Monocultural and multicultural gastronationalism: National narratives in European food shows

2018 ◽  
Vol 22 (5-6) ◽  
pp. 817-834 ◽  
Author(s):  
Jonatan Leer
Keyword(s):  
National Identity ◽  
Great Britain ◽  
National Narrative ◽  
National Narratives ◽  
Tv Shows

This article argues that we are witnessing a wave of gastronationalism in European food television. In televised rediscoveries of national cuisines, narratives of the national identity are unfolded, and in these narratives various boundaries are defined and various subjects are included, excluded and ranked in the national narrative. Based on the analysis of Le Chef en France (2011–2012) with the leading celebrity chef in France Cyril Lignac and Jamie’s Great Britain (2012) with Jamie Oliver, the article proposes to distinguish between a monocultural gastronationalism and a multicultural gastronationalism. Finally, the article also suggests that the wave of TV shows with a gastronationalist discourse could be seen as a form of normalization of gastronationalism.

Surface Orientations in Vietnam: Beyond Histories of Nation and Region

1998 ◽  
Vol 57 (4) ◽  
pp. 949-978 ◽  
Author(s):  
K. W. Taylor
Keyword(s):  
National Identity ◽  
Regional Identity ◽  
National Narrative ◽  
National Narratives ◽  
The West ◽  
Cultural Exchanges ◽  
Way Of Thinking ◽  
Regional Histories ◽  
Language Literature

If we can clear our minds of “Vietnameseness” as the object of our knowledge and instead look carefully at what the peoples we call Vietnamese were doing at particular times and places, then we begin to see that beneath the veneers of shared fields of sounds and marks, or of however one may refer to mutually intelligible languages and writings, lay quite different kinds of peoples whose views of themselves and of others was significantly grounded in the particular times and terrains where they dwelled and in the material and cultural exchanges available in those times and terrains. If we speak of these peoples as oriented toward the surfaces of their times and places rather than as oriented toward an imagined unifying depth, we will shift the effects of our ideological intent upon the archive away from the figurations both of univocal national narratives and of multivocal regional narratives contextualized by the nation. In this essay, I am interested in how the archive can be read to disperse the coherencies of Vietnamese histories as epistemological or hermeneutical categories, whether they be conceived as national histories or as regional histories. Rather than simply opposing regional histories to a dominant national narrative, I believe that regional and national narratives are “cofigured” in ways similar to how Naoki Sakai has written of desires for Japanese originality in realms of language, literature, and national identity being mimetically cofigured with desires for the West (Sakai 1997, 15-16, 21-22, 51-52). Posing a regional identity does not erase or diminish the potency of a national identity but rather mimetically reinforces it in a schema of cofiguration. I endeavor an orientation toward the surface of time and place as a way of thinking beyond histories of region and nation.

Incompatible Visions of Supra-Nationalism: National Identity in Turkey and the European Union

2007 ◽  
Vol 48 (2) ◽  
pp. 347-372 ◽  
Author(s):  
Sener Aktürk
Keyword(s):  
European Union ◽  
National Identity ◽  
Point Of View ◽  
The European Union ◽  
National Narrative ◽  
National Narratives ◽  
Eu Member States ◽  
Identity Narratives ◽  
Imperial Identity ◽  
European Family

This essay looks at Turkish-EU relations with a specific focus on identity narratives from the Turkish point of view. It outlines Turkey's official national narrative in its Ottoman, Turkic, and Islamic supra-national contexts and compares it with the supranational framework of EU member states' national narratives. According to the official Turkish historiography, Turkey is not part of a European family of nations. Turkey's non-European post-imperial identity is found to be comparable to that of Britain.

Ivan Cankar’s National Narrative and Its Role in the Formation of the Slovenian Cultural Identity

2018 ◽  
Vol 13 (3-4) ◽  
pp. 108-117
Author(s):  
Anna G. Bodrova
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Symbolic Order ◽  
National Narrative ◽  
Cultural Space ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
The Subject

Ivan Cankar (1876–1918), who occupies an honorable place in the Slovenian cultural canon, once changed the course of development of Slovenian literature and influenced the formation of national identity. The national narrative of Cankar was based on contradictions: living far from his people, he sometimes glorified them and sometimes attacked them with heavy criticism; he correlated his homeland with his mother, the mother though being dead. Cankar’s concentration on the subject of mother and homeland is interpreted here in the framework of psychoanalysis. Following Slavoj Žižek, the author develops the idea that it was the mother who became the Symbolic Order representative or Super-Ego for the writer. The concept of “Cankar’s mother”, which became a symbol of self-sacrifice and at the same time repressiveness in the Slovenian cultural space, is considered.

scholarly journals Gender and Migrant Roles in Italian Neorealist and New Migrant Films: Cinema as an Apparatus of Reconfiguration of National Identity and ‘Otherness’

Humanities ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 71
Author(s):  
Marianna Charitonidou
Keyword(s):  
National Identity ◽  
Urban Studies ◽  
Italian Cinema ◽  
Main Argument ◽  
Narrative Strategies ◽  
National Narratives ◽  
The Status ◽  
And Gender ◽  
Post War ◽  
The Relationship

The article examines an ensemble of gender and migrant roles in post-war Neorealist and New Migrant Italian films. Its main objective is to analyze gender and placemaking practices in an ensemble of films, addressing these practices on a symbolic level. The main argument of the article is that the way gender and migrant roles were conceived in the Italian Neorealist and New Migrant Cinema was based on the intention to challenge certain stereotypes characterizing the understanding of national identity and ‘otherness’. The article presents how the roles of borgatari and women function as devices of reconceptualization of Italy’s identity, providing a fertile terrain for problematizing the relationship between migration studies, urban studies and gender studies. Special attention is paid to how migrants are related to the reconceptualization of Italy’s national narrations. The Neorealist model is understood here as a precursor of the narrative strategies that one encounters in numerous films belonging to the New Migrant cinema in Italy. The article also explores how certain aspects of more contemporary studies of migrant cinema in Italy could illuminate our understanding of Neorealist cinema and its relation to national narratives. To connect gender representation and migrant roles in Italian cinema, the article focuses on the analysis of the status of certain roles of women, paying particular attention to Anna Magnagi’s roles.

scholarly journals European Integration as a Determinant Factor of Macedonian National Identity

2021 ◽  
Vol 101 (1) ◽  
pp. 209-218
Author(s):  
Anastasia Salavatova ◽  
Keyword(s):  
National Identity ◽  
National Level ◽  
External Pressure ◽  
National Narrative ◽  
Basic Principles ◽  
European Standards ◽  
European Periphery ◽  
Determinant Factor ◽  
The Eu

The concept of the EU normative power implies transformation challenges which project norms on the national level of European periphery. The research aims to assess extent the EU requirements contradict the Macedonian national identity and determine changes that either are perceived as imposed or reflect implicit European norms. Depending on the level of the EU engagement europeanization of national identity takes different forms ranging from institutional changes with the European mediators’ assistance (conflict settlement, the name issue) to the search of alternative national legitimation models apart from socialist Yugoslavia. Conditionality of explicit requirements that refer to disputes with neighbouring countries is integrated into national narrative in the form of sacrifice, which still is perceived as external pressure. Implicit norms like decommunization are more difficult to identify but imply a long-term deconstruction of national identity. Such deconstruction could provide not just prospects for the future of the Macedonian nation and state but allows to select and describe implicit European norms that are disseminated into the periphery. The article outlines conditionality between European standards and requirements and transformations in basic principles of Macedonian national identity.

Inventing England: English identity and the Scottish ‘other’, 1586–1625

2018 ◽  
pp. 305-326
Author(s):  
Jenna M. Schultz
Keyword(s):  
National Identity ◽  
Great Britain ◽  
Strong Reaction ◽  
Archaeological Evidence ◽  
Language Studies ◽  
English National Identity ◽  
Identity Based ◽  
Single State ◽  
English Identity ◽  
Historical Accounts

Through dynastic accident, England and Scotland were united under King James VI and I in 1603. To smooth the transition, officials attempted to create a single state: Great Britain. Yet the project had a narrow appeal; the majority of the English populace rejected a closer relationship with Scotland. Such a strong reaction against Scotland resulted in a revived sense of Englishness. This essay analyzes English tactics to distance themselves from the Scots through historical treatises. For centuries, the English had created vivid histories to illuminate their ancient past. It is evident from the historical works written between 1586 and 1625 that authors sought to maintain a position of dominance over Scotland through veiled political commentaries. As such, their accounts propagated an English national identity based on a sense of historical supremacy over the Scottish. This was further supported through the use of language studies and archaeological evidence. After the 1603 Union of the Crowns, these stories did not change. Yet, questions arose regarding the king's genealogy, as he claimed descent from the great kings of both kingdoms. Consequently, historians re-invented the past to merge their historical accounts with the king's ancestral claims while continuing to validate English assertions of suzerainty.

scholarly journals NATIONAL NARRATIVES OF SPANISH AND PORTUGUESE STUDENTS

2019 ◽  
Vol 49 (172) ◽  
pp. 78-95
Author(s):  
Jorge Sáiz Serrano ◽  
Isabel Barca
Keyword(s):  
National Identity ◽  
Data Analysis ◽  
Young People ◽  
Qualitative Approach ◽  
Temporal Orientation ◽  
National Accounts ◽  
National Narratives ◽  
Orientation Data ◽  
Old Spanish ◽  
Nation States

Abstract This study aims at understanding how the master narratives conveyed by the national accounts given by 14 to 18-year-old Spanish and Portuguese students converge or differ from one another and how they relate to national identity and temporal orientation. Data analysis was carried out in a qualitative approach inspired by Grounded Theory. The results suggest a parallel but conceptually convergent schematic template focused on initial conquests, a golden period of maritime discoveries, and a recent dictatorship overcome by the restoration of democracy. Some particularities of students’ accounts linked to specific historical situations in each country, as well as diversified attitudes of the young people toward “their” nation-states are also discussed.

White Femininity in the Nation, the Nation in White Femininity

2017 ◽  
Author(s):  
Raka Shome
Keyword(s):  
National Identity ◽  
Cultural Politics ◽  
White Women ◽  
National Narrative ◽  
Celebrity Culture ◽  
Early Twenty ◽  
White Femininity ◽  
Global North ◽  
Late Twentieth ◽  
New Britain

This book examines how the narrative of white femininity transformed Princess Diana into a simultaneous signifier of a national and global popular. Situating the discussion of white femininity and national modernity in the New Labor cultural scape of 1997 that promoted the rhetoric of a New Britain, the book analyzes the different facets of white femininity that the Diana phenomenon mobilized and stabilized in the production of a (new) national narrative of Britishness in the 1990s and beyond. It also considers a constellation of images of privileged white women in order to illustrate a larger formation of white femininity through which many neoliberal logics of national identity and citizenly belonging were being rewritten in the late twentieth and early twenty-first centuries; how national identity intersects with celebrity culture, cultural politics, and global struggles over (what constitutes) modern subjectivity; and how representations, articulations, and actions of privileged white women of the Global North impact, inform, and intersect with larger geopolitics.

scholarly journals Are We Still Illyrians?

2016 ◽  
Vol 1 ◽  
pp. 25-36
Author(s):  
Valerie Higgins
Keyword(s):  
National Identity ◽  
Cold War ◽  
National Narrative ◽  
Archaeological Heritage ◽  
Heritage Sites ◽  
The Future ◽  
Future Direction ◽  
Changing Attitudes ◽  
World Perspective

This paper examines the changing attitudes of young Albanian archaeologists to Albania’s archaeological heritage. As Cold War archaeologists retire and are replaced by a generation trained after the fall of communism, this paper asks how their different world perspective will influence the future direction of archaeology. Particular issues that are addressed are the perceived role of the Illyrians in national identity and the willingness of young archaeologists to embrace new types of heritage sites, such as industrial and Cold War archaeology. Examples of the latter are very prominent in the Albanian landscape, but their interpretation and incorporation into the national narrative are still contentious issues for many.

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