a reciprocal influence, often unbalanced. A phenomenon that often occurs in case of language contact is the absorption or borrowing of lexical elements, which will enrich the vocabulary of the receiving language. In this article, we deal with words adopted from French in Indonesian and vice-versa. This research shows that most of the words of French origin in Indonesian/Malay language were borrowed through Dutch. Historical background explains why there are no direct loanwords from French language in Indonesian. Nowadays, a second batch of words originating from Old French finds their way into Indonesian through English. On the other hand, very few words from Malay-Indonesian origin were borrowed in French, and their route was not straight either: they were conveyed through Portuguese or Dutch. Phonological adaptation and shift of meaning may have happen when the words were loaned from French to Dutch language or later, when adapted from Dutch into Indonesian language. The data analysed in this article may help teachers of French as a Foreign Language in Indonesia, as well as teachers of Indonesian as a Foreign Language in French-speaking countries, to predict which words will be immediately recognized by their students, and when they should pay extra-attention to faux-amis (cognates whose meanings differ).


REPERTÓRIO ◽  
2010 ◽  
pp. 17
Author(s):  
Teatro & Dança Repertório

<div>O desejo por uma arte nova e engajada na Revolução Socialista conduz a importantes reformas artísticas na Rússia no início do século XX. As idéias revolucionárias estimularam as transformações do espetáculo e das práticas artísticas não somente através de sua politização, como também pela busca de uma poética inovadora em conformidade com as aspirações da época. Desta maneira, as atividades circenses e teatrais participavam ativamente desta busca desenfreada, porém numa relação de confl uência e hibridismo. O almejar de uma teatralização do teatro e o ideal de “homem novo” difundido pela vanguarda estão em consonância com as mudanças relativas ao picadeiro. É neste contexto que diversos artistas vão se apropriar das atividades do circo, numa relação de simbiose entre o palco e a pista. A este respeito, Vladimir Maiakóvski e Vsévolod Meyerhold são fi guras significativas.</div><div><br /></div><div><div>The desire for a new art engaged to The Socialist Revolution leads to important artistic reforms in Russia at the beginning of the 20th century. The revolutionary ideas had stimulated transformation in spectacles and artistic practices not only through politicization, but also through the pursuit of innovative poetics, in compliance with the aspirations of the time period. As a result, circus and theatrical activities had actively taken part in this unstoppable pursuit, on a hybrid and confluent relation. The seeking fortheatricalizing theater itself and the ideal "new man", spread by Russian Avantgarde, are balanced with ring related changes. Nevertheless, performers approach circus activities, in a symbiotic relation among stage and arena. Referring to this, Vladimir Maiakóvski and Vsévolod Meyerhold are significant characters.</div></div>


2019 ◽  
Vol 15 (4) ◽  
pp. 360-375
Author(s):  
Andrey E. Makushev

Introduction. In the late XIX – early XX centuries agricultural engineering in Russia was considered as a tool for solving several important problems. Against the background of the growth of the export potential of Russian agriculture, an increase in its productivity was considered as a way of obtaining foreign currency funds necessary for settlements on international financial obligations. At the same time, the task of increasing the production of agricultural machinery could not be fully resolved without an increase in demand for it. Therefore, the large-scale agrarian transformations undertaken at the beginning of the 20th century assumed assistance to the peasants in the technical re-equipment of their farms. The preservation of manual labor and archaic methods of agricultural production at the beginning of the 20th century became a threat that could nullify all reform efforts. This article will attempt to determine the extent of consumption of agricultural machinery and implements in Russia in the late XIX – early XX centuries based on the use of statistical materials on the provinces of the Middle Volga region. Materials and Methods. In solving the research problems, archival materials, published data of official statistics, and also scientific literature were used. The theoretical and methodological basis of the study was made by the methods of socio-economic history. The study was conducted on the basis of the principles of historicism, objectivity and systematic. The need for quantitative data processing led to the use of the statistical method. The digital data presented in the work received a graphical interpretation and were visualized in the form of diagrams. The application of modernization theory allowed the inclusion of the growth processes of the technical equipment of agriculture in the trend of industrial modernization. Results. Based on a study of archival and published sources, as well as available scientific literature on the topic, a dynamic analysis of the scale of agricultural machinery consumption was carried out in the late XIX – early XX centuries. The study showed a fairly significant increase in this indicator both in Russia as a whole and in relation to the provinces of the Middle Volga region. At the same time, uneven technical equipment of agriculture was revealed in relation to different provinces. The main factors hindering the introduction of agricultural machinery in agricultural practice are considered. Discussion and Conclusion. The above data quite definitely allow us to talk about the growth in the use of agricultural machinery and improved tools in the Middle Volga region at the beginning of the 20th century. However, in relation to different provinces, these dynamics had very significant differences. It looked the most rapid in the Samara and Saratov provinces. It was much less noticeable in the Penza, Simbirsk and Kazan provinces. Such high rates in the Samara and Saratov provinces are due to the active spread of intensive agriculture, which provided for a high level of mechanization of labor. Passing to the expanded production of a market type, the farmers actively introduced agronomic and technical innovations. However, the technological revolution in agriculture did not cover all producers, far more affecting those who went beyond the communal regime and moved into the category of rural private owners. Among the factors that slowed down the implementation of machines, one can single out the conservatism of the peasant consciousness, the inertia of traditions in the practice of farming, the insufficient technical literacy of the peasantry, which made it difficult to maintain and repair complex machines, their high cost, low purchasing power of rural residents, etc. All this not only hindered the development of agriculture, but also significantly restrained the processes of early industrial modernization of Russia at the beginning of the 20th century.


2008 ◽  
Vol 11 (3) ◽  
pp. 383-385 ◽  
Author(s):  
EVE ZYZIK ◽  
SUSAN GASS

The five papers in this issue cover a range of perspectives on the acquisition and use of the Spanish copulasserandestarin a variety of contexts, including language contact, bilingual language acquisition, and classroom second language learning. The fact that these papers cite work in this area as far back as the early part of the 20th century with each subsequent decade being represented suggests the continual importance and complexity of the distinction between the two copular forms and shows how this complexity is played out in acquisition and bilingual use. Over the past century different perspectives have been taken on this multifaceted issue with linguistic explanations and the role of the native language being primary. In this epilogue, we focus on some of these same issues, but expand our commentary to include the new dimensions represented in this collection of papers: (i) context of learning (input), (ii) prior knowledge as represented by other language(s) known, (iii) item-learning and lexical development, and (iv) innovations in methodology.


Author(s):  
Maya Bielinski

The art manifesto, a written political, social, and artistic proclamation of an artistic movement, surged in popularity among avant‐garde art groups in the first half of the twentieth century. Many of the manifestos featured declarations for the synthesis of art and life as well as a call for social and political power for artists of both 'high' and 'low' art forms. Concurrently, new artistic interpretations of the humble teapot became suddenly ubiquitous. This inquiry explores how the teapot emerged as a dominant symbol for the goals of Modern Art movements, and includes an analysis of the teapot's socio‐political history, its ambiguous status between high and low art, and its role in the commercial sphere. By examining the teapots of Suprematism's Kazimir Malevich, Constructivism's Mariane Brandt,and Surrealism's Meret Oppenheim, this presentation will track ideas of functionality, the teapot as symbol, and aesthetics from 1923 to 1936. This small window in time offers an analysis of the extraordinary developments in teapots, and perhaps a glimpse of the paralleled momentum that occurred more generally in design, architecture, and the other arts in this time period.


2021 ◽  
pp. 135-144
Author(s):  
Alice Brychová

THE FIRST LANGUAGE CONTACT: A CONCEPT FOR TEACHING NEIGHBOURING LANGUAGES IN THE NURSERY SCHOOL In the article we would like to describe the chances and potential of early acquisition of neighbouring languages for child development, and to present the specific possibilities of the “learning location” border region. Specific circumstances have also influenced the methodological approach in the teaching of neighbouring languages for children in Lower Austria nursery schools. The mother tongue staff and the methodical advisors of the project “BIG”, among them also the author of the article, have tried together to develop an optimal concept which would also serve as a basis for teaching or pedagogical care of children at the interface nursery school.


2020 ◽  
Vol 20 (1) ◽  
Author(s):  
Anders Ledberg

Abstract Background Mortality rates are known to depend on the seasons and, in temperate climates, rates are highest during winter. The magnitude of these seasonal fluctuations in mortality has decreased substantially in many countries during the 20th century, but the extent to which this decrease has contributed to the concurrent increase in life expectancy is not known. Here, I describe how the seasonality of all-cause mortality among people ages 60 years or more has changed in Sweden between 1860 and 1995, and investigate how this change has contributed to the increase in life expectancy observed during the same time period. Methods Yearly sex-specific birth cohorts consisting of all people born in Sweden between 1800 and 1901 who reached at least 59 years of age were obtained from a genealogical database. The mortality rates for each cohort were modeled by an exponential function of age modulated by a sinusoidal function of time of year. The potential impact of seasonal fluctuations on life expectancy was investigated by a novel decomposition of the total mortality rate into a seasonal part and a part independent of the seasons. Cohort life expectancy at age 60 was used to quantify changes in lifespan during the time period. Results The magnitude of seasonal fluctuations in mortality rates decreased substantially between 1860 and 1995. For cohorts born in 1800, the risk of dying during the winter season was almost twice that of dying during summer. For cohorts born in 1900, the relative increase in winter mortality was 10%. Cohort life expectancy at age 60 increased by 4.3 years for men and 6.8 years for women, and the decrease in seasonal mortality fluctuations accounted for approximately 40% of this increase in average lifespan. Conclusion By following a large number of extinct cohorts, it was possible to show how the decrease in seasonal fluctuations in mortality has contributed to an increase in life expectancy. The decomposition of total mortality introduced here might be useful to better understand the processes and mechanisms underlying the marked improvements in life expectancy seen over the last 150 years.


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