scholarly journals The heroes’ children: Rescuing the Great War’s orphans

2021 ◽  
pp. 161189442199268
Author(s):  
Friederike Kind-Kovács
Keyword(s):  
World War I ◽  
Public Discourse ◽  
Child Victims ◽  
World War ◽  
The Public ◽  
Christian Morality ◽  
New Public ◽  
War Orphans ◽  
War Effort ◽  
Hungarian State

World War I and its aftermath produced a particularly vulnerable group of child victims: war orphans. This group included children whose fathers had fallen in battle, who had disappeared, or who had not (yet) returned home. Most of Europe’s war and postwar societies witnessed the massive presence of these child victims, and responded in various ways to rescue them and secure their future survival. This article offers an exploration of the ways in which the Hungarian part of the Austro-Hungarian monarchy, and then later the post-imperial Hungarian state, became invested in providing care and relief to Hungarian war orphans. In contrast to other groups of child victims, whose parents were blamed for neglecting their parental duties, war orphans as the offspring of ‘war heroes’ profited from the public appreciation of their fathers’ sacrifice for the war effort and the Hungarian nation. The public discourse in the contemporary Hungarian media offers a glimpse into the emergence of a new public visibility of these child victims and of a new recognition of the societal obligation to care for them. Exploring World War I and its aftermath as a telling example of political transformation in the 20th century, the article showcases how war orphans were taken to personify essential notions of war- and postwar destruction, while also capturing visions of postwar recovery. It furthermore examines how welfare discourses and relief practices for Hungary’s war orphans were embedded in contemporary gender norms, notions of proper Christian morality and ethnic nationalism. On this basis, the article assesses the ways in which the case of Hungary’s war orphans not only mirrors the professionalization but also the fundamental transformation of child welfare in the aftermath of World War I.

scholarly journals Portrayal of Nurses in the Lyrics of the Music During World War I

2021 ◽  
Vol 6 (3) ◽  
pp. 33
Author(s):  
Kelley H. Pattison
Keyword(s):  
World War I ◽  
Point Of View ◽  
Red Cross ◽  
World War ◽  
Us Army ◽  
The Public ◽  
The Us ◽  
War Effort ◽  
Music Lyrics ◽  
Insight Into

Purpose: The study explores the description of nurses serving with the US Army and the American Red Cross during World War I as described in a collection of sheet music. The purpose was to identify themes within the lyrics which describe how the nurse was viewed at the time.Background: Analyzing the description of nurses who served during World War I allows the present-day reader insight into how they were perceived by the soldiers they cared for and the public. The contrast between the two types of songs; those written from the point of view of the soldiers and songs written from the point of view of the public, provides an insight into the depiction of the nurses.Method: Thematic analysis was used to review a collection of songs (N=29) for themes and examples of how nurses were described in the music lyrics of World War I music. Library of Congress music archives is the repository of the music reviewed.Findings and conclusions: The song lyrics from the soldiers' point of view describe these women as beautiful, selfless angels, and much like their mothers back home. The lyrics from the public's point of view describe the nurses as one who does her part for the war effort, one who doesn't get enough praise, and a woman of courage. Many songs ask God to save the nurse. Looking back 100 years later, it is interesting to see how the nurse was a revered member of the US war effort during World War I.

Karikatur als Kriegsdienst: Aby Warburgs »neuer Stil zwischen Wort und Bild«, 1914–1918

2021 ◽  
Vol 84 (1) ◽  
pp. 78-95
Author(s):  
Dorothea McEwan
Keyword(s):  
Public Opinion ◽  
World War I ◽  
Military Service ◽  
Active Role ◽  
World War ◽  
Early Stages ◽  
War Effort ◽  
War Propaganda

Abstract This article attempts to throw a light on Warburg’s little-known engagement in political caricature during World War I. Though deemed unfit for military service, Warburg was eager to contribute to the German war effort. Perceiving Allied war propaganda as anti-German lies, he recorded what he considered its half-truths and falsehoods in his Kriegskartothek, or war archive. But Warburg, as indicated by his involvement with the short-lived La Guerra del 1914: Rivista illustrata in the early stages of the war, kept looking for a more active role in influencing public opinion: From privately commenting on the output of the Allied press, he went on to offering his own ideas for political caricatures to leading artists like Olaf Gulbransson and Max Slevogt, and to well-established satirical journals such as Simplicissimus and Kladderadatsch.

scholarly journals Famous head injuries of the first aerial war: deaths of the “Knights of the Air”

2015 ◽  
Vol 39 (1) ◽  
pp. E5
Author(s):  
Prateeka Koul ◽  
Christine Mau ◽  
Victor M. Sabourin ◽  
Chirag D. Gandhi ◽  
Charles J. Prestigiacomo
Keyword(s):  
Head Injury ◽  
World War I ◽  
Head Injuries ◽  
World War ◽  
Traumatic Head Injury ◽  
The Public ◽  
Time Period ◽  
Traumatic Head ◽  
The Media

World War I advanced the development of aviation from the concept of flight to the use of aircraft on the battlefield. Fighter planes advanced technologically as the war progressed. Fighter pilot aces Francesco Baracca and Manfred von Richthofen (the Red Baron) were two of the most famous pilots of this time period. These courageous fighter aces skillfully maneuvered their SPAD and Albatros planes, respectively, while battling enemies and scoring aerial victories that contributed to the course of the war. The media thrilled the public with their depictions of the heroic feats of fighter pilots such as Baracca and the Red Baron. Despite their aerial prowess, both pilots would eventually be shot down in combat. Although the accounts of their deaths are debated, it is undeniable that both were victims of traumatic head injury.

Prisoners’ fantasies in Weimar film

2009 ◽  
Vol 39 (3) ◽  
pp. 290-304 ◽  
Author(s):  
Ofer Ashkenazi
Keyword(s):  
World War I ◽  
Weimar Republic ◽  
Law And Order ◽  
World War ◽  
Modern City ◽  
The Public ◽  
Bourgeois Society ◽  
Weimar Cinema ◽  
Public Criticism

Prison cells constituted a unique sphere in post-World War I German films. Unlike most of the modern city spheres, it was a realm in which the private and the public often merged, and in which reality and fantasy incessantly intertwined. This article analyses the ways in which filmmakers of the Weimar Republic envisaged the experience within the prison, focusing on its frequent association with fantasies and hallucinations. Through the analysis of often-neglected films from the period, I argue that this portrayal of the prison enabled Weimar filmmakers to engage in public criticism against the conservative, inefficient and prejudiced institutions of law and order in Germany. Since German laws forbade direct defamation of these institutions, filmmakers such as Joe May, Wilhelm Dietherle and Georg C. Klaren employed the symbolism of the prisoner’s fantasy to propagate the urgent need for thorough reform. Thus this article suggests that Weimar cinema, contrary to common notions, was not dominated by either escapism or extremist, anti-liberal worldviews. Instead, the prison films examined in this article are in fact structured as a warning against the decline of liberal bourgeois society in the German urban centres of the late 1920s.

THE PEDIATRICIAN AND THE PUBLIC

PEDIATRICS ◽  
1955 ◽  
Vol 15 (4) ◽  
pp. 479-487
Author(s):  
John A. Askin ◽  
Kurt Glaser
Keyword(s):  
World War Ii ◽  
World War I ◽  
Old Testament ◽  
Jewish People ◽  
Jewish State ◽  
World War ◽  
The Public ◽  
Short Period ◽  
State Of Israel ◽  
Made In

IN SPITE of a short period of sovereignty— less than 7 years—the State of Israel is playing an important role in matters pertaining not only to the Middle East but, in some respects, in matters of importance to the whole world. In medicine the advances in Israel have been no less striking than the progress made in other fields. It is felt that the pediatricians of our country might be interested to learn about Israel's medical status, particularly pertaining to pediatrics. Palestine, of which the present Israel is a part, was in Old Testament times known as Canaan or Philistia because of the tribes which lived there. Palestine was the home of the Jewish people from the time Joshua conquered the land, about 1400 B.C., until the Romans destroyed the Jewish State in the year 70 A.D. Around 630 A.D. the country came under Moslem power. From 1516 to the end of World War I Palestine was a part of the Turkish Empire. In 1917, the British Government issued the famous Balfour Declaration which promised the Jews of the world that they could build a national homeland in Palestine. The League of Nations made the land a British mandate in 1920. From then until World War II Palestine was at several occasions plunged into violent civil war between the Jews and the Arabs. After World War II in 1947 Great Britain announced a decision to give up the Mandate.

scholarly journals Flexible Fatherlands: “Patriotism” among Polish-speaking German Citizens during World War I

2020 ◽  
Vol 53 (1) ◽  
pp. 71-93
Author(s):  
James Bjork
Keyword(s):  
World War I ◽  
World War ◽  
German Empire ◽  
Passive Compliance ◽  
War Effort ◽  
War Aims

AbstractThis article examines the experiences of Polish-speaking subjects of the German Empire during World War I. Fighting for wartime empires tended to be retrospectively defined as involuntary service to a “foreign” cause. But the author of this article argues that it was very difficult to distinguish ostensibly passive “compliance” from ostensibly active “patriotism.” The apparent tensions between a German imperial agenda and Polish nationalism also proved to be highly navigable in practice, with German war aims often seen as not only reconcilable with but even conducive to the Polish national cause. Drawing on a recent wave of relevant historiography in English, German, and Polish, and incorporating further analysis of individual testimonies, the article explores the various ways in which “non-German” contributors to the German war effort tried to make sense of their awkward wartime biographies.

scholarly journals Reception of Natalie's Ramonda, Armistice Day Symbol in Serbia

2020 ◽  
Vol 14 (4) ◽  
Author(s):  
Senka Kovač
Keyword(s):  
Cultural Memory ◽  
Representative Sample ◽  
Public Discourse ◽  
First Year ◽  
World War ◽  
World War One ◽  
First Year Students ◽  
The Public ◽  
Ongoing Process ◽  
The Past

Nataliе’s Ramonda, a symbol of Armistice Day – November 11 in Serbia, is a new memorial symbol constructed and promoted by politicians in 2012. The Armistice Day was celebrated then as a national holiday in Serbia. The reception of this symbol has been explored over a five-year period, both in a public discourse and on a representative sample of first year students at the Faculty of Philosophy in Belgrade. In public discourse, as well as among students of the Faculty of Philosophy, Natalie’s Ramonda is perceived as an emblem, a badge, and most often as a symbol. It was seen as an emblem on the lapel of public and media figures, inaccessible to broad commercial promotion and sales. In public discourse and among students at the Faculty of Philosophy, Natalie’s Ramonda was perceived in several answers as a medal, and is also recognized as a flower that symbolizes the suffering of the Serbian people in World War One; symbol of the nation’s rebirth – the flower phoenix, as a mark of peace and freedom. As a newly constructed symbol of the Armistice Day in Serbia, for the past seven years, Natalie’s Ramonda has been a mediator in the public culture of remembrance and in the ongoing process, by becoming a part of cultural memory.

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