Fried avec Debord: Theatricality by Default

2017 ◽  
Vol 16 (1) ◽  
pp. 74-88
Author(s):  
Victor Tupitsyn

The title of this article alludes to Jacques Lacan’s text ‘Kant avec Sade’ (1963). With that in mind, the author compares Michael Fried’s Art and Objecthood (1998[1967) to Guy Debord’s The Society of the Spectacle, also published in 1967. Whereas Fried unleashes his criticism against ‘the condition of theatre’ and its mounting presence in the realm of visual culture, Debord accuses spectacle of ‘becoming a life style’, endorsed by power structures and fuelled by the media. Chances are that neither art nor objecthood, but rather the spectacle itself is ‘the chief product of present-day society’. Or should we agree that human beings are homo theatricals, for whom ‘the condition of theatre’ is an inalienable part of their ‘social contract’. Among the issues discussed here are ‘ Heterotopia of the spectacle’ (e.g. play within a play) and the ‘theatrical drive’, which plays a fundamental role in balancing the rivalry between libido (Eros) and the ‘death drive’ (Thanatos) in the playhouse of our psychic life.

2021 ◽  
Author(s):  
Marciano Tribess

This book presents the influence exerted by the media on children and adolescents in relation to the early experimentation with psychoactive substances. And the pedagogical-theological intervention as a preventive strategy. The influence on the human being through media mechanisms that condition him to the action expected by the conditioning, has been studied for a long time, by several authors such as Aldous Huxley with his book "Admirável Mundo Novo" that already addressed the conditionality of the human since the decade of 30. In the following decades, other theorists such as Edgar Morin and Guy Debord, analyzed how the human being is conditioned through mass culture and the society of the spectacle. The reality presented in relation to the conditioning of children and adolescents through the media has propelled the author, to seek preventive ways regarding the conditionality of human beings through the media. For that, it analyzed theorists like Paulo Freire and Michel Henry and their discoveries about the mediation of knowledge and the analysis of the Words of Christ and how they can contribute in the elaboration of pedagogical-theological interventions.


2018 ◽  
Vol 10 (4) ◽  
pp. 383-419 ◽  
Author(s):  
Terrence H. Witkowski

Purpose This paper aims to present a visually documented brand history of Winchester Repeating Arms through a cultural analysis of iconic Western images featuring its lever action rifles. Design/methodology/approach The study applies visual culture perspectives and methods to the research and writing of brand history. Iconic Western images featuring Winchester rifles have been selected, examined, and used as points of departure for gathering and interpreting additional data about the brand. The primary sources consist chiefly of photographs from the nineteenth century and films and television shows from the twentieth century. Most visual source materials were obtained from the US Library of Congress, the Smithsonian Institution, the Buffalo Bill Center of the West and the Internet Movie Firearms Database. These have been augmented by written sources. Findings Within a few years of the launch of the Winchester brand in 1866, visual images outside company control associated its repeating rifles with the settlement of the American West and with the colorful people involved. Some of these images were reproduced in books and others sold to consumers in the form of cartes de visite, cabinet cards and stereographs made from albumen prints. Starting in the 1880s, the live Wild West shows of William F. Cody and his stars entertained audiences with a heroic narrative of the period that included numerous Winchesters. During the twentieth century and into the present, Winchesters have been featured in motion pictures and television series with Western themes. Research limitations/implications Historical research is an ongoing process. The discovery of new primary data, both written and visual, may lead to a revised interpretation of the selected images. Originality/value Based largely on images as primary data sources, this study approaches brand history from the perspective of visual culture theory and data. The research shows how brands acquire meaning not just from the companies that own them but also from consumers, the media and other producers of popular culture.


2017 ◽  
Vol 25 (3) ◽  
pp. 342-363
Author(s):  
Katherine A. Shaner

In the first century ce, images of Roman imperial figures subduing foreign, sexualized women were installed throughout the civic spaces of the Empire as a celebration of victory over other nations. The well-known reliefs on the Sebasteion in Aphrodisias are just one example. Images like these dominated the visual fields of ancient people, working to persuade viewers of certain ideals about power, beauty, and authority. This article argues that setting the Philippians Christ hymn (Phil. 2:5-11) in the context of this visual culture and rhetoric helps solve a significant lexical problem: the meaning of ἁρπαγμός in Phil. 2:6. Methodologically, I argue that reading the Christ hymn in conversation with the visual rhetoric of the Aphrodisian reliefs, and other images like them throughout imperial cities, significantly shifts the interpretative framework for the hymn. The use of sexualized women’s bodies to depict conquered peoples suggests that ἁρπαγμός means “rape and robbery” rather than “something to be exploited or grasped” as most major lexica and biblical translations suggest. Theologically, Phil. 2:6 thus fits with first-century discourses around the image and power of divine emperors rather than later inter-Christian arguments about pre-existence. The result is a hymn that simultaneously critiques Roman practices of “rape and robbery” and also draws on imperial power structures.



2020 ◽  
Vol 1 (1) ◽  
pp. 32-41
Author(s):  
Aurelius Fredimento ◽  
John M. Balan

The development and the progress of media communication at the present is a fact of the knowledge and the technology development that must be accepted. It presence like the flowing water which has a fast current that brings also two influences both positive and negative that must be accounted for the members of the Catholic Students Community Of St. Martinus Ende (KMK St. Martinus Ende). Both positive and negative influences the media community like a kinetic energy or a power attraction that attract  them in a tiring ambiquity. Let them walk alone without escort of a decisive compass where they should have a rightist attitude and responsible. On the point, the guidance and assistance of the church is an  offering  if the church will be born a generation  of the future  of the  church  that is mature and has a certain quality  based  on the growth  and the development  of acuteness and inner  to determine the attitude to the development of media communication. The process of sharpening of mind and the sharpeness of the participants can be realized by giving some activities such as: awareness, deepening and even  the sharpeness of the actor of  media communication as an  alternative of reporting work of the God Kingdom for human beings. It becomes the main moving spirit or activator  for the board of KMK Of St. Martinus Ende  to plan and boring  about the activity of catechism. The activity rise the method of Amos.  By this method, the participants are invited to build a deeply reflection that based on thein real experiences about the media communication, while keep on self opening to the God planning will come  to them  and  give them via  the commandment of God.  The commandment  of God  come to light, inspiration, motivate, power and critics to the  participants about the using of the media communication as a media of the commandment of the kingdom of God  to the world that is more progress and development lately.


1970 ◽  
pp. 159
Author(s):  
Eva Åhrén

The publication of Fredrik Svanberg’s Människosamlarna. Anatomiska museer och rasvetenskap i Sverige ca 1850–1950 [The Collectors of Human Beings. Anatomical Museums and Racial Science in Sweden c. 1850–1950] is very timely. The topic of human remains in museum collections has recently been under debate in Swedish media Early in 2015, the debate was triggered by the efforts of Karolinska Institutet’s Unit for Medical History and Heritage to research its neglected historic collections of human remains, and start repatriating racialized skulls to indigenous source communities. (Disclosure: I am the director of that unit, and my own research on the history of medical museums is referenced in this book.) Svanberg, who is head of research at the Swedish History Museum in Stockholm, wrote an important contribution to the media debate. The old skull collections that still exist in Lund, Uppsala and Stockholm, he pointed out, have been “rediscovered” by the media at intervals of 5–7 years since the 1980s (cf. pp. 20–26). Media attention tends to cause a brief uproar, until the crania are quickly forgotten again – until the next time. Swedes don’t seem to retain past understandings and constructions of race, or how these conceptions contributed to the creation of our modern, neutral and ostensibly non-racist welfare state.


2007 ◽  
Vol 3 (2) ◽  
Author(s):  
Endang Sri Wahyuni ◽  
Ma’mun Sarma ◽  
Ismail Pulungan

Healthy behavior is an important physical and psychological needs for human beings. Therefore, to attain good healthy behavior results, it is essential to study of the process to obtain information oh healthy life style in the Senior tabloid. Objectives of this research are to analyze individual characteristic (internal factors) and external factors (physical environment, social environment, and cultural environment), and to analyze the relationship between the internal factors and external factors and reader behavior. This study is a correlational description research, consists of 40 respondens of Senior tabloid reader were taken as sample. The sampling method was Sensus, and the technique of analysis were Spearman correlation method.The important results are : (1) reader behavior classified of five parts: exertion obtain an information source, reading frequency, reading schedule, exertion to store the information source, and information application, (2) internal factors that have significantly correlate to reder behavior are: job, healthy life style experience, family quantity, and cosmopolit, and (3) external factors that have significantly correlate to reader behavior are: packaging, content (topic and language), self concept, group effect, value system, and social process.


2020 ◽  
Vol 16 (36) ◽  
pp. 01-20
Author(s):  
Adriana Hoffmann Fernandes ◽  
Helenice Mirabelli Cassino

This article combines thoughts about childhood, visual culture and education. It is known that we live among multiple images that shape the way we see our reality, and researchers in the visual culture field investigate how this role is played out in our culture. The goal is to make some applications those ideas, to think about the relationship between the images and education. This article tries to grasp what visual culture is and in what ways presumptions about childhood generate and are generated by this association. It also discusses the genesis of these presumptions and the images they generate through a philosophical approach, questioning the role of education in a culture tied to the media, and about how children, who are familiar with multiple screens, presage a new visual literacy. We see how images play a fundamental role in the way children give meaning to the world around them and to themselves, in the context of their local culture. Given this context, it is necessary to consider how visual culture is tied to the elementary school, and what challenges confront the generation of wider and more creative ways to approach visual framing in children’s education.


Nuncius ◽  
2018 ◽  
Vol 33 (1) ◽  
pp. 1-24
Author(s):  
Alan Dorin ◽  
Eva Anagnostou-Laoutides

Abstract This article assesses the imperial Roman technological options and cultural impetus for constructing and displaying an automaton Triton. Suetonius reports that such a figure announced the commencement of a staged sea battle organised by Emperor Claudius to entertain the Roman citizens in 52 CE. This automaton, whose feasibility we assess, fits neatly as an application of the pneumatic techniques summarised by Heron of Alexandria, who was probably alive at the time. By drawing attention to this little discussed passage of Suetonius, our article corroborates the idea that these techniques were useful – here contributing to the “media-image” and audio-visual culture of Claudius’ imperial agenda – and that their wondrous effects provided an intellectual bridge between their practical utility and their ability to contribute to the philosophy of science and technology.


Author(s):  
Irina N. Zakharchenko ◽  
◽  
Olga M. Shchedrina ◽  

For the first time in the Russian-speaking academic environment the authors of the paper analyze the creative legacy of the scientist, aeronautical engineer and artist Frank Joseph Malina (1912–1981). His working practices reflected the most important ethic and aesthetic aspirations of the mid-twentieth century, what became an important contribution to the development of modern visual culture. The pioneer of Lumino Kinetic art F.Malina created several unique electromechanical systems for the production of an image, the media infrastructure and technological nature of which would later become the visual standard of the digital age. The discovery of electric light as a new artistic medium allowed him to focus on the production methods, control and processing algorithms for light that produces images. The Lumino Kinetic experiments of F. Malina are based on understanding the new nature of the image, born during the era of scientific discoveries. Several decades before the iconic turn was proclaimed by academic science, they presented the image as a system of relations that is formed in acts of perception and that is not based on visible, but felt, ideated, imagined reality. While creating his works F. Malina dreamed of modeling qualitatively new perceptual conditions for the existence of mankind aimed at further progress and traveling to the stars.


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